276:. This is encapsulated by Mary and Charlie. Charlie has seemingly lost the will to live, or at least he lacks the enthusiasm that he had as a younger man . He has a depressing outlook on life, Mary recognises this sentiment and agrees that life is largely irrational—in that death takes everyone eventually, a theme explored through Mary's mother's death—but sees hope in love. Her relationship with Frank reinvigorates her outlook.
212:
291:
The concepts of freedom and democracy are thus questioned and doubted and it seems as if the novel indirectly compares the state of affairs in the 'democratic' United States with communist Russia. The
American citizens are blackmailed (Charlie), driven to commit suicide (Frank's friend, Billy Foy)
279:
Apart from describing personal problems like drink, adultery and love, the novel also deals with the theme of politics, and political concepts like democracy and freedom. The United States is portrayed from the beginning as a territory facing problems, both internal as well as external. The
271:
narrates the troubles, fears, dilemmas, problems and happiness of its main characters. There is an implicit feeling of nostalgia in the novel, a nostalgia for a time when everything seemed possible and life was full of hope and expectations. This, of course, also denotes the idea of
34:
301:
339:
532:
20:
527:
357:
497:
255:
332:
222:
165:
129:
430:
522:
374:
366:
178:
454:
325:
288:
contribute to an unstable and threatening atmosphere. US citizens are living in fear of being questioned about.
237:
233:
398:
161:
83:
281:
489:
481:
446:
382:
309:
438:
65:
462:
136:
124:
390:
349:
195:
157:
47:
169:
173:
516:
33:
414:
284:—that causes some controversy between the characters in the first chapter—and the
183:
187:
317:
190:(1959), among others. The film was an adaptation of the best-seller novel
143:
285:
422:
272:
disillusionment, a theme
Faulkes also explores in his earlier novel,
240:. Statements consisting only of original research should be removed.
321:
205:
137:
229:
473:
356:
135:
123:
115:
107:
99:
89:
79:
71:
61:
53:
43:
292:and deprived of their freedom of speech (Frank).
498:Faulks on Fiction: The Secret Life of the Novel
333:
8:
26:
340:
326:
318:
32:
25:
256:Learn how and when to remove this message
305:, 28 April 2001, 'Adulterous passions'
182:—and later recorded by jazz musicians
21:Green Dolphin Street (disambiguation)
7:
14:
210:
176:—written for the Hollywood film
164:in 2001. The title comes from
16:2001 novel by Sebastian Faulks
1:
533:Hutchinson (publisher) books
455:Jeeves and the Wedding Bells
236:the claims made and adding
549:
528:Novels by Sebastian Faulks
18:
375:The Girl at the Lion d'Or
31:
27:On Green Dolphin Street
407:On Green Dolphin Street
269:On Green Dolphin Street
153:On Green Dolphin Street
282:Civil Rights Movement
274:The Long White Winter
482:The Fatal Englishman
367:A Trick of the Light
192:Green Dolphin Street
179:Green Dolphin Street
19:For other uses, see
523:2001 British novels
28:
439:A Week in December
221:possibly contains
166:a 1947 composition
66:Historical fiction
508:
507:
383:A Fool's Alphabet
266:
265:
258:
223:original research
149:
148:
100:Publication place
540:
350:Sebastian Faulks
342:
335:
328:
319:
261:
254:
250:
247:
241:
238:inline citations
214:
213:
206:
196:Elizabeth Goudge
158:Sebastian Faulks
139:
91:Publication date
48:Sebastian Faulks
36:
29:
548:
547:
543:
542:
541:
539:
538:
537:
513:
512:
509:
504:
469:
447:A Possible Life
352:
346:
298:
262:
251:
245:
242:
227:
215:
211:
204:
202:Literary themes
170:Bronislau Kaper
160:, published by
108:Media type
92:
39:
24:
17:
12:
11:
5:
546:
544:
536:
535:
530:
525:
515:
514:
506:
505:
503:
502:
494:
486:
477:
475:
471:
470:
468:
467:
459:
451:
443:
435:
431:Devil May Care
427:
419:
411:
403:
399:Charlotte Gray
395:
387:
379:
371:
362:
360:
354:
353:
347:
345:
344:
337:
330:
322:
316:
315:
307:
297:
294:
264:
263:
218:
216:
209:
203:
200:
174:Ned Washington
156:is a novel by
147:
146:
141:
133:
132:
127:
121:
120:
117:
113:
112:
109:
105:
104:
103:United Kingdom
101:
97:
96:
93:
90:
87:
86:
81:
77:
76:
73:
69:
68:
63:
59:
58:
55:
51:
50:
45:
41:
40:
37:
15:
13:
10:
9:
6:
4:
3:
2:
545:
534:
531:
529:
526:
524:
521:
520:
518:
511:
500:
499:
495:
492:
491:
487:
484:
483:
479:
478:
476:
472:
465:
464:
460:
457:
456:
452:
449:
448:
444:
441:
440:
436:
433:
432:
428:
425:
424:
420:
417:
416:
412:
409:
408:
404:
401:
400:
396:
393:
392:
388:
385:
384:
380:
377:
376:
372:
369:
368:
364:
363:
361:
359:
355:
351:
343:
338:
336:
331:
329:
324:
323:
320:
313:
312:
308:
306:
304:
303:The Telegraph
300:
299:
295:
293:
289:
287:
283:
277:
275:
270:
260:
257:
249:
246:November 2010
239:
235:
231:
225:
224:
219:This section
217:
208:
207:
201:
199:
197:
193:
189:
185:
181:
180:
175:
171:
167:
163:
159:
155:
154:
145:
142:
140:
134:
131:
128:
126:
122:
118:
114:
110:
106:
102:
98:
94:
88:
85:
82:
78:
74:
70:
67:
64:
60:
56:
52:
49:
46:
42:
38:First edition
35:
30:
22:
510:
496:
488:
480:
461:
453:
445:
437:
429:
421:
415:Human Traces
413:
406:
405:
397:
389:
381:
373:
365:
314:, 5 May 2001
311:The Guardian
310:
302:
290:
278:
273:
268:
267:
252:
243:
220:
191:
186:(1958), and
177:
152:
151:
150:
474:Non-fiction
184:Miles Davis
72:Set in
517:Categories
463:Paris Echo
230:improve it
194:(1944) by
188:Bill Evans
162:Hutchinson
130:0091793505
84:Hutchinson
348:Works by
234:verifying
144:924966923
80:Publisher
490:Pistache
391:Birdsong
286:Cold War
54:Language
423:Engleby
296:Sources
228:Please
57:English
501:(2011)
493:(2006)
485:(1996)
466:(2018)
458:(2013)
450:(2012)
442:(2009)
434:(2008)
426:(2007)
418:(2005)
410:(2001)
402:(1998)
394:(1993)
386:(1992)
378:(1989)
370:(1984)
358:Novels
44:Author
116:Pages
111:Print
62:Genre
172:and
138:OCLC
125:ISBN
95:2001
75:1960
232:by
168:by
119:356
519::
198:.
341:e
334:t
327:v
259:)
253:(
248:)
244:(
226:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.