133:
in a tower of his palace. Aucassin is imprisoned by his father to prevent him from going after his beloved
Nicolette. But Nicolette escapes, hears Aucassin lamenting in his cell, and comforts him with sweet words. She flees to the forest outside the gates, and there, in order to test Aucassin's fidelity, builds a rustic home to await his arrival. When he is released from prison Aucassin hears from shepherd lads of Nicolette's hiding-place, and seeks her bower. The lovers, united, resolve to leave the country. They board a ship and are driven to the (fictional) kingdom of "Torelore", whose king they find in child-bed while the queen is with the army. After a three years' stay in Torelore they are captured by Saracen pirates and separated. The wind blows Aucassin's boat back to Beaucaire - where he succeeds to Garin's estate. Meanwhile another wind carries Nicolette to "Cartage" (perhaps a play on
141:). The sight of the city reminds her that she is the daughter of its king. She informs the king and soon it is planned that she should marry a Saracen king. She avoids this by disguising herself as a minstrel. She then sets sail for Beaucaire to rejoin her beloved Aucassin. There, before Aucassin who does not immediately recognize her, she sings of her own adventures and the love between them. Finally, in due time she makes herself known to him, and the two marry. The story ends by saying that now the two have found (lasting) happiness the narrator has nothing left to say.
172:), common in Provençal poetry, is reversed: the lady dresses up as a troubadour and seeks out her beloved man. Many of the scenes which seem outwardly comedic, such as the pregnant King (more gender reversal) or wars fought with cheese and apple projectiles (wars are usually fought over food, not with food), are further examples of flipping traditional literary tropes on their heads. Aucassin's speech that he would prefer
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maiden, who had been sold to the
Viscount of Beaucaire, baptized and adopted by him, that he had forsaken knighthood and chivalry and even refused to defend his father's territories from enemies. Accordingly, his father ordered the Viscount to send Nicolette away, but instead the Viscount locked her
519:
188:(youth), sounding more Saracen than the very Christian "Nicolette". The story and manuscript derive from the bourgeois Arras region in Picardy, not from the aristocratic and courtly environs of Paris. It satirizes courtly love, turning it upside down.
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is the only known chantefable, the term itself having been derived from the story's concluding lines: "No cantefable prent fin" ("Our chantefable is drawing to a close").
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The story begins with a song which serves as prologue; and then prose takes up the narrative. It recounts the tale of
Aucassin, son of Count Garin of
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because hell's inmates are likely to be more entertaining is a play on Saints Lives. Even the names are at odds: "Aucassin" may suggest
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168:. "Few Old French genres escape parody in this concise literary encyclopedia." For example, the theme of distant love (
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200:(1962) collection, which called it one of the freshest and most delightful "springtime flowers of literature."
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The work probably dates from the late 12th or early 13th century, and is known from only one surviving
427:. Ă©d. Peter Damian-Grint. Oxford: Voltaire Foundation (SVEC 2006:05). 2006. p. 124 (footnote nr. 1).
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Early Modern
Medievalisms: The Interplay between Scholarly Reflection and Artistic Production
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327:, ed. Charles Dudley Warner, 1896. See "Aucassin and Nicolette" by Frederick Morris Warren,
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575:, with its medieval music from the unique manuscript and miniatures from the St Petersburg
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Damian-Grint, Peter. "Old French In The
Eighteenth Century: Aucassin et Nicolette". In:
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447:. 7Ă©me Ă©dition. Paderborn, WG: F. Schoeningh; Paris: J. Gamber. 1909. p. viii.
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Aucassin et
Nicolette: Texte Critique accompagné de paradigmes et d'un lexique
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491:, downloadable new English translation by Katharine Margot Toohey (2017).
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and directed and animated by the German filmmaker and animation pioneer
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Library of the World's Best
Literature, Ancient and Modern – Volume 2
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Gateway to the Great Books: Volume 2: Imaginative
Literature I
112:—literary forms already well-established by the 12th century.
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403:. Leiden, The Netherlands: Brill, 2010. pp. 311-312. doi:
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Scholars note that the story was reworked as the plot of
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combines elements of many Old French genres, such as the
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Le séjour des amans ou Les Lutins du château de
Kernosy
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The plot summary is extracted with alterations from
405:https://doi.org/10.1163/ej.9789004187665.i-472.102
567:, translated by Francis William Bourdillon (1908)
423:: Grétry, Philidor et le roman en romances". In:
259:released a 15-minute animated film of the tale:
53:fictional story. It is the unique example of a
503:(1887). An unauthorized fine press edition by
57:, literally, a "sung story", a combination of
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85:Jean-Baptiste de La Curne de Sainte-Palaye
370:. Oxford University Press. 2015. p. 368.
386:Henriette-Julie de Castelnau de Murat,
306:Karl Uitti. "Aucassin et Nicolette" in
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252:(The Sprites of Kernosy Castle, 1710).
46:(12th or 13th century) is an anonymous
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244:and included in her 1753 revision of
219:short story "The Age of Discretion".
22:Aucassin et Nicolette (Le Flem opera)
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535:, translated by Eugène Mason (2001).
83:, discovered in 1752 by medievalist
18:Aucassin et Nicolette (Grétry opera)
443:Counson, Albert; Suchier, Hermann.
364:The Oxford Companion to Fairy Tales
551:, translated by Andrew Lang (1887)
499:, translation and introduction by
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514:
346:Gateway to the Great Books Index
250:Les Lutins du château de Kernosy
34:, 19th-century oil-on-canvas by
20:. For the 1910 shadow play, see
16:For the 18th-century opera, see
464:. National Film Board of Canada
215:The story is mentioned in the
212:'s work on "The Renaissance".
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507:"the prince of pirates", via
309:Dictionary of the Middle Ages
257:National Film Board of Canada
128:, who so loved Nicolette, a
524:public domain audiobook at
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605:Medieval French literature
197:Gateway to the Great Books
191:The story was included in
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242:Marie-Madeleine de Lubert
152:have seen the story as a
458:"Aucassin and Nicolette"
246:Henriette-Julie de Murat
91:, Fonds Français 2168).
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559:Aucassin and Nicolette
543:Aucassin and Nicolette
521:Aucassin and Nicolette
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261:Aucassin and Nicolette
156:of such genres as the
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32:Aucassin and Nicolette
532:Aucassin et Nicolette
417:Aucassin et Nicolette
415:Couvreur, Manuel. "D
312:, Vol. 1, pg. 642–644
236:), a French literary
114:Aucassin et Nicolette
43:Aucassin et Nicolette
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577:Li Livres dou Tresor
572:Aucassin et Nicolete
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421:Chevalier du soleil
193:Mortimer J. Adler's
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587:, 1929 edition by
505:Thomas Bird Mosher
351:2011-07-16 at the
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501:Andrew Lang
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96:chantefable
68:prosimetrum
55:chantefable
599:Categories
368:Jack Zipes
279:References
269:Guy Glover
240:penned by
238:fairy tale
186:al-Ghassan
164:, and the
81:manuscript
248:'s novel,
234:Étoilette
225:Starlight
182:al-Kassim
139:Cartagena
126:Beaucaire
526:LibriVox
349:Archived
135:Carthage
48:medieval
468:6 March
390:, 1773.
329:pg. 943
162:romance
150:Critics
130:Saracen
102:(e.g.,
75:History
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230:French
178:heaven
160:, the
154:parody
51:French
63:verse
59:prose
470:2023
429:ISBN
372:ISBN
267:and
174:hell
158:epic
61:and
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546:at
419:au
176:to
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89:BnF
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228:(
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