1733:
1748:
entirely dispossessed the old Anglo-Saxon elite. Under these circumstances little significant art was produced, but when it was, the style often showed a slow development of Anglo-Saxon styles into a fully
Romanesque version. The attribution of many individual objects has jumped around across the boundary of the Norman Conquest, especially for sculpture, including ivories. A number of objects are claimed for their period by both the "Golden Age of Anglo-Saxon Art" and the "English Romanesque art: 1066–1200" exhibition catalogues, despite both being published in 1984. These include the ivory triangle mount with angels and the "Sigurd" stone relief fragment (discussed above), both from Winchester, and the ivory "pen-case" and
856:
622:
1627:; it is surely the best known Anglo-Saxon work of art, and though made after the Conquest was both made in England and firmly in an Anglo-Saxon tradition, points now accepted by French art-historians. Such tapestries adorned both churches and wealthy houses in England, though at 0.5 by 68.38 metres (1.6 by 224.3 ft, and apparently incomplete) the Bayeux Tapestry must be exceptionally large. Only the figures and decoration are embroidered, on a background left plain, which shows the subject very clearly and was necessary to cover very large areas. All kinds of textile arts were produced by women, both nuns and laywomen, but many were probably designed by artists in other media.
1024:
644:
1381:
1064:
1353:
603:
1287:
1662:
489:
583:
1397:
402:
1575:
1177:
1044:
1302:
1338:
1528:
1012:
996:
293:
22:
1548:
1560:
34:
1416:
977:
1856:
798:
1438:
1595:
1102:, probably made in 698, with numerous linear images carved or incised in a technique that is a sort of large-scale engraving. The material of the earliest recorded crosses is unknown, but may well have been wood. From various references (to its destruction by Christians) there would seem to have been a tradition of Anglo-Saxon pagan monumental sculpture, probably in wood, of which no examples remain (as opposed to later
739:
664:
6079:
1322:
374:(mid-8th century, above left) where the evangelist portrait to the left is in a consistent adaptation of Italian style, probably closely following some lost model, though adding interlace to the chair frame, while the text page to the right is mainly in Insular style, especially in the first line, with its vigorous Celtic spirals and interlace. The following lines revert to a quieter style more typical of
188:
1159:, of 930–950, is a rare example to survive complete; most survivals are only a section of the shaft, and iconoclasts were more concerned to destroy imagery than ornament. Many crosses must have just fallen over after some centuries; headpieces are the least common survivals, and the Easby Cross was repaired with lead in a way described in early documents. Like many monuments from the area of the
537:
the text combine
Carolingian elements with animal forms in inventive fashion. Miniatures added in England to the continental Aethelstan Psalter begin to show Anglo-Saxon liveliness in figure drawing in compositions derived from Carolingian and Byzantine models, and over the following decades the distinctive Winchester style with agitated draperies and elaborate acanthus borders develops.
1640:; they were made in Winchester between 909 and 916. These are works "of breathtaking brilliance and quality", according to Wilson, including figures of saints, and important early examples of the Winchester style, though the origin of their style is a puzzle; they are closest to the wall-painting fragment from Winchester mentioned above, and an early example of acanthus decoration.
572:, from the last years before the Conquest, uses mainly the tinted. Anglo-Saxon culture was coming into increasing contact with, and exchanging influences with, a wider Latin Mediaeval Europe. Anglo-Saxon drawing had a great influence in Northern France throughout the 11th century, in the so-called "Channel school", and Insular decorative elements such as
788:
sometimes contained gold, were also apparently often made by manuscript illuminators, and
Goscelin's description of his talents therefore suggests an artist skilled in all the main Anglo-Saxon media for figurative art – of which being a goldsmith was then regarded as the most prestigious branch. One 11th-century lay goldsmith was even a
1631:
were available, though certainly expensive, in Anglo-Saxon
England, and a number of pieces have been found used in burials and reliquaries. Probably, as in later vestments, these were often married with locally embroidered borders and panels. If we had more Anglo-Saxon survivals, Byzantine influences
536:
about 937. There is a dedication portrait of the king presenting his book to the saint, the two of them standing outside a large church. This is the first real portrait of an
English king, and heavily influenced by Carolingian style, with an elegant inhabited acanthus border. However, the initials in
1692:
coloured glass almost certainly were; one of these was in the purse at Sutton Hoo. Otherwise recycling of Roman glass may have avoided the need to import raw glass; evidence for the production of this is slender. Glass is sometimes used as a substitute for garnet in jewellery, as in some pieces from
1188:
Anglo-Scandinavians took up Anglo-Saxon sculptural forms with great enthusiasm, and in
Yorkshire alone there are fragments from more than 500 monumental sculptures of the 10th and 11th centuries. However quantity was not matched by quality, and even the products of the main city, York, are described
1679:
decorated with large "claw" forms have survived, mostly broken; these forms are also found in northern continental Europe. Beads, common in early female burials, and some ecclesiastical window glass was more brightly coloured, and several monastic sites have evidence of glass production. Vessel and
1635:
The most highly valued embroideries were very different, fully worked in silk and gold of silver thread, and sometimes with gems of various sorts sewn in. These were used for vestments, altar-cloths and other church uses, and similar roles in the homes of the elite. Only a few pieces have survived,
851:
churches. Anglo-Saxon taste revelled in expensive materials and the effects of light on precious metals, which were also embroidered into fabrics and used on wall-paintings. Sections of decorated elements from some large looted works such as reliquaries were sawn up by Viking raiders and taken home
826:
during the work on the large shrine at
Evesham, which was miraculously healed overnight. Spearhafoc and Mannig are the "only two goldsmiths of whom we have extended accounts", and the additional information given about Godric, the leader of a team brought in by Mannig for the shrine, is also unique
787:
Anglo-Saxon skill in gold-engraving, designs and figures engraved on gold objects, is mentioned by many foreign sources, and the few remaining engraved figures closely parallel the far more numerous pen-drawn figures in manuscripts, also an Anglo-Saxon speciality. Wall-paintings, which seem to have
1755:
The energy, love of complicated twining ornament, and refusal to wholly respect a dignified classical decorum that are displayed in both
Insular and Winchester school art had already influenced continental style, as discussed above, where it provided an alternative to the heavy monumentality that
1747:
Relatively little art survives from the rest of the century after 1066, or at least is confidently dated to that period. The art of
Normandy was already under heavy Anglo-Saxon influence, but the period was one of massive despoliation of the churches by the small new ruling class, who had almost
480:
All these changes were not restricted to manuscripts, and may not have been driven by manuscript style, but we have a greater number of manuscripts surviving than works in other media, even if in most cases illuminations are restricted to initials and perhaps a few miniatures. Several ambitious
278:
The final phase of Anglo-Saxon art is known as the
Winchester School or style, though it was produced in many centres in the south of England, and perhaps the Midlands also. Elements of this begin to be seen from around 900, but the first major manuscripts only appear around the 930s. The style
111:
is a rather different sort of embroidery, on a far larger scale. As in most of Europe at the time, metalwork was the most highly regarded form of art by the Anglo-Saxons, but hardly any survives – there was enormous plundering of Anglo-Saxon churches, monasteries and the possessions of the
1643:
The earliest group of survivals, now re-arranged and with the precious metal thread mostly picked out, are bands or borders from vestments, incorporating pearls and glass beads, with various types of scroll and animal decoration. These are probably 9th century and now in a church in
283:
with elements of older English art, and some particular elements including a nervous agitated style of drapery, sometimes matched by figures, especially in line drawings, which are the only images in many manuscripts, and were to remain especially prominent in medieval English art.
1724:, several of which are mentioned, but there may well have been much decorated leatherwork for secular satchels, purses, belts and the like, which contemporaries did not bother to mention and which represents a gap in our knowledge for the Early Medieval period throughout Europe.
1498:
but a number of figures of very high quality in high relief or fully in the round. In the last phase of Anglo-Saxon art two styles are apparent: one a heavier and formal one drawing from Carolingian and Ottonian sources, and the other the Winchester style, drawing from the
1612:, were apparently those for which Anglo-Saxon England was famous throughout Europe by the end of the period, but there are only a handful of survivals, probably partly because of the Anglo-Saxon love of using threads in precious metal, making the work valuable for scrap.
1224:, low grave-marker shaped like a long house with a pitched roof, and sometimes muzzled bears clutching on to each end. Ornament is sometimes a crude pattern of scoring, or scale-like elements presumably representing roofing shingles, but may include interlace and images.
473:(one containing a portrait or scene, here Christ or a saint) in the whole of Europe. The classically derived vine or plant scroll was to largely oust interlace as the dominant filler of ornamental spaces in Anglo-Saxon art, just as it did in much of Europe beginning with
821:
had been a very successful Archbishop of Canterbury. Like Spearhafoc, Mannig's biography, with some precise details, is given in the chronicle maintained by his abbey. His work also had a miracle associated with it – the lay goldsmith Godric stabbed his hand with an
367:(before 716), but the style there is very different; a far more illusionistic treatment, and an "attempt to introduce a pure Mediterranean style into Anglo-Saxon England", which failed, as "perhaps too advanced", leaving these images apparently as the only evidence.
784:. It was probably his artistic work which brought him into contact with the royal family, and launched his rapid promotion in the church. Even the imprecise details given, mostly by Goscelin, are therefore valuable evidence of what Anglo-Saxon metalwork was like.
359:, clearly following Italian models, greatly simplify them, misunderstand some details of the setting, and give them a border with interlace corners. The portrait of St Matthew is based on the same Italian model, or one extremely similar, used for the figure of
1732:
250:
in the far south, which the missionaries from Rome had made their headquarters, shows a wholly different, classically based art. These two styles mixed and developed together and by the following century the resulting Anglo-Saxon style had reached maturity.
1090:
of the Celtic areas of Britain. Most sculpture was probably once painted, clarifying the designs, which are mostly in relatively low relief and not finished with great precision, and now almost all badly worn and weathered. Dating is usually difficult.
643:
378:
manuscripts of the period. Yet the same artist almost certainly produced both pages, and is very confident in both styles; the evangelist portrait of John includes roundels with Celtic spiral decoration probably drawn from the enamelled escutcheons of
1652:
in his Benedictional (see above), which shows the edge of what appears to be a huge acanthus "flower" (a term used in several documentary records) covering the wearer's back and shoulders. Other written sources mention other large-scale compositions.
893:, with an enamel face, is the best known of a group of finely worked liturgical jewels, and there are a number of high quality disk brooches. The most ornate of earlier ones are colourful and complicated with inlays and filigrees, but the 9th century
772:, none of which have identifiably survived, are about works in precious metal, and he is one of a small number of metalwork artists from the period whose name we know and whose work is described in any way. According to several sources, including the
963:
knives have survived with inscriptions and some decoration, and sword fittings and other military pieces are an important form of jewellery. A treatise on social status needed to say that mere ownership of a gilded sword did not make a man a
258:
invasions, and the number of significant objects surviving falls considerably, and their dating becomes even vaguer than of those from a century before. Most monasteries in the north were closed for decades, if not forever, and after the
1232:
in Mercia, with a number of elements of different dates, including lively narrow decorative strip friezes, many including human figures, and panels with saints and the Virgin. The most intriguing fragments are firstly a group, now at
924:, then in Mercia. Jewellery is far more often found from burials of the early pagan period, as Christianity discouraged grave-goods, even the personal possessions of the deceased. Early Anglo-Saxon jewellery includes various types of
846:
on either side. Patronage by the great figures of the land, and the largest monasteries, became extravagant in this period, and the greatest late Anglo-Saxon churches must have presented a dazzling spectacle, somewhat in the style of
1227:
Many fragments, parts of friezes and panels with figure and ornamental carving, have been recovered by archaeology, usually after being reused in rebuilt churches. The largest group of Anglo-Saxon sculpture is from a former abbey at
1023:
886:. Especially in the 9th century, Anglo-Saxon styles, sometimes derived from manuscripts rather than metal examples, are found in a great number of smaller pieces of jewellery and other small fittings from across northern Europe.
477:, though in England animals within the scrolls remained much more common than abroad. For some long time scrolls, especially in metal, bone or ivory, are prone to have an animal head at one end and a plant element at the other.
1380:
116:
after them, and most survivals were once on the continent. Anglo-Saxon taste favoured brightness and colour, and an effort of the imagination is often needed to see the excavated and worn remains that survive as they once were.
445:
survive, in a style showing many borrowings from English models, especially in initial pages, where Insular influence remained visible in northern France until even the 12th century. The Anglo-Saxon metalwork produced in the
485:, which has some 550 scenes in various stages of completion, giving insight into working methods. The illustrations give Old Testament scenes an entirely contemporary setting and are valuable images of Anglo-Saxon life.
920:, a major hoard of over 1,500 fragments of 7th and ?8th century metalwork pieces, mostly gold and military in nature, many with gold and garnet cloisonné inlays of high quality, was found by a metal-detectorist in
1352:
1150:
Typically, Anglo-Saxon crosses are tall and slender compared to Irish examples, many with a nearly square section, and more space given to ornament than figures. However, there are exceptions, like the massive
211:, which is also seen in illuminated manuscripts and some carved stone and ivory, probably mostly drawing from decorative metalwork motifs, and with further influences from the British Celts of the west and the
1072:
957:, with largely linear relief heads of kings in profile on the obverse, are more uniform, as representatives of what was a stable and respected currency by contemporary European standards. A number of complete
621:
1271:
It is also clear from literary sources that wall paintings were not uncommon, although not a prestigious form, and fragments of painted plaster have been found, as well as a painted face on a reused stone at
602:
441:
was followed by another Anglo-Saxon abbot, between them covering the period from 796 to 834. Although Tours' own library was destroyed by Norsemen, over 60 9th century illuminated manuscripts from the
995:
901:". In these small but fully formed animals, of no recognisable species, contort themselves in foliage and tendrils that interlace, but without the emphatic geometry of the earlier "ribbon" style.
727:, probably interred in the 620s, transformed the history of Anglo-Saxon art, showing a level of sophistication and quality that was wholly unexpected at this date. The most famous finds are the
5921:
195:
Metalwork is almost the only form in which the earliest Anglo-Saxon art has survived, mostly in Germanic-style jewellery (including fittings for clothes and weapons) which was, before the
1260:, which it has been suggested may have been as long as eighty feet wide, and over four feet high. There are literary references to secular narrative tapestries, a tradition of which the
1147:
is inscribed together with Latin texts; more often donors are commemorated. It has also been suggested that as well as paint, they may have been embellished with metalwork and gems.
308:, one of the "Tiberius group", show the Northumbrian Insular and classicising continental styles that combined and competed in early Anglo-Saxon manuscripts. It was probably made in
2578:
1455:
As in the rest of the Christian world, while monumental sculpture was slowly re-emerging from its virtual absence in the Early Christian period, small-scale sculpture in metalwork,
735:, belt and other fittings of the king buried there, which made clear the source in Anglo-Saxon art, previously much disputed, of many elements of the style of Insular manuscripts.
1764:
styles, where forms of Anglo-Saxon invention such as the inhabited and historiated initials became more important than they ever had in Anglo-Saxon art itself, and works like the
582:
4546:
2500:
1574:
1264:
is the only survival, and this may have been a stone equivalent, celebrating Sigmund, who was believed to be an ancestor of the intermarried royal houses of both England and
1241:, in Kent, from a large composition with many figure scenes and groups on a curved surface, evidently of high quality, though uncertain date (perhaps early 10th century). A
949:, forced craftsmen, no doubt asked to copy Roman and contemporary continental styles, to work outside their traditional forms and conventions in respect of the heads on the
1479:
on it alludes to. It contains a unique mixture of pagan, historical and Christian scenes, evidently attempting to cover a general history of the world, and inscriptions in
1396:
1086:, which survives entirely in churches, with only a handful of largely unaltered examples, monumental stone sculpture survives in large stone crosses, an equivalent to the
2609:
866:
While larger works are all lost, several small objects and fragments have survived, nearly all having been buried; in recent decades professional archaeology as well as
3017:
838:, the largest example of this type of Early Medieval figure to survive from anywhere in Europe. These appear to have been life-size, or nearly so, and were mostly
2590:
Golden Age, 195; Dodwell (1982), 138–139. However a number of fringe theories persist – see the article. See also Henderson, 168–177 for an extended appreciation.
1197:
appear in England, but gradually as political and cultural ties weakened the Anglo-Scandinavians fail to keep up with trends in the homeland. So elements of the
2049:
1043:
2422:
No unmixed examples, that is to say. Scenes from Germanic mythology still appear in works of the Christian period, as in the Franks Casket and Gosforth Cross.
834:
In the final century of the period some large figures in precious metal are recorded; presumably these were made of thin sheets over a wooden core like the
68:
and a series of magnificent illuminated manuscripts, and the final period after about 950, when there was a revival of English culture after the end of the
4909:
2078:
1286:
1173:, the destruction of the gods, a theme detected in other Christian monuments in Britain and Scandinavia, and which could be turned to Christian advantage.
1527:
1301:
1280:
speaks of "stars, like the painted ceiling of a great man's house". However, no paintings that are at all complete have survived on either wall or panel.
765:, and none of the large-scale ones, shrines, doors and statues, that we know existed, and of which a few contemporary continental examples have survived.
5416:
855:
813:
Many monastic artists reached senior positions; Spearhafoc's career in metalwork was paralleled in less sensational fashion by his contemporary Mannig,
1985:
827:
among the surviving evidence. Some twenty years after the miracle, he joined the Abbey of Evesham, presumably in retirement, and his son later became
413:
The 9th century, especially the latter half, has very few major survivals made in England, but was a period when Insular and Anglo-Saxon influence on
76:
style is nearly complete. The important artistic centres, in so far as these can be established, were concentrated in the extremities of England, in
753:
By the 10th century Anglo-Saxon metalwork had a famous reputation as far afield as Italy, where English goldsmiths worked on plate for the altar of
2717:
2013:
196:
2716:
Bailey, Richard N. (2002). "Scandinavian Myth on Viking-period Stone Sculpture in England". In Barnes, Geraldine; Ross, Margaret Clunies (eds.).
3434:
107:("English work") was already recognised as the finest embroidery in Europe, although only a few pieces from the Anglo-Saxon period remain – the
5698:
4636:
4233:
3667:
1716:
to survive unaltered, can be dated to 698 or shortly before. It uses incised lines, some colours, and relief decoration built up over cord and
3718:
1371:
933:
2608:
Wilson, 154–156, quote 155; Dodwell (1993), 26; Golden Age, 19, 44, though neither these nor any textiles could be lent for the exhibition;
3278:
2349:
1163:, the Gosforth Cross combines Christian images with those from pagan mythology; apart from a Crucifixion scene, and perhaps scenes of the
2631:
1011:
780:, who knew him personally, Spearhafoc "was outstanding in painting, gold-engraving and goldsmithery", the painting very likely mainly in
682:
I and II decoration that would be expected from recent immigrants, but gradually develops a distinctive Anglo-Saxon character, as in the
5423:
4875:
3999:
3400:
3345:
3010:
2018:
1934:
1547:
1463:
was more important than in later periods, and by no means a "minor art". Most Anglo-Saxon ivory was from marine animals, especially the
634:
5053:
3904:
2497:
1559:
386:
This is one of the so-called "Tiberius group" of manuscripts, which leant towards the Italian style, and appear to be associated with
5132:
5127:
3463:
2952:
2930:
2896:
2827:
2803:
2777:
2763:
2730:
2042:
1975:
1872:
976:
1415:
1214:
1181:
541:
4138:
3390:
1063:
5558:
5031:
3322:
3238:
2111:
Dodwell (1982)'s Chapter 1 gives a detailed analysis of the various causes of destruction of works of art, especially metalwork
2990:
2361:
271:(r. 871–899) held the Vikings back to a line running diagonally across the middle of England, above which they settled in the
5311:
4860:
3339:
3048:
3003:
2944:
2918:
2872:
2844:
2791:
1939:
1882:
552:
foliage sometimes seems over-luxuriant. Anglo-Saxon illustration included many lively pen drawings, on which the Carolingian
199:, commonly placed in burials. After the conversion, which took most of the 7th century, the fusion of Germanic Anglo-Saxon,
164:
excavation and some of which have simply been preserved over the centuries, especially in churches on the Continent, as the
1337:
4400:
4153:
1447:
1403:
1238:
932:
rarely of outstanding quality, which is why that find transformed thinking about early Anglo-Saxon art. Objects from the
870:
and deep ploughing have greatly increased the number of objects known. Among the few unburied exceptions are the secular
355:, of around 700–715, there are carpet pages and Insular initials of unprecedented complexity and sophistication, but the
5782:
5154:
4995:
4823:
3628:
3540:
3513:
2035:
1877:
461:
By the 10th century Insular elements were relegated to decorative embellishments in England, as the first phase of the "
1805:
in the West is also found on an Anglo-Saxon ivory, and a late Anglo-Saxon Gospel book may show the earliest example of
5443:
3810:
2432:
1675:
was mostly made in simple forms, with vessels always in a single colour, either clear, green or brown, but some fancy
1661:
1581:
398:. It is, in the usual chronology, the last English manuscript in which "developed trumpet spiral patterns" are found.
5097:
2651:
Respectively numbers: Golden Age: 114, 140, 132, 117, and Zarnecki: 190, 97, 185, 180. There are many other examples.
754:
348:, and for a considerable period the two styles appear mixed in a variety of proportions in Anglo-Saxon manuscripts.
1276:, dating to before 903, and so an important early example of the Winchester figure style. A metaphor in a letter of
112:
dispossessed nobility by the new Norman rulers in their first decades, as well as the Norsemen before them, and the
5740:
5356:
5179:
4553:
4167:
4143:
3696:
3655:
3368:
1680:
bead production probably continued, at a much lower level, from the Romano-British industry, but Bede records that
1624:
521:
505:
235:
64:. The two periods of outstanding achievement were the 7th and 8th centuries, with the metalwork and jewellery from
488:
4939:
4818:
4774:
4182:
3825:
3793:
1636:
including three pieces at Durham placed in the coffin of St Cuthbert, probably in the 930s, after being given by
52:
style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the
2817:
1321:
504:
Manuscripts from the Winchester School or style only survive from about the 930s onwards; this coincided with a
6103:
5686:
5341:
5184:
5169:
4980:
4850:
4724:
4516:
4471:
4432:
4373:
4344:
3744:
2083:
1924:
1201:
are seen, for example in the "ring-chain" interlace on the Gosforth Cross, and then the complex animals of the
1083:
517:
401:
96:
4840:
3640:
2966:
2689:
Moses the Egyptian in the Illustrated Old English Hexateuch (London, British Library Cotton MS Claudius B.iv)
1155:
from Mercia, with oblong sections mostly covered by figures on the wider faces, like some Irish crosses. The
124:
patron from English artists working in the traditional Anglo-Saxon style. Anglo-Saxon artists also worked in
5864:
5201:
5041:
4985:
4973:
4796:
4791:
4351:
3955:
3798:
3713:
3579:
3373:
1253:
1176:
1137:
crosses often only use vine-scrolls. There may be inscriptions, in the runic or Roman scripts, and Latin or
1126:
1095:
937:
835:
92:
2959:
The Art of the Anglo-Saxon Goldsmith; Fine Metalwork in Anglo-Saxon England: its Practice and Practitioners
2457:
1688:
for window glass at his monasteries. It is not clear how much Anglo-Saxon glass was imported, but canes of
6082:
5975:
5623:
5573:
5533:
5496:
5396:
5036:
4356:
4334:
4194:
3508:
3503:
2088:
1903:
1765:
1518:
1387:
828:
781:
465:
style" developed. The first plant ornament, with leaves and grapes, was already seen in an initial in the
371:
305:
264:
254:
However Anglo-Saxon society was massively disrupted in the 9th century, especially the later half, by the
219:
1760:
displays even in small objects. This habit of mind was an essential component of both the Romanesque and
6113:
5613:
5588:
5553:
5489:
5411:
5189:
5164:
5144:
4779:
4658:
4563:
3122:
3044:
1822:
1513:
1312:
497:
482:
345:
2736:
260:
6108:
5735:
5316:
5085:
4990:
4784:
4714:
4630:
4504:
4307:
4283:
4133:
3933:
3623:
3458:
3363:
3297:
3228:
3147:
3137:
3127:
3085:
2073:
2023:
1970:
1954:
1234:
1030:
954:
902:
732:
687:
325:
49:
1005:, probably (with a shaft affixed in its socket) a pointer for reading. The name AELFRED can be seen.
883:
292:
21:
5958:
5543:
5459:
5428:
5306:
5281:
5269:
5070:
4956:
4803:
4476:
4148:
3754:
3691:
3677:
3555:
3475:
3453:
2995:
1990:
1788:
1780:
1421:
1229:
1221:
1217:(illustrated above right). In general the traces of these styles in other media are even fainter.
1114:
917:
875:
843:
762:
709:
593:
549:
525:
470:
426:
422:
356:
352:
297:
239:
227:
173:
120:
Perhaps the best known piece of Anglo-Saxon art is the Bayeux Tapestry which was commissioned by a
113:
33:
690:
are the most common survivals of fine metalwork from the earlier period, when they were buried as
6000:
5703:
5608:
5548:
5291:
5213:
5149:
4963:
4924:
4880:
4767:
4719:
4668:
4595:
4422:
4209:
3984:
3858:
3788:
3650:
3645:
3422:
3187:
3152:
1737:
1709:
1103:
1094:
Sculpture in wood was very likely more common, but almost the only significant large survival is
906:
683:
650:
612:
430:
6058:
5239:
4919:
2210:
Seen by Wilson, 64–67, as "degeneration", this might also be seen as a return to the habits of
5728:
5681:
5651:
5511:
5381:
5296:
5286:
5102:
4951:
4934:
4808:
4427:
4405:
4390:
4361:
4314:
4177:
4123:
4113:
3994:
3965:
3672:
3584:
3574:
3561:
3550:
3213:
3162:
3142:
3117:
3073:
2948:
2940:
2926:
2908:
2892:
2868:
2840:
2823:
2799:
2773:
2759:
2726:
2093:
1949:
1944:
1908:
1814:
1796:
1672:
1517:
in a provincial but accomplished version of the Winchester style, possibly originating in the
1425:
1143:
728:
701:
533:
455:
395:
341:
280:
243:
153:
1109:
The Anglo-Saxon crosses have survived less well than those in Ireland, being more subject to
469:, which can probably be dated to 746. The other large initial in the manuscript is the first
222:
in the far north of England was the crucible of Insular style in Britain, at centres such as
203:
and Late Antique techniques and motifs, together with the requirement for books, created the
6064:
6010:
5968:
5671:
5464:
5009:
4887:
4600:
4583:
4541:
4536:
4531:
4449:
4395:
4118:
4063:
3960:
3928:
3899:
3778:
3771:
3766:
3739:
3601:
3596:
3273:
3034:
2860:
2211:
1721:
1649:
1648:
in Belgium. A further style of textile is a vestment illustrated in a miniature portrait of
1256:
which appears to show a section of a large frieze with the story from Germanic mythology of
1152:
1099:
898:
860:
852:
to their wives to wear as jewellery, and a number of these survive in Scandinavian museums.
848:
814:
806:
629:
569:
406:
1855:
564:(c. 990) contains pages in both the painted and tinted drawing styles, including the first
6037:
5985:
5842:
5767:
5691:
5516:
5506:
5401:
5386:
5366:
5249:
5159:
5122:
5107:
4855:
4762:
4704:
4526:
4521:
4278:
4247:
4199:
3889:
3820:
3805:
3633:
3611:
3532:
3480:
3470:
3442:
3395:
3378:
3243:
3233:
3177:
3172:
2877:
2839:. California Studies in the History of Art. Vol. 14. University of California Press.
2783:
2504:
2365:
2268:
Dodwell (1982):46 and 55, who quotes Goscelin, and Historia:ciii-cv for the other sources.
1980:
1694:
1681:
1616:
1608:
1599:
1508:
1500:
1491:
1437:
1367:
1292:
1261:
1190:
1122:
1068:
1034:
936:
in Essex, dating from the late 6th century and discovered in 2003, were put on display in
879:
867:
797:
758:
705:
696:
694:. Round disk brooches were preferred for the grandest pieces, over continental styles of
653:, an angel is shown guarding the gates of paradise, after Adam and Eve have been expelled.
573:
553:
474:
414:
364:
179:
between them left virtually nothing in England except for books and archaeological finds.
157:
108:
104:
61:
53:
3869:
1594:
544:
is a masterpiece of the later Winchester style, which drew on Insular, Carolingian, and
6047:
6015:
5963:
5911:
5894:
5884:
5812:
5474:
5351:
5321:
5218:
5206:
5080:
5014:
4946:
4813:
4709:
4412:
4108:
4091:
4048:
3989:
3853:
3783:
3497:
3490:
3412:
3329:
3182:
1826:
1806:
1801:
1792:
1783:
shown only as a pair of legs and feet disappearing at the top of the image, the horned
1637:
1628:
1328:
1308:
1156:
1118:
747:
738:
663:
565:
561:
557:
528:. Illumination in a new style appears in a manuscript of the biographies by Bede of St
493:
466:
438:
73:
1799:. All of these were later used across Europe. The earliest developed depiction of the
897:, discovered in 1978, contained six splendid brooches in flat silver openwork in the "
6097:
5948:
5916:
5777:
5772:
5755:
5583:
5578:
5563:
5538:
5528:
5479:
5433:
5139:
5117:
5048:
4914:
4743:
4646:
4622:
4605:
4578:
4573:
4558:
4339:
4329:
4324:
4228:
3977:
3938:
3877:
3703:
3660:
3358:
3290:
3132:
3110:
3026:
1534:
1468:
1456:
1202:
1164:
921:
894:
871:
802:
743:
545:
204:
149:
141:
133:
129:
121:
2691:, Chapter 2, 2017, University of Notre Dame Press, ISBN 0268102058 / 9780268102050,
1193:
as "generally miserable and slipshod". In the early stages the successive styles of
6027:
5980:
5936:
5926:
5889:
5859:
5822:
5797:
5787:
5750:
5593:
5376:
5244:
4968:
4897:
4694:
4617:
4483:
4368:
4319:
4223:
4204:
4172:
4069:
4009:
4004:
3749:
3569:
3407:
3265:
3248:
3208:
3203:
3157:
3095:
2787:
2063:
1863:
1845:
1818:
1757:
1740:, 690s; the original tooled red goatskin binding is the earliest surviving Western
1702:
1698:
1495:
1460:
1206:
1133:, though the vine-scroll is already more prominent, and has faces to itself. Later
1050:
1002:
890:
679:
380:
187:
137:
45:
6022:
3883:
723:
Despite a considerable number of other finds, the discovery of the ship-burial at
713:
509:
2834:
2692:
1249:
can be identified, and parts of standing groups of saints, prophets or apostles.
1129:
are seen in alternating panels on the early Northumbrian Ruthwell, Bewcastle and
328:
styles that arose when the Anglo-Saxons encountered Irish missionary activity in
275:, and were gradually integrated into what was now a unified Anglo-Saxon kingdom.
5943:
5906:
5847:
5723:
5718:
5713:
5661:
5656:
5598:
5523:
5501:
5438:
5391:
5331:
5301:
5223:
5065:
4903:
4892:
4865:
4835:
4699:
4673:
4590:
4511:
4499:
4454:
4444:
4439:
4417:
4378:
4214:
4189:
4162:
4103:
4074:
4036:
3943:
3911:
3863:
3591:
3519:
3312:
3253:
3167:
3105:
3065:
1898:
1772:
1741:
1713:
1676:
1665:
1484:
1343:
1210:
1198:
1169:
1138:
1134:
1130:
823:
691:
333:
329:
317:
268:
223:
208:
161:
77:
2855:
Celtic and Anglo-Saxon Painting: Book illumination in the British Isles 600–800
2436:
344:
from Rome and its successors imported continental manuscripts like the Italian
5990:
5817:
5802:
5762:
5708:
5676:
5568:
5406:
5361:
5254:
5060:
4870:
4738:
4459:
4261:
4053:
4041:
3894:
3815:
3682:
3448:
3353:
3307:
3285:
3100:
3090:
3078:
3030:
2068:
1761:
1689:
1363:
1273:
1117:. Some featured large figurative sculpture of considerable quality, as on the
1110:
1087:
983:
929:
910:
769:
724:
667:
462:
418:
321:
309:
247:
231:
200:
176:
65:
26:
6052:
6042:
6005:
5837:
5827:
5807:
5792:
5633:
5603:
5336:
5259:
4678:
4464:
4301:
4058:
3759:
3708:
3606:
3417:
3223:
3194:
1776:
1472:
1442:
1205:
are mostly rather incompetently depicted in England, but traces of the next
1194:
145:
2512:
2250:
Wilson, 135 for St Peter's; Dodwell (1982) as next ref. for the reputation.
1390:, a rare example of 8th-century Anglo-Saxon stone carving not from a cross.
1268:, many of whom were buried in what was then the largest church in England.
238:(674) which looked to the continent. At about the same time as the Insular
1829:, an iconographic convention which grew over the rest of the Middle Ages.
6032:
5953:
5901:
5832:
5745:
5666:
5618:
5484:
5469:
5326:
5264:
5196:
5090:
5075:
4749:
4663:
4653:
4641:
4385:
4240:
3848:
3545:
3485:
3317:
839:
777:
548:
to make a heavier and more grandiose style, where the broad classicising
529:
447:
2984:
2621:
Wilson, 108; Dodwell (1993), 27, who gives details of further fragments.
1825:
are believed to be the earliest surviving visual representations of the
37:
11th century walrus ivory cross reliquary (Victoria & Albert Museum)
5371:
5174:
5112:
4929:
4828:
4568:
4295:
4290:
4128:
4016:
3972:
3734:
3429:
1645:
1490:
We have few Anglo-Saxon panels from book-covers compared to those from
1265:
1257:
1160:
1076:
987:
950:
818:
817:(Abbot 1044–58, d. 1066), and at the end of the previous century Saint
773:
589:
513:
451:
301:
272:
169:
57:
5995:
5854:
5628:
5346:
5276:
4845:
4757:
4612:
3843:
3385:
1476:
1464:
1277:
966:
768:
The references to specific works by the 11th-century monastic artist
717:
671:
615:, a rare non-liturgical illuminated manuscript from the early period.
391:
375:
255:
212:
165:
125:
81:
69:
1252:
Standing equally apart from other survivals is a late slab from the
928:
that are close to their Continental Germanic equivalents, but until
913:, and a fall-off from the highest earlier standards of workmanship.
874:, and two works made in Anglo-Saxon style carried to Austria by the
757:
itself, but hardly any pieces have survived the depredations of the
1705:, both materials are extremely rare in surviving Anglo-Saxon work.
4079:
3334:
3218:
1784:
1731:
1717:
1660:
1620:
1593:
1538:
1521:, and is a unique survival of late Anglo-Saxon fine wood carving.
1504:
1436:
1175:
1062:
953:, with results that are varied and often compelling. Later silver
945:
854:
796:
790:
737:
662:
608:
576:
remained popular into the 12th century in the Franco-Saxon style.
487:
434:
400:
291:
186:
100:
32:
20:
2857:. Chatto & Windus, London (New York: George Braziller), 1977.
5931:
4733:
2882:
Anglo-Saxon: Art From The Seventh Century To The Norman Conquest
2541:
Golden Age, 133–134; Dodwell (1982), 137–138; Henderson, 171–173
1995:
1685:
1480:
1407:
1359:
959:
387:
360:
337:
85:
2999:
1106:
pagan imagery), and with which the crosses initially competed.
2496:
Wilson, 149; Laing's typology is shown in 3 pages of drawings
1720:
or leather pieces. Larger prestige manuscripts had metalwork
1708:
The unique decorated leather cover of the small Northumbrian
1167:, all the other images appear to belong to the Norse myth of
556:, in Canterbury from about 1000, was highly influential; the
2867:, 1972 (English trans from German), Lund Humphries, London,
2822:, Translated by John Hudson, Oxford University Press, 2002,
1213:. They are "perhaps, dimly" evident in the cross shaft from
704:, a consistent Anglo-Saxon taste throughout the period; the
1184:; at right with added, but perhaps not inauthentic, colour.
2991:
An Introduction to Anglo-Saxon Manuscripts -online seminar
5922:
Art in the Protestant Reformation and Counter-Reformation
2550:
Dodwell (1982), 92–93; Wilson, 10–13, 155; Golden Age, 44
433:
were created in Northumbria), and the major monastery at
1598:
The English army flee, the final surviving scene of the
1141:, most famously at Ruthwell, where some of the poem the
678:
Pagan Anglo-Saxon metalwork initially uses the Germanic
316:
Early Anglo-Saxon manuscript illumination forms part of
1467:, imported from further north. The extraordinary early
1125:(both probably around 800). Vine-scroll decoration and
103:
carvings, and some works in metal and other materials.
72:
invasions. By the time of the Conquest the move to the
1503:
and an alternative Carolingian tradition. A very late
1037:. An unusual strap mount in the form of an animal head
512:(r. 924/5-939) and his successors. Æthelstan promoted
481:
projects of illumination are unfinished, such as the
160:, many examples of which have been recovered through
60:, whose sophisticated art was influential in much of
2913:
The Lindisfarne Gospels and the Early Medieval World
2599:
Dodwell (1982), Chapter V; Dodwell (1993), Chapter 2
370:
A different mixture is seen in the opening from the
279:
combined influences from the continental art of the
5877:
5642:
5452:
5232:
5024:
5008:
4687:
4492:
4271:
4260:
4090:
4027:
3920:
3836:
3727:
3531:
3264:
3064:
3055:
2969:
Pen and Parchment : Drawing in the Middle Ages
2884:, Thames and Hudson (US edn. Overlook Press), 1984.
2368:, 24 September 2009, (retrieved 24 September 2009).
1791:standing at the foot of the cross and writing, and
516:(909–988), a practising illuminator, eventually to
409:, early 11th century, in the late Winchester style.
320:, a combination of influences from Mediterranean,
1752:(illustrated above), both in the British Museum.
1209:are hard to detect; they are much clearer on the
2725:. Sydney: University of Sydney. pp. 15–23.
2478:Wilson, 142–152; 142 "more than 500; 144 (quote)
267:is known until well on into the tenth century".
2513:photo of good examples from Brompton, Yorkshire
1606:The textile arts of embroidery and "tapestry",
943:The earliest Anglo-Saxon coin type, the silver
508:within English monasticism, encouraged by King
363:that is one of the two large miniatures in the
712:are 7th-century examples. Decoration included
263:of before 850, perhaps well before, "no major
191:Bird from the Sutton Hoo shield (part replica)
48:period of English history, beginning with the
3011:
2678:It is the earliest cited by Schiller, II, 117
2043:
242:was being made in the early 8th century, the
8:
2836:The Horned Moses in Medieval Art and Thought
859:Disc brooch from Monkton, on display at the
2973:. New York: The Metropolitan Museum of Art.
2796:The Golden Age of Anglo-Saxon Art, 966–1066
2079:List of illuminated Anglo-Saxon manuscripts
1817:opens with the earliest known image of the
1768:(c. 1110) show the process in other media.
5021:
4268:
3061:
3018:
3004:
2996:
2050:
2036:
1836:
1511:, is carved all over with scenes from the
1451:, an especially popular subject in England
1220:A uniquely Anglo-Scandinavian form is the
2798:, 1984, British Museum Publications Ltd,
2259:Dodwell (1982):10–11, 44–47, 61–83, 216ff
909:silver disk brooch, shows influence from
649:In this illustration from page 46 of the
2957:Coatsworth, Elizabeth; Pinder, Michael,
2770:The Pictorial arts of the West, 800–1200
2719:Old Norse Myths, Literature, and Society
2352:Six disc brooches from the Pentney hoard
2120:Wilson, 10–11; Dodwell (1982), chapter 2
2891:, 1984, Arts Council of Great Britain,
2820:: The History of the Church of Abingdon
2104:
2005:
1962:
1916:
1890:
1862:
1844:
1523:
1282:
1053:of gold with a sapphire and glass inset
972:
578:
532:given by Æthelstan to the monastery in
226:, founded c. 635 as an offshoot of the
197:Christianisation of Anglo-Saxon England
5699:Contemporary Indigenous Australian art
2669:Dodwell (1993), 117; Mellinkoff, 18-21
2612:, from Textile Research Centre, Leiden
2232:Wilson, 156–157; Dodwell (1993), 95–96
1059:Monumental sculpture and wall painting
80:, especially in the early period, and
3719:Art of the late 16th century in Milan
2985:Corpus of Anglo-Saxon Stone Sculpture
2865:Iconography of Christian Art, Vol. II
1553:8th century plaque from ?a book cover
934:Royal Anglo-Saxon tomb in Prittlewell
842:, sometimes with figures of Mary and
454:has a manuscript counterpart in the "
16:English art of the Anglo-Saxon period
7:
2313:History:159 and Dodwell (1982):65–66
1701:, where the image sits under carved
417:manuscripts was at its height, from
340:in particular. At the same time the
1840:This article is part of the series:
91:Anglo-Saxon art survives mostly in
5054:Vienna School of Fantastic Realism
3905:Neoclassical architecture in Milan
2768:"Dodwell (1993)": Dodwell, C. R.,
2756:Anglo-Saxon Art, A New Perspective
2754:"Dodwell (1982)": Dodwell, C. R.,
1017:Ring, 775-850, in Trewhiddle style
14:
5128:American Figurative Expressionism
3464:International Gothic art in Italy
2889:English Romanesque Art, 1066–1200
2174:Wilson, 131–133; Henderson, 63–71
6078:
6077:
4637:Neue KĂĽnstlervereinigung MĂĽnchen
2532:Golden Age, 40–41; Wilson, 70–72
1854:
1573:
1558:
1546:
1526:
1414:
1395:
1379:
1351:
1336:
1320:
1300:
1285:
1042:
1022:
1010:
994:
975:
642:
635:Benedictional of Saint Æthelwold
620:
601:
581:
524:and the French-trained Norseman
5559:Tunisian collaborative painting
5032:International Typographic Style
2818:Historia Ecclesie Abbendonensis
2362:Highlights of Anglo-Saxon hoard
2322:Dodwell (1982):48, 80 and 65–67
1775:innovations include the animal
1697:was used, most famously in the
970:, the lowest rank of free men.
44:covers art produced within the
5312:The Caribbean Artists Movement
2937:The Art of Anglo-Saxon England
2925:, 2012, British Museum Press,
2277:Dodwell (1982):58, 79–83, 92–3
1809:at the foot of the cross in a
1215:St Oswald's Priory, Gloucester
1182:St Oswald's Priory, Gloucester
568:with a "lion mask", while the
542:Benedictional of St. Æthelwold
1:
3668:Dutch and Flemish Renaissance
2887:Zarnecki, George and others;
2156:Nordenfalk, 96–107, Wilson 94
1448:Christ Treading on the Beasts
1402:Worn relief of an angel from
1180:Fragment of cross shaft from
405:Evangelist portrait from the
5783:Modern European ink painting
5155:Bay Area Figurative Movement
2632:portrait of Saint Aethelwold
1632:would no doubt be apparent.
390:, or perhaps the kingdom of
5444:Artificial intelligence art
2987:hosted by Durham University
2812:, 1972, rev. 1977, Penguin.
2642:Zarnecki, 17–23, 83–84, 232
1623:and shows the story of the
1582:Anglo-Saxon reliquary cross
882:(late 8th century) and the
6130:
5357:Post-painterly abstraction
5180:Situationist International
4554:Pennsylvania Impressionism
2487:Wilson, 142–149, quote 147
2469:Bailey, 18–22; Wilson, 150
2295:See Dodwell (1982), passim
1795:creating the world with a
1684:brought glass-makers from
1625:Norman conquest of England
1619:is embroidered in wool on
1584:"corpus" on a German cross
1404:St Mary's Church, Reculver
1374:for face with vine-scrolls
1239:St Mary's Church, Reculver
716:("cellwork"), in gold and
506:wave of revival and reform
236:Monkwearmouth-Jarrow Abbey
6073:
4940:California Scene Painting
4819:California Scene Painting
4775:Figurative Constructivism
3826:Poussinists and Rubenists
3042:
2833:Mellinkoff, Ruth (1970).
2630:Dodwell (1982), 183–185;
2610:St. Cuthbert Embroideries
2581:, Accession No.: 1953.362
2331:Dodwell (1982), Chapter 2
1821:. Several images in the
889:From England itself, the
6038:Prehistoric European art
5687:Contemporary African art
5170:Gendai Bijutsu Kondankai
5098:GeneraciĂłn de la Ruptura
4725:Universal Constructivism
4517:California Impressionism
4472:American Barbizon school
2460:, Easby Cross, A.88–1930
2084:Anglo-Saxon architecture
1819:Fall of the Rebel Angels
1084:Anglo-Saxon architecture
720:for high-status pieces.
596:, an Insular masterpiece
518:Archbishop of Canterbury
99:, a number of very fine
97:Anglo-Saxon architecture
5865:Walking Artists Network
5202:Letterist International
5042:Washington Color School
3956:Arts in the Philippines
2939:, 2011, Boydell Press,
2758:, 1982, Manchester UP,
2579:Cleveland Museum of Art
2503:15 October 2012 at the
2404:Wilson, 152 and passim.
2223:Dodwell (1993), 118–120
2138:Wilson, 142 (quote), 60
1736:The front cover of the
1366:(section missing) with
1254:Old Minster, Winchester
938:Southend Central Museum
836:Golden Madonna of Essen
782:illuminated manuscripts
288:Illuminated manuscripts
93:illuminated manuscripts
5976:Illuminated manuscript
5624:The Designers Republic
5574:Neue Slowenische Kunst
5497:Pattern and Decoration
5397:Institutional critique
5037:Abstract expressionism
4017:Latin American Baroque
3973:Colonial Asian Baroque
2935:Karkov, Catherine E.,
2241:Dodwell (1993), 96–104
2147:Wilson, 40, 49 (quote)
2089:Anglo-Saxon literature
1963:Power and organization
1766:Gloucester Candlestick
1744:
1669:
1603:
1452:
1388:Peterborough Cathedral
1295:- south and east faces
1185:
1079:
863:
810:
750:
731:and matching suite of
675:
501:
429:(though the important
410:
372:Stockholm Codex Aureus
313:
306:Stockholm Codex Aureus
265:illuminated manuscript
220:Kingdom of Northumbria
192:
88:near the south coast.
38:
30:
5614:Artist-run initiative
5589:Young British Artists
5554:New European Painting
5490:Moscow Conceptualists
5412:Feminist art movement
5190:Ukrainian underground
5165:Gutai Art Association
4564:Ten American Painters
4068:Western influence in
3045:List of art movements
2961:, 2002, Boydell Press
1986:Monarchs and kingdoms
1823:Old English Hexateuch
1735:
1712:, the oldest Western
1664:
1597:
1440:
1358:8th-century cross at
1313:Dumfries and Galloway
1179:
1066:
858:
800:
741:
666:
560:is a copy of it. The
498:Old English Hexateuch
491:
483:Old English Hexateuch
421:such as those at the
404:
394:in the heyday of the
346:St. Augustine Gospels
295:
190:
36:
25:Shoulder-clasps from
24:
5424:Saqqakhaneh movement
5317:Chicano art movement
5185:Soviet Nonconformist
4991:Boston Expressionism
4974:Abstraction-Création
4792:Arbeitsrat fĂĽr Kunst
4785:Cologne Progressives
4505:Art Nouveau in Milan
4308:Anglo-Japanese style
4284:National romanticism
3714:Fontainebleau School
3624:Northern Renaissance
3459:International Gothic
2965:Holcomb, M. (2009).
2742:on 14 September 2009
2687:Broderick, Herbert,
2577:Golden Age, 125–126;
2304:Gransden:65. History
2074:Migration Period art
1235:Canterbury Cathedral
1096:St Cuthbert's coffin
1031:Sutton-on-the-Forest
982:Replica helmet from
688:Anglo-Saxon brooches
686:of the 5th century.
592:to Matthew from the
492:Illustration of the
357:evangelist portraits
304:to Matthew from the
5959:Hierarchy of genres
5524:Saint Soleil School
5460:Post-conceptual art
5429:The Stars Art Group
5307:Black Arts Movement
5270:Neo-Dada Organizers
5071:Lyrical abstraction
4804:Australian tonalism
4477:California Tonalism
4149:Hudson River School
3952:Colonial Asian art
3692:English Renaissance
3641:Ghent–Bruges school
3629:Early Netherlandish
3541:Italian Renaissance
3454:Gothic art in Milan
2808:Henderson, George.
2509:AS Sculpture Corpus
2395:Dodwell (1982), 190
2386:Golden Age, 170–171
2129:Dodwell (1982), 3–4
1848:society and culture
1789:John the Evangelist
1386:The Hedda Stone in
1230:Breedon-on-the-Hill
1115:English Reformation
918:Staffordshire hoard
876:Anglo-Saxon mission
844:John the Evangelist
763:English Reformation
710:Harford Farm Brooch
702:penannular brooches
700:and Romano-British
594:Book of Lindisfarne
471:historiated initial
423:Anglo-Saxon mission
353:Lindisfarne Gospels
298:evangelist portrait
240:Lindisfarne Gospels
114:English Reformation
29:, early 7th century
6001:Landscape painting
5609:New Leipzig School
5549:Neo-conceptual art
5297:Art & Language
5292:Capitalist realism
5214:Florida Highwaymen
5150:Hard-edge painting
4964:Streamline Moderne
4925:Harlem Renaissance
4768:Novecento Italiano
4596:Deutscher Werkbund
4423:Post-Impressionism
3985:Latin American art
3789:Guild of Romanists
3651:German Renaissance
3646:Northern Mannerism
2853:Nordenfalk, Carl.
2340:Wilson, 9, 133–137
2183:Dodwell (1993), 90
1745:
1738:St Cuthbert Gospel
1710:St Cuthbert Gospel
1670:
1604:
1568:, Winchester style
1533:Rear panel of the
1483:in both Latin and
1453:
1243:Sacrifice of Isaac
1186:
1104:Anglo-Scandinavian
1080:
907:Anglo-Scandinavian
905:, an 11th-century
864:
811:
751:
684:Quoit Brooch Style
676:
651:Caedmon manuscript
613:Durham Cassiodorus
502:
431:Echternach Gospels
411:
314:
193:
39:
31:
6091:
6090:
5873:
5872:
5729:Corporate Memphis
5682:Classical Realism
5652:Amazonian pop art
5544:Appropriation art
5512:Neo-expressionism
5382:Environmental art
5287:Nouvelle tendance
5004:
5003:
4952:Socialist realism
4809:Dresden Secession
4428:Neo-Impressionism
4391:Decadent movement
4362:Heidelberg School
4256:
4255:
4154:American luminism
4139:DĂĽsseldorf School
4134:Shoreham Ancients
4124:Nazarene movement
4114:Danish Golden Age
3995:Indochristian art
3673:Antwerp Mannerism
3562:Pittura infamante
3556:Florentine School
3551:Proto-Renaissance
2861:Schiller, Gertrud
2772:, 1993, Yale UP,
2703:Mellinkoff, 13-15
2433:"Sanbach crosses"
2094:Anglo-Saxon glass
2060:
2059:
1815:Junius manuscript
1797:pair of compasses
1722:treasure bindings
1673:Anglo-Saxon glass
1566:Baptism of Christ
1426:Gosforth, Cumbria
1144:Dream of the Rood
761:in 1066, and the
630:Baptism of Christ
534:Chester-le-Street
456:Cutbercht Gospels
425:'s foundation at
396:Mercian Supremacy
342:Gregorian mission
281:Holy Roman Empire
244:Vespasian Psalter
148:(for example the
6121:
6081:
6080:
6065:Western painting
6011:Modern sculpture
5969:History painting
5672:Art intervention
5465:Installation art
5282:Nouveau réalisme
5022:
4996:Leningrad School
4888:Mexican muralism
4861:Grosvenor School
4601:American Realism
4584:Der Blaue Reiter
4542:Berlin Secession
4537:Vienna Secession
4532:Munich Secession
4450:Pont-Aven School
4269:
4119:Troubadour style
4097:(c. 1770 – 1862)
4064:Qing handicrafts
4030:Western elements
3961:Letras y figuras
3934:African-American
3929:African diaspora
3900:Directoire style
3811:Heptanese school
3794:Dutch Golden Age
3779:Stroganov School
3772:Lutheran Baroque
3767:Louis XIII style
3740:Baroque in Milan
3602:Bolognese School
3597:High Renaissance
3580:Forlivese School
3575:Ferrarese School
3298:Migration Period
3062:
3020:
3013:
3006:
2997:
2974:
2878:Wilson, David M.
2850:
2784:Backhouse, Janet
2751:
2749:
2747:
2741:
2735:. Archived from
2724:
2704:
2701:
2695:
2685:
2679:
2676:
2670:
2667:
2661:
2660:Henderson, 63–71
2658:
2652:
2649:
2643:
2640:
2634:
2628:
2622:
2619:
2613:
2606:
2600:
2597:
2591:
2588:
2582:
2575:
2569:
2566:
2560:
2557:
2551:
2548:
2542:
2539:
2533:
2530:
2524:
2521:
2515:
2494:
2488:
2485:
2479:
2476:
2470:
2467:
2461:
2455:
2449:
2448:
2446:
2444:
2439:on 30 March 2012
2435:. Archived from
2429:
2423:
2420:
2414:
2411:
2405:
2402:
2396:
2393:
2387:
2384:
2378:
2375:
2369:
2359:
2353:
2347:
2341:
2338:
2332:
2329:
2323:
2320:
2314:
2311:
2305:
2302:
2296:
2293:
2287:
2284:
2278:
2275:
2269:
2266:
2260:
2257:
2251:
2248:
2242:
2239:
2233:
2230:
2224:
2221:
2215:
2208:
2202:
2199:
2193:
2190:
2184:
2181:
2175:
2172:
2166:
2163:
2157:
2154:
2148:
2145:
2139:
2136:
2130:
2127:
2121:
2118:
2112:
2109:
2052:
2045:
2038:
2014:Christianisation
1917:Material culture
1858:
1837:
1781:ascending Christ
1650:Saint Aethelwold
1577:
1562:
1550:
1541:takes Jerusalem.
1530:
1418:
1399:
1383:
1355:
1340:
1324:
1304:
1289:
1153:Sandbach Crosses
1100:Durham Cathedral
1073:alternative view
1046:
1026:
1014:
998:
979:
899:Trewhiddle style
861:Ashmolean Museum
849:Eastern Orthodox
815:Abbot of Evesham
807:Trewhiddle style
801:Brooch from the
646:
624:
605:
585:
570:Tiberius Psalter
427:Echternach Abbey
407:Grimbald Gospels
261:Canterbury Bible
50:Migration period
6129:
6128:
6124:
6123:
6122:
6120:
6119:
6118:
6104:Anglo-Saxon art
6094:
6093:
6092:
6087:
6069:
5986:Interactive art
5869:
5843:SoFlo Superflat
5768:Kitsch movement
5692:Africanfuturism
5644:
5638:
5517:Transavantgarde
5448:
5402:Light and Space
5387:Performance art
5367:Psychedelic art
5250:Nueva Presencia
5240:Otra FiguraciĂłn
5228:
5160:Les Plasticiens
5145:New York School
5123:Action painting
5108:Metcalf Chateau
5017:
5012:
5000:
4920:Cercle et Carré
4856:New Objectivity
4763:Return to order
4705:School of Paris
4683:
4527:School of Paris
4488:
4374:Arts and Crafts
4279:Neo-romanticism
4264:
4252:
4248:Etching revival
4200:Barbizon school
4144:Pre-Raphaelites
4096:
4093:
4086:
4029:
4023:
3916:
3890:Louis XVI style
3832:
3821:Louis XIV style
3784:Animal painting
3745:Flemish Baroque
3723:
3634:World landscape
3585:Venetian School
3527:
3514:Majorcan school
3481:Novgorod School
3471:Lucchese School
3443:Opus Anglicanum
3435:Norman-Sicilian
3379:Italo-Byzantine
3279:Early Christian
3260:
3244:Pompeian Styles
3057:
3051:
3038:
3024:
2981:
2964:
2923:Anglo-Saxon Art
2919:Webster, Leslie
2909:Brown, Michelle
2905:
2903:Further reading
2847:
2832:
2792:Webster, Leslie
2745:
2743:
2739:
2733:
2722:
2715:
2712:
2707:
2702:
2698:
2686:
2682:
2677:
2673:
2668:
2664:
2659:
2655:
2650:
2646:
2641:
2637:
2629:
2625:
2620:
2616:
2607:
2603:
2598:
2594:
2589:
2585:
2576:
2572:
2567:
2563:
2558:
2554:
2549:
2545:
2540:
2536:
2531:
2527:
2522:
2518:
2505:Wayback Machine
2495:
2491:
2486:
2482:
2477:
2473:
2468:
2464:
2456:
2452:
2442:
2440:
2431:
2430:
2426:
2421:
2417:
2412:
2408:
2403:
2399:
2394:
2390:
2385:
2381:
2376:
2372:
2366:The Independent
2360:
2356:
2348:
2344:
2339:
2335:
2330:
2326:
2321:
2317:
2312:
2308:
2303:
2299:
2294:
2290:
2285:
2281:
2276:
2272:
2267:
2263:
2258:
2254:
2249:
2245:
2240:
2236:
2231:
2227:
2222:
2218:
2209:
2205:
2200:
2196:
2191:
2187:
2182:
2178:
2173:
2169:
2164:
2160:
2155:
2151:
2146:
2142:
2137:
2133:
2128:
2124:
2119:
2115:
2110:
2106:
2102:
2056:
1847:
1835:
1730:
1682:Benedict Biscop
1659:
1657:Other materials
1629:Byzantine silks
1617:Bayeux Tapestry
1609:Opus anglicanum
1600:Bayeux Tapestry
1592:
1585:
1578:
1569:
1563:
1554:
1551:
1542:
1531:
1509:Cleveland, Ohio
1507:casket, now in
1501:Utrecht Psalter
1471:is carved from
1435:
1428:
1419:
1410:
1400:
1391:
1384:
1375:
1356:
1347:
1341:
1332:
1325:
1316:
1305:
1296:
1293:Bewcastle Cross
1290:
1262:Bayeux Tapestry
1191:David M. Wilson
1123:Bewcastle Cross
1069:Bewcastle Cross
1061:
1054:
1047:
1038:
1035:North Yorkshire
1027:
1018:
1015:
1006:
999:
990:
980:
880:Tassilo Chalice
868:metal-detecting
759:Norman Conquest
706:Kingston Brooch
661:
654:
647:
638:
625:
616:
606:
597:
586:
554:Utrecht Psalter
475:Carolingian art
450:area of modern
365:Codex Amiatinus
290:
228:Irish monastery
185:
109:Bayeux Tapestry
105:Opus Anglicanum
62:northern Europe
54:Norman Conquest
42:Anglo-Saxon art
17:
12:
11:
5:
6127:
6125:
6117:
6116:
6111:
6106:
6096:
6095:
6089:
6088:
6086:
6085:
6074:
6071:
6070:
6068:
6067:
6062:
6055:
6050:
6045:
6040:
6035:
6030:
6025:
6020:
6019:
6018:
6016:Late modernism
6013:
6003:
5998:
5993:
5988:
5983:
5978:
5973:
5972:
5971:
5966:
5964:Genre painting
5956:
5951:
5946:
5941:
5940:
5939:
5934:
5929:
5924:
5914:
5912:Ballets Russes
5909:
5904:
5899:
5898:
5897:
5895:Asemic writing
5887:
5885:History of art
5881:
5879:
5878:Related topics
5875:
5874:
5871:
5870:
5868:
5867:
5862:
5857:
5852:
5851:
5850:
5845:
5835:
5830:
5825:
5820:
5815:
5813:Relational art
5810:
5805:
5800:
5795:
5790:
5785:
5780:
5775:
5770:
5765:
5760:
5759:
5758:
5748:
5743:
5738:
5736:Hypermodernism
5733:
5732:
5731:
5721:
5716:
5711:
5706:
5701:
5696:
5695:
5694:
5684:
5679:
5674:
5669:
5664:
5659:
5654:
5648:
5646:
5640:
5639:
5637:
5636:
5631:
5626:
5621:
5616:
5611:
5606:
5601:
5596:
5591:
5586:
5581:
5576:
5571:
5566:
5561:
5556:
5551:
5546:
5541:
5536:
5531:
5526:
5521:
5520:
5519:
5509:
5504:
5499:
5494:
5493:
5492:
5482:
5477:
5475:Postminimalism
5472:
5467:
5462:
5456:
5454:
5450:
5449:
5447:
5446:
5441:
5436:
5431:
5426:
5421:
5420:
5419:
5409:
5404:
5399:
5394:
5389:
5384:
5379:
5374:
5369:
5364:
5359:
5354:
5352:Generative art
5349:
5344:
5339:
5334:
5329:
5324:
5322:Conceptual art
5319:
5314:
5309:
5304:
5299:
5294:
5289:
5284:
5279:
5274:
5273:
5272:
5262:
5257:
5252:
5247:
5242:
5236:
5234:
5230:
5229:
5227:
5226:
5221:
5219:Cybernetic art
5216:
5211:
5210:
5209:
5207:Ultra-Lettrist
5204:
5194:
5193:
5192:
5182:
5177:
5172:
5167:
5162:
5157:
5152:
5147:
5142:
5137:
5136:
5135:
5125:
5120:
5115:
5110:
5105:
5100:
5095:
5094:
5093:
5088:
5083:
5081:Arte Informale
5078:
5068:
5063:
5058:
5057:
5056:
5046:
5045:
5044:
5034:
5028:
5026:
5019:
5018:(1945–present)
5006:
5005:
5002:
5001:
4999:
4998:
4993:
4988:
4983:
4978:
4977:
4976:
4966:
4961:
4960:
4959:
4954:
4947:Heroic realism
4944:
4943:
4942:
4932:
4927:
4922:
4917:
4912:
4907:
4900:
4895:
4890:
4885:
4884:
4883:
4881:Latin American
4878:
4868:
4863:
4858:
4853:
4851:Group of Seven
4848:
4843:
4838:
4833:
4832:
4831:
4821:
4816:
4814:Social realism
4811:
4806:
4801:
4800:
4799:
4797:November Group
4789:
4788:
4787:
4782:
4772:
4771:
4770:
4760:
4755:
4754:
4753:
4741:
4736:
4731:
4730:
4729:
4728:
4727:
4720:Latin American
4715:Constructivism
4712:
4710:Crystal Cubism
4707:
4702:
4697:
4691:
4689:
4685:
4684:
4682:
4681:
4676:
4671:
4666:
4661:
4656:
4651:
4650:
4649:
4639:
4634:
4627:
4626:
4625:
4620:
4610:
4609:
4608:
4598:
4593:
4588:
4587:
4586:
4581:
4571:
4566:
4561:
4556:
4551:
4550:
4549:
4544:
4539:
4534:
4524:
4519:
4514:
4509:
4508:
4507:
4496:
4494:
4490:
4489:
4487:
4486:
4481:
4480:
4479:
4469:
4468:
4467:
4462:
4457:
4452:
4447:
4442:
4437:
4436:
4435:
4420:
4415:
4413:Volcano School
4410:
4409:
4408:
4403:
4393:
4388:
4383:
4382:
4381:
4371:
4366:
4365:
4364:
4359:
4354:
4349:
4348:
4347:
4342:
4327:
4322:
4317:
4312:
4311:
4310:
4298:
4293:
4288:
4287:
4286:
4275:
4273:
4266:
4258:
4257:
4254:
4253:
4251:
4250:
4245:
4244:
4243:
4238:
4237:
4236:
4221:
4220:
4219:
4218:
4217:
4207:
4202:
4192:
4187:
4186:
4185:
4175:
4170:
4168:Norwich School
4165:
4160:
4159:
4158:
4157:
4156:
4146:
4141:
4136:
4131:
4126:
4121:
4116:
4111:
4109:Fairy painting
4100:
4098:
4088:
4087:
4085:
4084:
4083:
4082:
4077:
4066:
4061:
4056:
4051:
4046:
4045:
4044:
4033:
4031:
4025:
4024:
4022:
4021:
4020:
4019:
4014:
4013:
4012:
4007:
4002:
4000:Chilote School
3992:
3990:Casta painting
3982:
3981:
3980:
3975:
3970:
3969:
3968:
3966:Tipos del PaĂs
3963:
3950:
3949:
3948:
3947:
3946:
3936:
3924:
3922:
3918:
3917:
3915:
3914:
3909:
3908:
3907:
3902:
3897:
3892:
3887:
3875:
3874:
3873:
3866:
3861:
3856:
3854:Louis XV style
3851:
3840:
3838:
3834:
3833:
3831:
3830:
3829:
3828:
3823:
3813:
3808:
3803:
3802:
3801:
3791:
3786:
3781:
3776:
3775:
3774:
3769:
3764:
3763:
3762:
3757:
3747:
3742:
3731:
3729:
3725:
3724:
3722:
3721:
3716:
3711:
3706:
3701:
3700:
3699:
3689:
3688:
3687:
3686:
3685:
3680:
3675:
3665:
3664:
3663:
3658:
3656:Cologne School
3648:
3643:
3638:
3637:
3636:
3621:
3620:
3619:
3618:
3617:
3609:
3604:
3599:
3589:
3588:
3587:
3582:
3577:
3567:
3566:
3565:
3558:
3553:
3537:
3535:
3529:
3528:
3526:
3525:
3524:
3523:
3516:
3511:
3509:Italian school
3500:
3495:
3494:
3493:
3491:Sienese School
3483:
3478:
3473:
3468:
3467:
3466:
3461:
3456:
3446:
3439:
3438:
3437:
3427:
3426:
3425:
3420:
3410:
3405:
3404:
3403:
3401:Pre-Romanesque
3398:
3393:
3383:
3382:
3381:
3376:
3371:
3366:
3356:
3351:
3350:
3349:
3337:
3332:
3330:Donor portrait
3327:
3326:
3325:
3320:
3315:
3310:
3305:
3295:
3294:
3293:
3283:
3282:
3281:
3270:
3268:
3262:
3261:
3259:
3258:
3257:
3256:
3251:
3246:
3241:
3239:Julio-Claudian
3236:
3231:
3221:
3216:
3211:
3206:
3201:
3200:
3199:
3198:
3197:
3192:
3191:
3190:
3188:Greco-Buddhist
3180:
3170:
3165:
3160:
3155:
3150:
3145:
3140:
3135:
3130:
3128:Protogeometric
3125:
3115:
3114:
3113:
3108:
3103:
3098:
3088:
3083:
3082:
3081:
3070:
3068:
3059:
3053:
3052:
3043:
3040:
3039:
3025:
3023:
3022:
3015:
3008:
3000:
2994:
2993:
2988:
2980:
2979:External links
2977:
2976:
2975:
2962:
2955:
2933:
2916:
2904:
2901:
2900:
2899:
2885:
2875:
2858:
2851:
2845:
2830:
2813:
2810:Early Medieval
2806:
2782:"Golden Age":
2780:
2766:
2752:
2731:
2711:
2708:
2706:
2705:
2696:
2680:
2671:
2662:
2653:
2644:
2635:
2623:
2614:
2601:
2592:
2583:
2570:
2568:Golden Age, 88
2561:
2552:
2543:
2534:
2525:
2516:
2489:
2480:
2471:
2462:
2458:V&A Museum
2450:
2424:
2415:
2406:
2397:
2388:
2379:
2370:
2354:
2350:British Museum
2342:
2333:
2324:
2315:
2306:
2297:
2288:
2279:
2270:
2261:
2252:
2243:
2234:
2225:
2216:
2203:
2194:
2185:
2176:
2167:
2158:
2149:
2140:
2131:
2122:
2113:
2103:
2101:
2098:
2097:
2096:
2091:
2086:
2081:
2076:
2071:
2066:
2058:
2057:
2055:
2054:
2047:
2040:
2032:
2029:
2028:
2027:
2026:
2021:
2016:
2008:
2007:
2003:
2002:
2001:
2000:
1999:
1998:
1988:
1983:
1978:
1973:
1965:
1964:
1960:
1959:
1958:
1957:
1952:
1947:
1942:
1937:
1932:
1927:
1919:
1918:
1914:
1913:
1912:
1911:
1906:
1901:
1893:
1892:
1888:
1887:
1886:
1885:
1880:
1875:
1867:
1866:
1860:
1859:
1851:
1850:
1842:
1841:
1834:
1831:
1827:Horns of Moses
1807:Mary Magdalene
1802:Last Judgement
1793:God the Father
1773:iconographical
1729:
1726:
1658:
1655:
1638:King Athelstan
1591:
1588:
1587:
1586:
1579:
1572:
1570:
1564:
1557:
1555:
1552:
1545:
1543:
1532:
1525:
1514:Life of Christ
1434:
1431:
1430:
1429:
1420:
1413:
1411:
1401:
1394:
1392:
1385:
1378:
1376:
1357:
1350:
1348:
1342:
1335:
1333:
1329:Gosforth Cross
1326:
1319:
1317:
1309:Ruthwell Cross
1306:
1299:
1297:
1291:
1284:
1165:Last Judgement
1157:Gosforth Cross
1119:Ruthwell Cross
1060:
1057:
1056:
1055:
1048:
1041:
1039:
1028:
1021:
1019:
1016:
1009:
1007:
1000:
993:
991:
981:
974:
903:Ædwen's brooch
884:Rupertus Cross
748:British Museum
660:
657:
656:
655:
648:
641:
639:
626:
619:
617:
607:
600:
598:
587:
580:
566:Beatus initial
562:Ramsey Psalter
558:Harley Psalter
494:Tower of Babel
467:Leningrad Bede
439:Alcuin of York
289:
286:
184:
181:
162:archaeological
15:
13:
10:
9:
6:
4:
3:
2:
6126:
6115:
6112:
6110:
6107:
6105:
6102:
6101:
6099:
6084:
6076:
6075:
6072:
6066:
6063:
6061:
6060:
6056:
6054:
6051:
6049:
6046:
6044:
6041:
6039:
6036:
6034:
6031:
6029:
6026:
6024:
6021:
6017:
6014:
6012:
6009:
6008:
6007:
6004:
6002:
5999:
5997:
5994:
5992:
5989:
5987:
5984:
5982:
5979:
5977:
5974:
5970:
5967:
5965:
5962:
5961:
5960:
5957:
5955:
5952:
5950:
5949:Fantastic art
5947:
5945:
5942:
5938:
5935:
5933:
5930:
5928:
5925:
5923:
5920:
5919:
5918:
5917:Christian art
5915:
5913:
5910:
5908:
5905:
5903:
5900:
5896:
5893:
5892:
5891:
5888:
5886:
5883:
5882:
5880:
5876:
5866:
5863:
5861:
5858:
5856:
5853:
5849:
5846:
5844:
5841:
5840:
5839:
5836:
5834:
5831:
5829:
5826:
5824:
5821:
5819:
5818:Skeuomorphism
5816:
5814:
5811:
5809:
5806:
5804:
5801:
5799:
5796:
5794:
5791:
5789:
5786:
5784:
5781:
5779:
5778:Massurrealism
5776:
5774:
5773:Lightpainting
5771:
5769:
5766:
5764:
5761:
5757:
5756:Post-Internet
5754:
5753:
5752:
5749:
5747:
5744:
5742:
5739:
5737:
5734:
5730:
5727:
5726:
5725:
5722:
5720:
5717:
5715:
5712:
5710:
5707:
5705:
5702:
5700:
5697:
5693:
5690:
5689:
5688:
5685:
5683:
5680:
5678:
5675:
5673:
5670:
5668:
5665:
5663:
5660:
5658:
5655:
5653:
5650:
5649:
5647:
5641:
5635:
5632:
5630:
5629:Grunge design
5627:
5625:
5622:
5620:
5617:
5615:
5612:
5610:
5607:
5605:
5602:
5600:
5597:
5595:
5592:
5590:
5587:
5585:
5584:Retrofuturism
5582:
5580:
5579:Scratch video
5577:
5575:
5572:
5570:
5567:
5565:
5564:Memphis Group
5562:
5560:
5557:
5555:
5552:
5550:
5547:
5545:
5542:
5540:
5539:Telematic art
5537:
5535:
5532:
5530:
5529:Guerrilla art
5527:
5525:
5522:
5518:
5515:
5514:
5513:
5510:
5508:
5505:
5503:
5500:
5498:
5495:
5491:
5488:
5487:
5486:
5483:
5481:
5480:Endurance art
5478:
5476:
5473:
5471:
5468:
5466:
5463:
5461:
5458:
5457:
5455:
5451:
5445:
5442:
5440:
5437:
5435:
5432:
5430:
5427:
5425:
5422:
5418:
5415:
5414:
5413:
5410:
5408:
5405:
5403:
5400:
5398:
5395:
5393:
5390:
5388:
5385:
5383:
5380:
5378:
5375:
5373:
5370:
5368:
5365:
5363:
5360:
5358:
5355:
5353:
5350:
5348:
5345:
5343:
5340:
5338:
5335:
5333:
5330:
5328:
5325:
5323:
5320:
5318:
5315:
5313:
5310:
5308:
5305:
5303:
5300:
5298:
5295:
5293:
5290:
5288:
5285:
5283:
5280:
5278:
5275:
5271:
5268:
5267:
5266:
5263:
5261:
5258:
5256:
5253:
5251:
5248:
5246:
5243:
5241:
5238:
5237:
5235:
5231:
5225:
5222:
5220:
5217:
5215:
5212:
5208:
5205:
5203:
5200:
5199:
5198:
5195:
5191:
5188:
5187:
5186:
5183:
5181:
5178:
5176:
5173:
5171:
5168:
5166:
5163:
5161:
5158:
5156:
5153:
5151:
5148:
5146:
5143:
5141:
5140:New media art
5138:
5134:
5131:
5130:
5129:
5126:
5124:
5121:
5119:
5118:Nanyang Style
5116:
5114:
5111:
5109:
5106:
5104:
5101:
5099:
5096:
5092:
5089:
5087:
5084:
5082:
5079:
5077:
5074:
5073:
5072:
5069:
5067:
5064:
5062:
5059:
5055:
5052:
5051:
5050:
5049:Visionary art
5047:
5043:
5040:
5039:
5038:
5035:
5033:
5030:
5029:
5027:
5023:
5020:
5016:
5011:
5007:
4997:
4994:
4992:
4989:
4987:
4984:
4982:
4979:
4975:
4972:
4971:
4970:
4967:
4965:
4962:
4958:
4955:
4953:
4950:
4949:
4948:
4945:
4941:
4938:
4937:
4936:
4933:
4931:
4928:
4926:
4923:
4921:
4918:
4916:
4915:Scuola Romana
4913:
4911:
4908:
4906:
4905:
4901:
4899:
4896:
4894:
4891:
4889:
4886:
4882:
4879:
4877:
4874:
4873:
4872:
4869:
4867:
4864:
4862:
4859:
4857:
4854:
4852:
4849:
4847:
4844:
4842:
4841:Anthropophagy
4839:
4837:
4834:
4830:
4827:
4826:
4825:
4824:Functionalism
4822:
4820:
4817:
4815:
4812:
4810:
4807:
4805:
4802:
4798:
4795:
4794:
4793:
4790:
4786:
4783:
4781:
4778:
4777:
4776:
4773:
4769:
4766:
4765:
4764:
4761:
4759:
4756:
4752:
4751:
4747:
4746:
4745:
4744:Neoplasticism
4742:
4740:
4737:
4735:
4732:
4726:
4723:
4722:
4721:
4718:
4717:
4716:
4713:
4711:
4708:
4706:
4703:
4701:
4698:
4696:
4693:
4692:
4690:
4686:
4680:
4677:
4675:
4672:
4670:
4667:
4665:
4662:
4660:
4657:
4655:
4652:
4648:
4647:Cubo-Futurism
4645:
4644:
4643:
4640:
4638:
4635:
4633:
4632:
4628:
4624:
4621:
4619:
4616:
4615:
4614:
4611:
4607:
4606:Ashcan School
4604:
4603:
4602:
4599:
4597:
4594:
4592:
4589:
4585:
4582:
4580:
4577:
4576:
4575:
4574:Expressionism
4572:
4570:
4567:
4565:
4562:
4560:
4559:Mir iskusstva
4557:
4555:
4552:
4548:
4545:
4543:
4540:
4538:
4535:
4533:
4530:
4529:
4528:
4525:
4523:
4520:
4518:
4515:
4513:
4510:
4506:
4503:
4502:
4501:
4498:
4497:
4495:
4491:
4485:
4482:
4478:
4475:
4474:
4473:
4470:
4466:
4463:
4461:
4458:
4456:
4453:
4451:
4448:
4446:
4443:
4441:
4438:
4434:
4431:
4430:
4429:
4426:
4425:
4424:
4421:
4419:
4416:
4414:
4411:
4407:
4404:
4402:
4399:
4398:
4397:
4394:
4392:
4389:
4387:
4384:
4380:
4377:
4376:
4375:
4372:
4370:
4367:
4363:
4360:
4358:
4355:
4353:
4350:
4346:
4345:Boston School
4343:
4341:
4340:Hoosier Group
4338:
4337:
4336:
4333:
4332:
4331:
4330:Impressionism
4328:
4326:
4325:Peredvizhniki
4323:
4321:
4318:
4316:
4315:Beuron School
4313:
4309:
4306:
4305:
4304:
4303:
4299:
4297:
4294:
4292:
4289:
4285:
4282:
4281:
4280:
4277:
4276:
4274:
4270:
4267:
4263:
4259:
4249:
4246:
4242:
4239:
4235:
4232:
4231:
4230:
4229:Munich School
4227:
4226:
4225:
4222:
4216:
4213:
4212:
4211:
4208:
4206:
4203:
4201:
4198:
4197:
4196:
4193:
4191:
4188:
4184:
4181:
4180:
4179:
4176:
4174:
4171:
4169:
4166:
4164:
4161:
4155:
4152:
4151:
4150:
4147:
4145:
4142:
4140:
4137:
4135:
4132:
4130:
4127:
4125:
4122:
4120:
4117:
4115:
4112:
4110:
4107:
4106:
4105:
4102:
4101:
4099:
4095:
4089:
4081:
4078:
4076:
4073:
4072:
4071:
4067:
4065:
4062:
4060:
4057:
4055:
4052:
4050:
4047:
4043:
4040:
4039:
4038:
4035:
4034:
4032:
4028:Art borrowing
4026:
4018:
4015:
4011:
4008:
4006:
4003:
4001:
3998:
3997:
3996:
3993:
3991:
3988:
3987:
3986:
3983:
3979:
3978:Company style
3976:
3974:
3971:
3967:
3964:
3962:
3959:
3958:
3957:
3954:
3953:
3951:
3945:
3942:
3941:
3940:
3937:
3935:
3932:
3931:
3930:
3926:
3925:
3923:
3919:
3913:
3910:
3906:
3903:
3901:
3898:
3896:
3893:
3891:
3888:
3886:
3885:
3881:
3880:
3879:
3878:Neoclassicism
3876:
3872:
3871:
3867:
3865:
3862:
3860:
3857:
3855:
3852:
3850:
3847:
3846:
3845:
3842:
3841:
3839:
3835:
3827:
3824:
3822:
3819:
3818:
3817:
3814:
3812:
3809:
3807:
3804:
3800:
3797:
3796:
3795:
3792:
3790:
3787:
3785:
3782:
3780:
3777:
3773:
3770:
3768:
3765:
3761:
3758:
3756:
3753:
3752:
3751:
3748:
3746:
3743:
3741:
3738:
3737:
3736:
3733:
3732:
3730:
3726:
3720:
3717:
3715:
3712:
3710:
3707:
3705:
3704:Cretan School
3702:
3698:
3695:
3694:
3693:
3690:
3684:
3681:
3679:
3676:
3674:
3671:
3670:
3669:
3666:
3662:
3661:Danube school
3659:
3657:
3654:
3653:
3652:
3649:
3647:
3644:
3642:
3639:
3635:
3632:
3631:
3630:
3627:
3626:
3625:
3622:
3616:
3615:
3610:
3608:
3605:
3603:
3600:
3598:
3595:
3594:
3593:
3590:
3586:
3583:
3581:
3578:
3576:
3573:
3572:
3571:
3568:
3564:
3563:
3559:
3557:
3554:
3552:
3549:
3548:
3547:
3544:
3543:
3542:
3539:
3538:
3536:
3534:
3530:
3522:
3521:
3517:
3515:
3512:
3510:
3507:
3506:
3505:
3501:
3499:
3496:
3492:
3489:
3488:
3487:
3484:
3482:
3479:
3477:
3474:
3472:
3469:
3465:
3462:
3460:
3457:
3455:
3452:
3451:
3450:
3447:
3445:
3444:
3440:
3436:
3433:
3432:
3431:
3428:
3424:
3421:
3419:
3416:
3415:
3414:
3411:
3409:
3406:
3402:
3399:
3397:
3394:
3392:
3389:
3388:
3387:
3384:
3380:
3377:
3375:
3372:
3370:
3367:
3365:
3362:
3361:
3360:
3357:
3355:
3352:
3348:
3347:
3343:
3342:
3341:
3338:
3336:
3333:
3331:
3328:
3324:
3321:
3319:
3316:
3314:
3311:
3309:
3306:
3304:
3301:
3300:
3299:
3296:
3292:
3289:
3288:
3287:
3284:
3280:
3277:
3276:
3275:
3272:
3271:
3269:
3267:
3263:
3255:
3252:
3250:
3247:
3245:
3242:
3240:
3237:
3235:
3232:
3230:
3227:
3226:
3225:
3222:
3220:
3217:
3215:
3212:
3210:
3207:
3205:
3202:
3196:
3193:
3189:
3186:
3185:
3184:
3181:
3179:
3176:
3175:
3174:
3171:
3169:
3166:
3164:
3161:
3159:
3156:
3154:
3151:
3149:
3146:
3144:
3141:
3139:
3138:Orientalizing
3136:
3134:
3131:
3129:
3126:
3124:
3123:Sub-Mycenaean
3121:
3120:
3119:
3116:
3112:
3109:
3107:
3104:
3102:
3099:
3097:
3094:
3093:
3092:
3089:
3087:
3084:
3080:
3077:
3076:
3075:
3072:
3071:
3069:
3067:
3063:
3060:
3054:
3050:
3046:
3041:
3037:art movements
3036:
3032:
3028:
3021:
3016:
3014:
3009:
3007:
3002:
3001:
2998:
2992:
2989:
2986:
2983:
2982:
2978:
2972:
2971:
2968:
2963:
2960:
2956:
2954:
2953:9781843836285
2950:
2946:
2942:
2938:
2934:
2932:
2931:9780714128092
2928:
2924:
2920:
2917:
2914:
2910:
2907:
2906:
2902:
2898:
2897:0-7287-0386-6
2894:
2890:
2886:
2883:
2879:
2876:
2874:
2870:
2866:
2862:
2859:
2856:
2852:
2848:
2842:
2838:
2837:
2831:
2829:
2828:0-19-929937-4
2825:
2821:
2819:
2814:
2811:
2807:
2805:
2804:0-7141-0532-5
2801:
2797:
2793:
2789:
2785:
2781:
2779:
2778:0-300-06493-4
2775:
2771:
2767:
2765:
2764:0-7190-0926-X
2761:
2757:
2753:
2738:
2734:
2732:1-86487-316-7
2728:
2721:
2720:
2714:
2713:
2709:
2700:
2697:
2694:
2690:
2684:
2681:
2675:
2672:
2666:
2663:
2657:
2654:
2648:
2645:
2639:
2636:
2633:
2627:
2624:
2618:
2615:
2611:
2605:
2602:
2596:
2593:
2587:
2584:
2580:
2574:
2571:
2565:
2562:
2556:
2553:
2547:
2544:
2538:
2535:
2529:
2526:
2523:Wilson, 80–81
2520:
2517:
2514:
2510:
2506:
2502:
2499:
2493:
2490:
2484:
2481:
2475:
2472:
2466:
2463:
2459:
2454:
2451:
2438:
2434:
2428:
2425:
2419:
2416:
2413:Wilson, 50–53
2410:
2407:
2401:
2398:
2392:
2389:
2383:
2380:
2374:
2371:
2367:
2363:
2358:
2355:
2351:
2346:
2343:
2337:
2334:
2328:
2325:
2319:
2316:
2310:
2307:
2301:
2298:
2292:
2289:
2283:
2280:
2274:
2271:
2265:
2262:
2256:
2253:
2247:
2244:
2238:
2235:
2229:
2226:
2220:
2217:
2213:
2212:La Tène style
2207:
2204:
2201:Wilson, 63–67
2198:
2195:
2189:
2186:
2180:
2177:
2171:
2168:
2162:
2159:
2153:
2150:
2144:
2141:
2135:
2132:
2126:
2123:
2117:
2114:
2108:
2105:
2099:
2095:
2092:
2090:
2087:
2085:
2082:
2080:
2077:
2075:
2072:
2070:
2067:
2065:
2062:
2061:
2053:
2048:
2046:
2041:
2039:
2034:
2033:
2031:
2030:
2025:
2022:
2020:
2017:
2015:
2012:
2011:
2010:
2009:
2004:
1997:
1994:
1993:
1992:
1989:
1987:
1984:
1982:
1979:
1977:
1974:
1972:
1969:
1968:
1967:
1966:
1961:
1956:
1953:
1951:
1948:
1946:
1943:
1941:
1938:
1936:
1933:
1931:
1928:
1926:
1923:
1922:
1921:
1920:
1915:
1910:
1907:
1905:
1902:
1900:
1897:
1896:
1895:
1894:
1889:
1884:
1881:
1879:
1876:
1874:
1871:
1870:
1869:
1868:
1865:
1861:
1857:
1853:
1852:
1849:
1843:
1839:
1838:
1832:
1830:
1828:
1824:
1820:
1816:
1812:
1808:
1804:
1803:
1798:
1794:
1790:
1786:
1782:
1778:
1774:
1769:
1767:
1763:
1759:
1753:
1751:
1743:
1739:
1734:
1727:
1725:
1723:
1719:
1715:
1711:
1706:
1704:
1700:
1696:
1691:
1687:
1683:
1678:
1674:
1667:
1663:
1656:
1654:
1651:
1647:
1641:
1639:
1633:
1630:
1626:
1622:
1618:
1613:
1611:
1610:
1601:
1596:
1589:
1583:
1580:10th century
1576:
1571:
1567:
1561:
1556:
1549:
1544:
1540:
1536:
1535:Franks Casket
1529:
1524:
1522:
1520:
1519:West Midlands
1516:
1515:
1510:
1506:
1502:
1497:
1493:
1488:
1486:
1482:
1478:
1474:
1470:
1469:Franks Casket
1466:
1462:
1458:
1457:ivory carving
1450:
1449:
1444:
1439:
1433:Ivory carving
1432:
1427:
1423:
1422:Hogback tombs
1417:
1412:
1409:
1405:
1398:
1393:
1389:
1382:
1377:
1373:
1369:
1365:
1361:
1354:
1349:
1345:
1339:
1334:
1330:
1323:
1318:
1314:
1310:
1303:
1298:
1294:
1288:
1283:
1281:
1279:
1275:
1269:
1267:
1263:
1259:
1255:
1250:
1248:
1244:
1240:
1236:
1231:
1225:
1223:
1218:
1216:
1212:
1208:
1204:
1203:Jelling style
1200:
1196:
1192:
1183:
1178:
1174:
1172:
1171:
1166:
1162:
1158:
1154:
1148:
1146:
1145:
1140:
1136:
1132:
1131:Easby Crosses
1128:
1124:
1120:
1116:
1112:
1107:
1105:
1101:
1097:
1092:
1089:
1085:
1078:
1074:
1070:
1065:
1058:
1052:
1045:
1040:
1036:
1032:
1025:
1020:
1013:
1008:
1004:
997:
992:
989:
985:
978:
973:
971:
969:
968:
962:
961:
956:
952:
948:
947:
941:
939:
935:
931:
927:
923:
922:Staffordshire
919:
914:
912:
908:
904:
900:
896:
895:Pentney Hoard
892:
887:
885:
881:
877:
873:
872:Fuller Brooch
869:
862:
857:
853:
850:
845:
841:
837:
832:
830:
825:
820:
816:
808:
804:
803:Pentney Hoard
799:
795:
793:
792:
785:
783:
779:
775:
771:
766:
764:
760:
756:
749:
746:, now in the
745:
744:Fuller Brooch
740:
736:
734:
730:
726:
721:
719:
715:
711:
707:
703:
699:
698:
693:
689:
685:
681:
673:
669:
665:
658:
652:
645:
640:
636:
632:
631:
623:
618:
614:
610:
604:
599:
595:
591:
584:
579:
577:
575:
571:
567:
563:
559:
555:
551:
547:
546:Byzantine art
543:
538:
535:
531:
527:
523:
519:
515:
511:
507:
499:
495:
490:
486:
484:
478:
476:
472:
468:
464:
459:
458:" in Vienna.
457:
453:
449:
444:
440:
436:
432:
428:
424:
420:
416:
408:
403:
399:
397:
393:
389:
384:
382:
381:hanging bowls
377:
373:
368:
366:
362:
358:
354:
349:
347:
343:
339:
335:
331:
327:
323:
319:
311:
307:
303:
299:
294:
287:
285:
282:
276:
274:
270:
266:
262:
257:
252:
249:
245:
241:
237:
233:
229:
225:
221:
216:
214:
210:
206:
205:Hiberno-Saxon
202:
198:
189:
182:
180:
178:
175:
171:
167:
163:
159:
155:
151:
150:Fuller brooch
147:
143:
142:Franks Casket
140:(notably the
139:
135:
131:
127:
123:
118:
115:
110:
106:
102:
98:
94:
89:
87:
83:
79:
75:
71:
67:
63:
59:
55:
51:
47:
43:
35:
28:
23:
19:
6114:Medieval art
6059:Trompe-l'Ĺ“il
6057:
6028:Outsider art
5981:Illustration
5937:Lutheran art
5927:Catholic art
5890:Abstract art
5860:Unilalianism
5823:Software art
5798:Neosymbolism
5788:Neo-futurism
5751:Internet art
5741:Hyperrealism
5594:Superfiction
5377:Photorealism
5245:Afrofuturism
5010:Contemporary
4986:Dimensionism
4969:Concrete art
4902:
4898:Precisionism
4748:
4695:Sosaku-hanga
4669:Productivism
4659:Metaphysical
4629:
4618:Proto-Cubism
4522:Secessionism
4484:Costumbrismo
4369:Aestheticism
4320:Hague School
4300:
4224:Academic art
4205:Costumbrismo
4173:Empire style
4010:Quito School
4005:Cusco School
3921:Colonial art
3882:
3870:FĂŞte galante
3868:
3837:18th century
3799:Delft School
3750:Caravaggisti
3728:17th century
3613:
3570:Quattrocento
3560:
3518:
3441:
3344:
3302:
3274:Late antique
3158:Severe style
3148:Black-figure
3035:Contemporary
2970:
2967:
2958:
2936:
2922:
2912:
2888:
2881:
2864:
2854:
2835:
2816:
2809:
2795:
2788:Turner, D.H.
2769:
2755:
2744:. Retrieved
2737:the original
2718:
2699:
2693:google books
2688:
2683:
2674:
2665:
2656:
2647:
2638:
2626:
2617:
2604:
2595:
2586:
2573:
2564:
2555:
2546:
2537:
2528:
2519:
2508:
2492:
2483:
2474:
2465:
2453:
2441:. Retrieved
2437:the original
2427:
2418:
2409:
2400:
2391:
2382:
2373:
2357:
2345:
2336:
2327:
2318:
2309:
2300:
2291:
2282:
2273:
2264:
2255:
2246:
2237:
2228:
2219:
2206:
2197:
2188:
2179:
2170:
2161:
2152:
2143:
2134:
2125:
2116:
2107:
2064:Medieval art
2019:Christianity
1929:
1925:Architecture
1810:
1800:
1771:Anglo-Saxon
1770:
1758:Ottonian art
1754:
1749:
1746:
1707:
1703:rock crystal
1699:Alfred Jewel
1693:Sutton Hoo.
1677:claw beakers
1671:
1642:
1634:
1614:
1607:
1605:
1565:
1512:
1496:Ottonian art
1489:
1461:bone carving
1454:
1446:
1270:
1251:
1246:
1242:
1226:
1219:
1207:Mammen style
1187:
1168:
1149:
1142:
1135:Southumbrian
1108:
1093:
1088:high crosses
1081:
1051:Escrick ring
1003:Alfred Jewel
965:
958:
944:
942:
925:
916:In 2009 the
915:
891:Alfred Jewel
888:
865:
833:
812:
789:
786:
767:
752:
722:
695:
680:Animal Style
677:
628:
539:
503:
479:
460:
442:
412:
385:
369:
350:
315:
277:
253:
217:
194:
119:
90:
41:
40:
18:
6109:English art
5944:Digital art
5907:Avant-garde
5848:Superstroke
5724:Flat design
5719:Fictive art
5714:Excessivism
5662:Art for art
5657:Altermodern
5599:Taring Padi
5534:Lowbrow art
5502:Pliontanism
5439:Yoru no Kai
5392:Process art
5332:Systems art
5302:Arte Povera
5224:Antipodeans
5133:in New York
5103:Jikken KĹŤbĹŤ
5066:Color field
4935:Regionalism
4904:Aeropittura
4893:Neo-Fauvism
4866:Neues Sehen
4836:Kinetic art
4700:Suprematism
4674:Synchromism
4591:Noucentisme
4512:Primitivism
4500:Art Nouveau
4455:Cloisonnism
4445:Pointillism
4440:Divisionism
4418:Incoherents
4379:Art pottery
4265:(1863–1944)
4215:Macchiaioli
4190:Biedermeier
4178:Historicism
4163:Orientalism
4104:Romanticism
4075:Akita ranga
3927:Art of the
3912:Picturesque
3864:Chinoiserie
3859:Frederician
3697:Tudor court
3592:Cinquecento
3533:Renaissance
3520:Mappa mundi
3504:cartography
3396:Carolingian
3391:Merovingian
3374:Palaeologan
3346:RepoblaciĂłn
3303:Anglo-Saxon
3234:Gallo-Roman
3173:Hellenistic
3168:Kerch style
3106:Minyan ware
2815:"History":
2559:Wilson, 131
1846:Anglo-Saxon
1811:Crucifixion
1742:bookbinding
1714:bookbinding
1666:Claw beaker
1590:Textile art
1492:Carolingian
1485:Old English
1344:Irton Cross
1211:Isle of Man
1199:Borre style
1139:Old English
1082:Apart from
1033:Mount from
776:chronicler
692:grave goods
674:belt buckle
670:, gold and
520:, and also
443:scriptorium
415:Carolingian
334:Lindisfarne
330:Northumbria
318:Insular art
269:King Alfred
224:Lindisfarne
209:Insular art
174:Reformation
78:Northumbria
46:Anglo-Saxon
6098:Categories
5991:Jewish art
5803:Passionism
5763:iPhone art
5709:Cyborg art
5704:Crypto art
5677:Brandalism
5569:Cyberdelic
5434:Tropicália
5407:Street art
5362:Intermedia
5342:Minimalism
5061:Spatialism
5015:Postmodern
4871:Surrealism
4739:Shin-hanga
4579:Die BrĂĽcke
4547:Sonderbund
4460:Synthetism
4183:Revivalism
4092:Transition
4049:Manichaean
3895:Adam style
3816:Classicism
3755:in Utrecht
3683:Still life
3413:Romanesque
3369:Macedonian
3364:Iconoclast
3323:Visigothic
3229:Republican
3183:Indo-Greek
3153:Red-figure
2945:1843836289
2873:0853313245
2846:0520017056
2710:References
2377:Wilson, 12
2286:Wilson, 14
2192:Wilson, 63
2165:Wilson, 94
2069:Viking art
1976:Government
1904:Literature
1873:Settlement
1690:millefiori
1475:, which a
1441:Head of a
1364:Derbyshire
1315:, Scotland
1274:Winchester
1113:after the
1111:iconoclasm
984:Sutton Hoo
930:Sutton Hoo
911:Viking art
840:crucifixes
770:Spearhafoc
755:St Peter's
725:Sutton Hoo
668:Sutton Hoo
463:Winchester
419:scriptoria
310:Canterbury
248:Canterbury
207:style, or
177:iconoclasm
74:Romanesque
66:Sutton Hoo
27:Sutton Hoo
6053:Shock art
6043:Queer art
6023:NaĂŻve art
6006:Modernism
5838:Superflat
5828:Sound art
5808:Post-YBAs
5793:Neomodern
5634:Verdadism
5604:Superflat
5453:1970–1999
5417:in the US
5337:Video art
5260:Happening
5233:1960–1969
5025:1945–1959
4688:1915–1944
4679:Vorticism
4631:A Nyolcak
4493:1900–1914
4465:Les Nabis
4396:Symbolism
4352:Amsterdam
4302:Japonisme
4272:1863–1899
4234:in Greece
4094:to modern
3939:Caribbean
3884:Goût grec
3806:Capriccio
3760:Tenebrism
3709:Turquerie
3607:Mannerism
3502:Medieval
3359:Byzantine
3340:Mozarabic
3291:Ethiopian
3195:Neo-Attic
3178:"Baroque"
3163:Classical
3133:Geometric
3111:Mycenaean
3058:(Western)
3056:Premodern
3027:Premodern
2746:3 October
2511:website;
2507:from the
2443:2 October
1777:Hellmouth
1728:Aftermath
1473:whalebone
1459:and also
1443:tau cross
1368:interlace
1346:, Cumbria
1331:, Cumbria
1247:Ascension
1195:Norse art
1127:interlace
940:in 2019.
805:, in the
733:purse-lid
714:cloisonné
659:Metalwork
633:from the
611:from the
574:interlace
522:Æthelwold
510:Æthelstan
146:metalwork
138:whalebone
6083:Category
6033:Portrait
5954:Folk art
5902:Anti-art
5833:Stuckism
5746:Idea art
5667:Art game
5619:Artivism
5507:Punk art
5485:Sots Art
5470:Artscene
5327:Land art
5265:Neo-Dada
5197:Lettrism
5091:Nuagisme
5076:Tachisme
4957:Nazi art
4750:De Stijl
4664:Rayonism
4654:Art Deco
4642:Futurism
4433:Luminism
4401:Romanian
4386:Tonalism
4357:Canadian
4335:American
4241:Neo-Grec
3849:Rocaille
3678:Romanism
3612:Counter-
3546:Trecento
3486:Duecento
3476:Crusades
3408:Ottonian
3386:Frankish
3266:Medieval
3249:Trajanic
3209:Scythian
3204:Etruscan
3096:Cycladic
3074:Thracian
2794:, eds.;
2501:Archived
2024:Paganism
2006:Religion
1996:Military
1971:Charters
1955:Weaponry
1899:Language
1891:Language
1833:See also
1668:in glass
1170:Ragnarök
778:Goscelin
550:acanthus
530:Cuthbert
448:Salzburg
437:, where
376:Frankish
326:Germanic
183:Overview
6048:Realism
5645:present
5372:Nut Art
5175:Pop art
5113:Mono-ha
4981:The Ten
4930:Kapists
4876:Iranian
4829:Bauhaus
4623:Orphism
4569:Fauvism
4406:Russian
4296:Nihonga
4210:Verismo
4195:Realism
4129:Purismo
4042:Moorish
4037:Islamic
3944:Haitian
3735:Baroque
3614:Maniera
3498:Mudéjar
3423:Spanish
3335:Pictish
3318:Lombard
3313:Insular
3254:Severan
3219:Gaulish
3214:Iberian
3143:Archaic
3086:Nuragic
3066:Ancient
3049:periods
1991:Warfare
1883:History
1813:. The
1750:Baptism
1646:Maaseik
1505:boxwood
1445:, with
1266:Denmark
1258:Sigmund
1245:and an
1237:, from
1222:hogback
1161:Danelaw
1077:Cumbria
988:Suffolk
955:pennies
951:obverse
926:fibulae
831:there.
819:Dunstan
697:fibulae
637:, 970s.
590:Incipit
514:Dunstan
496:in the
452:Austria
351:In the
302:Incipit
273:Danelaw
170:Normans
166:Vikings
58:England
5996:Kitsch
5855:Toyism
5347:Fluxus
5277:Op art
4846:Mingei
4780:Stupid
4758:Purism
4613:Cubism
4262:Modern
4054:Mughal
3844:Rococo
3449:Gothic
3430:Norman
3354:Viking
3308:Hunnic
3286:Coptic
3101:Minoan
3091:Aegean
3079:Dacian
3031:Modern
2951:
2943:
2929:
2915:(2010)
2895:
2871:
2843:
2826:
2802:
2790:, and
2776:
2762:
2729:
1935:Burial
1864:People
1779:, the
1762:Gothic
1695:Enamel
1477:riddle
1465:walrus
1370:; see
1278:Alcuin
967:ceorle
878:, the
774:Norman
729:helmet
718:garnet
672:niello
526:Oswald
392:Mercia
322:Celtic
256:Viking
234:, and
213:Franks
201:Celtic
158:enamel
126:fresco
122:Norman
82:Wessex
70:Viking
5643:2000–
5086:COBRA
4080:Uki-e
4070:Japan
4059:Qajar
3418:Mosan
3224:Roman
3118:Greek
2740:(PDF)
2723:(PDF)
2100:Notes
1950:Glass
1945:Dress
1940:Coins
1909:Runes
1878:Women
1787:, St
1785:Moses
1718:gesso
1621:linen
1539:Titus
1481:runes
1075:) in
946:sceat
829:Prior
791:thegn
609:David
435:Tours
332:, at
246:from
154:glass
134:ivory
130:stone
101:ivory
5932:Icon
5255:ZERO
5013:and
4910:Asso
4734:Dada
4291:YĹŤga
3033:and
2949:ISBN
2941:ISBN
2927:ISBN
2893:ISBN
2869:ISBN
2841:ISBN
2824:ISBN
2800:ISBN
2774:ISBN
2760:ISBN
2748:2010
2727:ISBN
2498:here
2445:2010
1686:Gaul
1615:The
1494:and
1408:Kent
1372:here
1360:Eyam
1327:The
1307:The
1121:and
1067:The
1049:The
1029:The
1001:The
960:seax
742:The
708:and
627:The
588:The
540:The
388:Kent
361:Ezra
338:Iona
336:and
324:and
300:and
296:The
232:Iona
218:The
172:and
156:and
136:and
86:Kent
84:and
1981:Law
1930:Art
1487:.
1424:at
1406:in
1362:in
1189:by
1098:in
986:in
824:awl
383:.
230:on
215:.
152:),
144:),
56:of
6100::
3029:,
2947:,
2921:,
2911:,
2880:;
2863:,
2786:,
2364:,
1537:;
1311:,
794:.
168:,
132:,
128:,
95:,
3047:/
3019:e
3012:t
3005:v
2849:.
2750:.
2447:.
2214:.
2051:e
2044:t
2037:v
1602:.
1071:(
809:.
500:.
312:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.