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She eventually moved to Mexico City and unsuccessfully tried to file for divorce, and to obtain support for her son. In 1927, her father died, and
Antonieta became responsible for the care of her parents' house and her siblings. She financed and promoted cultural projects of considerable relevance;
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Antonio Rivas
Mercado refused to let his wife move back into the family's house, as a result of which Antonieta had to assume more responsibility at home. With her father's permission, at the age of 18, she married British-born, American-raised engineer Albert Edward Blair, and gave birth to their
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in Mexico City. Mexican mezzo-soprano Lidya RendĂłn starred as
Antonieta, in a staging by Antonio Morales and Rosa Blanes Rex, conducted by Enrique Barrios.
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of Mexico City was formed. It was said that knowing
Antonieta Rivas Mercado helped open the cultural doors in Mexico.
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Rivas
Mercado was born as the second of four children (Alicia, Antonieta, Mario, and Amelia) of the notable architect
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son Donald
Antonio (Tonito) on September 9, 1919. During the time the young family lived in a ranch in the
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In
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for example, she financed and became principally involved in the foundation of the
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Antonieta Rivas
Mercado: Katherine Anne Porter's horror and inspiration.
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and his wife
Cristina Matilde Castellanos Haff. Around 1910, during the
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by
Mexican composer Federico Ibarra, was presented at the
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