Knowledge (XXG)

Richter-tuned harmonica

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488:. This is much less intuitive as it requires the ability to bend notes completely accurately, and there are fewer useful chords available than in first or second-position playing. The technique offers many notes that are not achievable in the other positions without overblows, such as the blue note on the third degree, which may or may not be favorable depending on the circumstance. The bends available at the lower end of the instrument also make playing melodies in a D major scale relatively easy for those who have any semblance of proficiency at the bending technique, though most of the notes (all but the second and fourth, E and G) in the scale are on the draw, requiring great skill and strategy in exhaling, even more so than in crossharp. 1119:
having to do a lot of precise bending or overblowing. This tuning, designed and marketed by Lee Oskar, is a particularly interesting evolution of the harmonica, since it allows a player accustomed to playing "cross harp" (in Mixolydian) to play in a major key (which is what the standard layout is designed for in the first place). Rather than providing the standard tonic C and dominant G chords, the Melody Maker provides a G chord (2–5 draw), a C chord (1–4 blow), an Am or Am chord (3–5 or 3–6 blow), a D chord (4–6 draw) and a C chord (6–10 blow). If we are in the key of G, then, the melody maker provides the I chord, the IV chord, the V chord and the ii chord, allowing ii–V–I progressions as well as I–IV–V progressions.
1685:(diatonic) harmonica. Here the blow reeds and the draw reeds are sealed off one from another with valves, effectively creating two separate cells in the comb for each hole in the mouthpiece: one for blow and another for draw. A second reed is then placed in this cell at a zero-offset (no gapping) so that it does not sound under normal playing. However, it is placed on the opposite side of the reed-plate from the speaking reed and tuned so that it responds when the player “bends” the note downwards in pitch. This allows for every note on the XB-40 to be bent downwards a whole-tone or more, whereas on standard diatonics only certain notes (the higher-pitched in the cell) will bend at all. 186: 84: 468:(a commonly used scale in blues and rock) are more easily accessible on a C-tuned harmonica. The lower notes of harps in the lower keys (G through C) are easier to bend, but take more wind. Since much of crossharp is played on the inhalation, every opportunity for exhalation must be capitalized upon—by heavily exhaling on every exhaled note and during every pause. Crossharp lends itself to 233: 43: 1293:, on which the harmonicist, Alan "Blind Owl" Wilson, gets the minor third crossharp on the sixth drawn reed, which is normally the major second crossharp. There are books, toolkits and guides to tuning and harp customization available on the Internet; anyone interested in trying their hand at tuning should be prepared to sacrifice a few harmonicas during the learning process. 683:
played from 6 blow to 9 blow). Lee Oskar specially tunes harmonicas to allow players to play a natural minor or major scale from 2 draw to 6 blow, or a harmonic minor scale from 4 blow to 7 blow. Below are some sample layouts (the key labels describe the scale from 2 draw to 6 blow, whereas traditional harmonicas are labelled according to the scale between 4 and 8 blow).
2020:" Jacobs would completely revolutionize the instrument. He had new idea of playing the harmonica near a microphone. Big Walter Horton, Carey Bell, Sonny Terry(1911 - 1986), Junior Wells (1934 - 1998), James Cotton, Sugar Blue, Snooky Pryor, and Little Sonny were blues harp players also. Blues guitarist Jimmy Reed (1925 - 1976) sometimes played blues harp. 308: 2004:
technique, opening the possibilities of harp playing to new heights. This technique has now become one of the most important blues harmonica methods. Sonny Boy Williamson II used hand effects to give a very talkative feel to his harp playing. A number of his compositions have also become standards in
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With the major second on 3 blow (where, in standard Richter tuning, the cross harp tonic would be repeated) and a major 7th (rather than a minor 7th) on 5 draw, the Melody Maker has a full major scale. This can be very useful for playing major key melodies, for example, fiddle tunes, quickly, without
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It is also possible for harp players to tune the harmonica themselves. By making small scratches in a reed, the note played can be changed. It is possible to either get a higher or a lower note. Some harp players make extensive use of these modifications. One of the most famous examples is the harp
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on diatonic harmonicas. While chromatic is available, valved diatonic is also common, and there are reasons to use a valved diatonic rather than chromatics. It does not have a slide assembly (so that it has less air leakage), and it has a wider tonal range and dynamic. As well, it has a smaller size
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14-hole harmonica. The general dimensions of the 12- and 14- hole Hohner harmonicas are a bit bigger than regular diatonic harmonicas. The M36401 and M36501 harmonicas (in the key of C) are pitched one octave lower than the standard 10-hole C diatonic. Thus, hole-4 blow is the same pitch as hole-1
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The standard diatonic harmonica is designed to allow a player to play chords and melody in a single key. Because they are only designed to be played in a single key at a time, diatonic harmonicas are available in all keys. Harps labeled G through B start (on hole 1 blow) below middle C, while Harps
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Harmonicas, make a variety of harmonicas to help players used to a "cross-harp" style to play in other styles. Cross-harp players usually base their play around a mixolydian scale starting on 2 draw and ending a 6 blow (with a bend needed to get the second tone of the scale; a full scale can be
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is solo tuned, with 3 full diatonic octaves with all notes of the major scale of the key of C. Since it can bend notes in the same way as a regular diatonic harmonica in the middle octave, some players use this for blues (and even jazz) instead of the more well-known solo-tuned harmonica, the
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Two harmonica models have been released with altered designs that allow for increased bending abilities, and in effect, chromatic playing on a diatonic harmonica. They are often referred to as "extra-reed" harmonicas, because they carry more than the usual 20 reeds of a diatonic harp.
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Holes 1 through 4 and 6 are draw-bendable, and holes 8 through 14 are blow-bendable. Note the extra holes 11–14 which in theory extend the bending capabilities a lot (from A down to E in hole-14, for example), although in practice these are quite limited.
391:(G major) chords, allowing a player to play these chords underneath a melody by blocking or unblocking the lower holes with the tongue. The most important notes (the tonic triad C–E–G) are given the blow, and the secondary notes (B–D–F–A), the draw. 483:
Another method is to play in the key one whole tone above that of the harmonica. On a C-tuned harmonica, this would mean playing in the key of D. This is known as "slant harp" or "third position" playing, and results in the harmonica playing in
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chromatic harmonica, since the bent notes sound very different from true semi-tones. (For layout, see below at Chromatic harmonica, key out) In this configuration, blues players usually play in the third position, the D-minor blue scale.
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This harmonica offers many interesting possibilities, especially for blues harmonica, like extended tongue-block octave playing, the possibility to play exactly the same second-position riffs in two octaves, etc.
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Note that using blue notes, any of the seven positions can be used over music in its corresponding major scale if only the notes in the corresponding pentatonic scale are played.
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Playing the harmonica in the key to which it is tuned is known as "straight harp" or "first position" playing. For example, playing music in the key of C on a C-tuned harmonica.
1996:, is one of the most important harmonicists of this era. Using a full blues band, he became one of the most popular acts in the South due to his daily broadcasts on the ' 419:
down a semitone at least, although most players can easily bend down a whole tone. Alternatively, one can simply buy a factory-made valved diatonic such as the Suzuki
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Half-Valved diatonics are made by fitting windsavers on half the lower reed in each opening: draw holes 1–6 and blow holes 7–10; this way, all these reeds can be
2107: 495:, fourth position, fifth position, sixth position and zeroth positions can be played, with the scales played in those positions indicated as follows: 1301:
Hohner had made a few non-standard harmonicas. All of them have more than 10 holes and are labeled "grosse richter". For 12 holes, Hohner makes the
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the blues world. Williamson had a powerful sound and extended his influence on the young British white blues rockers in the 1960s, recording with
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below the key of the harmonica (for example, on a C tuned harmonica, a second position blues would be in G—resulting in the instrument playing in
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harmonica, with ten holes which offer the player 19 notes (10 holes times a draw and a blow for each hole minus one repeated note) in a three-
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Sonny Boy Williamson I created basics of blues harp play style. He was killed during a robbery. After that Rice Miller, better known as
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More common (especially in blues and rock) is "crossharp" or "second position" playing which involves playing in the key which is a
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and is much more suitable to use with microphone, and it is still cheaper than chromatic, even for a premade one like Hohner's
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Some players prefer specially tuned variants of the diatonic harmonica. Several manufacturers, for instance
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Some disadvantages of the valved diatonic is that the valves prevent other bending techniques, such as
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But Williamson was not the only innovator of his time. A young harmonicist by the name of Marion "
2634: 2563: 2469: 2313: 987:(this will be labeled as "G": Melody Major's key indicate cross harp's key, starting from draw 2) 2608: 2486: 2479: 2161: 2156: 2062: 2041: 1997: 31: 2551: 2546: 512: 492: 465: 359:). Here is the layout for a standard diatonic harmonica, labeled C, starting on middle C (C 1485:(M3658) manufactured by Hohner, a special tuned 14-hole diatonic. Below, the layout of the 383:
available on the harmonica, between holes 4 and 7. The lower holes are designed around the
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Natural minor (cross harp, 6 blow to 9 blow) / Dorian (straight harp, 4 blow to 7 blow):
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and M36508 (in G) are similar to a usual G diatonic, having the higher end expanded.
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Although there are three octaves between 1 and 10 "blow", there is only one full
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Living the Blues. Canned Heat's Story of Music, Drugs, Death, Sex and Survival
2001: 2613: 2526: 2459: 2454: 2434: 2364: 2298: 2283: 679: 477: 328: 2278: 2000:', originating live from Helena, Arkansas. He also helped make popular the 1681:, features an entirely new body design, though in practice, it is still a 1124:
Optimized blues tuning (this will be labeled as "C": starting from draw 1)
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In addition to the M364 models with 12 holes, there is also the Hohner
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The valved diatonic is one of the most common ways of playing
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on a regular diatonic harmonica in the key of C. The
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This is because the notes of the G 442:Development/Playing in different keys 7: 687:Country tune: Identical to standard 106:adding citations to reliable sources 25: 197:to comply with Knowledge (XXG)'s 52:This article has multiple issues. 369: 231: 184: 82: 41: 93:needs additional citations for 60:or discuss these issues on the 1: 1297:12-hole and 14-hole diatonic 674:Specially tuned instruments 621:Minor, man gong, suspended 257:the claims made and adding 2661: 1307:M36460 Marine Band Soloist 597:Minor, ritusen, suspended 578:Major, ritusen, suspended 29: 117:"Richter-tuned harmonica" 1640:They come in five keys: 210:may contain suggestions. 195:may need to be rewritten 1994:Sonny Boy Williamson II 355:start above middle C (C 317:Richter-tuned harmonica 2063:"Sonny Boy Williamson" 312: 1665:Extra-reed harmonicas 491:Continuing along the 331:. It is a variety of 310: 2645:Diatonic instruments 2355:Heckelphone-clarinet 102:improve this article 1487:Steve Baker Special 1483:Steve Baker Special 1311:Marine Band Soloist 2314:Reclam de xeremies 2036:Fito De La Parra, 1481:There is also the 1324:Marine Band M36408 313: 242:possibly contains 27:Musical instrument 2622: 2621: 2587: 2586: 2487:Gourd mouth organ 2378: 2377: 2248: 2247: 1998:King Biscuit Hour 1988:Blues harp player 1983: 1982: 1636: 1635: 1489:in the key of C: 1477: 1476: 1305:, as well as the 1287:On the Road Again 1278: 1277: 1111: 1110: 976: 975: 835: 834: 666: 665: 513:Pentatonic scales 410:Promaster MR-350v 321:10-hole harmonica 305: 304: 297: 287: 286: 279: 244:original research 225: 224: 199:quality standards 178: 177: 170: 152: 75: 32:Blues Harp (film) 16:(Redirected from 2652: 2552:Orthotonophonium 2547:Indian harmonium 2389: 2262:Cylindrical bore 2259: 2134:Cylindrical bore 2130: 2110: 2103: 2096: 2087: 2080: 2079: 2077: 2075: 2055: 2049: 2034: 1977: 1976: 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Index

Blues harmonica
Blues Harp (film)
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verification
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"Richter-tuned harmonica"
news
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scholar
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quality standards
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harmonica
diatonic
octave

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