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120:, Munungurr said that she first began painting in the 1980s "because I've seen my parents painting when I was growing up." Both of Mununggurr's parents were skilled artists, having both won first place in the Telstra National Aboriginal & Torres Strait Islander Art Awards and they were a major influence on her artistic style.
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In 2005, Mununggurr was hit by a car and sustained severe head injuries, leaving her needing a wheelchair and unable to use her right hand to paint. Her recovery consisted of a
Western treatment and traditional healing practices, and she entered an intensive rehabilitation program in 2011 at Epworth
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Julia
Gillard herself visited the exhibition to view her portrait and remarked, "There's nothing like seeing it in person, to experience the power of it. The speech has had this incredible afterlife. It's about expressing to activists, predominantly women, emotion, energy, galvanizing them for the
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curators agreeing she could no longer grind traditional ochres used for bark painting with her limited dexterity in her right hand. Beginning in acrylic colours of red, orange, and yellow, reminiscent of natural ochre tones, Mununggurr came to her now famous bright blue acrylic in 2019.
295:—told to Mununggurr by her mother—who traded tobacco with the Yolngu for centuries and fished off the coast of Arnhem Land for sea cucumber, until their fishing was banned by the Australian government in 1907, over fifty years before Mununggurr was born.
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inspired by natural landscapes and Yolngu stories and legends. In 2005, Mungunggurr was hit by a truck, leaving her wheelchair bound and stopping her from painting for five years. The incident effected her painting by limiting her use of her right hand.
342:. Her works included in the exhibition showcased her various shades of acrylic blues, which she described with the words "water blue, midnight blue, cobalt blue, ultramarine, Australian blue, and Australian sky blue." The newest work exhibited at
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In 2015, Alcaston
Gallery opened "GAYBADA – My Father Was an Artist," which was a collection of bark paintings and larrakitj inspired by Mununggurr's father's work, which was an inspiration for much of Munungurr's own art.
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Mununggurr is known to show a great deal of individualism in her artistic style. She deviates from tradition materials and style, which sets her apart from other indigenous
Australian artists.
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Following her participation at the NGV's 2020 Triennial, Mununggurr was invited back to be a part of the
National Gallery of Victoria's 2021 exhibition of women artists from Yirrkala, titled
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of 1963), and served as a great inspiration for
Mununggurr. Her mother, Gulumbu Yunupingu, also inspired her; in an interview posted to YouTube in August 2023 for the exhibition
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Dhambit
Mununggurr was born in 1968 to Mutitjpuy Munungurr (1932-1993) and Gulumbu Yunupingu (1945–2012), Her father was the first artist to win the award with a bark painting (
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In addition to bark paintings, Mununggurr is also known for her
Larrakitj(hollow poles). Like her bark paintings, these Larrakitj feature her signature acrylic blue coloring.
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Mununggurr's late brother and her uncle, Mandawuy
Yunupingu, were founders of the Yolngu music group, Yothu Yindi. Her brother is a world renowned player of the didgeridoo.
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Museums and Art
Galleries of the Northern Territory; Telstra, "The 35th Teslstra National Aboriginal and Torress Strait Islander Art Award, 12 August - 11 November 2018",
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291:. Many of her paintings at the exhibition depict stories that had been passed down to her by her parents and Yolngu elders; one of her paintings shows the story of the
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Mununggurr's first paintings were influenced by her mother's clan, featuring imagery of fire, associated with the Gumatj clan to which her mother belonged.
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with her partner Tony, where she noticed green shoots sprouting from burned trees. The title refers to the "land after fire" and the "regrowth after fire."
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When returning to painting in 2010, she trained herself to paint with her non-dominant left hand, as her condition slowly improved. Her favoring of
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continued fight for gender equality, so I think that this speaks very powerfully to that urge that we want to live in a more equal world."
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are shown. Her mother, Gulumbu Yunupingu, is represented through the stars which show what she had painted on the ceiling of the
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Alcaston Gallery, Melbourne (2015); inspired by her father Mutitjpuy Mununggurr, featuring vibrant bark paintings in
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in 2018 in a collection which details Mununggurr's life and her familial ties. At the top, her maternal grandfather
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TRIENNIAL CONVERSATIONS | DHAMBIT MUNUNGGURR IN CONVERSATION WITH MYLES RUSSELL-COOK
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In 2004, Munungurr became the first Yolngu woman to graduate as a tour guide in
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Blue is the colour: The idiosyncratic work of Yolngu artist Dhambit Mununggurr
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909:"Provenance Does Matter: Living with Contemporary Art at Gallery 369 Bendigo"
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by Mununggurr was a portrait of former Australian prime minister
229:. Lastly, Dhambit herself is represented as a monolithic rock on
510:"Dhambit Munuggurr | Artist Profile, Exhibitions & Artworks"
100:) in 1990, and her mother won the award in 2004 for her work
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Kerrie O'Brien and Craig Matheison, "Marvellous Melbourne,"
703:"Artbank Staff Picks: Dhambit Mununggurr My Story II, 2018"
855:""Dhambit Mununggurr - Gaybada - My Father was an Artist""
648:"Dhambit Mununggurr Can we all have a happy life | NGV"
390:, Victoria (2016), featuring contemporary photography,
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Provenance Does Matter - Living with Contemporary Art,
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Dhambit Mununggurr: Australian Art and Artists File,
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JULIA GILLARD IN CONVERSATION WITH DHAMBIT MUNUĹŠGURR
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Darwin Museum and Art Gallery of Northern Territory
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famously delivered in Australian Parliament in 2012
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131:She was credited as an artist in the 2000 film
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83:clan known for her unique ultramarine blue
275:In 2020, Mununggurr was represented at the
104:. Her father was one of the members of the
884:"Contemporary works arrive at Gallery 369"
673:"Dhambit Mununggurr in Conversation | NGV"
633:. Melbourne: National Gallery of Victoria.
279:Triennial with an installation of fifteen
168:In 2018, Mununggurr, while working at the
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631:Bark Ladies: Eleven Artists from Yirrkala
540:Dhambit Munuŋgurr: Maḏayin Artist Profile
302:. There, Mununggurr exhibited alongside:
300:Bark Ladies: Eleven Artists from Yirrkala
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882:Pedler, Chris (25 June 2016).
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108:moiety who contributed to the
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287:(hollow log coffins), titled
1008:Can We All Have A Happy Life
840:– via www.youtube.com.
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758:National Gallery of Victoria
629:Russell-Cook, Myles (2021).
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289:Can We All Have a Happy Life
277:National Gallery of Victoria
250:National Gallery of Victoria
940:(Melbourne Australia), 2020
359:Gillard's "Misogyny Speech"
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320:Eunice Djerrkngu Yunupingu
170:Buku-Larrŋgay Mulka Centre
959:The Sydney Morning Herald
205:Her work was acquired by
16:Australian Yolngu artist
304:Nancy Gaymala Yunupingu
256:Significant exhibitions
114:Yirrkala bark petitions
1010:, Dhambit Mununggurr,"
332:Naminapu Maymuru-White
245:University of Virginia
110:Yirrkala Church Panels
211:Mungurrawuy Yunupingu
728:"Bänhdharra | Ocean"
599:"Dhambit Mununggurr"
567:"Dhambit Mununggurr"
484:"Dhambit Mununggurr"
445:"Dhambit Mununggurr"
404:Nonggirrnga Marawili
324:Nonggirrnga Marawili
316:Nyapanyapa Yunupingu
223:Musee du Quai Branly
732:Kluge-Ruhe: Madayin
102:Garak, the Universe
943:Quentin Sprague, "
888:Bendigo Advertiser
786:. 18 December 2020
677:www.ngv.vic.gov.au
652:www.ngv.vic.gov.au
571:Salon Art Projects
414:, Dean Smith, and
340:Dhuwarrwarr Marika
141:Rehabilitation in
73:Dhambit Mununggurr
25:Dhambit Mununggurr
1006:"Triennial 2020:
605:. 1 February 2021
451:. 1 February 2021
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308:Gulumbu Yunupingu
283:and nine painted
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993:Sunday Age
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134:Yolngu Boy
98:Djang'kawu
92:Early life
81:Gupa-Djapu
66:Tony Gintz
1001:1034-1021
514:ocula.com
416:Greg Semu
392:video art
378:larrakitj
350:, titled
293:Makassans
285:larrakitj
270:King Lake
266:Melbourne
215:Galarrwuy
143:Melbourne
57:larrakitj
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396:ceramics
219:Mandawuy
192:Yirrkala
154:acrylics
147:Victoria
995:, 2020
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388:Bendigo
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