145:"It was good to hear her in a whole program of her own. She is an excellent artist, and after collaborating so self-effacingly with others—often playing only the continuo—she deserved the spotlight. … The way Mme. Weiss-Mann sat at the black and gold harpsichord, her hands moving over the two keyboards as swiftly as dragonflies, one would have thought it easy to play with such accuracy. For she has the assurance that comes from thorough mastery of the instrument. Because of her technical skill, it was easy to lose sight of it in concentrating on the quality of her interpretations. But one couldn’t help admiring the way she achieved subtle variations of color without faltering in the firmness and resilience of her rhythms."
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Since she was of Jewish origin, Weiss-Mann had to give up her teaching jobs in
Germany after 1933. Because of this, she immigrated to New York City in 1939. There, she performed with conductor
27:
to businessman Emil Weiss and his wife
Hermine Rosenfeld Weiss. She studied at Hamburg's Hochschule fĂĽr Musik from 1900 to 1904. In 1905, she continued her studies privately with
133:, and Scarlatti for two versions of an LP released by Westminster: XWN 18589 and WL 5214. She also recorded for Hargail Recorder Music, usually as a harpsichord accompanist.
463:
The
National Union Catalog, Pre-1956 Imprints: A Cumulative Author List Representing Library of Congress Printed Cards and Titles Reported by Other American Libraries
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70:, she established the group's chamber ensemble and revived interest in early music in Germany. Weiss-Mann appeared as a harpsichord soloist with conductor
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Congress, Library of; Subcommittee, American
Library Association Committee on Resources of American Libraries National Union Catalog (1976).
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In 1910, Weiss-Mann married the portrait painter
Wilhelm Mann. Although the marriage did not last, the couple had a son (
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Well-Tempered
Woodwinds: Friedrich von Huene and the Making of Early Music in a New World
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In a review of Weiss-Mann's solo harpsichord debut in New York on 9 May 1949,
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in 1940 and played harpsichord on the first
American recording of Vivaldi's
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125:'s clavier concerti in a single series of concerts. She recorded works by
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in 1947. She was the first harpsichordist in
America to perform all of
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152:. McGinnis and Marx published her figured bass realizations for
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Contemporary
American composers : a biographical dictionary
187:(Second edition, revised and enlarged ed.). New York.
66:(Society for the Revival of Ancient Music). With conductor
148:Towards the end of her life, Weiss-Mann taught at
90:. She also worked as a music critic for the
59:) in 1917, who became a well-known musicologist.
39:, and Bruno Eisner. After meeting harpsichordist
19:German harpsichordist, musicologist, and teacher
443:Office, Library of Congress Copyright (1976).
321:Journal of the American Musicological Society
184:International encyclopedia of women composers
16:German music educator and pianist (1885-1951)
8:
446:Catalog of Copyright Entries: Third series
236:(2nd ed.). Boston, Mass.: G.K. Hall.
215:: CS1 maint: location missing publisher (
154:Six Sonatas for Bassoon or Cello and Piano
82:. During this time, her students included
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23:(11 May 1885 – 18 May 1951) was born in
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164:for solo tenor and three recorders.
62:In 1925 Weiss-Mann helped found the
160:Inc. published her arrangement of
99:Deutsche Allgemeine Zeitung Berlin
64:Vereinigung zur Pflege alter Musik
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534:20th-century German musicologists
499:German women classical composers
289:Burgess, Geoffrey (2015-05-04).
74:and collaborated with composers
317:"In Memoriam: Edith Weiss Mann"
266:"Weiss-Mann, Edith (1885-1951)"
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295:. Indiana University Press.
389:The Record Book: Supplement
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529:German women musicologists
494:German classical composers
405:The American Music Lover
181:Cohen, Aaron I. (1987).
131:Johann Christoph Pepusch
230:Anderson, Ruth (1982).
539:Musicians from Hamburg
519:German harpsichordists
504:German women composers
424:Jewish Women's Archive
392:. Smith & Durrell.
327:(3): 282. 1951-10-01.
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103:New York Music Courier
524:Women harpsichordists
386:Hall, David (1941).
37:Jose Vianna da Motta
156:by Ernst Galliard.
93:Frankfurter Zeitung
72:Wilhelm Furtwängler
420:"Edith Weiss-Mann"
408:. P.H. Reed. 1942.
363:"Edith Weiss-Mann"
162:The Bashful Thames
150:Rutgers University
139:The New York Times
473:978-0-7201-0003-7
302:978-0-253-01650-8
80:Heinrich Kaminski
47:and early music.
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466:. Mansell.
158:G. Schirmer
109:Immigration
101:, and the
84:Ingolf Dahl
68:Fritz Stein
57:Alfred Mann
45:harpsichord
29:James Kwast
488:Categories
429:2020-10-14
372:2020-10-14
275:2020-10-14
168:References
341:0003-0139
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