278:'s "L'Albatros". Literary critic S. P. Uri considers "Spookschip", which makes no overt reference to the theme, a better poem than "The vliegende Hollander"; like his other poems that treat the theme implicitly, it is a "strong visionary and symbolic poem, filled with typical Romantic feelings of demise, death, and decomposition". By contrast, he treats the theme in the overt "Flying Dutchman" almost satirically, in "forced language and sloppy rhymes". Uri surmises that perhaps Slauerhoff, who was never interested in "typical Dutch fare", chose to focus on the
355:, a fellow poet and critic, wrote a highly favorable review; in 1931, he wrote that of all contemporary poets Slauerhoff most closely exhibited the "original life force of the formative beginning, of the poetic force". He admired the apparent struggle between the formal, poetic power, whose desire is to express itself using the highest human faculty (language), a poetic power that is at the same time "thwarted, undermined, misled, and poisoned by nature".
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337:, 1929) praised Slauerhoff for being a young Dutch poets who reacts strongly against two different tendencies he saw in contemporary poetry—a "verbose and hollow romanticism" that attempted to ingest the entire cosmos and was ready to explode, and a school that childishly inflated the tiniest psychological imbalance to inner drama.
129:. First published in 1928, the collection gathers poems that speak mostly of sailors' and pirates' lives and desires. The poems contain familiar themes for Slauerhoff: a sailor's life, the impossibility of life on land or in society, the myth of the pirate and the
274:), Slauerhoff arrived by way of French poets who treated the related themes of the eternal ghost ship and the dead albatross. For instance, his Rimbaud-inspired "Het eeuwige schip" had been published in 1925 already, and before 1922 he had translated
333:(esp. "Parfum Exotique"); Bloem made his comparison in an overview of new Dutch poets whose "raw, jarring, and purposely unpolished" poetry had its flaws but was a welcome change from over-stylized predecessors. Raymond Herreman (
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Three poems, "Afrikaansche Elegie", "De
Renegaat", "Het laatste zeilschip". The first two are about Europeans who live out lives of ennui (one in the colony of the Congo, and one in an unnamed jungle), and the third (dedicated to
341:, according to Herreman, was a breath of fresh air with verses full of violence and warmth, and on the whole expressed a deep desire to grasp life at its fullest. Poet and critic
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First published in 1928 by C. A. J. van
Dishoeck in Bussum, it was printed twice more by the same publisher (1942, 1946). It was published (unchanged) in 1982 by
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noted that the glory days of Dutch lyric poetry seemed to have passed, and while praising
Slauerhoff as the greatest poet of his generation said
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fighting against God" than some of his contemporaries who used the theme. The theme was familiar to
Slauerhoff, who had written a
246:, though literary critic H. T. J. Miedema wrote in an overview article of the myth in the 1950s that Slauerhoff is "less of a
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Five poems, "Droomland", "Uiterste kust", "De
Profundis", "Spookschip", "De vliegende Hollander"; the last two more with the
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Three poems about life at sea, "Brief in een flesch gevonden", "Outcast", "Zeekoorts", the latter a liberal translation of
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470:[Noble through misery: Arthur Rimbaud--'My dead comrade, irrepressible vagabond, torture of the bourgeouis'].
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329:, 1929) compared the poem "Afrikaansche elegy" ("African elegy"), which opens the second section, with the work of
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Corbière is cited as one of
Slauerhoff's influences and in his early years he had identified with the French
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177:"Het eeuwige schip" ("The eternal ship"), a 144-line narrative poem about an "eternal" ghost ship, based on
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166:"De piraat" ("The pirate"), a cycle of eight poems describing a pirate driven mostly by a desire for death;
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Three short poems, "Pacifique", "De
Matroos", "Uitreis van het kaperschip", the latter based on a poem by
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Literature of the Low
Countries: A Short History of Dutch Literature in the Netherlands and Belgium
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Four poems about life at sea, "Columbus", "Camoes thuiskomst", "De
Ontdekker", including one about
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theme, "Spookschip" ("Ghost ship") and "De vliegende
Hollander" ("The Flying Dutchman");
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comprises 27 poems in seven sections. All, except for "Dschengis", rhyme in
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poem already before 1922. Whereas other Dutch poets were inspired more by
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Brieven 1919–1952: Hendrik de Vries en Constant van Wessem
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was disappointing, possibly because of high expectations.
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Droog, Bart FM; Eissink, Jurgen, eds. (28 October 2015).
439:[The Flying Dutchman in the newer Dutch poetry].
224:"Dschengis", a dramatic poem in unrhymed verse about
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312:as part of Slauerhoff's collected poetic works.
583:[Chronicle of poetry: The land of lemons--
409:[The flying Dutchman as anti-legend].
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577:"Kroniek der poëzie: Het land der citroenen--
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524:(in Dutch). Nederlandse Poëzie Encyclopedie
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150:or, especially if consisting of four-line
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550:[Directions for our new poetry].
617:Letterkundige almanak voor het jaar 1929
407:"De vliegende Hollander als antilegende"
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19:For the poem by Edgar Allan Poe, see
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282:aspects of the myth rather than the
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199:and one from the point of view of
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70:C. A. J. van Dishoeck (first ed.)
16:Volume of poetry by J. Slauerhoff
548:"Richtingen onzer nieuwe poëzie"
376:Vegt, Jan van der, ed. (2013).
619:(A.J.G Strengholt, Amsterdam)"
1:
405:Miedema, H.T.J. (1951–1952).
384:. Verloren. pp. 83–85.
270:, based on a short story by
663:(in Dutch). pp. 39–52.
615:"[Review of] Erts,
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830:De opstand van Guadalajara
575:Herreman, Raymond (1929).
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499:. Springer. p. 330.
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852:Dutch poetry collections
493:Meijer, Reinder (2012).
780:Een eerlijk zeemansgraf
267:Der fliegende Holländer
310:Nijgh & Van Ditmar
653:(1931). "Slauerhoff:
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197:Christopher Columbus
472:Rozenberg Quarterly
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824:Het leven op aarde
810:Jan Pietersz. Coen
748:Fleurs de Marécage
589:Den Gulden Winckel
556:(in Dutch): 148–58
441:De Nieuwe Taalgids
335:Den Gulden Winckel
331:Charles Baudelaire
316:Critical responses
304:Publishing history
276:Charles Baudelaire
258:German Romanticism
111:Fleurs de Marécage
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631:: 292–94. 1929
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435:Uri, S. P.
417:25 February
321:J. C. Bloem
88:Netherlands
846:Categories
474:(in Dutch)
359:References
732:Oost-Azië
212:Sea-Fever
172:Jan Prins
98:Oost-Azië
67:Publisher
27:Eldorado
772:Soleares
764:Serenade
756:Saturnus
740:Eldorado
678:Eldorado
655:Eldorado
585:Eldorado
579:Eldorado
546:(1929).
447:: 241–51
347:Eldorado
339:Eldorado
148:couplets
144:Eldorado
122:Eldorado
51:Language
624:De Gids
595:: 21–23
553:De Gids
411:Roeping
326:De Gids
152:stanzas
139:Content
832:(1937)
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54:Dutch
637:2018
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323:(in
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
