20:
203:
49:
between 1703 and 1706 or 1707. He was later appointed solo violinist to the king at Turin and leader of the royal band, and seems scarcely ever to have left Turin after these appointments.
341:
316:
285:
336:
103:
He formed a style more brilliant and more emotional, and caused a decided step forward in the art of violin playing. He was the teacher of
321:
180:
153:
311:
306:
281:
301:
170:
112:
100:
A set of twelve sonatas for cello and figured bass was published by LeClerc of Paris around 1740, as well.
143:
331:
326:
248:
104:
172:
A new history of violin playing : the vibrato and
Lambert Massart's revolutionary discovery
119:, and he forms a connecting link between the classical schools of Italy and France. He died in
240:
176:
149:
53:
46:
232:
116:
108:
93:
Opus 7 - "Ideali trattimenti da camera" for two violins, two flutes or violes (1750 Paris)
19:
295:
39:
68:
84:
244:
236:
223:
Borowitz, Albert (1986). "Finale Marked Presto: The
Killing of Leclair".
35:
252:
31:
87:
for two violins and figured bass (1733 Paris, published by
Boisvin)
120:
18:
145:
Sonatas for violin and basso continuo, opus 3, modern edition
77:
Opus 3 - 12 sonatas for violin and figured bass (1725 Turin)
204:
Koninklijke
Bibliotheek, National Library of the Netherlands
148:. Madison, Wisconsin: A-R Editions, Inc. pp. ix, xiii.
90:
Opus 6 - 12 sonatas for violin and figured bass (1734 Paris)
80:
Opus 4 - 12 sonatas for violin and figured bass (1726 Paris)
74:
Opus 2 - 12 sonatas for violin and figured bass (1723 Turin)
30:(December 25, 1686 – August 14, 1763) was an Italian
199:
8:
286:International Music Score Library Project
175:. USA: Universal Publishers. p. 49.
137:
135:
71:(1717 Amsterdam, published by J. Roger)
63:He published eight opus numbers in all:
231:(2). Oxford University Press: 228–238.
131:
52:A trip to Paris in 1731 to play at the
282:Free scores by Giovanni Battista Somis
194:
192:
7:
56:produced a report in the April 1733
342:18th-century Italian male musicians
200:"Netherlands National Library OPAC"
67:Opus 1 - 12 sonatas for violin and
14:
142:Somis, Giovanni Battista (1998).
317:Italian male classical composers
337:18th-century Italian composers
1:
358:
115:, and Chabran, as well as
322:Italian Baroque composers
169:Silvela, Zdenko (2001).
113:Louis-Gabriel Guillemain
312:Italian Roman Catholics
307:Italian male violinists
96:Opus 8 - 6 trio sonatas
28:Giovanni Battista Somis
23:Giovanni Battista Somis
237:10.1093/mq/LXXII.2.228
60:praising his playing.
24:
225:The Musical Quarterly
22:
302:Italian violinists
105:Jean-Marie Leclair
25:
265:Silvela, Zdenko.
54:Concert Spirituel
47:Arcangelo Corelli
45:He studied under
40:Baroque music era
349:
270:
263:
257:
256:
220:
214:
213:
211:
210:
196:
187:
186:
166:
160:
159:
139:
16:Italian composer
357:
356:
352:
351:
350:
348:
347:
346:
292:
291:
278:
273:
264:
260:
222:
221:
217:
208:
206:
198:
197:
190:
183:
168:
167:
163:
156:
141:
140:
133:
129:
117:Gaetano Pugnani
109:Felice Giardini
17:
12:
11:
5:
355:
353:
345:
344:
339:
334:
329:
324:
319:
314:
309:
304:
294:
293:
290:
289:
277:
276:External links
274:
272:
271:
258:
215:
188:
181:
161:
154:
130:
128:
125:
98:
97:
94:
91:
88:
81:
78:
75:
72:
15:
13:
10:
9:
6:
4:
3:
2:
354:
343:
340:
338:
335:
333:
330:
328:
325:
323:
320:
318:
315:
313:
310:
308:
305:
303:
300:
299:
297:
287:
283:
280:
279:
275:
269:pp. 48-9, 66.
268:
262:
259:
254:
250:
246:
242:
238:
234:
230:
226:
219:
216:
205:
201:
195:
193:
189:
184:
182:1-58112-667-0
178:
174:
173:
165:
162:
157:
155:0-89579-422-5
151:
147:
146:
138:
136:
132:
126:
124:
122:
118:
114:
110:
106:
101:
95:
92:
89:
86:
82:
79:
76:
73:
70:
66:
65:
64:
61:
59:
55:
50:
48:
43:
41:
37:
33:
29:
21:
266:
261:
228:
224:
218:
207:. Retrieved
171:
164:
144:
102:
99:
85:trio sonatas
69:figured bass
62:
57:
51:
44:
27:
26:
332:1763 deaths
327:1686 births
83:Opus 5 - 6
296:Categories
209:2007-11-14
127:References
58:Le Mercure
245:0027-4631
32:violinist
267:op. cit.
36:composer
288:(IMSLP)
284:at the
38:of the
253:948121
251:
243:
179:
152:
249:JSTOR
121:Turin
241:ISSN
177:ISBN
150:ISBN
34:and
233:doi
298::
247:.
239:.
229:72
227:.
202:.
191:^
134:^
123:.
111:,
107:,
42:.
255:.
235::
212:.
185:.
158:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
