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on the computer. Sasse changes lots of the elements found in the original photographs, such as details, perspective, color, sharpness, etc. The final results of his work are images whose origin is often no longer recognizable. They present a new but flawed reality. In his play with the reality depicted in the photographs, Sasse succeeds in confusing the viewer when he looks more closely to them, which arise from contradictions between everyday experience and perception (e.g. by seemingly abolishing the central perspective). Sasse usually gives the photograph titles as four-digit number combinations, so that the references to the objects depicted are absent, as well as the creation of an intended new object.
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Sasse is no longer a photographer in the traditional sense. He uses other people's photographs from many different and random sources, such as photo albums and flea markets as templates that serve as the basis for his new images. Sasse carries a process of collaging and altering the original material
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He calls the works resulting from his sketches, "tableaux"; they have been the focus of his work since the 1990s. They are large-format images, some of them are highly distorted and distance themselves from any engagement with everyday life. They are characterized by a kind of painterly component.
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series since 2009, whose photographic origins are not immediately obvious. As with his "tableaux", all decisions about the image are made in the editing process on the computer. The memory of something previously seen, often created in other works, is transferred in “Lost
Memories” to the tension
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In his photographic work, Sasse deals with the everyday life and culture, like they are depicted in the works of amateur photographers. The starting points from his work were an early collection of amateur photographs, as well when he started to photograph, since the 1980s, everyday interiors,
146:. Since 1994 his work has involved digitally manipulating found images — primarily landscapes and cityscapes. "He developed a process of scanning images into his computer, changing them, and then making film negatives of these manipulated images, from which the final prints are made."
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corresponding details and shop windows. In view of the possibilities offered by computer technology, since around 1990 he increasingly concentrated on editing other people's photographs, and in 1993 he published his first image created in this manner, a so-called "tableau".
169:, in Paris, in 2008, is a three-dimensional sculpture containing 512 images. The work is the analogy of a complex digital database that allows to create a wide variety of suspended walls in 56 different categories. The work has been on display in its own room at the
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99:, 1962) is a German photographer. His work uses found images that are scanned, pixelated and manipulated. He lives and works in
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between the perception of photographic color spaces and the associations with organic structures.
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541:"Cologne Fine Art-Preis | Bundesverband Deutscher Galerien und Kunsthaendler e.V."
297:, 2010. Germany: Schirmer/Mosel, 2010. Edited by Stefan Gronert. Includes work by
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Serendipity. Vom Glück des Findes: Niklas
Luhmann, Ulrich Rückriem, Jörg Sasse
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513:"Deutsche Borse photography prize exhibition, Photographers' Gallery, London"
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Sasse's work is held, among others, in the following public collections:
244:, Kunstmuseum Bonn; Kunstverein Hannover; Munich: Schirmer/Mosel, 2005.
266:. With texts by Sasse and Tosatto, in English, French, and German.
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764:"Jörg Sasse - Artist - Collection - Explore - Fotomuseum Winterthur"
667:"Review: The Düsseldorf School of Photography by Stefan Gronert"
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252:. With texts by Stefan Gronert, Stephan Berg and Martin Engler.
224:. With texts by Sasse, Andreas Kreul and Detlef Bernhard Linke.
638:"The Düsseldorf School of Photography, Stefan Gronert (ed.)"
716:"Jörg Sasse at the Deutsche Börse Photography Foundation"
396:, Winterthur, Switzerland: 2 prints (as of December 2020)
486:"Der diskrete Charme der Banalität: Fotograf Jörg Sasse"
421:(Buchhandlung König, 2017) – by Ralph Goertz; 34 minutes
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408:, Frankfurt, Germany: 6 prints (as of December 2020)
230:. Museum of Grenoble; Munich: Schirmer/Mosel, 2004.
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216:. Kunsthalle Bremen; Munich: Schirmer/Mosel, 2001.
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176:In addition to the “Tableaux”, there has been a
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114:. His work is held in the collections of the
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720:www.deutscheboersephotographyfoundation.org
368:Deutsche Börse Photography Foundation Prize
112:Deutsche Börse Photography Foundation Prize
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695:Deutsche Börse Photograhy Foundation Prize
402:, New York: 2 prints (as of December 2020)
142:from 1982 to 1988, where he studied under
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285:Publications with contributions by Sasse
691:"Deutsche Borse photography prize 2005"
571:"The Guggenheim Museums and Foundation"
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575:The Guggenheim Museums and Foundation
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291:The Düsseldorf School of Photography
110:and in 2005 was shortlisted for the
990:University of Duisburg-Essen alumni
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980:21st-century German photographers
975:20th-century German photographers
880:Düsseldorf School of Photography
272:. Cologne: Walther König, 2007.
258:. Munich: Schirmer/Mosel, 2006.
242:Tableaus & Skizzen 2004/2005
198:. Munich: Schirmer/Mosel, 1992.
71:Düsseldorf School of Photography
985:Kunstakademie Düsseldorf alumni
484:Leske, Marion (6 August 2001).
196:Vierzig Fotografien 1984 – 1991
817:. Snoeck Verlagsges, 2015. By
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238:. With a text by Guy Tosatto.
400:Solomon R. Guggenheim Museum
256:Skizzen – Der Grenoble Block
167:Musée National d'Art Moderne
124:Solomon R. Guggenheim Museum
595:"Arts: The New Unromantics"
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458:"Jörg Sasse . Serendipity"
372:The Photographers' Gallery
995:People from Bad Salzuflen
165:, first exhibited at the
228:Tableaux & Esquisses
140:Kunstakademie Düsseldorf
894:Bernd and Hilla Becher
620:"Jörg Sasse biography"
440:"Jörg Sasse biography"
357:Cologne Fine Art Award
299:Bernd and Hilla Becher
190:Books of work by Sasse
108:Cologne Fine Art Award
106:In 2003 Sasse won the
744:sammlung.belvedere.at
394:Fotomuseum Winterthur
120:Fotomuseum Winterthur
419:Skizzen und Tableaux
366:2005: Shortlisted,
138:Sasse attended the
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829:. German-language.
379:Public collections
363:, Cologne, Germany
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768:www.fotomuseum.ch
644:. 3 February 2010
601:. 20 October 2011
466:. 15 October 2015
413:Films about Sasse
388:Belvedere, Vienna
343:978-1-59711-136-2
210:and Thomas Lange.
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206:. With texts by
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134:Life and work
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795:. Retrieved
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788:"Jörg Sasse"
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740:"Jörg Sasse"
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517:The Guardian
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208:Gerda Breuer
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185:Publications
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173:since 2010.
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144:Bernd Becher
137:
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51:Bernd Becher
40:West Germany
1005:1962 births
939:Thomas Ruff
904:Elger Esser
544:www.bvdg.de
361:Art Cologne
327:Thomas Ruff
307:Elger Esser
61:photography
969:Categories
944:Jörg Sasse
919:Axel Hütte
797:2020-12-27
773:2020-12-27
749:2020-12-27
725:2020-12-27
701:2022-05-16
676:2020-12-27
648:2020-12-27
605:2020-12-28
580:2020-12-27
549:2020-12-28
523:2020-12-27
495:2020-12-28
470:2020-12-28
463:C/O Berlin
426:References
319:Axel Hütte
163:Speicher I
93:Jörg Sasse
23:Jörg Sasse
390:, Austria
329:, Sasse,
116:Belvedere
47:Education
490:Die Welt
374:, London
295:Aperture
126:and the
67:Movement
887:Artists
77:Website
825:
792:Städel
624:Artnet
444:Artnet
406:Städel
355:2003:
350:Awards
341:
333:, and
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128:Städel
101:Berlin
95:(born
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339:ISBN
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232:ISBN
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200:ISBN
32:1962
29:Born
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