Knowledge (XXG)

Kermit Oliver

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landscape which he makes a metaphor for the wonders of the universe was born out of those youthful experiences.” Oliver has noted that his work deals with ideas such as growth, metamorphosis, birth, death, rebirth, resurrection, immortality and "redemption...that especially." His paintings create worlds where "...animals, plants, and humans interact in surprising scenes that seem freighted with a mysterious and complex significance.” For example, a painting of a figure standing in front of rows of tall shrubbery is not simply a study of a garden—it is titled “Theseus and the Labyrinth.”
97:. He married fellow art student, Katie Washington, in 1962.  While at Texas Southern University, he was the recipient of a Jesse Jones Art Scholarship, and he graduated in 1967 with Bachelor of Fine Arts and art education degrees. In 1968 Oliver began teaching art at Texas Southern University, and he also taught at the Art League of Houston during this time; however, he soon decided not to pursue teaching as a career.  110:
University, Oliver became an integral part of the Houston art scene. He was the first African-American artist in Houston to be represented by a major commercial gallery. His work was subsequently exhibited in numerous solo and group shows and has been included in a number of museum collections. In 2005, the
63:(born 1943) is an American painter who studied and worked in Houston before moving to Waco, Texas.  His work reflects his Texas heritage and his interests in mythology, religion, and history.  Oliver combines “contemporary and classical elements, resulting in a style he calls symbolic realism.” 137:
whether he knew of an American artist who could create a design for a scarf with a Southwestern theme.  Marcus told Hermès about Oliver, and the design was a success—so much so that Oliver created 17 designs for Hermès over 32 years. He is the only American artist to create designs for Hermès.
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For most of his life, Oliver worked as both an artist and a full-time mail sorter for the US Postal Service, initially in Houston and then for thirty years after moving to Waco, Texas in 1984. He believed that a steady income was the best way to support his family while allowing him the freedom to
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Alvia Wardlaw, curator of Oliver's 2005 retrospective exhibition, noted that “The love of flora and fauna that you see in Kermit’s art began in that childhood where he was free to roam around Refugio and ride horses and hunt and sketch and draw…His visual sensibility with regards to the Texas
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While still an art student, Oliver’s work was included in a show at Houston’s Courtney Gallery, and in 1970 the gallery gave him his first solo exhibition.  He had his second solo show at the DuBose Gallery the following year.  In the years after his graduation from Texas Southern
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Oliver was named the 2017 Texas State Two-Dimensional Artist by the Texas Commission on the Arts. His painting, “Tobias,” was included in the 2016 inaugural exhibition at the Smithsonian’s
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His paintings create “strange, lushly illustrated worlds populated by people and animals realistically drawn but placed in surreal juxtaposition.”
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in Washington, D.C.  In 2013, Oliver was honored with the first Lifetime Achievement Award from the Art League Houston.
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pursue art on his own terms. He retired from the postal service in 2013 and continued working as an artist.
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Oliver is also known for his celebrated work as a designer of scarves for
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Rowell, Charles Henry (2009-02-28). "An Interview with Alvia Wardlaw".
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Houston reflections : art in the city, 1950s, 60s, and 70s
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Notes from a child's odyssey : the art of Kermit Oliver
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held a retrospective exhibition of Oliver’s work titled, “
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National Museum of African American History and Culture
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Notes from a Child’s Odyssey: the art of Kermit Oliver
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in Houston, where he was a student of the artist, Dr.
531:"The Museum of Fine Arts, Houston Online Collection" 48: 40: 28: 21: 444:"Art League gives lifetime honor to Kermit Oliver" 288: 162:Anonymous (April 2005). "Oliver Retrospective". 335:. Houston: Rice University Press. p. 183. 141:Oliver's work is held in the collection of the 8: 396:: CS1 maint: multiple names: authors list ( 18: 154: 389: 608:20th-century African-American artists 603:21st-century African-American artists 473:"Portrait of the artist as a postman" 466: 464: 442:Glentzer, Molly (29 September 2013). 7: 411: 409: 407: 326: 324: 282: 280: 236: 234: 181: 179: 177: 291:Black artists of the new generation 573:21st-century American male artists 14: 295:. New York: Dodd, Mead. pp.  133:of the upscale department store 471:Sheeler, Jason (October 2012). 568:21st-century American painters 1: 416:Hoover, Carl (17 May 2017). 217:Texas Commission on the Arts 186:Holley, Joe (May 31, 2014). 112:Museum of Fine Arts, Houston 364:J., Wardlaw, Alvia (2005). 331:Reynolds, Sarah C. (2008). 143:Houston Museum of Fine Arts 32:1943 (age 80–81) 624: 598:African-American painters 91:Texas Southern University 53:Texas Southern University 81:Background and education 593:People from Waco, Texas 213:"Current State Artists" 578:American male painters 502:Hooks-Epstein Gallery 588:Artists from Houston 188:"A Well Kept Secret" 583:Painters from Texas 511:on 11 November 2018 422:Waco Tribune-Herald 287:Fax, Elton (1977). 85:Oliver was born in 255:10.1353/cal.0.0393 448:Houston Chronicle 192:Houston Chronicle 58: 57: 615: 542: 541: 539: 537: 527: 521: 520: 518: 516: 510: 504:. Archived from 499: 491: 485: 484: 468: 459: 458: 456: 454: 439: 433: 432: 430: 428: 413: 402: 401: 395: 387: 361: 355: 354: 328: 319: 318: 294: 284: 275: 274: 238: 229: 228: 226: 224: 209: 203: 202: 200: 198: 183: 172: 171: 159: 19: 16:American painter 623: 622: 618: 617: 616: 614: 613: 612: 548: 547: 546: 545: 535: 533: 529: 528: 524: 514: 512: 508: 497: 495:"Kermit Oliver" 493: 492: 488: 470: 469: 462: 452: 450: 441: 440: 436: 426: 424: 415: 414: 405: 388: 376: 363: 362: 358: 343: 330: 329: 322: 307: 286: 285: 278: 240: 239: 232: 222: 220: 211: 210: 206: 196: 194: 185: 184: 175: 161: 160: 156: 151: 131:Lawrence Marcus 107: 95:John T. Biggers 83: 49:Alma mater 36: 33: 24: 17: 12: 11: 5: 621: 619: 611: 610: 605: 600: 595: 590: 585: 580: 575: 570: 565: 560: 550: 549: 544: 543: 522: 486: 483:(10): 114–312. 460: 434: 403: 374: 356: 341: 320: 306:978-0396074342 305: 276: 249:(1): 261–276. 230: 204: 173: 153: 152: 150: 147: 106: 103: 87:Refugio, Texas 82: 79: 56: 55: 50: 46: 45: 42: 38: 37: 34: 30: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 620: 609: 606: 604: 601: 599: 596: 594: 591: 589: 586: 584: 581: 579: 576: 574: 571: 569: 566: 564: 563:Living people 561: 559: 556: 555: 553: 532: 526: 523: 507: 503: 496: 490: 487: 482: 478: 477:Texas Monthly 474: 467: 465: 461: 449: 445: 438: 435: 423: 419: 412: 410: 408: 404: 399: 393: 385: 381: 377: 371: 367: 360: 357: 352: 348: 344: 342:9780892630059 338: 334: 327: 325: 321: 316: 312: 308: 302: 298: 293: 292: 283: 281: 277: 272: 268: 264: 260: 256: 252: 248: 244: 237: 235: 231: 218: 214: 208: 205: 193: 189: 182: 180: 178: 174: 169: 165: 164:Southwest Art 158: 155: 148: 146: 144: 139: 136: 135:Neiman Marcus 132: 128: 123: 119: 117: 113: 104: 102: 98: 96: 92: 88: 80: 78: 77: 73: 68: 66: 62: 61:Kermit Oliver 54: 51: 47: 43: 39: 31: 27: 23:Kermit Oliver 20: 534:. Retrieved 525: 513:. Retrieved 506:the original 501: 489: 480: 476: 451:. Retrieved 447: 437: 425:. Retrieved 421: 365: 359: 332: 290: 246: 242: 221:. Retrieved 216: 207: 195:. Retrieved 191: 167: 163: 157: 140: 124: 120: 115: 108: 99: 84: 75: 69: 64: 60: 59: 558:1943 births 41:Nationality 35:Refugio, TX 552:Categories 536:August 30, 375:0890901325 149:References 515:17 August 453:17 August 427:16 August 392:cite book 351:184906193 271:161566300 263:1080-6512 223:12 August 197:17 August 170:(11): 70. 384:60128384 243:Callaloo 44:American 315:2984385 297:128–129 382:  372:  349:  339:  313:  303:  269:  261:  219:. 2017 127:Hermès 76:  65:  509:(PDF) 498:(PDF) 267:S2CID 538:2020 517:2018 455:2018 429:2018 398:link 380:OCLC 370:ISBN 347:OCLC 337:ISBN 311:OCLC 301:ISBN 259:ISSN 225:2018 199:2018 29:Born 251:doi 105:Art 554:: 500:. 481:40 479:. 475:. 463:^ 446:. 420:. 406:^ 394:}} 390:{{ 378:. 345:. 323:^ 309:. 299:. 279:^ 265:. 257:. 247:32 245:. 233:^ 215:. 190:. 176:^ 168:34 166:. 145:. 540:. 519:. 457:. 431:. 400:) 386:. 353:. 317:. 273:. 253:: 227:. 201:.

Index

Texas Southern University
National Museum of African American History and Culture
Refugio, Texas
Texas Southern University
John T. Biggers
Museum of Fine Arts, Houston
Hermès
Lawrence Marcus
Neiman Marcus
Houston Museum of Fine Arts



"A Well Kept Secret"
"Current State Artists"


doi
10.1353/cal.0.0393
ISSN
1080-6512
S2CID
161566300


Black artists of the new generation
128–129
ISBN
978-0396074342
OCLC

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