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Wyndham Lewis

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1454: 51: 591: 422: 927: 548:(1927–1929), largely written by himself and declaring its belligerent critical stance in its title. The magazine and other theoretical and critical works he published from 1926 to 1929 mark a deliberate separation from the avant-garde and his previous associates. He believed that their work failed to show sufficient critical awareness of those ideologies that worked against truly revolutionary change in the West, and therefore became a vehicle for these pernicious ideologies. His major theoretical and cultural statement from this period is 3014: 696: 275: 1440: 1083: 6976: 3550: 7023: 7040: 3000: 7006: 2823: 923:
illnesses. She was the model for some of Lewis's more tender and intimate portraits as well as a number of characters in his fiction. In contrast to his earlier, impersonal portraits, which are purely concerned with external appearance, the portraits of Froanna show a preoccupation with her inner life.
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In recent years, there has been renewed critical and biographical interest in Lewis and his work, and he is now regarded as a major British artist and writer of the twentieth century. Rugby School hosted an exhibition of his works in November 2007 to commemorate the 50th anniversary of his death. The
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as a "man of peace", with members of his party being threatened by communist street violence. His unpopularity among liberals and anti-fascists grew, especially after Hitler came to power in 1933. Following a second visit to Germany in 1937, Lewis changed his views and began to retract his previous
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He grew to appreciate the cosmopolitan and "rootless" nature of the American melting pot, declaring that the greatest advantage of being American was to have "turned one's back on race, caste, and all that pertains to the rooted state." He praised the contributions of African-Americans to American
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presents Lewis as the exemplary writer who is cerebral without being artistic. Orwell wrote, "Enough talent to set up dozens of ordinary writers has been poured into Wyndham Lewis's so-called novels
 Yet it would be a very heavy labour to read one of these books right through. Some indefinable
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Fascism – once I understood it – left me colder than communism. The latter at least pretended, at the start, to have something to do with helping the helpless and making the world a more decent and sensible place. It does start from the human being and his suffering. Whereas fascism glorifies
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Lewis kept Froanna in the background, and many of his friends were unaware of her existence. It seems that Lewis was extraordinarily jealous and protective of his wife, owing to her youth and beauty. Froanna was patient and caring toward her husband through financial troubles and his frequent
1053:: Rebel Artists in London and New York, 1914–18" from 30 September 2010 through 2 January 2011. The exhibition then travelled to the Peggy Guggenheim Collection, Venice (29 January – 15 May 2011: "I Vorticisti: Artisti ribellia a Londra e New York, 1914–1918") and then to 895:
held a major exhibition of his work, "Wyndham Lewis and Vorticism", in the catalogue to which he declared that "Vorticism, in fact, was what I, personally, did and said at a certain period"—a statement which brought forth a series of "Vortex Pamphlets" from his fellow
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His sense that America and Canada lacked a British-type class structure had increased his opinion of liberal democracy, and in the same pamphlet, Lewis defends liberal democracy's respect for individual freedom against its critics on both the left and right. In
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After becoming better known for his writing than his painting in the 1920s and early 1930s, he returned to more concentrated work on visual art, and paintings from the 1930s and 1940s constitute some of his best-known work. The
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has been interpreted similarly, because many of the characters are Jewish, including the modernist author and editor Julius Ratner, a portrait which blends anti-semitic stereotype with historical literary figures
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as the "best North American artists," predicting that when "the Indian culture of Mexico melts into the great American mass to the North, the Indian will probably give it its art." He returned to England in 1945.
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called Lewis "that lonely old volcano of the Right." Lewis thought there was what he called a "left-wing orthodoxy" in Britain in the 1930s. He believed it was against Britain's self-interest to ally with the
3618: 3222: 246:. His English mother, Anne Stuart Lewis (née Prickett), and American father, Charles Edward Lewis, separated about 1893. His mother subsequently returned to England. Lewis was educated in England at 815:
Lewis spent World War II in the United States and Canada. In 1941, in Toronto, he produced a series of watercolour fantasies centred on themes of creation, crucifixion and bathing.
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was revised and republished in 1928, giving a new Jewish character a key role in making sure a duel is fought. This has been interpreted as an allegorical representation of
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that placed pressure on his optic nerve. It ended his artistic career, but he continued writing until his death. He published several autobiographical and critical works:
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In 1930, Lewis married Gladys Anne Hoskins (1900–1979), who was affectionately known as Froanna. They lived together for 10 years before marrying and never had children.
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art, which lacked structure. The combination was a strikingly dramatic critique of modernity. In his early visual works, Lewis may have been influenced by Bergson's
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political comments. He recognized the reality of Nazi treatment of Jews after a visit to Berlin in 1937. In 1939, he published an attack on anti-semitism titled
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In 1915, the Vorticists held their only U.K. exhibition before the movement broke up, largely as a result of World War I. Lewis himself was posted to the
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In 1908, Lewis moved to London, where he would reside for much of his life. In 1909, he published his first work, accounts of his travels in Brittany, in
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Lewis formally expounded the Vorticist aesthetic in a manifesto, distinguishing it from other avant-garde practices. He also wrote and published a play,
470:(1919), drawing on his own experience at Ypres. Lewis exhibited his war drawings and some other paintings of the war in an exhibition, "Guns", in 1918. 1026:
in London held a major retrospective of his portraits in 2008. Two years later, held at the FundaciĂłn Juan March (Madrid, Spain), a large exhibition (
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A key feature of these interpretations is that Lewis is held to have kept his conspiracy theories hidden and marginalized. Since the publication of
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of a letter of support for the exhibition, asking that something from the show be purchased for the national collection (signed by, among others,
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and puts forward a theory of "non-moral", or metaphysical, satire. The book is probably best remembered for one of the first commentaries on
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looking down at apparently deserted German lines, registering targets and calling down fire from batteries massed around the rim of the
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Despite serious illness necessitating several operations, he was very productive as a critic and painter. He produced a book of poems,
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in 1921. "Tyros" were satirical caricatures intended to comment on the culture of the "new epoch" that succeeded the First World War.
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and regarded by many as his best novel. It is strongly critical of communist activity in Spain and presents English intellectual
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and three major oil paintings. In 1912, he was commissioned to produce a decorative mural, a drop curtain, and more designs for
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From 1913 to 1915, Lewis developed the style of geometric abstraction for which he is best known today, which his friend
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during 1916–17 and published in book form in 1918. It is widely regarded as one of the key modernist texts.
485: 1997:"Tragic Clowns/Male Comedians: Wyndham Lewis's "Enemy of the Stars" and Samuel Beckett's Waiting for Godot" 7065: 6968: 6925: 6776: 5847: 5128: 4560: 4464: 3070: 2979: 2965: 2733: 1584: 1038: 824: 579: 474: 391:. The Centre operated for only four months, but it gave birth to the Vorticist group and its publication, 7012: 2722: 2711: 6904: 6827: 6124: 5010: 4849: 4270: 4194: 3991: 3646: 3499: 3306: 3286: 3167: 2486: 2110:, MoratĂł, Yolanda. "Time and Western Man". The Literary Encyclopedia. First published 2 March 2005; cf. 1653: 1134: 1129:
For many years, Lewis's novels have been criticised for their satirical and hostile portrayals of Jews.
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Lewis later documented his experiences and opinions of this period of his life in the autobiographical
180:(18 November 1882 – 7 March 1957) was a British writer, painter and critic. He was a co-founder of the 3005: 2586:
Edwards, Paul and Humphreys, Richard. (2010) "Wyndham Lewis (1882–1957)". Madrid: Fundación Juan March
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Rewriting Tarr Ten Years Later: Wyndham Lewis, the Phoenix Library and the Domestication of Modernism
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under the title "The Vorticists: Manifesto for a Modern World" between 14 June and 4 September 2011.
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During this period, Lewis also produced many of his most well-known portraits, including pictures of
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Lewis was born on 18 November 1882, reputedly on his father's yacht off the Canadian province of
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Always interested in Roman Catholicism, he never converted. He died in 1957 and was cremated at
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are the only surviving oil paintings from this series. Lewis also launched his second magazine,
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and served as a second lieutenant in the Royal Artillery. Much of his time was spent in
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had successfully managed to reconcile individual rights with the demands of the state.
563: 410: 362: 219:, was unfinished at the time of his death. He also wrote two autobiographical volumes: 3549: 2223: 2067:
Trotter, David (2011) . "Chapter 3: The Modernist Novel". In Levenson, Michael (ed.).
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This article is about the Vorticist painter and author. For others of that name, see
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Chaney, Edward (1990) "Wyndham Lewis: The Modernist as Pioneering Anti-Modernist",
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drama. Lewis scholar Melania Terrazas identifies it as a precursor to the plays of
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The title is based on a contemporary best-seller, "The English, Are They Human?".
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from April 1916 until November 1917. The American version was published in 1918.
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By the late 1920s, he concentrated on writing. He launched yet another magazine,
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In 2010, Oxford World Classics published a critical edition of the 1928 text of
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which was revised and expanded in 1914–15 and first serialized in the magazine
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After the war, Lewis resumed his career as a painter with a major exhibition,
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In 1912, Lewis exhibited his work at the second Postimpressionist exhibition:
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Modernist Nowheres: Politics and Utopia in Early Modernist Writing, 1900–1920
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The Fictions of James Joyce and Wyndham Lewis: Monsters of Nature and Design.
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for both the Canadian and British governments. For the Canadians, he painted
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Campbell, Peter (11 September 2008). "At the National Portrait Gallery".
2345:"A most modern misanthrope: Wyndham Lewis and the pursuit of anti-pathos" 2487:"LTM Recordings | Independent Record Label | Official Website" 6496: 5534: 4996: 4611: 3900: 3884: 3870: 3662: 2954: 2890: 2885: 2181: 2157: 1121:
proved him to be "the greatest portraitist of this or any other time."
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sent Lewis a telegram in which he said that Lewis's pencil portrait of
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quality, a sort of literary vitamin, which exists even in a book like
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The Lion and the Fox: The Role of the Hero in the Plays of Shakespeare
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Politically, Lewis remained an isolated figure through the 1930s. In
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Although the Vorticist group broke up after the war, Lewis's patron,
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Gasiorek, Andrzej, Reeve-Tucker, Alice, and Waddell, Nathan. (2011)
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external links, and converting useful links where appropriate into
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bloodshed and preaches that man should model himself upon the wolf.
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Blue plaque: Wyndham Lewis, 61 Palace Gardens Terrace, London W8
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The Vorticists at the Restaurant de la Tour Eiffel, Spring 1915
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The Vorticists at the Restaurant de la Tour Eiffel, Spring 1915
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The Filibuster: A Study of the Political Ideas of Wyndham Lewis
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Evolution in Modern Art: A Study of Modern Painting, 1870–1925
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Fables of Aggression: Wyndham Lewis, the Modernist as Fascist
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Count Your Dead: They are Alive!: Or, A New War in the Making
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The Thirties and After: Poetry, Politics, People (1933–1975)
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The Caliph's Design : Architects! Where is Your Vortex?
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Wyndham Lewis the Artist: Holding the Mirror up to Politics
2019:'A Terrible Beauty': British Artists in the First World War 1288:
Left Wings over Europe; or, How to Make a War about Nothing
1079:, London, where Lewis lived, No. 61 Palace Gardens Terrace. 995:(1941), Lewis reflected on his earlier support for fascism: 464:. For the British, he painted one of his best-known works, 3631: 2118:, eds. E. Dobson and N. Tonks (Bloomsbury Academic, 2020). 2451:"Wyndham Lewis – 1882–1957: Fundación Juan March, Madrid" 361:, which he found was not "alive", with the liveliness of 2144:
Richard Aldington: Selected Critical Writings, 1928-1960
2071:(2nd ed.). Cambridge University Press. p. 69. 2841: 2836:
may not follow Knowledge (XXG)'s policies or guidelines
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The Diabolical Principle and the Dithyrambic Spectator
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Plaque dedicated to Lewis at Golders Green Crematorium
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Wyndham Lewis: A Portrait of the Artist as the Enemy
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Rude Assignment: A Narrative of my Career Up-to-Date
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A Sunday Afternoon on the Island of La Grande Jatte
5718: 5544: 5104: 4587: 4578: 4455: 4239: 3981: 3972: 3767: 3610: 3559: 3467: 3391: 3370: 3274: 3202: 3143: 3100: 2640:." Journal of Wyndham Lewis Studies 5 (2014): 1–30. 357:". Lewis sought to combine the strong structure of 270:
Early work and development of Vorticism (1908–1915)
165: 142: 132: 124: 110: 102: 86: 60: 41: 946:In 1931, after a visit to Berlin, Lewis published 714:(1936–37) makes a significant statement about the 2705:Some Sort of Genius: A Biography of Wyndham Lewis 803:for their annual exhibition and caused a furore. 2689:Morrow, Bradford and Bernard Lafourcade. (1978) 313:, which brought him into close contact with the 2691:A Bibliography of the Writings of Wyndham Lewis 2686:London and Henley: Routledge & Keegan Paul. 1857:"Wyndham Lewis:Painter, Polemicist, Iconoclast" 1424:(1977; written 1908–10 but unpublished) (novel) 2610:A Master of Our Time: A Study of Wyndham Lewis 1135:a supposed Zionist conspiracy against the West 856:(1952), a book of essays on writers including 3745: 3647: 3445: 3250: 3078: 2768:The Other Centenary: Wyndham Lewis, 1882–1982 2338: 2336: 2247:Notting Hill history: 5 – Rotting Hill, 1940s 1797:Mrs R.J. Sainsbury (1940–41), oil on canvas, 1563:(1914–15), oil paint and graphite on canvas, 1155:T. S. Eliot, Anti-Semitism, and Literary Form 879:commissioned Lewis to complete his 1928 work 570:that are still read. Lewis also attacked the 8: 6667: 6656: 3850: 3839: 3793: 3782: 2666:"Mr. Eliot, Mr. Wyndham Lewis and Lawrence." 2576:(Autumn, 1990), III, no. 3, pp. 106–09. 1412:(1973; written 1936 but unpublished) (novel) 3921: 2679:. Berkeley: University of California Press. 2617:Out of the Vortex: Wyndham Lewis as Painter 2602:Wyndham Lewis and the Cultures of Modernity 2007:: 51 – via The Wyndham Lewis Society. 1214:Paleface: The Philosophy of the Melting Pot 1060:Several readings by Lewis are collected on 634:, however, found it "the greatest piece of 496:(1937), which covered his life up to 1926. 190:, the literary magazine of the Vorticists. 5929: 4584: 3978: 3752: 3738: 3730: 3654: 3640: 3632: 3452: 3438: 3430: 3257: 3243: 3235: 3085: 3071: 3063: 3012: 2199: 2197: 2195: 2193: 2191: 2044:1001 Paintings You Must See Before You Die 1428:Creatures of Habit and Creatures of Change 811:World War II and North America (1941–1945) 342:, an avant-garde cabaret and nightclub on 49: 38: 2872:Learn how and when to remove this message 2319:"Froanna – Portrait of the Artist's Wife" 1727:Panel for the Safe of a Great Millionaire 586:Fiction and political writing (1930–1936) 3020:"Long Live the Vortex!" and "Our Vortex" 2718:, London: George Allen & Unwin, Ltd. 2700:. Cambridge. Cambridge University Press. 2684:The Enemy: A Biography of Wyndham Lewis. 2524:, A Project Gutenberg of Australia eBook 925: 840:By 1951, he was completely blinded by a 694: 601:Between the years 1907–11 Lewis wrote a 506: 376:Lewis had a brief tenure at Roger Fry's 284: 273: 7001: 2727:Modern English Painters. Lewis To Moore 2116:Ancient Egypt in the Modern Imagination 1947:. New York: New Directions. p. 47. 1907:. New York: New Directions. p. 35. 1891:Oxford Dictionary of National Biography 1847: 1832: 1190:: A Soldier of Humour And Other Stories 128:Painting, poetry, literature, criticism 7096:Alumni of the Slade School of Fine Art 2661:Cambridge: Cambridge University Press. 1881: 1879: 1877: 868:; and the semi-autobiographical novel 652:, set in the period leading up to the 27:English painter and writer (1882–1957) 7106:British Army personnel of World War I 6593:Six Characters in Search of an Author 2976:Cyril J. Fox-Wyndham Lewis collection 2966:36 artworks by or after Wyndham Lewis 2754:Wyndham Lewis: Religion and Modernism 2693:. Santa Barbara: Black Sparrow Press. 2677:Wyndham Lewis: Paintings and Drawings 2349:The Guardian / London Review of Books 1517:) (1912), black ink and watercolour, 1256:(1932) (travel; later republished as 7: 2985:Wyndham Lewis collection (1945-1956) 2712:"Mr. Pound and Mr. Lewis in Public." 2567:. Basingstoke and London: Macmillan. 2550:. Basingstoke and London: Macmillan. 2069:The Cambridge Companion to Modernism 2046:. Cassell Illustrated/Quintessence. 1976:"The Art and Ideas of Wyndham Lewis" 1887:"Lewis, (Percy) Wyndham (1882–1957)" 912:From 1918 to 1921, Lewis lived with 836:Later life and blindness (1945–1951) 667:, in 1933, and a revised version of 373:was an equally important influence. 2801:, New Haven: Yale University Press. 2417:European Journal of English Studies 1326:The Hitler Cult and How it Will End 959:, which was favourably reviewed in 7136:English people of American descent 5788:Nude Descending a Staircase, No. 2 3036:Archives & Special Collections 2792:. Basingstoke: Palgrave Macmillan. 2729:, London: Eyre & Spottiswoode. 2208:. A&C Black. pp. 232–248. 1855:Grace Glueck (22 September 1985). 1527:(1913), pen and ink, watercolour, 1495:) (1912), pen and ink, watercolour 452:, Lewis was appointed an official 309:. He was a founding member of the 25: 7101:British artists with disabilities 7081:20th-century English male writers 3010:National Portrait Gallery, London 2756:. Tuscaloosa: U of Alabama Press. 2583:. New Haven and London: Yale U P. 2581:Wyndham Lewis, Painter and Writer 2343:David Trotter (23 January 2001). 1380:The Demon of Progress in the Arts 7038: 7021: 7004: 6975: 6974: 2998: 2821: 2776:No. 10, Autumn 1982, pp. 18–21, 1893:, Oxford University Press, 2004. 1555:(1914), pen and ink, watercolour 1549:(1914), pen and ink, watercolour 1501:(1912), pen and ink, watercolour 1479:(1912), pen and ink, watercolour 1344:Anglosaxony: A League that Works 993:Anglosaxony: A League that Works 215:(1955). A fourth volume, titled 7156:People educated at Rugby School 2939:Wyndham Lewis: The Enemy Speaks 2716:Readers and Writers (1917–1921) 2625:No. 5, Summer 1981, pp. 31–33, 1705:One of the Stations of the Dead 1507:(1912), oil on canvas, now lost 594:Lewis in 1929, photographed by 155: 97:London, England, United Kingdom 7086:20th-century English novelists 6742:Grosvenor School of Modern Art 6735:Fourth dimension in literature 2220:"Wyndham Lewis "Rotting Hill"" 2133:by Len Gutkin, Yale University 2021:(Sansom and Company) 203–239, 1037:, edited by Scott W. Klein of 691:Return to painting (1936–1941) 325:, with whom he soon fell out. 32:Wyndham Lewis (disambiguation) 1: 7091:20th-century English painters 3058:University of Texas at Austin 3044:Wyndham Lewis Art Collection 2987:at the University of Victoria 2955:Wyndham Lewis: Self Condemned 2770:, in Hearn, Sheila G. (ed.), 2596:. Tavistock: Northcote House. 2565:Wyndham Lewis and Western Man 2548:Wyndham Lewis and Western Man 2401:, 2 March 1935, p. 306.) 2378:. 3 February 1940. p. 12 1485:(1912), chalk and watercolour 1049:held an exhibition entitled " 703:, 1919. The portrait is lost. 460:(1918) from sketches made on 425:Wyndham Lewis, photograph by 2672:, New York University Press. 2429:10.1080/13825577.2010.517291 1963:www.20thcenturylondon.org.uk 1719:(1934–1937), oil on canvas, 1707:(1933–1837), oil on canvas, 1697:(1933–1936), oil on canvas, 1657:(1923–1935), oil on canvas, 1404:The Letters of Wyndham Lewis 7161:Post-impressionist painters 6835:List of avant-garde artists 5812:The Cabinet of Dr. Caligari 3584:Hieratic Head of Ezra Pound 2997:(public domain audiobooks) 2766:Stevenson, Randall (1982), 2749:, London: George G. Harrap. 2654:. New York: New Directions. 2594:Wyndham Lewis and Modernism 2591:Wyndham Lewis and Modernism 2501:"Wyndham Lewis blue plaque" 2476:Retrieved 17 September 2010 2386:– via Newspapers.com. 2321:. National Portrait Gallery 2317:National Portrait Gallery. 2298:. National Portrait Gallery 2294:National Portrait Gallery. 1687:(1933–1936, oil on canvas, 1583:(1915), gouache and chalk, 1368:The Writer and the Absolute 1075:now stands on the house in 854:The Writer and the Absolute 405:. It is a proto-absurdist, 340:The Cave of the Golden Calf 184:movement in art and edited 7192: 6693:Classical Hollywood cinema 3404:Allied Artists Association 3176:The Surrender of Barcelona 3133:Blasting and Bombardiering 3006:Portraits of Wyndham Lewis 2950:Cornell University Library 2740:, London: Leonard Parsons. 2721:Rothenstein, John (1956). 2608:Grigson, Geoffrey (1951). 2589:Gasiorek, Andrzej. (2004) 2413:"BĂȘte Noire or Scapegoat?" 1995:Terrazas, Melania (2001). 1739:(1936–37), oil on canvas, 1729:(1936–37), oil on canvas, 1716:The Surrender of Barcelona 1645:(1923–24), oil on canvas, 1625:(1920–21), oil on canvas, 1615:(1920–21), oil on canvas, 1613:Mr Wyndham Lewis as a Tyro 1573:(1914–15), oil on canvas, 1448:National Gallery of Canada 1295:Blasting and Bombardiering 1009:(1949), Lewis argued that 950:(1931), a book presenting 648:. In 1937 Lewis published 535:Mr Wyndham Lewis as a Tyro 512:Mr Wyndham Lewis as a Tyro 494:Blasting and Bombardiering 289:Wyndham Lewis, c.1914–15, 222:Blasting and Bombardiering 29: 6956: 5764:Les Demoiselles d'Avignon 3669: 3546: 2795:Wagner, Geoffrey (1957). 2759:Spender, Stephen (1978). 2752:Schenker, Daniel. (1992) 2738:Some Contemporary Artists 2682:Meyers, Jeffrey. (1980) 2643:Jameson, Fredric. (1979) 2375:The Sydney Morning Herald 1623:A Reading of Ovid (Tyros) 1320:The Jews, Are They Human? 1024:National Portrait Gallery 1011:Franklin Delano Roosevelt 957:The Jews, Are They Human? 936:Golders Green Crematorium 883:, which was published as 439:Forward Observation Posts 256:University College London 119:University College London 48: 7166:Royal Artillery officers 7121:English magazine editors 4549:The Master and Margarita 3337:Maxwell Gordon Lightfoot 3029:Wyndham Lewis Collection 2946:Wyndham Lewis Collection 2905:Encyclopaedia Britannica 2786:Waddell, Nathan. (2012) 2675:Michel, Walter. (1971) 2411:MoratĂł, Yolanda (2010). 1667:(1927–28), oil on wood, 1543:(1913–14), oil on canvas 1537:(1913–14), oil on canvas 1110:, is absent from them." 620:In 1930 Lewis published 596:George Charles Beresford 427:George Charles Beresford 252:Slade School of Fine Art 115:Slade School of Fine Art 6842:List of modernist poets 6728:Fourth dimension in art 5904:Meshes of the Afternoon 3699:Edward McKnight Kauffer 3419:Cumberland Market Group 3184:Portrait of T. S. Eliot 2924:essay by Kirsty Dootson 2806:Wyndham Lewis in Canada 2703:O'Keeffe, Paul. (2000) 2657:Klein, Scott W. (1994) 2204:Bridson, D. G. (2014). 2156:Neilson, Brett (1999). 2142:Kershaw, Alister, ed., 1981:5 February 2007 at the 1923:Encyclopedia Britannica 1818:(1946), oil on canvas, 1808:(1943), oil on canvas, 1789:(1939), oil on canvas, 1767:(1938), oil on canvas, 1758:Portrait of T. S. Eliot 1749:(1937), oil on canvas, 1677:(1933), oil on canvas, 1605:(1919), oil on canvas, 1593:(1919), oil on canvas, 1314:The Mysterious Mr. Bull 1028:Wyndham Lewis 1882–1957 887:and dramatized for the 503:and writing (1918–1929) 417:World War I (1915–1918) 250:and then, from 16, the 7126:English male novelists 6926:Second Viennese School 6668: 6657: 4561:The Sound and the Fury 4465:In Search of Lost Time 3922: 3851: 3840: 3794: 3783: 3553: 3307:Spencer Frederick Gore 2991:Works by Wyndham Lewis 2980:University of Victoria 2928:Works by Wyndham Lewis 2911:Works by Wyndham Lewis 2804:Woodcock, George, ed. 2743:Rutter, Frank (1926). 2732:Rutter, Frank (1922). 2615:Hammer, Martin (1981) 2579:Edwards, Paul. (2000) 2535:London Review of Books 2370:"'Insignificant Blur'" 2162:Comparative Literature 1806:A Canadian War Factory 1777:(1938), oil on canvas 1466: 1450: 1418:(1973) (short stories) 1364:(1951) (short stories) 1358:(1950) (autobiography) 1350:America and Cosmic Man 1298:(1937) (autobiography) 1254:Filibusters in Barbary 1192:(1927) (short stories) 1181:The Art of Being Ruled 1137:. His literary satire 1087: 1039:Wake Forest University 1007:America and Cosmic Man 1002: 931: 891:in 1955. In 1956, the 825:David Alfaro Siqueiros 819:culture, and regarded 711:Surrender of Barcelona 704: 683:and a famous essay on 598: 580:Alfred North Whitehead 550:The Art of Being Ruled 515: 430: 298: 282: 7131:English male painters 6993:at Knowledge (XXG)'s 6905:Reactionary modernism 6828:List of art movements 3552: 3500:Henri Gaudier-Brzeska 2886:Wyndham Lewis Society 2710:Orage, A. R. (1922). 2696:Normand, Tom. (1993) 2664:Leavis, F.R. (1964). 2650:Kenner, Hugh. (1954) 2605:. Aldershot: Ashgate. 2563:Ayers, David. (1992) 2546:Ayers, David. (1992) 2296:"Portrait of Froanna" 1943:Kenner, Hugh (1954). 1903:Kenner, Hugh (1954). 1761:(1938), oil on canvas 1581:Vorticist Composition 1456: 1442: 1085: 997: 929: 807:resigned in protest. 770:Metaphysical Painting 756:bought the painting, 698: 593: 514:, self-portrait, 1921 510: 450:Third Battle of Ypres 424: 385:Ideal Home Exhibition 288: 278:Wyndham Lewis, 1912, 277: 203:trilogy, composed of 7116:English blind people 6749:Hanshinkan Modernism 6605:The Threepenny Opera 6521:PellĂ©as et MĂ©lisande 3399:Fitzroy Street Group 2921:Time and Western Man 2842:improve this article 2472:8 March 2013 at the 2107:Time and Western Man 2001:Wyndham Lewis Annual 1827:Notes and references 1675:Three Veiled Figures 1302:The Revenge for Love 1258:Journey into Barbary 1202:Time and Western Man 1043:Nasher Museum of Art 965:. He also published 962:The Jewish Chronicle 829:JosĂ© Clemente Orozco 650:The Revenge for Love 556:Time and Western Man 483:, was serialized in 79:Amherst, Nova Scotia 7176:World War I artists 7111:British war artists 6807:International Style 6557:Afternoon of a Faun 5836:Battleship Potemkin 5740:Mont Sainte-Victoir 3317:James Dickson Innes 3054:Harry Ransom Center 2854:footnote references 2522:Fifty Orwell Essays 1473:(1909), watercolour 1471:The Theatre Manager 1464:Imperial War Museum 1416:Unlucky for Pringle 889:BBC Third Programme 524:Leicester Galleries 520:Tyros and Portraits 193:His novels include 178:Percy Wyndham Lewis 148:Gladys Anne Hoskins 65:Percy Wyndham Lewis 18:Percy Wyndham Lewis 7151:People born at sea 6686:Buddhist modernism 6643:American modernism 6569:The Rite of Spring 4537:The Sun Also Rises 4513:The Magic Mountain 3684:Frederick Etchells 3554: 3535:Dorothy Shakespear 3495:Frederick Etchells 3050:1915-1977, undated 2670:The Common Pursuit 2612:. London: Methuen. 2260:on 31 January 2012 2184:– via JSTOR. 2017:Paul Gough (2010) 1861:The New York Times 1591:A Canadian Gun-pit 1467: 1451: 1444:A Canadian Gun-pit 1422:Mrs Duke's Million 1332:America, I Presume 1284:(1934) (criticism) 1264:Enemy of the Stars 1222:(1930) (criticism) 1220:Satire and Fiction 1091:Critical reception 1088: 932: 705: 669:Enemy of the Stars 599: 572:process philosophy 516: 458:A Canadian Gun-pit 431: 403:Enemy of the Stars 367:process philosophy 307:The English Review 299: 283: 264:process philosophy 7141:English satirists 6986: 6985: 6714:Experimental film 6630: 6629: 6617:Waiting for Godot 5917: 5916: 4574: 4573: 4477:The Metamorphosis 3727: 3726: 3694:Cuthbert Hamilton 3629: 3628: 3505:Cuthbert Hamilton 3475:Lawrence Atkinson 3427: 3426: 3362:John Doman Turner 3352:William Ratcliffe 3267:Camden Town Group 3232: 3231: 3160:A Battery Shelled 3024:Poetry Foundation 2915:Project Gutenberg 2882: 2881: 2874: 2636:Jaillant, Lise. " 2503:. openplaques.org 2280:. Wyndham Lewis. 2053:978-1-84403-563-2 1602:A Battery Shelled 1459:A Battery Shelled 1410:The Roaring Queen 1338:The Vulgar Streak 1146:and James Joyce. 716:Spanish Civil War 658:fellow travellers 654:Spanish Civil War 632:Richard Aldington 467:A Battery Shelled 332:illustrations to 311:Camden Town Group 175: 174: 16:(Redirected from 7183: 7051: 7043: 7042: 7041: 7034: 7026: 7025: 7024: 7017: 7009: 7008: 7007: 6997: 6978: 6977: 6949: 6947:Vulgar modernism 6942: 6940:Underground film 6935: 6928: 6921: 6914: 6907: 6900: 6893: 6886: 6879: 6872: 6865: 6858: 6851: 6844: 6837: 6830: 6823: 6816: 6809: 6802: 6793: 6786: 6779: 6772: 6765: 6763:Hippie modernism 6758: 6751: 6744: 6737: 6730: 6723: 6716: 6709: 6702: 6695: 6688: 6681: 6679:Bloomsbury Group 6674: 6673: 6663: 6662: 6652: 6645: 6623: 6622: 6611: 6610: 6599: 6598: 6587: 6586: 6575: 6574: 6563: 6562: 6551: 6550: 6539: 6538: 6527: 6526: 6515: 6514: 6503: 6502: 6491: 6490: 6468: 6461: 6454: 6447: 6440: 6433: 6426: 6419: 6412: 6405: 6398: 6391: 6384: 6377: 6370: 6363: 6356: 6336: 6329: 6322: 6315: 6308: 6301: 6294: 6287: 6280: 6273: 6266: 6259: 6252: 6245: 6238: 6231: 6224: 6217: 6210: 6203: 6196: 6176: 6169: 6162: 6155: 6148: 6141: 6134: 6127: 6120: 6113: 6106: 6099: 6092: 6085: 6078: 6071: 6064: 6057: 6050: 6043: 6036: 6029: 6022: 6015: 6008: 6001: 5994: 5987: 5980: 5973: 5966: 5959: 5952: 5945: 5930: 5910: 5909: 5898: 5897: 5886: 5885: 5876: 5875: 5866: 5865: 5860:Un Chien Andalou 5854: 5853: 5842: 5841: 5830: 5829: 5824:Ballet MĂ©canique 5818: 5817: 5806: 5805: 5794: 5793: 5782: 5781: 5770: 5769: 5758: 5757: 5752:The Starry Night 5746: 5745: 5734: 5733: 5711: 5704: 5697: 5690: 5683: 5676: 5669: 5662: 5655: 5648: 5641: 5634: 5627: 5620: 5613: 5606: 5599: 5592: 5585: 5578: 5571: 5564: 5557: 5537: 5530: 5523: 5516: 5509: 5502: 5495: 5488: 5481: 5474: 5467: 5460: 5453: 5446: 5439: 5432: 5425: 5418: 5411: 5404: 5397: 5390: 5383: 5376: 5369: 5362: 5355: 5348: 5341: 5334: 5327: 5320: 5313: 5306: 5299: 5292: 5285: 5278: 5271: 5264: 5257: 5250: 5243: 5236: 5229: 5222: 5215: 5208: 5201: 5194: 5187: 5180: 5173: 5166: 5159: 5152: 5145: 5138: 5131: 5124: 5117: 5097: 5090: 5083: 5081:Toulouse-Lautrec 5076: 5069: 5062: 5055: 5048: 5041: 5034: 5027: 5020: 5013: 5006: 4999: 4992: 4985: 4978: 4971: 4964: 4957: 4950: 4943: 4936: 4929: 4922: 4915: 4908: 4901: 4894: 4887: 4880: 4873: 4866: 4859: 4852: 4845: 4838: 4831: 4824: 4817: 4810: 4803: 4796: 4789: 4782: 4775: 4768: 4761: 4754: 4747: 4740: 4733: 4726: 4719: 4712: 4705: 4698: 4691: 4684: 4677: 4670: 4663: 4656: 4649: 4642: 4635: 4628: 4621: 4614: 4607: 4600: 4585: 4567: 4566: 4555: 4554: 4543: 4542: 4531: 4530: 4519: 4518: 4507: 4506: 4495: 4494: 4483: 4482: 4471: 4470: 4448: 4441: 4434: 4427: 4420: 4413: 4406: 4399: 4392: 4385: 4378: 4371: 4364: 4357: 4350: 4343: 4336: 4329: 4322: 4315: 4308: 4301: 4294: 4287: 4280: 4273: 4266: 4259: 4252: 4232: 4225: 4218: 4211: 4204: 4197: 4190: 4183: 4176: 4169: 4162: 4155: 4148: 4141: 4134: 4127: 4120: 4113: 4106: 4099: 4092: 4085: 4078: 4071: 4064: 4057: 4050: 4043: 4036: 4029: 4022: 4015: 4008: 4001: 3994: 3979: 3965: 3958: 3951: 3944: 3937: 3928: 3927: 3917: 3910: 3903: 3896: 3887: 3880: 3873: 3864: 3857: 3856: 3846: 3845: 3842:Der Blaue Reiter 3835: 3828: 3821: 3814: 3807: 3800: 3799: 3789: 3788: 3778: 3754: 3747: 3740: 3731: 3719:Edward Wadsworth 3656: 3649: 3642: 3633: 3540:Edward Wadsworth 3454: 3447: 3440: 3431: 3383:Vincent van Gogh 3292:Malcolm Drummond 3268: 3259: 3252: 3245: 3236: 3087: 3080: 3073: 3064: 3016: 3002: 3001: 2877: 2870: 2866: 2863: 2857: 2825: 2824: 2817: 2734:"Wyndham Lewis." 2723:"Wyndham Lewis." 2551: 2544: 2538: 2531: 2525: 2519: 2513: 2512: 2510: 2508: 2497: 2491: 2490: 2483: 2477: 2464: 2458: 2457: 2455: 2447: 2441: 2440: 2408: 2402: 2394: 2388: 2387: 2385: 2383: 2366: 2360: 2359: 2357: 2355: 2340: 2331: 2330: 2328: 2326: 2314: 2308: 2307: 2305: 2303: 2291: 2285: 2275: 2269: 2268: 2267: 2265: 2259: 2252: 2242: 2236: 2235: 2233: 2231: 2222:. Archived from 2216: 2210: 2209: 2201: 2186: 2185: 2153: 2147: 2140: 2134: 2125: 2119: 2103: 2097: 2089: 2083: 2082: 2064: 2058: 2057: 2040:Stephen Farthing 2036: 2030: 2015: 2009: 2008: 1992: 1986: 1973: 1967: 1966: 1955: 1949: 1948: 1940: 1934: 1933: 1931: 1929: 1915: 1909: 1908: 1900: 1894: 1883: 1872: 1871: 1869: 1867: 1852: 1840: 1837: 1505:Mother and Child 1406:(1963) (letters) 1062:The Enemy Speaks 862:Jean-Paul Sartre 734:Geoffrey Grigson 576:Samuel Alexander 389:Rebel Art Centre 315:Bloomsbury Group 217:The Trial of Man 159: 157: 93: 75:18 November 1882 74: 72: 53: 39: 21: 7191: 7190: 7186: 7185: 7184: 7182: 7181: 7180: 7056: 7055: 7054: 7044: 7039: 7037: 7027: 7022: 7020: 7010: 7005: 7003: 7000: 6996:sister projects 6995: 6987: 6982: 6973: 6965: 6952: 6945: 6938: 6933:Structural film 6931: 6924: 6917: 6910: 6903: 6896: 6889: 6884:New Objectivity 6882: 6875: 6870:Neo-romanticism 6868: 6863:Neo-primitivism 6861: 6854: 6847: 6840: 6833: 6826: 6819: 6812: 6805: 6798: 6789: 6782: 6775: 6768: 6761: 6754: 6747: 6740: 6733: 6726: 6719: 6712: 6705: 6698: 6691: 6684: 6677: 6666: 6655: 6648: 6641: 6626: 6620: 6614: 6608: 6602: 6596: 6590: 6584: 6578: 6572: 6566: 6560: 6554: 6548: 6542: 6536: 6530: 6524: 6518: 6512: 6509:VerklĂ€rte Nacht 6506: 6500: 6494: 6488: 6482: 6471: 6464: 6457: 6450: 6443: 6436: 6429: 6422: 6415: 6408: 6401: 6394: 6387: 6380: 6373: 6366: 6359: 6352: 6339: 6332: 6325: 6318: 6311: 6304: 6297: 6290: 6283: 6276: 6269: 6262: 6255: 6248: 6241: 6234: 6227: 6220: 6213: 6206: 6199: 6192: 6179: 6172: 6165: 6158: 6151: 6144: 6137: 6130: 6123: 6116: 6109: 6102: 6095: 6088: 6081: 6074: 6067: 6060: 6053: 6046: 6039: 6032: 6025: 6018: 6011: 6004: 5997: 5990: 5983: 5976: 5969: 5962: 5955: 5948: 5941: 5924: 5913: 5907: 5901: 5895: 5889: 5883: 5879: 5873: 5869: 5863: 5857: 5851: 5845: 5839: 5833: 5827: 5821: 5815: 5809: 5803: 5797: 5791: 5785: 5779: 5773: 5767: 5761: 5755: 5749: 5743: 5737: 5731: 5725: 5714: 5707: 5700: 5693: 5686: 5679: 5672: 5665: 5658: 5651: 5644: 5637: 5630: 5623: 5616: 5609: 5602: 5595: 5588: 5581: 5574: 5567: 5560: 5553: 5540: 5533: 5526: 5519: 5512: 5505: 5498: 5491: 5484: 5477: 5470: 5463: 5456: 5449: 5442: 5435: 5428: 5421: 5414: 5407: 5400: 5393: 5386: 5379: 5372: 5365: 5358: 5351: 5344: 5337: 5330: 5323: 5316: 5309: 5302: 5295: 5288: 5281: 5274: 5267: 5260: 5253: 5246: 5239: 5232: 5225: 5218: 5211: 5204: 5197: 5190: 5183: 5176: 5169: 5162: 5155: 5148: 5141: 5134: 5127: 5120: 5113: 5100: 5093: 5086: 5079: 5072: 5065: 5058: 5051: 5044: 5037: 5030: 5023: 5016: 5009: 5002: 4995: 4988: 4981: 4974: 4967: 4960: 4953: 4946: 4939: 4932: 4925: 4918: 4911: 4904: 4897: 4890: 4883: 4876: 4869: 4862: 4855: 4848: 4841: 4834: 4827: 4820: 4813: 4806: 4799: 4792: 4785: 4778: 4771: 4764: 4757: 4750: 4743: 4736: 4729: 4722: 4715: 4708: 4701: 4694: 4687: 4680: 4673: 4666: 4659: 4652: 4645: 4638: 4631: 4624: 4617: 4610: 4603: 4596: 4570: 4564: 4558: 4552: 4546: 4540: 4534: 4528: 4522: 4516: 4510: 4504: 4498: 4492: 4486: 4480: 4474: 4468: 4462: 4451: 4444: 4437: 4430: 4423: 4416: 4409: 4402: 4395: 4388: 4381: 4374: 4367: 4360: 4355:Lowell (Robert) 4353: 4346: 4339: 4332: 4325: 4318: 4311: 4304: 4297: 4290: 4283: 4276: 4269: 4262: 4255: 4248: 4235: 4228: 4221: 4214: 4207: 4200: 4193: 4186: 4179: 4172: 4165: 4158: 4151: 4144: 4137: 4130: 4123: 4116: 4109: 4102: 4095: 4088: 4081: 4074: 4067: 4060: 4053: 4046: 4039: 4032: 4025: 4018: 4011: 4004: 3997: 3990: 3968: 3961: 3954: 3947: 3940: 3933: 3920: 3913: 3906: 3899: 3892: 3883: 3876: 3869: 3860: 3849: 3838: 3831: 3824: 3817: 3810: 3803: 3792: 3781: 3774: 3763: 3758: 3728: 3723: 3709:William Roberts 3674:Jessica Dismorr 3665: 3660: 3630: 3625: 3622:(1962 painting) 3606: 3555: 3544: 3525:William Roberts 3485:Jessica Dismorr 3463: 3458: 3428: 3423: 3387: 3366: 3347:Lucien Pissarro 3270: 3266: 3263: 3233: 3228: 3198: 3139: 3125:The Apes of God 3096: 3091: 3040:York University 2999: 2878: 2867: 2861: 2858: 2839: 2830:This article's 2826: 2822: 2815: 2707:. London: Cape. 2573:Modern Painters 2560: 2558:Further reading 2555: 2554: 2545: 2541: 2532: 2528: 2520: 2516: 2506: 2504: 2499: 2498: 2494: 2485: 2484: 2480: 2474:Wayback Machine 2465: 2461: 2453: 2449: 2448: 2444: 2410: 2409: 2405: 2395: 2391: 2381: 2379: 2368: 2367: 2363: 2353: 2351: 2342: 2341: 2334: 2324: 2322: 2316: 2315: 2311: 2301: 2299: 2293: 2292: 2288: 2276: 2272: 2263: 2261: 2257: 2250: 2244: 2243: 2239: 2229: 2227: 2226:on 12 June 2011 2218: 2217: 2213: 2203: 2202: 2189: 2174:10.2307/1771454 2155: 2154: 2150: 2141: 2137: 2126: 2122: 2104: 2100: 2090: 2086: 2079: 2066: 2065: 2061: 2054: 2038: 2037: 2033: 2016: 2012: 1994: 1993: 1989: 1983:Wayback Machine 1974: 1970: 1957: 1956: 1952: 1942: 1941: 1937: 1927: 1925: 1919:"Wyndham Lewis" 1917: 1916: 1912: 1902: 1901: 1897: 1884: 1875: 1865: 1863: 1854: 1853: 1849: 1844: 1843: 1838: 1834: 1829: 1491:(also known as 1489:Russian Madonna 1437: 1430:(1989) (essays) 1356:Rude Assignment 1334:(1940) (travel) 1310:(1937) (essays) 1290:(1936) (essays) 1282:Men Without Art 1278:(1933) (poetry) 1250:(1932) (essays) 1244:(1931) (essays) 1227:The Apes of God 1216:(1929) (essays) 1208:The Childermass 1204:(1927) (essays) 1198:(1927) (essays) 1183:(1926) (essays) 1163: 1139:The Apes of God 1127: 1107:If Winter Comes 1093: 1066:The Apes of God 1047:Duke University 1019: 967:The Hitler Cult 944: 942:Political views 910: 902:William Roberts 881:The Childermass 846:Rude Assignment 842:pituitary tumor 838: 813: 791:and 1949), and 742:Naomi Mitchison 726:Stephen Spender 693: 677:The Apes of God 673:Men without Art 623:The Apes of God 605:novel entitled 588: 505: 419: 378:Omega Workshops 335:Timon of Athens 317:, particularly 303:Ford Madox Ford 272: 240: 235: 233:Life and career 205:The Childermass 161: 158: 1930) 153: 149: 98: 95: 91: 82: 76: 70: 68: 67: 66: 56: 44: 35: 28: 23: 22: 15: 12: 11: 5: 7189: 7187: 7179: 7178: 7173: 7168: 7163: 7158: 7153: 7148: 7143: 7138: 7133: 7128: 7123: 7118: 7113: 7108: 7103: 7098: 7093: 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3938: 3931: 3930: 3929: 3911: 3904: 3897: 3890: 3889: 3888: 3874: 3867: 3866: 3865: 3858: 3847: 3829: 3822: 3815: 3812:Constructivism 3808: 3801: 3790: 3779: 3771: 3769: 3765: 3764: 3759: 3757: 3756: 3749: 3742: 3734: 3725: 3724: 3722: 3721: 3716: 3711: 3706: 3701: 3696: 3691: 3689:Charles Ginner 3686: 3681: 3676: 3670: 3667: 3666: 3661: 3659: 3658: 3651: 3644: 3636: 3627: 3626: 3624: 3623: 3614: 3612: 3608: 3607: 3605: 3604: 3596: 3588: 3580: 3572: 3563: 3561: 3557: 3556: 3547: 3545: 3543: 3542: 3537: 3532: 3530:Helen Saunders 3527: 3522: 3517: 3512: 3507: 3502: 3497: 3492: 3487: 3482: 3477: 3471: 3469: 3465: 3464: 3459: 3457: 3456: 3449: 3442: 3434: 3425: 3424: 3422: 3421: 3416: 3411: 3406: 3401: 3395: 3393: 3392:Related groups 3389: 3388: 3386: 3385: 3380: 3374: 3372: 3368: 3367: 3365: 3364: 3359: 3357:Walter Sickert 3354: 3349: 3344: 3339: 3334: 3329: 3324: 3319: 3314: 3309: 3304: 3302:Charles Ginner 3299: 3294: 3289: 3284: 3278: 3276: 3272: 3271: 3264: 3262: 3261: 3254: 3247: 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(2006). 2031: 2010: 1987: 1968: 1950: 1935: 1910: 1895: 1885:Richard Cork, 1873: 1846: 1845: 1842: 1841: 1831: 1830: 1828: 1825: 1824: 1823: 1813: 1803: 1794: 1782: 1772: 1762: 1754: 1744: 1734: 1724: 1712: 1702: 1692: 1682: 1672: 1662: 1650: 1640: 1630: 1620: 1610: 1598: 1588: 1578: 1568: 1556: 1550: 1544: 1538: 1532: 1522: 1508: 1502: 1496: 1486: 1480: 1474: 1436: 1433: 1432: 1431: 1425: 1419: 1413: 1407: 1401: 1400:(1956) (novel) 1398:The Red Priest 1395: 1394:(1955) (novel) 1389: 1388:(1955) (novel) 1383: 1382:(1955) (essay) 1377: 1376:(1954) (novel) 1374:Self Condemned 1371: 1370:(1952) (essay) 1365: 1359: 1353: 1352:(1949) (essay) 1347: 1346:(1941) (essay) 1341: 1340:(1941) (novel) 1335: 1329: 1328:(1939) (essay) 1323: 1322:(1939) (essay) 1317: 1311: 1305: 1304:(1937) (novel) 1299: 1291: 1285: 1279: 1273: 1272:(1932) (novel) 1270:Snooty Baronet 1267: 1261: 1251: 1245: 1239: 1238:(1931) (essay) 1231: 1230:(1930) (novel) 1223: 1217: 1211: 1210:(1928) (novel) 1205: 1199: 1193: 1184: 1178: 1177:(1919) (essay) 1172: 1171:(1918) (novel) 1162: 1159: 1151:Anthony Julius 1126: 1123: 1115:Walter Sickert 1097:Good Bad Books 1095:In his essay " 1092: 1089: 1051:The Vorticists 1018: 1015: 943: 940: 909: 906: 870:Self Condemned 837: 834: 812: 809: 692: 689: 587: 584: 564:Gertrude Stein 504: 498: 418: 415: 411:Samuel Beckett 271: 268: 239: 236: 234: 231: 173: 172: 167: 163: 162: 151: 147: 146: 144: 140: 139: 134: 130: 129: 126: 125:Known for 122: 121: 112: 108: 107: 104: 100: 99: 96: 94:(aged 74) 88: 84: 83: 77: 64: 62: 58: 57: 54: 46: 45: 42: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 7188: 7177: 7174: 7172: 7169: 7167: 7164: 7162: 7159: 7157: 7154: 7152: 7149: 7147: 7144: 7142: 7139: 7137: 7134: 7132: 7129: 7127: 7124: 7122: 7119: 7117: 7114: 7112: 7109: 7107: 7104: 7102: 7099: 7097: 7094: 7092: 7089: 7087: 7084: 7082: 7079: 7077: 7074: 7072: 7069: 7067: 7066:Wyndham Lewis 7064: 7063: 7061: 7050:from Wikidata 7049: 7048: 7036: 7032: 7031: 7019: 7015: 7014: 7002: 6998: 6992: 6991:Wyndham Lewis 6981: 6971: 6970: 6969:Postmodernism 6964: 6963: 6955: 6948: 6944: 6941: 6937: 6934: 6930: 6927: 6923: 6920: 6916: 6913: 6912:Metamodernism 6909: 6906: 6902: 6899: 6895: 6892: 6888: 6885: 6881: 6878: 6877:New Hollywood 6874: 6871: 6867: 6864: 6860: 6857: 6853: 6850: 6846: 6843: 6839: 6836: 6832: 6829: 6825: 6822: 6818: 6815: 6811: 6808: 6804: 6801: 6797: 6792: 6788: 6785: 6781: 6778: 6774: 6773: 6771: 6770:Impressionism 6767: 6764: 6760: 6757: 6753: 6750: 6746: 6743: 6739: 6736: 6732: 6729: 6725: 6722: 6718: 6715: 6711: 6708: 6704: 6701: 6697: 6694: 6690: 6687: 6683: 6680: 6676: 6672: 6671: 6665: 6661: 6660: 6654: 6651: 6647: 6644: 6640: 6639: 6637: 6633: 6619: 6618: 6613: 6607: 6606: 6601: 6595: 6594: 6589: 6583: 6582: 6577: 6571: 6570: 6565: 6559: 6558: 6553: 6547: 6546: 6541: 6535: 6534: 6529: 6523: 6522: 6517: 6511: 6510: 6505: 6499: 6498: 6493: 6487: 6486: 6481: 6480: 6478: 6474: 6467: 6463: 6460: 6456: 6453: 6449: 6446: 6442: 6439: 6435: 6432: 6428: 6425: 6421: 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2002: 1998: 1991: 1988: 1985:, FluxEuropa. 1984: 1980: 1977: 1972: 1969: 1964: 1960: 1954: 1951: 1946: 1945:Wyndham Lewis 1939: 1936: 1924: 1920: 1914: 1911: 1906: 1905:Wyndham Lewis 1899: 1896: 1892: 1888: 1882: 1880: 1878: 1874: 1862: 1858: 1851: 1848: 1836: 1833: 1826: 1821: 1817: 1814: 1811: 1807: 1804: 1802: 1800: 1795: 1792: 1788: 1787: 1783: 1780: 1776: 1773: 1770: 1766: 1763: 1760: 1759: 1755: 1752: 1748: 1745: 1742: 1738: 1735: 1732: 1728: 1725: 1722: 1718: 1717: 1713: 1710: 1706: 1703: 1700: 1696: 1693: 1690: 1686: 1685:Creation Myth 1683: 1680: 1676: 1673: 1670: 1666: 1663: 1660: 1656: 1655: 1654:Edith Sitwell 1651: 1648: 1644: 1641: 1638: 1634: 1633:Seated Figure 1631: 1628: 1624: 1621: 1618: 1614: 1611: 1608: 1604: 1603: 1599: 1596: 1592: 1589: 1586: 1582: 1579: 1576: 1572: 1569: 1566: 1562: 1561: 1557: 1554: 1551: 1548: 1545: 1542: 1539: 1536: 1533: 1530: 1526: 1523: 1520: 1516: 1512: 1509: 1506: 1503: 1500: 1497: 1494: 1493:Russian Scene 1490: 1487: 1484: 1481: 1478: 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B. Manson 3331: 3312:Duncan Grant 3287:Robert Bevan 3282:Walter Bayes 3221: 3209: 3190: 3182: 3174: 3166: 3158: 3150: 3131: 3123: 3115: 3107: 3093: 3033:Clara Thomas 2968: at the 2958: 2942:audiobook CD 2937: 2919: 2903: 2868: 2859: 2844:by removing 2831: 2805: 2797: 2787: 2771: 2767: 2763:, Macmillan. 2760: 2753: 2745: 2737: 2726: 2715: 2704: 2697: 2690: 2683: 2676: 2669: 2658: 2651: 2644: 2620: 2616: 2609: 2600: 2590: 2580: 2571: 2564: 2547: 2542: 2534: 2529: 2517: 2505:. Retrieved 2495: 2481: 2462: 2445: 2420: 2416: 2406: 2396: 2392: 2380:. Retrieved 2373: 2364: 2352:. Retrieved 2348: 2323:. Retrieved 2312: 2300:. Retrieved 2289: 2282:The Listener 2281: 2277: 2273: 2262:, retrieved 2255:the original 2246: 2240: 2228:. Retrieved 2224:the original 2214: 2205: 2168:(1): 24–41. 2165: 2161: 2151: 2143: 2138: 2129: 2123: 2115: 2106: 2101: 2092: 2087: 2068: 2062: 2043: 2034: 2018: 2013: 2004: 2000: 1990: 1971: 1962: 1953: 1944: 1938: 1926:. Retrieved 1922: 1913: 1904: 1898: 1890: 1864:. Retrieved 1860: 1850: 1835: 1816:Nigel Tangye 1815: 1805: 1796: 1784: 1775:John Macleod 1774: 1764: 1756: 1747:Pensive Head 1746: 1737:Newfoundland 1736: 1726: 1714: 1704: 1694: 1684: 1674: 1664: 1652: 1642: 1632: 1622: 1612: 1600: 1590: 1580: 1570: 1558: 1552: 1546: 1540: 1534: 1524: 1514: 1510: 1504: 1498: 1492: 1488: 1483:Indian Dance 1482: 1476: 1470: 1457: 1443: 1427: 1421: 1415: 1409: 1403: 1397: 1391: 1385: 1379: 1373: 1367: 1362:Rotting Hill 1361: 1355: 1349: 1343: 1337: 1331: 1325: 1319: 1313: 1307: 1301: 1293: 1287: 1281: 1276:One-Way Song 1275: 1269: 1263: 1257: 1253: 1247: 1241: 1233: 1225: 1219: 1213: 1207: 1201: 1195: 1186: 1180: 1174: 1166: 1154: 1148: 1138: 1130: 1128: 1119:Rebecca West 1112: 1105: 1094: 1070: 1065: 1061: 1059: 1055:Tate Britain 1034: 1032: 1027: 1020: 1006: 1003: 998: 992: 990: 986:Soviet Union 973: 971: 966: 960: 956: 952:Adolf Hitler 947: 945: 933: 921: 918: 911: 897: 893:Tate Gallery 884: 880: 874: 869: 853: 850:Rotting Hill 849: 845: 839: 821:Diego Rivera 817: 814: 774: 757: 754:Tate Gallery 738:Rebecca West 719: 709: 706: 676: 672: 668: 665:One-Way Song 664: 662: 660:as deluded. 649: 639: 635: 621: 619: 612: 606: 600: 574:of Bergson, 555: 554: 549: 545: 543: 538: 534: 527: 519: 517: 511: 500: 493: 491: 484: 478: 472: 465: 447: 432: 402: 398: 392: 375: 348: 333: 327: 306: 300: 290: 279: 248:Rugby School 241: 226: 220: 216: 212: 208: 204: 200: 194: 192: 185: 177: 176: 92:(1957-03-07) 90:7 March 1957 36: 7076:1957 deaths 7071:1882 births 6962:Romanticism 6919:Remodernism 6800:Incoherents 6659:Avant-garde 6650:Armory Show 6257:Maeterlinck 6160:Villa-Lobos 6146:Szymanowski 6125:Stockhausen 6062:LutosƂawski 5780:(1909–1910) 4580:Visual arts 4553:(1928–1940) 4469:(1913–1927) 3992:Apollinaire 3956:Synchromism 3796:Art Nouveau 3611:Works about 3579:(1914–1915) 3571:(1914–1915) 3179:(1934–1937) 3171:(1923–1935) 3155:(1914–1915) 2862:August 2020 2264:10 February 1541:Slow Attack 1535:Plan of War 1525:Composition 1513:(study for 1511:The Dancers 1446:, (1919) - 1386:Monstre Gai 1144:John Rodker 1073:blue plaque 981:W. H. Auden 785:T. S. Eliot 746:Henry Moore 730:W. H. Auden 646:James Joyce 560:James Joyce 280:The Dancers 244:Nova Scotia 225:(1937) and 211:(1955) and 209:Monstre Gai 199:(1918) and 103:Nationality 7171:Vorticists 7060:Categories 7030:Quotations 6849:Maximalism 6784:Literature 6459:Wiesenthal 6361:Cunningham 6354:Balanchine 6334:Witkiewicz 6306:Strindberg 6292:Pirandello 6264:Mayakovsky 6139:Stravinsky 6111:Schoenberg 5923:Performing 5848:Metropolis 5639:Mendelsohn 5444:Rossellini 5437:Richardson 5248:Fassbinder 5234:Eisenstein 5171:Cassavetes 4927:Modigliani 4801:Goncharova 4787:Giacometti 4181:Dos Passos 3983:Literature 3942:Surrealism 3853:Die BrĂŒcke 3600:Rock Drill 3520:Ezra Pound 3468:Vorticists 3371:Influences 3327:Henry Lamb 3192:Ezra Pound 2960:The Walrus 2932:Faded Page 2773:Cencrastus 2622:Cencrastus 1928:16 January 1786:Ezra Pound 1643:Mrs Schiff 1077:Kensington 976:Lord Byron 974:Letter to 914:Iris Barry 900:signatory 793:Ezra Pound 766:de Chirico 762:Surrealism 701:Ezra Pound 614:The Egoist 568:Ezra Pound 486:The Egoist 475:John Quinn 462:Vimy Ridge 454:war artist 448:After the 382:Daily Mail 351:Ezra Pound 323:Clive Bell 238:Early life 170:Iris Barry 71:1882-11-18 6898:Pulp noir 6856:Modernity 6721:Film noir 6445:St. Denis 6368:Diaghilev 6104:Schaeffer 6027:Hindemith 5999:Dutilleux 5971:Boulanger 5776:The Dance 5472:Tarkovsky 5465:Sternberg 5297:Hitchcock 5213:Dovzhenko 5129:Antonioni 5074:Stieglitz 4913:Metzinger 4864:Kokoschka 4843:Kandinsky 4257:Aldington 4250:Akhmatova 4167:Marinetti 4160:Mansfield 4111:Hemingway 3949:Symbolism 3768:Movements 3761:Modernism 3576:The Crowd 3461:Vorticism 3409:Vorticism 3217:Vorticism 3152:The Crowd 3144:Paintings 3046:1898-1949 2957:essay in 2846:excessive 2782:0264-0856 2631:0264-0856 2437:142626791 1765:La Suerte 1695:Red Scene 1635:(c.1921) 1560:The Crowd 1462:(1919) - 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Index

Percy Wyndham Lewis
Wyndham Lewis (disambiguation)
Lewis smirking and looking to the camera
Amherst, Nova Scotia
Slade School of Fine Art
University College London
Vorticism
Iris Barry
Vorticist
BLAST
Tarr
Blasting and Bombardiering
Nova Scotia
Rugby School
Slade School of Fine Art
University College London
Henri Bergson
process philosophy


Tate
Ford Madox Ford
Camden Town Group
Bloomsbury Group
Roger Fry
Clive Bell
Cubo-Futurist
Timon of Athens
The Cave of the Golden Calf
Heddon Street

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