79:. Throughout the novel Setsuko is paralleled with Naomi, a classmate who originally opposed the war because of her nonconformist family but (with Setsuko's encouragement) became a fervent supporter of the war. Over the course of the novel the two characters switch ideological positions while writing letters to each other in a grey notebook. Many of Setsuko's family and friends die throughout the novel, and Setsuko herself also dies just as the war ends.
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wrote that the novel "realistically portrays conflicting emotions" when paralleling
Setsuko's experience with Naomi's. However, Kosaka also points out the indifference of war, and that both young women die by the end of the novel. Charles Solomon of the
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that the novel has a "compelling story and subtle craft in telling will speak to everyone". She also wrote that the use of a notebook-based narrative was "fine-honed into a marvelously vibrant, gripping fictional technique." Kris Kosaka of the
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notes that the letters, memories, and conversations between Naomi and
Setsuko that make up the novel reads like "a mosaic wrought from the shattered pieces of the heroine's tragically brief life.
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in the same year. It was published as a full volume in Japan in 1973, and translated into
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71:. The novel switches between past and present, showing Setsuko's transformation from an
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Japanese women novelists in the 20th century : 104 biographies, 1900-1993
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16 year old
Setsuko Oizumi works in an ammunition factory in
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who supported the war to a hardened realist who contracts
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is a 1972 semi-autobiographical novel by
Japanese author
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Japan. The novel opens with
Setsuko near death after a
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43:in 1972, and won the
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51:in 1983.
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