Knowledge (XXG)

Strapwork

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from about 1550 and had an enormous influence across northern Europe. Floris "developed the massive Fontainebleau strapwork into a yet more nightmarish style of his own", but also, with Bos, "experimented with an altogether lighter, more elegant variety".
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uses complex patterns and interlace, but the form of the strips is generally simple, does not vary along their length, and no attempt to achieve a stylized impression of other materials is made. The patterns it used influenced European ornament in the
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had spread their very emphatic version of the style to northern Europe, the Italians had largely abandoned it, although it remained common on fine decorated bookbindings in Italy as elsewhere, often combined with
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Strapwork designs, influenced by Islamic ornament, are found on tooled book-covers in Italy and Spain by the mid-15th century, and in other media by the early 16th century, for example in the
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or metal cut into elaborate shapes, with piercings, and often interwoven in a geometric pattern. In early examples there may or may not be three-dimensionality, either actual in curling
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used particularly on ceilings, but also sculpted in stone for example around entrance doors, as at Misarden Park (1620), Gloucestershire, or on monumental sculpture, as on the
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ends of the elements, or just represented in two dimensions. As the style continued, these curling elements became more prominent, often turning into
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had already moved onto this by the 1530s, but in provincial work in northern Europe flat strapwork panels continued for another century or more.
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figures filled with fantastical creatures, garlands and other elements – which were a frequent decorative motif in 16th-century
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or "interlaced bands", the more technically correct term. Peter Fuhring derives this style from Islamic ornament.
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Where there is no suggestion of three dimensions – curling ends and the like – the decoration may also be called
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and handicrafts (book covers, tapestry, small metal objects) from the 8th century onwards. It consists of
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Strapwork became popular in England in the late 16th and 17th centuries as a form of plasterwork
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scrollwork was a common element in ornament, often partly submerged by other rich ornament.
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Polish strapwork c. 1566, detail from Czarny mural monument, Church of St. Mary, Kraków
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makes especially extensive, and for some excessive, use of strapwork inside and out.
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Scrollwork is a variant that tended to replace strapwork almost completely by the
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in the 1530s. Thereafter, spread by prints, it became part of the vocabulary of
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Strapwork was found earlier, but really came to prominence after it was used in
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strapwork. Girih patterns are used in varied media including tilework,
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are also very often combined with strapwork, especially in tooled and
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European strapwork is a frequent background and framework for
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Sophisticated three-dimensional strapwork in stucco at the
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Typical early English strapwork of 1589, detail from the
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in the enormous elaborate decorative frames designed by
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Renaissance Ornament Prints; The French Contribution
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By the time the 956: 612:The French Renaissance in Prints 434: 410: 398: 386:The stone screen in the hall at 379: 367: 355: 340: 190:and others were disseminated by 614:, 1994, Grunwald Center, UCLA, 448:with inlaid floral decoration, 1: 145:First School of Fontainebleau 558:Encyclopaedia Iranica Online 421:uses bandwork or strapwork 22:monument to Sir Gawen Carew 1006: 446:Islamic geometric patterns 275:Islamic geometric patterns 268: 954: 672: 470:The Conservation Glossary 983:Ornaments (architecture) 362:French bookbinding, 1552 498:Fuhring, 163-164; Grove 349:Palace of Fontainebleau 319:, wood (for example in 213:Palace of Fontainebleau 174:The forms developed in 122:Palace of Fontainebleau 41:Palace of Fontainebleau 297:Islamic decorative art 238: 188:Hans Vredeman de Vries 171: 169:Hans Vredeman de Vries 44: 28: 630:Subscription required 230: 211:and his team for the 163: 34: 19: 417:Modern reproduction 243:decorative moulding 239: 217:Northern Mannerist 172: 92:Northern Mannerism 45: 29: 965: 964: 236:Fremington, Devon 995: 960: 942:Vitruvian scroll 659: 652: 645: 636: 626:Grove Art Online 606:Fuhring, Peter, 595: 594: 574: 568: 567: 565: 564: 550: 544: 541: 535: 532: 526: 523: 517: 514: 508: 505: 499: 496: 490: 487: 481: 478: 472: 466: 438: 414: 402: 383: 371: 359: 344: 209:Rosso Fiorentino 37:Rosso Fiorentino 26:Exeter Cathedral 1005: 1004: 998: 997: 996: 994: 993: 992: 968: 967: 966: 961: 952: 781:Garland bearers 668: 663: 603: 598: 576: 575: 571: 562: 560: 552: 551: 547: 542: 538: 533: 529: 524: 520: 515: 511: 506: 502: 497: 493: 488: 484: 479: 475: 467: 463: 459: 452: 439: 430: 415: 406: 403: 394: 384: 375: 372: 363: 360: 351: 345: 336: 305:geometric lines 277: 269:Main articles: 267: 225: 201: 192:ornament prints 180:Cornelis Floris 158: 137: 12: 11: 5: 1003: 1002: 999: 991: 990: 985: 980: 970: 969: 963: 962: 955: 953: 951: 950: 945: 935: 933:Trophy of arms 930: 925: 920: 915: 910: 905: 900: 895: 890: 885: 884: 883: 878: 868: 863: 858: 853: 848: 843: 838: 833: 828: 823: 818: 813: 808: 803: 798: 793: 788: 783: 778: 769: 764: 759: 754: 749: 744: 739: 734: 729: 724: 719: 714: 709: 704: 699: 694: 689: 684: 679: 673: 670: 669: 664: 662: 661: 654: 647: 639: 633: 632: 622: 602: 599: 597: 596: 569: 545: 536: 527: 518: 509: 500: 491: 482: 473: 460: 458: 455: 454: 453: 440: 433: 431: 416: 409: 407: 404: 397: 395: 385: 378: 376: 373: 366: 364: 361: 354: 352: 346: 339: 335: 332: 288:, through the 266: 263: 224: 221: 200: 197: 165:Ornament print 157: 154: 141:Raphael Loggie 136: 133: 13: 10: 9: 6: 4: 3: 2: 1001: 1000: 989: 986: 984: 981: 979: 978:Visual motifs 976: 975: 973: 959: 949: 946: 943: 939: 936: 934: 931: 929: 926: 924: 921: 919: 916: 914: 911: 909: 906: 904: 901: 899: 896: 894: 891: 889: 886: 882: 879: 877: 874: 873: 872: 869: 867: 864: 862: 859: 857: 854: 852: 849: 847: 844: 842: 839: 837: 834: 832: 829: 827: 824: 822: 819: 817: 814: 812: 809: 807: 804: 802: 799: 797: 794: 792: 789: 787: 784: 782: 779: 777: 773: 770: 768: 765: 763: 760: 758: 755: 753: 750: 748: 745: 743: 740: 738: 735: 733: 730: 728: 725: 723: 720: 718: 715: 713: 710: 708: 705: 703: 700: 698: 697:Bead and reel 695: 693: 690: 688: 685: 683: 680: 678: 675: 674: 671: 667: 660: 655: 653: 648: 646: 641: 640: 637: 631: 627: 623: 621: 620:0-9628162-2-1 617: 613: 609: 605: 604: 600: 592: 588: 584: 580: 573: 570: 559: 555: 549: 546: 540: 537: 531: 528: 522: 519: 513: 510: 504: 501: 495: 492: 486: 483: 477: 474: 471: 465: 462: 456: 451: 447: 443: 437: 432: 428: 424: 420: 413: 408: 401: 396: 393: 389: 388:Wollaton Hall 382: 377: 370: 365: 358: 353: 350: 343: 338: 333: 331: 329: 326: 323:pulpits) and 322: 318: 314: 310: 307:that form an 306: 302: 299:form used in 298: 293: 291: 287: 282: 276: 272: 264: 262: 260: 256: 255:Wollaton Hall 252: 251:East Harptree 248: 244: 237: 233: 229: 222: 220: 218: 214: 210: 206: 198: 196: 193: 189: 185: 181: 177: 170: 166: 162: 155: 153: 151: 146: 142: 134: 132: 130: 125: 123: 119: 114: 112: 109: 105: 101: 97: 93: 89: 85: 81: 76: 74: 70: 66: 62: 58: 54: 50: 42: 38: 33: 27: 23: 18: 927: 903:Rais-de-cœur 893:Puer mingens 752:Egg-and-dart 611: 607: 582: 578: 572: 561:. Retrieved 557: 554:"Gereh Sazi" 548: 539: 530: 521: 512: 503: 494: 485: 480:Fuhring, 164 476: 464: 301:architecture 295:Girih is an 294: 278: 240: 202: 184:Cornelis Bos 173: 152:decoration. 138: 128: 126: 115: 111:bookbindings 77: 48: 46: 692:Ball flower 585:: 182–197. 419:harpsichord 286:Renaissance 82:ornament – 972:Categories 851:Millefleur 767:Gadrooning 732:Cornucopia 707:Branchwork 702:Blackamoor 601:References 563:2013-01-01 450:Samarkhand 392:Nottingham 309:interlaced 259:Nottingham 232:Overmantel 219:ornament. 88:candelabra 69:scrollwork 988:Ornaments 928:Strapwork 846:Medallion 821:Interlace 801:Guilloché 796:Grotesque 791:Green Man 747:Dog-tooth 727:Christmas 722:Cartouche 712:Bucranium 687:Arabesque 666:Ornaments 429:elements. 427:grotesque 313:brickwork 234:of 1630, 167:, 1550s, 84:arabesque 80:grotesque 61:parchment 49:strapwork 866:Palmette 861:Moresque 836:Mascaron 737:Curlicue 677:Acanthus 579:Muqarnas 390:outside 290:Moresque 279:Islamic 257:outside 150:moresque 129:bandwork 104:moresque 59:straps, 53:ornament 948:Zellige 913:Rosette 908:Rinceau 876:Bulbous 856:Molding 841:Meander 831:Margent 811:Hilarri 757:Festoon 682:Antefix 591:1523103 334:Gallery 328:faience 292:style. 265:Islamic 223:England 176:Antwerp 156:Flemish 118:Baroque 96:frescos 73:Baroque 57:leather 43:, 1530s 39:in the 938:Volute 918:Scroll 826:Lintel 772:Garden 742:Dentil 618:  589:  423:motifs 330:work. 325:mosaic 321:minbar 317:stucco 247:frieze 205:stucco 199:France 108:gilded 100:stucco 65:relief 898:Putto 881:Grass 871:Plant 786:Girih 587:JSTOR 543:Grove 534:Grove 525:Grove 516:Grove 507:Grove 489:Grove 457:Notes 442:Girih 281:girih 271:Girih 135:Italy 923:Spur 888:Peak 816:Hood 776:Lawn 762:Foil 717:Buta 616:ISBN 273:and 806:Gul 178:by 86:or 24:in 974:: 581:. 556:. 444:, 315:, 186:, 182:, 113:. 944:) 940:( 774:/ 658:e 651:t 644:v 593:. 583:4 566:.

Index


monument to Sir Gawen Carew
Exeter Cathedral

Rosso Fiorentino
Palace of Fontainebleau
ornament
leather
parchment
relief
scrollwork
Baroque
grotesque
arabesque
candelabra
Northern Mannerism
frescos
stucco
moresque
gilded
bookbindings
Baroque
Palace of Fontainebleau
Raphael Loggie
First School of Fontainebleau
moresque

Ornament print
Hans Vredeman de Vries
Antwerp

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