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Traditionally, the donor of the painting to the chapel is the Guild of Saint Luke, which often appointed its best painter for the job. If the painting never found its way into a church, it was hung in the
Guildhall. This painter then painted a self-portrait, although in some cases St. Luke is
139:, sculptors' guilds and their associated craftsmen—which also included masons and architects, as all worked with stone—tended to be regarded more highly than painters. Many Guilds of St. Luke were conglomerate associations of various professions, including painters, paint-mixers,
135:, a number of images started being attributed to his authorship and venerated as authentic portraits of Christ and the Virgin Mary. In the Late Middle Ages and the Renaissance, Luke's ascendancy paralleled a rise in status of painters themselves, whereas before the
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on Mount Sinai. The theme appears in
Western art in the second half of the 14th century (miniature in the Evangeliary of Johannes von Troppau, now in Vienna) and will be frequently represented in Italian and Early Netherlandish art of the 15th century.
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of the scene. Often a worker is seen mixing paint in the background. Though typically the subject of the painting is shown twice, once in the flesh and once on the easel, sometimes it seems as though Maria and Jesus are too holy to be shown
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119:, the most common name of local painters' guilds. The legend of Saint Luke as the author of the first Christian icons had been developed in
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The attributes in such paintings tell a story about the art of painting through the centuries. In the Rogier van der Weyden and
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447:, exhibition catalogue (Athens, Benaki Museum, 20 October 2000 - 20 January 2001), Athens-Milan: Skira, 2000, pp. 79–89.
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143:, and sellers of all of these things. Saddle-makers too were members of these guilds: like illuminators, who worked with
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versions, the painter seems to be making a miniature on his own, while in other versions the painter is shown at his
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328:, which is possibly the case with the painting by El Greco, since the painter's face seems paler than the subject.
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111:, the scene became increasingly popular as Saint Luke gained his own devotional following as the
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375:(Saint Luke painting the Virgin; Dutch); by Jan Piet Filedt Kok, 2006, Vossiuspers Amsterdam,
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for chapels of Saint Luke in
European churches, and frequently recall the composition of the
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Michele Bacci, 'With the
Paintbrush of the Evangelist Luke’, in M. Vassilaki (ed.),
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Il pennello dell'Evangelista. Storia delle immagini sacre attribuite a san Luca
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Il pennello dell'Evangelista. Storia delle immagini sacre attribuite a san Luca
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accompanied by a helper or admirer, and sometimes this is the self-portrait.
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St Luke
Painting the Virgin Woodcut, anonymous German artist on Lib-Art
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of artists in general, and more specifically as patron saint of the
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Likeness and
Presence: A History of the Image Before the Era of Art
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as Saint Luke. Floris himself models the pigment grinder, c. 1560.
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18:
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is a 13th-century miniature in a Greek psalter preserved in the
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Mother of God. Representations of the Virgin in
Byzantine Art
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required an artist to submit before receiving the title of
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Artistes, artisans et production artistique au Moyen Ă‚ge
76:. Versions of the subject were sometimes painted as the
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Saint Luke as
Painter: From Saint to Artisan to Artist
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483:Official site of preparatory drawing for painting.
107:Though not included in the canonic pictorial of
100:16th-century Russian version showing copy of the
373:De heilige Lucas tekent en schildert de Madonna
62:. Such paintings were often created during the
503:
8:
433:, Paris: Flammarion, 1986, vol. I, 413-427.
170:The earliest known version of this theme in
454:(University of Chicago Press, 1997), ch. 4.
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877:
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934:Veneration of Mary in the Catholic Church
50:) is a devotional subject in art showing
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7:
315:, with the flesh tones present on a
279:paints himself and the Virgin, 1565.
183:'s version is the earliest known in
195:, where it was originally painted,
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72:, an icon based on the legend of
1337:Paintings of Luke the Evangelist
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1282:
1281:
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162:depicted his friend the painter
1261:Saint Luke painting the Virgin
682:Miracle at the Wedding at Cana
677:Finding of Jesus in the Temple
429:, in X. Barral i Altet (ed.),
44:Saint Luke painting the Virgin
1:
25:Saint Luke Drawing the Virgin
185:Early Netherlandish painting
413:Lukas der Muttergottesmaler
191:and copies of which are in
176:Saint Catherine's Monastery
1353:
1277:
880:
728:Bilocation to Saint James
570:
16:Devotional subject in art
1332:Paintings about painting
780:Protoevangelium of James
440:, Pisa: Gisem-Ets, 1998.
363:, Pisa: Gisem-Ets, 1998.
246:Master of the Holy Blood
125:Iconoclastic Controversy
1171:Golden Madonna of Essen
760:Woman of the Apocalypse
468:by Derick Baegert, 1480
392:"Il Passignano", ca1560
74:Luke's portrait of Mary
1048:Alma Redemptoris Mater
997:Our Lady of Navigators
422:, Worms: Werner, 1986.
420:Lukas malt die Madonna
394:, painting now in the
300:
280:
261:Niklaus Manuel Deutsch
167:
104:
40:
1327:Christian iconography
1233:Theotokos of Vladimir
662:Presentation of Jesus
599:Immaculate Conception
519:Mary, mother of Jesus
341:(Madonna del Rosario)
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275:
181:Rogier van der Weyden
158:
102:Theotokos of Vladimir
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30:Rogier van der Weyden
22:
1215:Madonna del Rosario
1119:Maria mater gratiae
1095:Sub tuum praesidium
1053:Ave Regina caelorum
1007:Our Lady of Victory
1002:Our Lady of Sorrows
645:Virginal motherhood
619:Perpetual virginity
466:Saint Luke Triptych
359:See Michele Bacci,
117:Guild of Saint Luke
69:Salus Populi Romani
52:Luke the Evangelist
46:(German and Dutch:
34:Museum of Fine Arts
1322:Virgin Mary in art
1256:Life of the Virgin
972:Life-giving Spring
962:Help of Christians
672:Return to Nazareth
614:Marriage to Joseph
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281:
199:, Munich, and the
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1177:The Golden Virgin
897:Catholic churches
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788:
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667:Flight into Egypt
657:Nativity of Jesus
564:Brothers of Jesus
231:Hugo van der Goes
141:book illuminators
127:, as attested by
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1285:
1284:
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1134:Three Hail Marys
1090:Ave maris stella
967:Immaculate Heart
878:
799:
687:Passion of Jesus
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576:
512:
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415:, Louvain, 1948.
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389:
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296:El Greco, 1608,
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164:Rijckaert Aertsz
131:sources. By the
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406:Further reading
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1017:Seat of Wisdom
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459:External links
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32:, c. 1435–40,
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268:Self-portrait
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54:painting the
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48:Lukas-Madonna
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1286:
1260:
1213:
1193:Stabat Mater
1175:
1063:Regina caeli
1058:Salve Regina
957:Coredemptrix
952:Christotokos
912:month of May
721:: later life
702:Resurrection
640:Annunciation
609:Presentation
592:: early life
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218:, circa 1470
169:
160:Frans Floris
133:11th century
113:patron saint
106:
67:
47:
43:
42:
23:
1223:Derzhavnaya
885:Apparitions
692:Crucifixion
472:Brandenburg
398:, Florence.
321:incarnation
288:Iconography
187:. It is in
137:Renaissance
129:8th century
123:during the
109:Mary's life
78:masterpiece
64:Renaissance
60:Child Jesus
56:Virgin Mary
1316:Categories
1240:Hodegetria
1161:Assumption
1114:Magnificat
919:Feast days
874:Veneration
838:Protestant
772:Apocryphal
750:Coronation
745:Assumption
697:Deposition
652:Visitation
411:C. Henze,
347:References
311:, using a
80:that many
1070:Ave Maria
1043:Antiphons
1022:Theotokos
977:Mediatrix
924:Patronage
907:Devotions
902:Christmas
803:Christian
794:Mariology
755:Queenship
733:Dormition
719:Tradition
709:Pentecost
590:Tradition
559:Elizabeth
537:(husband)
418:G. Kraut,
326:incarnate
313:maulstick
201:Hermitage
121:Byzantium
58:with the
1288:Category
1124:Memorare
1085:Akathist
843:Lutheran
833:Orthodox
816:Catholic
811:Anglican
555:(mother)
549:(father)
332:See also
319:for the
305:El Greco
1249:Related
1038:Angelus
1031:Prayers
992:Panagia
987:New Eve
929:Shrines
861:Islamic
821:history
630:In the
547:Joachim
317:palette
248:, 1510s
233:, 1490s
92:History
1228:Eleusa
1129:Rosary
1107:Loreto
1102:Litany
944:Titles
535:Joseph
527:Family
379:
298:Toledo
193:Bruges
189:Boston
145:vellum
86:master
82:guilds
38:Boston
1183:PietĂ
1080:Hymns
854:Other
826:papal
632:Bible
604:Birth
543:(son)
541:Jesus
309:easel
28:, by
1202:East
1153:West
890:list
738:Tomb
582:Life
553:Anne
377:ISBN
1144:Art
36:in
1318::
470:,
203:.
88:.
983:)
979:(
511:e
504:t
497:v
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