Template talk:Orson Welles - Knowledge (XXG)

1017:"an all encompassing film/radio/theatreography "of all Welles work, as you allege. That's why there's a link to a separate filmography/discography/radiography - and if you follow those links, you'll see just how much detailed info has been shunted there, to keep this navbox clear. This navbox seeks to link together all the articles relating to works directed by Welles - like a navbox on a director is supposed to. The articles linked by the navbox are also a work in progress, like pretty much everything on Knowledge (XXG), so it should come as no surprise that the navbox includes major topics for which articles haven't yet been written - for now. This is no different to, say, 373:

eventually everything on the navbox will have an article linked to it, just when I get the time - the Radiography it links to, for instance, is still incomplete. The one thing I would say is that I'd prefer to keep the redlinks, because they encouraged other Welles enthusiasts to share the workload of filling in the gaps - as it is, it'll just be left to me to fill out the gaps, which means it will take longer, and in the meantime Knowledge (XXG)'s readers will lose out!

22: 469:- as you can probably guess, I disagree with this view. But the main reason why the debate persists is that much of Welles's later work is not easily obtainable (for a variety of reasons explained in the articles themselves), and so a clear sense of chronology in the navbox helps put things into perspective. Additionally, Welles's unfinished projects were often long-running (Don Quixote took nearly 20 years to film), and so by deleting the 393:. Welles is considered a great artist as a director. But he personally financed a lot of his films from the fees he received from acting in any rubbish that would pay him. To this end, he acted in a lot of really, really bad films. If people want a list of his bad films, that's what the filmography is for. This navbox has been structured to include everything which he directed. Yes, even sometimes his directorial work (like 1103:

do not need to be included again. I'll make the point again. This is a navbox, not an article. A good comparison is Ingmar Bergman - his navbox does not include any of the "notable" theatre productions he directed. Also, the same for Olivier, whom you mention above. Please don't take this personally, but navboxes are not supposed to be all-encomapssing overviews of someone's career, the way you want it to be. --

71: 53: 1125:. I was trying to be fair, and I gave a few articles the benefit of the doubt. However, Welles is mentioned in the lead of the former, and it seems that Welles was instrumental in the original conception, so maybe it should stay. If this is not the case, then it should go. With the latter, he appears only to have directed an adaptation, so this should definitely not stay. -- 81: 721:

linking to the main Macbeth article, as again, Welles's interpretation on both film and stage is discussed there, as significant adaptations of the play. Like it or not, the articles on Shakespeare's plays aren't just about the plays themselves; they cover the production history and interpretations, too.) You can't seriously be suggesting that anyone clicking on an

377:

featuring 100% original footage of the film in rehearsal, and of Welles at work as director. Numerous scholars consider this to be a significant short film in its own right, of note for its original cutting, narration and photography. Randomly deleting the link to this is unhelpful. Similarly, randomly deleting the link to the ballet

764:, a wholly original play by Welles which rearranges lines from five different Shakespeare plays, often out of context, to create a completely new narrative. I could cite many other instances, but I've written for long enough. If you check my contributions over the last few years, you will see that I am the author of a 1041:, or the half-dozen other projects Welles wrote a draft script of which was later rewritten and made by someone else? Only they don't seem terribly relevant or notable to a list of his works - and yet you've removed some major Welles works, for an arbitrary, personal interpretation of Knowledge (XXG) guidelines. 1220:

There is no policy based reason why this navbox can't embrace authorship, but since his directorial career had a substantial span across several different mediums, I think extending it to cover other aspects of his career is an unnecessary complication. I think it would be better to limit this navbox

863:

in this navbox. Just because Welles happened to direct a version of the play would not meet this criteria. There are plenty of other precedents. It's not the number of links that I'm disputing, it's the relevancy. Debonairchap seems to want to use this navbox as if it were a list article. That's

557:

Sorry, but your reasoning for continuing to remove plays from his directorial efforts because he was not their author is farcical. Welles is notable as a director. Not all directors write all of their material. Look at the above navboxes of directors. Are you proposing to remove half of their work as

495:

Firstly please note that this is a navbox, not a full filmography, or a complete list of every play he has directed. Therefore redlinks (or unlinked information) is not appropriate. It is also not appropriate to link to say, Othello the play, because this links to Shakespeare's play and as it would

1102:

Okay, I may have made some errors, but there is no way that the Shakespeare plays should be linked here, and only existing articles should be included in a navbox. There's no reason not to include the books he's written in the template, but screenplays which are already included in the films section

793:

I've got to agree with Debonairchap on this one. The navbox seems well organized and therefore not unwieldy. And, of course, a navbox is the perfect place to put a lot of information in an outline form. Perhaps it could be set to default as collapsed to avoid overwhelming the articles in which it is

476:

In the absence of any strong guidelines either way on dates, I'd respectfully ask you to leave this in the hands of those of us who have taken considerable trouble over the years to add some high-quality content on Welles to this site; and to not pick on Welles in particular, given that almost every

265:

It’s not a minor dispute, elsewise Bogdanovich, Jonathan Rosenbaum, and even Welles himself wouldn’t spend so much time disputing it. The fact that they continue to flat-out deny Welles as director seems to indicate that many people do continue to dispute the idea that Reed alone directed it. I also

808:

Debonairchap's pomposity is absolutely astounding! The accusations of vandalism are completely misguided. It isn't about the subject matter - the issue here is the misuse of a navbox to be an all encompassing film/radio/theatreography - this is not what they are for. Please familiarise yourself

751:

Again, you appear to be significantly out of your depth in jumping to conclusions on all this. Please leave it to those of us who have some knowledge of the material, and so can form a judgment as to whether or not the navbox is accurate. For instance, you took out the WPA/Mercury playscripts from

1216:

As for years, again it seems to me they do not serve the purpose of aiding navigation. Someone who is interested in going to the Citizen Kane or Touch of Evil page doesn't really need to know what years they were released. As long as the article is already sufficiently identifiable, years are not

1076:

the case. The Othello article contains a navbox for "Tony Award for Best Revival (1977–1993)". Nobody's suggesting Shakesperare's play won this award, it was the 1982 Broadway production which did. By your reasoning, that navbox should be deleted from the article, and since it contains a link to

376:

Your proposed edits also seemed to suffer from a lack of familiarity with some of the material; for instance, you deleted a link to the 1941 Citizen Kane trailer, categorised under "Short films". This is not your average movie trailer; this was a self-contained three-minute film in its own right,

280:

Again -- there appears to be no dispute among reliable sources. And they do not "spend so much time disputing it." On the contrary, from everything I have read, everyone dismisses it out of hand -- and seems to address it only because there is a fringe minority who try to popularize the myth. You

720:

article discusses Welles's interpretation, and as such, provides the reader with information on that production which they would not otherwise have. (As for your example of the Macbeth film and the Voodoo Macbeth stage show, if these Knowledge (XXG) articles didn't exist, then it would be worth

1080:

Obviously that's farcical. Yes, Knowledge (XXG) has guidelines to try to rein in the enthusiasm of people like me, so that when we write content we can conform to a neat and tidy, neutral set of guidelines. But the guidelines are there to suit the material in the articles, and in this case, to

372:

Firstly, I take your point on redlinks - I've converted all of them to black text for now. The point is that this navbox needed serious work when I started working on it (and more importantly, in my writing most of the many, many articles it links to), and so it's a "chicken and egg" question;

290:

article to the effect that: there were some claim that Welles might have directed the film, but that the idea has been refuted by Reed, Greene, Korda and Welles himself, and that film historians have dismissed the claim as false. However, adding the word 'disputed' to the film templates only

1068:

be in the Welles navbox, and with navboxes being bidirectional, the Welles navbox should definitely be included at the bottom the main Othello article. That's not just a rule for Orson Welles - it goes for other theatre directors of major productions, like John Gielgud, Laurence Olivier,

945:

Here is a thought: How about if Robinson transfers the information in this navbox to an Orson Wells Works (or some similar title) article and then pares down the navbox itself (but adding a link to the new article)? Would this be a possible result that both of you could live with?

1034:

as "written only" by Welles, when the article makes it clear that Welles's script was never used in the final version made 14 years after his death, which bore only the faintest resemblance of recycling a few character names; and so if we're going to list that, why not

711:

article, this is fully justified under the circumstances: As noted in the scholarly works of Michael Anderegg and Richard France, Welles's contribution as both an interpreter and a populariser of Shakespeare is significant, and for that alone, the navbox should link to

1158:: "Red links should be avoided unless they are very likely to be developed into articles, and even if they do, editors are encouraged to write the article first", "Unlinked text should be avoided", and "Avoid repeating links to the same article within a template". -- 1023:

You've deleted most of the books listed, for no clear reason. Rather than get into a futile edit war over this, I've removed the last remaining ones, and put them all into a separate bibliography, to save space. I also agree with another user's deletion of the decade

291:

popularizes a fringe claim, and your additions to articles on Reed and Welles appear to promote something which scholarly consensus has determined is false. I am still interested in hearing exactly what Bagdanovich says on the DVD. What exactly does he say?

1139:

Just a thought, but in order to preserve the information, why not create an article showing all of Welles's theatre work, as this is a much more appropriate way of including this into an encyclopedia, rather than try to bloat this already large navbox.

285:

Rosenbaum takes exactly one sentence to dismiss the idea as a "popular misconception" (page 24). As already mentioned, the key players themselves -- including Welles -- also dismissed the idea. I have no problem if you wish to add a statement in the

1185:

I would like to point out that navboxes are not supposed to ape encylopedic articles, they are purely a navigation tool i.e. a hub of connected articles that may be of interest to the reader. To this end, I always feel the simpler the better with

1081:

facilitate navigation around often-complex topics. Since it's clear that you seem, at best, only vaguely acquainted with this topic, I would beg you to think very carefully before imposing arbitrary judgments (especially when they're demonstrably

1027:

Unfortunately, you've taken it upon yourself to recategorise things having, at best, only skimmed the corresponding articles themselves, meaning that your new design has a number of factual inaccuracies. For instance, you've inexplicably listed

166:, page 220), Welles specifically said he made only minor contributions to the film -- and stated the film was all Greene, Reed and Korda. Without any reliable citations or references, this "dispute" is fanciful rumor and violates WP policy on 649:. Under your new format, there's a claim of authorship which wouldn't be present if my original format was retained. Incidentally, your format's also highly misleading, since it includes a number of films undoubtedly directed by Welles, but 1077:'Othello' the play (not the 1982 production), that should be unlinked from the navbox, and since that would then be a redlink, that should be removed from the navbox, and the navbox would apparently say that no Tony award was given in 1982. 215:

DVD opens with Peter Bogdanovich declaiming that Welles had nothing to do with the film and that most reviews insist that Reed, not Welles, was the author, prove there’s a dispute, otherwise, there’d be no need to counter these claims.

770:

volume of Wikpedia material on Welles's work, whereas as far as I can see, all you have done so far on this topic is delete material for spurious reasons. Please stop meddling in and vandalising something you clearly don't understand.

385:

to be a major work) is also unhelpful, particularly on the spurious grounds that it was a "play which he did not write or have something to do with the original production" (he wrote, directed, lit and set-designed the production).

210:

It’s against Knowledge (XXG) policy to take sides in a dispute. To not present one side is to take a side by omission. It’s only in keeping with policy to mention the dispute but not endorse one side or the other. The fact that

1087:

imposed elsewhere on Knowledge (XXG)) in sweeping deletions. Or if you really feel strongly about launching this one-man crusade on navboxes, why not start off by picking on some other, less contentious articles/navboxes?

725:

link marked "(1951)" (a disambiguation date which you, incidentally, don't want to see included at all, for what you admit is simply a personal preference) will think that Welles was really the author of an Elizabethan

1048:

is not a Welles play, but you've left it in: It was written by Mark Blitzstein (not Welles), and Welles simply directed the first production of it, in a blaze of publicity. Yet you've arbitrarily removed

399:) was hack work too, but that's a value judgment of mine, which I can't make in this navbox. The vast majority of his directorial efforts were serious work he had control over, and it is by linking to 518:

had a revival in New York in 1962, which wasn't his work. You'll find all the supporting references in the articles, but generally, I've used the ultra-authoritative chronology of Welles's career by

1241:

I reserve the right to reconsider my opinion based on ensuing feedback, but I believe Betty (as usual) makes very good points and would support revising the template in consideration of them.

682:

You're inventing new rules which aren't applied anywhere else on Knowledge (XXG). Nowhere is it said that directors have to be the author of their own work for it to count as their work.

246:

DVD, and if Bogdanovich does state that Welles was the director and not Reed, that would certainly by a significant reliable source for this claim. What exactly does Bogdanovich say?

456:

and in each case, the result was "No consensus" - some people, for instance, feel that years are essential, but clustering in decades (which we both agree on here) is unnecessary!

160:

This is clearly false -- there is no reliable source for this claim. All books and documentaries only mention Reed. More importantly, in his 1969 interview with Peter Bogdanovich (

849:

Well, for a start: "every article that transcludes a given navbox should normally also be included as a link in the navbox so that the navigation is bidirectional" - i.e. taking

500:: "every article that transcludes a given navbox should normally also be included as a link in the navbox so that the navigation is bidirectional", we cannot include it here. -- 403:

of his work as a director across different disciplines that the reader can get a sense of Welles as an artist - which is why he is still studied in film schools the world over.

1217:

neccessary. I'm aware many navboxes include them, but this is an attempt at enhancing its encyclopedic value, not its navigational function, so it is basically redundant.

1191:

If an article doesn't exist, it shouldn't be in the navbox. If someone creates the article one day, they can add the page to it when they add the template to the article.

236:

In general, articles should not give minority views as much or as detailed a description as more popular views, and will generally not include tiny-minority views at all.

1053:, which was written by Eugène Ionesco, and Welles directed the first English-language production of it, in a blaze of publicity. What's the difference between the two? 314:

believe it’s a Welles film. Alot of critics seem fairly defensive in asserting otherwise. Why so defensive if it’s so obviously false? This should be treated like the

1198:

article should not be linked to from the navbox. If you wouldn't put the navbox on the article itself, then the link shouldn't really go in the navbox either. The

463:

essential in the case of Welles. An ongoing argument among critics is whether or not he was a burnt-out one-hit-wonder who didn't produce anything of note after

752:

the list of books written by Welles. (It's something I intend to write an article on later.) These aren't just edited Shakespeare scripts; as well as Welles's

1205:

The navbox is expressly for linking articles, not sections. Therefore articles and navboxes should have a one to one relationship. There are already links to

975:

I must have misinterpreted your "There would be no problem in including these in, say, an article called List of plays directed by Orson Welles ..." comment.

993:(or similar). Not sure if it would meet notability in its own right (although it might), but maybe it could be included elsewhere? Bergman's is on his 864:

not the point of navboxes, that's what articles/filmographies/etc. are for. There would be no problem in including these in, say, an article called

873: 1269: 369:

There've been a number of edits to this by Robsinden which I believe leave the navbox suffering both in terms of content and presentation.

266:

wasn’t aware that Schneider was a fringe essayist. I noticed his article in the reference section, and thus thought it an adequate source.

1274: 869: 619:

is not appropriate, as this article is Shakespeare's play, and has nothing to do with Welles. However, it is appropriate to include

99: 410:

and by way of a few examples, I'd simply point you to the Navbox of pretty much every well-known director on Knowledge (XXG), i.e.

230:

You are incorrect about Knowledge (XXG)'s standards on neutral POV and its need to provide all viewpoints. Please read the section

242:, it was speculation by fringe essayist Dan Schneider, this claim fell under "tiny-minority views." However, I have not seen the 156:

Some user accounts are persisting with a claim that there is some "dispute" which states that Welles, rather than Reed, directed

1064:

a version is notable, and is actually cited in the main Othello article as a major staging or reinterpetation, then it should

33: 323: 271: 221: 161: 990: 865: 310:

Why waste so much time dismissing it if it’s a mere fringe claim? Clearly, the idea has some traction. Most people who view

578:

not Orson Welles's stage production of Othello. Are you suggesting that everyone who ever directed a stage adaptation of

111: 103: 107: 94: 58: 835:

O.k., I've read WP:NAVOBX. It says, among other things: "templates with a large numbers of links are not forbidden"

535:

Yes, I take the point about authorship, but (a) that's precisely why it's important to stress this infobox is about

994: 543:, Welles is actually discussed in the existing Knowledge (XXG) article, under notable performances/interpretations. 395: 980: 951: 909: 840: 799: 319: 267: 217: 39: 1093: 776: 602:

is wholly appropriate in the navbox, as this is an article specifically on the Orson Welles production of

563: 548: 485: 356: 302: 257: 201: 1226: 1222: 528: 187: 1210: 1206: 1163: 1145: 1130: 1108: 1002: 976: 966: 947: 923: 905: 902:

the Orson Wells navbox should appear on the Othello page when the navbox includes a link to Othello

881: 836: 826: 795: 628: 607: 587: 505: 183: 810: 497: 1030: 894:

the Othello page should be in the Orson Wells navbox when that navbox appears on the Othello page

519: 473:

of dates given for these unfinished projects, you've eliminated the sense of overlap with these.

342: 231: 1246: 1089: 772: 559: 544: 523: 481: 348: 315: 294: 249: 193: 1037: 558:

well, because they didn't write it all? This is an act of vandalism. Please undo, or I will.

539:

work - that way, no claim of authorship is made, and (b) for many of these plays, including

1155: 818: 814: 171: 167: 1213:

in the films section, there is no reason to provide them again in the section for plays.

1159: 1141: 1126: 1104: 998: 962: 919: 877: 822: 624: 598: 583: 501: 1263: 318:

and dissenting views should be treated the same way that the JFK article treats them.

287: 1242: 465: 382: 175: 496:

be inappropriate to include this template on a play by somebody else, and as per

98:. If you would like to participate, please visit the project page, where you can 1250: 1230: 1167: 1149: 1134: 1112: 1097: 1006: 984: 970: 955: 927: 913: 885: 844: 830: 803: 780: 632: 591: 567: 552: 509: 489: 448:

The question of whether or not to add years has been discussed several times at

431: 359: 327: 305: 275: 260: 225: 204: 86: 613:

is also appropriate, as this is Welles's film adaptation. However, linking to

413: 1221:

to directed work, and perhaps create another box to cover authorship credits.

1202:

article is about Shakespeare's play, not the version of it directed by Welles.

989:

Ah, no, I see what you mean. You're suggesting that we do create the article

855:

as an example - it would have to be appropriate to include this navbox on the

437: 179: 76: 70: 52: 1195: 514:

P.S. I already have excluded productions Welles wasn't concerned with, i.e.

440: 422: 1018: 868:, but it simply isn't appropriate here. Have a look an one editors reply 450:

http://en.wikipedia.org/Template_talk:Navbox#Years_after_films_in_navboxes

434: 416: 813:

and learn how they are supposed to be implemented. Also, have a look at

572:

No - You're wrong I'm afraid. Article was linking to Shakespeare's play

115: 449: 443: 428: 425: 851: 615: 574: 419: 406:

Regarding your removing years, no mention is made of this as a rule at

961:

No - we don't need an extra navbox, we just need to tidy this one. --

341:(outdent) For the sake of expediency, I have moved this discussion to 345:

to allow comment by other interested editors. My response is there.

453: 637:

No - you're wrong, I'm afraid. You've turned a navbox on work

15: 918:

Per the guideline, "the navigation is bidirectional". --

477:

other director's navbox isn't subject to this treatment.

238:

Given that you previously failed to provide any sources,

239: 997:, although I'm not sure that's wholly appropriate. -- 407: 623:

in a list article of Welles's stage productions. --

582:

should have their Navbox included on that page? --

234:on the NPOV policy page. The accepted standard is: 432:http://en.wikipedia.org/Template:Peter_Bogdanovich 414:http://en.wikipedia.org/Template:Alfred_Hitchcock 657:, so by your own definition it doesn't stand up. 438:http://en.wikipedia.org/Template:Stanley_Kubrick 441:http://en.wikipedia.org/Template:Terence_Fisher 423:http://en.wikipedia.org/Template:Jean_Negulesco 281:mentioned Jonathan Rosenbaum. In his 2007 book 114:. To improve this article, please refer to the 32:does not require a rating on Knowledge (XXG)'s 1019:http://en.wikipedia.org/Template:Maurice_Elvey 174:. I've removed all mentions of a dispute from 435:http://en.wikipedia.org/Template:Roger_Corman 417:http://en.wikipedia.org/Template:Billy_Wilder 389:It's also vital that it covers his work as a 182:, and from the associated film templates for 8: 444:http://en.wikipedia.org/Template:Woody_Allen 429:http://en.wikipedia.org/Template:John_Huston 426:http://en.wikipedia.org/Template:Jerry_Lewis 420:http://en.wikipedia.org/Template:David_Lean 110:. To use this banner, please refer to the 47: 1011:The aim of the navbox I have provided is 240:and when you finally added one yesterday 49: 991:List of plays directed by Orson Welles 866:List of plays directed by Orson Welles 454:http://en.wikipedia.org/Wikipedia:FILM 92:This template is within the scope of 21: 19: 7: 38:It is of interest to the following 1060:example proves my point exactly - 14: 381:(considered by Welles biographer 124:Knowledge (XXG):WikiProject Film 108:regional and topical task forces 79: 69: 51: 20: 532:. 15:48, 17 January 2013 (UTC) 1117:I may have been generous with 898:is not the same as saying that 408:http://en.wikipedia.org/Navbox 1: 1270:Template-Class film articles 1251:14:43, 24 January 2013 (UTC) 1231:12:03, 24 January 2013 (UTC) 1168:09:43, 24 January 2013 (UTC) 1150:09:31, 24 January 2013 (UTC) 1135:09:26, 24 January 2013 (UTC) 1113:09:13, 24 January 2013 (UTC) 1098:05:51, 24 January 2013 (UTC) 1007:21:02, 21 January 2013 (UTC) 985:19:45, 21 January 2013 (UTC) 971:14:42, 21 January 2013 (UTC) 956:17:20, 19 January 2013 (UTC) 928:14:42, 21 January 2013 (UTC) 914:17:20, 19 January 2013 (UTC) 886:16:45, 18 January 2013 (UTC) 845:13:21, 18 January 2013 (UTC) 831:01:47, 18 January 2013 (UTC) 804:17:57, 17 January 2013 (UTC) 781:17:22, 17 January 2013 (UTC) 760:, it includes the script of 633:16:21, 17 January 2013 (UTC) 592:16:10, 17 January 2013 (UTC) 568:16:04, 17 January 2013 (UTC) 553:15:53, 17 January 2013 (UTC) 510:15:42, 17 January 2013 (UTC) 490:15:23, 17 January 2013 (UTC) 1121:, I may have been harsh on 876:regarding use of dates. -- 707:As for linking to the main 641:by Orson Welles, the noted 1291: 396:In the Land of Don Quixote 1275:WikiProject Film articles 522:at the end of Welles and 360:15:31, 22 July 2009 (UTC) 328:15:15, 20 July 2009 (UTC) 306:19:40, 18 July 2009 (UTC) 276:19:48, 15 July 2009 (UTC) 261:17:28, 14 July 2009 (UTC) 226:06:28, 14 July 2009 (UTC) 205:16:15, 13 July 2009 (UTC) 127:Template:WikiProject Film 64: 46: 1044:By your own definition, 645:, into something called 596:For example, linking to 365:Major edits by Robsinden 283:Discovering Orson Welles 653:written by him, i.e. 1119:The Cradle Will Rock 1046:The Cradle Will Rock 647:Work by Orson Welles 529:This is Orson Welles 320:CharlesFosterKane123 268:CharlesFosterKane123 218:CharlesFosterKane123 163:This is Orson Welles 1211:Othello (1952 film) 1207:Macbeth (1948 film) 859:article to include 516:Moby Dick-Rehearsed 100:join the discussion 1031:The Big Brass Ring 520:Jonathan Rosenbaum 343:talk:The Third Man 34:content assessment 524:Peter Bogdanovich 316:JFK assassination 149:No dispute about 146: 145: 142: 141: 138: 137: 102:and see lists of 1282: 1038:Monsieur Verdoux 995:filmography page 358: 354: 351: 304: 300: 297: 259: 255: 252: 203: 199: 196: 132: 131: 128: 125: 122: 95:WikiProject Film 89: 84: 83: 82: 73: 66: 65: 55: 48: 25: 24: 23: 16: 1290: 1289: 1285: 1284: 1283: 1281: 1280: 1279: 1260: 1259: 480:Kind regards, 459:Dates are also 379:The Lady in Ice 367: 352: 349: 346: 298: 295: 292: 253: 250: 247: 197: 194: 191: 154: 129: 126: 123: 120: 119: 85: 80: 78: 12: 11: 5: 1288: 1286: 1278: 1277: 1272: 1262: 1261: 1258: 1257: 1256: 1255: 1254: 1253: 1234: 1233: 1218: 1214: 1203: 1192: 1188: 1187: 1179: 1178: 1177: 1176: 1175: 1174: 1173: 1172: 1171: 1170: 1152: 1137: 1115: 1078: 1070: 1054: 1042: 1025: 1021: 977:Butwhatdoiknow 948:Butwhatdoiknow 943: 942: 941: 940: 939: 938: 937: 936: 935: 934: 933: 932: 931: 930: 906:Butwhatdoiknow 899: 896: 891: 837:Butwhatdoiknow 796:Butwhatdoiknow 791: 790: 789: 788: 787: 786: 785: 784: 783: 738: 737: 736: 735: 734: 733: 732: 731: 730: 729: 728: 727: 694: 693: 692: 691: 690: 689: 688: 687: 686: 685: 684: 683: 669: 668: 667: 666: 665: 664: 663: 662: 661: 660: 659: 658: 606:. Linking to 599:Voodoo Macbeth 594: 366: 363: 339: 338: 337: 336: 335: 334: 333: 332: 331: 330: 158:The Third Man. 153: 147: 144: 143: 140: 139: 136: 135: 133: 91: 90: 74: 62: 61: 56: 44: 43: 37: 26: 13: 10: 9: 6: 4: 3: 2: 1287: 1276: 1273: 1271: 1268: 1267: 1265: 1252: 1248: 1244: 1240: 1239: 1238: 1237: 1236: 1235: 1232: 1228: 1224: 1219: 1215: 1212: 1208: 1204: 1201: 1197: 1193: 1190: 1189: 1184: 1181: 1180: 1169: 1165: 1161: 1157: 1153: 1151: 1147: 1143: 1138: 1136: 1132: 1128: 1124: 1120: 1116: 1114: 1110: 1106: 1101: 1100: 1099: 1095: 1091: 1086: 1085: 1079: 1075: 1071: 1067: 1063: 1059: 1055: 1052: 1047: 1043: 1040: 1039: 1033: 1032: 1026: 1022: 1020: 1016: 1015: 1010: 1009: 1008: 1004: 1000: 996: 992: 988: 987: 986: 982: 978: 974: 973: 972: 968: 964: 960: 959: 958: 957: 953: 949: 929: 925: 921: 917: 916: 915: 911: 907: 903: 900: 897: 895: 892: 889: 888: 887: 883: 879: 875: 871: 867: 862: 858: 854: 853: 848: 847: 846: 842: 838: 834: 833: 832: 828: 824: 820: 816: 812: 807: 806: 805: 801: 797: 792: 782: 778: 774: 769: 768: 763: 759: 755: 750: 749: 748: 747: 746: 745: 744: 743: 742: 741: 740: 739: 724: 719: 715: 710: 706: 705: 704: 703: 702: 701: 700: 699: 698: 697: 696: 695: 681: 680: 679: 678: 677: 676: 675: 674: 673: 672: 671: 670: 656: 652: 648: 644: 640: 636: 635: 634: 630: 626: 622: 618: 617: 612: 610: 605: 601: 600: 595: 593: 589: 585: 581: 577: 576: 571: 570: 569: 565: 561: 556: 555: 554: 550: 546: 542: 538: 534: 533: 531: 530: 525: 521: 517: 513: 512: 511: 507: 503: 499: 494: 493: 492: 491: 487: 483: 478: 474: 472: 468: 467: 462: 457: 455: 451: 446: 445: 442: 439: 436: 433: 430: 427: 424: 421: 418: 415: 411: 409: 404: 402: 398: 397: 392: 387: 384: 380: 374: 370: 364: 362: 361: 357: 355: 344: 329: 325: 321: 317: 313: 312:The Third Man 309: 308: 307: 303: 301: 289: 288:The Third Man 284: 279: 278: 277: 273: 269: 264: 263: 262: 258: 256: 245: 244:The Third Man 241: 237: 233: 229: 228: 227: 223: 219: 214: 213:The Third Man 209: 208: 207: 206: 202: 200: 189: 185: 181: 177: 173: 169: 165: 164: 159: 152: 151:The Third Man 148: 134: 130:film articles 117: 113: 112:documentation 109: 105: 101: 97: 96: 88: 77: 75: 72: 68: 67: 63: 60: 57: 54: 50: 45: 41: 35: 31: 27: 18: 17: 1199: 1182: 1122: 1118: 1090:Debonairchap 1083: 1082: 1073: 1065: 1061: 1057: 1050: 1045: 1036: 1029: 1013: 1012: 944: 901: 893: 872:. Also see 860: 856: 850: 773:Debonairchap 766: 765: 761: 757: 753: 722: 717: 713: 708: 655:The Stranger 654: 650: 646: 642: 638: 620: 614: 608: 603: 597: 579: 573: 560:Debonairchap 545:Debonairchap 540: 536: 527: 515: 482:Debonairchap 479: 475: 470: 466:Citizen Kane 464: 461:particularly 460: 458: 452:and also at 447: 412: 405: 400: 394: 390: 388: 383:Simon Callow 378: 375: 371: 368: 340: 311: 282: 243: 235: 232:Undue Weight 212: 176:Orson Welles 162: 157: 155: 150: 93: 40:WikiProjects 29: 1223:Betty Logan 1123:Rhinocerous 890:To say that 767:significant 716:. The main 611:(1948 film) 537:directorial 87:Film portal 1264:Categories 1160:Rob Sinden 1154:And, from 1142:Rob Sinden 1127:Rob Sinden 1105:Rob Sinden 1066:definitely 1051:Rhinoceros 999:Rob Sinden 963:Rob Sinden 920:Rob Sinden 878:Rob Sinden 823:Rob Sinden 762:Five Kings 625:Rob Sinden 584:Rob Sinden 502:Rob Sinden 180:Carol Reed 116:guidelines 104:open tasks 1200:King Lear 1196:King Lear 1186:navboxes: 1072:And it's 811:WP:NAVBOX 498:WP:NAVBOX 794:placed. 643:director 639:directed 391:director 353:Writer | 299:Writer | 254:Writer | 198:Writer | 30:template 1243:Doniago 1183:Comment 1074:already 1058:Othello 1024:breaks. 861:Othello 857:Othello 852:Othello 754:Macbeth 723:Othello 718:Othello 714:Othello 709:Othello 621:Macbeth 616:Macbeth 609:Macbeth 604:Macbeth 580:Othello 575:Othello 541:Othello 1156:WP:NAV 819:WP:AGF 815:WP:OWN 758:Caesar 350:Cactus 296:Cactus 251:Cactus 195:Cactus 188:Welles 172:WP:BOP 36:scale. 821:. -- 809:with 726:play? 471:range 168:WP:OR 28:This 1247:talk 1227:talk 1209:and 1194:The 1164:talk 1146:talk 1131:talk 1109:talk 1094:talk 1069:etc. 1056:The 1003:talk 981:talk 967:talk 952:talk 924:talk 910:talk 882:talk 874:here 870:here 841:talk 827:talk 817:and 800:talk 777:talk 756:and 629:talk 588:talk 564:talk 549:talk 506:talk 486:talk 324:talk 272:talk 222:talk 186:and 184:Reed 170:and 121:Film 106:and 59:Film 1084:not 1014:not 651:not 526:'s 401:all 1266:: 1249:) 1229:) 1166:) 1148:) 1140:-- 1133:) 1111:) 1096:) 1062:if 1005:) 983:) 969:) 954:) 926:) 912:) 904:. 884:) 843:) 829:) 802:) 779:) 631:) 590:) 566:) 551:) 508:) 488:) 347:— 326:) 293:— 274:) 248:— 224:) 192:— 190:. 178:, 1245:( 1225:( 1162:( 1144:( 1129:( 1107:( 1092:( 1001:( 979:( 965:( 950:( 922:( 908:( 880:( 839:( 825:( 798:( 775:( 627:( 586:( 562:( 547:( 504:( 484:( 322:( 270:( 220:( 118:. 42::

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Index