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Trickle-up fashion

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1614: 27: 202: 295: 2468: 184:, Oct/Nov 1987, P. 45, wrote that in 1965, Limbo, a boutique in the New York East Village, was "the first retailer to wash a new pair of jeans to get a used, worn effect, and the idea became a hit." He continued, " hired East Village artists to embellish the jeans with patches, decals, and other touches, and sold them for $ 200." In the early 1980s the denim industry introduced the 450:
as main sales channels and maintain an active social media presence. Digital space is now a key place for brands to showcase collections, and to develop personalities and relationships with customers. The history of trickle-up fashion and the influence of the digital world brought an evolution to the
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of their own, leaving only the upper social classes to influence the fashion trend. Lower social classes are therefore left to imitate the fashion trend of the rich. In contrast to this, the trickle-up effect describes an upward diffusion in which fashion styles from lower classes are adopted by the
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helped shift the perception of the T-shirt, thanks to their appearance with the garment in popular movies. Brando and Dean helped redefine the T-shirt as legitimate outerwear and a deliberately rebellious fashion statement. The T-shirt appears in collections of both low and high-end brands, due to
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In opposition to the downward diffusion of fashion in earlier years, we now encounter a phenomenon in which trends are more likely to be defined by the lower social strata. It was first described by Paul Blumberg during the 1970s in the United States: " there has been in the last decade more
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of the trickle-up effect. Although the trickle-down effect itself has only first appeared in the 1950s, the concept can be traced back to sociologist Georg Simmel and economist Thorstein Veblen. Trickle-down theory describes the inability of the lower social classes to develop fashion
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meanwhile play an important role in agencies' and brands' marketing strategies. Social media fashion icons can be seen as an example of the trickle-up effect in fashion, as they are able to form trends and influence fashion by presenting their own fashion taste on free platforms like
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pioneered the method, which helped to bring denim to a larger and more versatile market. Acceptance of jeans continued through the 1980s and 1990s. Originally an esoteric fashion choice, in the 2010s jeans may be seen being worn by men and women of all ages.
429:, but after digitalization people interested in fashion can participate through social media platforms. Social media has carried diversity to the industry, as anyone can present themselves and follow those who relate to them in body or lifestyle. 86:
percolating up from the bottom than trickling down from the top". Blumberg elaborates on this by stating that a variety of standards in fashion have been set by the déclassé and anti-class youth by using new styles, like long hair or a
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by imitating the style of the rich. The advent and spread of social media made it possible for people not on the top of the social scale to be noticed and gave them the ability to express their style from anywhere. Designers now have
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was the first designer who used this concept in her collections, which gave her the title "The Mother of Punk". She opened a popular shop in London, which was loved by the celebrities and music stars of the time, including punk band
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style shifted from being just worn by the lower and middle-class alternative youth to a widespread trend. From 2012 it had a huge comeback with looks made of flow-y-tops and skirts paired with knit shrugs. An example is
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Wo, David X. H.; Schminke, Marshall; Ambrose, Maureen L. (2018-11-21). "Trickle-Down, Trickle-Out, Trickle-Up, Trickle-In, and Trickle-Around Effects: An Integrative Perspective on Indirect Social Influence Phenomena".
177:, wearing jeans became a symbol of youth rebellion during the 1950s. During the 1960s the wearing of jeans became more acceptable, and by the 1970s it had become general fashion in the United States for casual wear. 212:
appeared for the first time in the UK in the 1970s. Punk style started as a youth movement, in which the concept of "anti-fashion" was a main feature, due to its origin in the lower classes.
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fashion industry. As particular styles began to draw attention on the streets and digital space trends, top designers incorporated them into their collections: an example is
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Slobin, Mark; Bekhrad, Joobin; Volm, Florian; Pourgiv, Farideh; Fox, Paul; Kuta, Weronika; Reinel, Birgit (2015-01-01). "Reports: Publications, Films, Conferences".
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While influencing the fashion industry was out of reach for an ordinary consumer, social media started to change this former two-dimensional, one-sided industry.
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Examples of intentional denim distressing strictly to make them more fashionable can be seen as early as 1935 in Vogue's June issue. Michael Belluomo, editor of
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its versatility and the ease of imposing messages on it. A significant example of the t-shirt as messenger is the "anti-nuclear" T-shirt worn by designer
246:'s spring collection (2011), which presented skirts with higher waist with the flow-y details towards the bottom. Hippie fashion, today also known as 1324:"How Social Media is Transforming the Fashion Consumers: The Effects of "Social" Consumer Attributes on Brand Engagement in Social Networking Sites" 328:. The idea of wearing clothes that seemed inexpensive and already worn was re-proposed in the 1993 Spring collections by avant-garde designers like 255: 1191: 312:
shirts, ripped jeans, combat boots, choker necklaces, and dark colored sheer tights, would be mainstreamed as a consequence of the huge success of
798: 225:, tattoos, chains and ripped jeans were the main features of the punk aesthetic. In 1977, this style started to be widely appreciated thanks to 1470: 1063: 1031: 848: 707: 540: 274:, pastel colors, white commuter sneakers, power shoulder and high waisted pants with skinny belts by major fashion houses like Ralph Lauren, 1788: 668: 348:
Military-inspired clothing first appeared after World War II when lower and middle-class young people started to buy pea jackets and
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are some of the fashion houses that from 2010 proposed military-inspired collections. Combat boots, leather studded bracelets, and
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Blumberg, Paul (1974). "The Decline and Fall of the Status Symbol: Some Thoughts on Status in a Post-Industrial Society".
2269: 115:, from the Middle Age to the early 19th century, had traditionally been considered as a piece of undergarment worn by 425:
Fashion is currently a two-way route due to web digital space. Before the digital era people had to go physically to
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The Classic Ten:poella grande y gruesa The True Story of the Little Black Dress and Nine Other Fashion Favorites
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Rosati, Eleonora (2019-07-10). "General Court finds 'CHIARA FERRAGNI' not confusingly similar to 'CHIARA'".
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like #winterscarves, #millennials, or #winterfashion allow users to easily find virtually any trend.
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networks formed platforms which gave new possibilities to people with a special interest in fashion;
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Veblen's trickle-down theory was related to 19th and 20th century society's desire to climb the
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jackets with rows of buttons are pieces that can be easily found both in luxury runaways and in
373: 250:, has entered the popular imagination as a trendy style thanks to popular figures like actress 26: 2447: 2207: 2202: 2035: 1922: 1706: 1701: 1568: 1466: 1408: 1345: 1295: 1258: 1186: 1126: 1059: 1027: 964: 844: 754: 746: 703: 649: 581: 546: 536: 502: 213: 189: 185: 140: 136: 1285: 838: 2493: 2425: 2384: 2366: 2299: 2274: 2144: 2052: 1917: 1843: 1821: 1688: 1516: 1458: 1432: 1400: 1335: 1250: 1219: 1116: 1051: 1019: 994: 956: 736: 639: 573: 494: 456: 369: 298: 58: 871: 201: 2346: 2336: 2314: 2309: 2304: 2279: 2132: 2090: 2025: 1984: 1721: 1711: 1598: 414: 381: 251: 209: 1427: 998: 266:
Another example of trickling-up in fashion is given by the revival of some iconic 1980s
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technique developed by GWG also known as "Great Western Garment Co." Donald Freeland of
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This article is about the effect in fashion. For the fountain effect in economics, see
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Yeomans, Matthew (2018-04-25), "How social media made sustainability mainstream",
827:(2001). Blue Jeans. Vom Leben in Stoffen und Bildern. Frankfurt/ New York: Campus. 644: 627: 61:, who theorize that the upper classes are the ones who dictate the fashion flow. 2137: 2067: 2003: 1895: 1863: 1826: 1756: 401: 352:
pants as a sign of independence and protest against war. The trend survived, as
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of higher classes but also spreading their styles into the fashion
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Stride, Christopher; Catley, Nick; Headland, Joe (2019-02-20).
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or the piece "We all should be feminists" presented at
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Reinventing the Bazaar: A Natural History of Markets
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Consumer culture : history, theory and politics
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Journal of Intellectual Property Law & Practice
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Archived from 7: 1789:Social media in the fashion industry 1194:from the original on August 24, 2024 163:were simply sturdy trousers worn by 1016:Die heiligen Narren: Punk 1976-1986 797:Lauren Cochrane and Helen Seamons. 601:"The T-shirt: A rebel with a cause" 413:. An example is Italian influencer 308:, characterized by oversized plaid 999:10.1093/ww/9780199540884.013.39435 270:-inspired pieces of clothing like 14: 927:"Jean genie: The denim evolution" 437:From streetwear to the mainstream 182:Sportswear International Magazine 2466: 1631:History of clothing and textiles 1612: 1564:Environmental impact of fashion 1328:Fashion, Industry and Education 1158:from the original on 2022-08-12 925:Katya Foreman (April 1, 2015). 900:"Levi's By the Numbers (Men's)" 837:Smith, Nancy MacDonell (2003). 566:Anthropology of the Middle East 1018:, De Gruyter, pp. 51–58, 943:Courtney, Oscar (2010-05-04). 599:Bekhrad, Joobin (2018-02-02). 171:popularized them in the movie 1: 1457:, Routledge, pp. 21–33, 1284:Ferla, Ruth La (2010-02-20). 1144:Hepworth, Abby (2018-02-15). 645:10.1080/17460263.2019.1578255 531:Sassatelli, Roberta. (2007). 254:, and themed events like the 1322:Park, Hyejune (2017-06-30). 667:De Klerk, Amy (2018-02-07). 463:is sold at high-end prices. 1426:Yotka, Steff (2019-11-14). 1078:Jonas, Carla (2023-04-18). 723:Hobson, J. (July 1, 2013). 421:Key factors of social media 2510: 1636:History of Western fashion 344:Military-inspired clothing 290:1990s and grunge influence 18: 2461: 1641:History of fashion design 1610: 1550:Index of fashion articles 1547: 1341:10.7741/fie.2017.15.1.001 1122:10.14195/2182-8830_2-1_10 961:10.1108/09504121011045845 262:1980s and yuppies fashion 205:Punks on brick wall c1984 2021:British country clothing 1579:Fashion design copyright 1255:10.1177/0149206318812951 1103:Namora, Ricardo (2014). 1024:10.1515/9783110870404.51 233:1970s and hippie fashion 90:, to not only tease the 2380:Anti-sweatshop movement 1463:10.4324/9781351111638-3 1056:10.1057/9780230343290_4 1048:21st Century Management 843:. Penguin. p. 42. 694:McMillan, John (2003). 578:10.3167/ame.2015.100209 392:Role of digital culture 237:Born in the 1970s, the 2431:Chinoiserie in fashion 334:Christian Francis Roth 301: 206: 147:Fashion show in 2016. 139:during a meeting with 34: 1767:Fashion merchandising 1243:Journal of Management 742:10.1093/occmed/kqt079 729:Occupational Medicine 297: 204: 174:Rebel Without a Cause 29: 2342:South Korean fashion 1804:Trickle-down fashion 1742:Fashion illustration 1727:Fashion entrepreneur 1604:Semiotics of fashion 1405:10.1093/jiplp/jpz090 70:Trickle-down fashion 21:Trickle-up economics 2390:Sustainable fashion 2357:Vietnamese clothing 1888:Western dress codes 1762:Fashion photography 1737:Fashion forecasting 1371:The Fashion Network 121:blue-collar workers 72:can be seen as the 2473:Fashion portal 2421:Ballet and fashion 2405:Zero-waste fashion 2121:Sportswear fashion 1799:Trickle-up fashion 1784:Red carpet fashion 1752:Fashion journalism 1747:Fashion influencer 1291:The New York Times 302: 207: 35: 2481: 2480: 2448:Music and fashion 2258: 2257: 2208:Thrift store chic 2036:Cruise collection 1998: 1997: 1923:Black lounge suit 1707:Designer clothing 1702:Clothing industry 1569:Fashion accessory 1472:978-1-351-11163-8 1187:Los Angeles Times 1065:978-1-349-33428-5 1033:978-3-11-087040-4 949:Reference Reviews 850:978-0-14-200356-5 777:Mother Earth News 709:978-0-393-32371-9 542:978-1-84860-727-9 214:Vivienne Westwood 190:Edmonton, Alberta 141:Margaret Thatcher 137:Katharine Hamnett 43:bubble-up pattern 2501: 2471: 2470: 2469: 2426:Capsule wardrobe 2385:Circular fashion 2367:Fashion activism 2332:Nigerian fashion 2327:Japanese fashion 2285:Filipino fashion 2275:Canadian fashion 2270:American fashion 2009: 1884: 1616: 1533: 1526: 1519: 1510: 1503: 1502: 1500: 1499: 1482: 1476: 1475: 1450: 1444: 1443: 1441: 1440: 1423: 1417: 1416: 1388: 1382: 1381: 1379: 1378: 1363: 1354: 1353: 1343: 1319: 1310: 1309: 1307: 1306: 1281: 1275: 1274: 1249:(6): 2263–2292. 1237: 1231: 1230: 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Index

Trickle-up economics

catwalk
the lower class
upper class
Georg Simmel
Thorstein Veblen
Trickle-down fashion
antithesis
style
shabby chic
status symbols
elite
T-shirt
sailors
blue-collar workers
Marlon Brando
James Dean
Katharine Hamnett
Margaret Thatcher
Dior
Levi Strauss
jeans
factory workers
James Dean
Rebel Without a Cause
stone-washing
Edmonton, Alberta

Punk subculture

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