3619:, should not be used to describe in-universe relationships in articles about fictional entities. Succession boxes assume continuity, which may not exist. Furthermore, they may invite the creation of non-notable articles that fall under the fictional succession. For articles about works of fiction themselves, the story that each work of fiction depicts does not change despite the continuation of stories across serial works or sequels, and as a consequence, the events within one work of fiction are always in the present whenever it is read, watched, or listened to. In-universe temporal designations such as "current" or "previous" are therefore inappropriate. For character articles (which cannot be bound temporally), it may be acceptable to use customized templates to summarize information from the perspective of the real world, such as connections between articles describing the same fictional world. Such templates should not invite the creation of articles about non-notable subjects.
1852:
include real-world descriptors. Characters should not be presented as if they are real persons, fictional settings should not be treated as a real place, and so forth. Since such articles are presented with a mix of elements related to the fictional narrative alongside elements related to conception, development, and reception, editors must be sure these articles clearly define the fictional aspects with out-of-universe language to avoid confusion. Often, using section labels such as "Fictional description", "Fictional biography", or "Appearances" can help to segregate the narrative elements from the real-world elements in the rest of the article.
1970:. Even small details that might be clear on a word-by-word or frame-by-frame analysis – steps well beyond the normal act of reading or watching a work – should be considered original research and excluded from such articles. If a vague plot element is later clarified by the work's creator, this can be included in the summary as long as a citation to this clarification is provided. Independent secondary sources that make analysis or interpretation of a work but without any correlation with the creator should be discussed in a separate section outside of the plot summary and not confused with the presented plot summary.
1974:
Incorporating this into plot summaries may also be considered interpretation and an element of original research. It should be omitted, as typically the work of fiction does not rely on these specifics: the story may take place in an unnamed city, or the hero drives away in a fast car. However, when those elements are essential facets of the narrative plot or sourced analysis of the work itself, then they should be included; this usually means that the work of fiction has specifically identified these, or that secondary sources have made reference to these in relationship to the plot or work itself. For example,
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2862:
2845:
2823:
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2783:
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2746:
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2593:
2579:
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2544:
2530:
2516:
2502:
2488:
2467:
2453:
2435:
2419:
2405:
2382:
2368:
2347:
2332:
2317:
2296:
2282:
2267:
2253:
2927:
2891:
3112:
2971:
41:
1731:, the acts of a play or musical, or the seasons and episodes of a television series) can be used to provide real-world framing. Because works of fiction are primary sources in their articles, basic descriptions of their plots are acceptable without reference to an outside source. References should be provided if a plot point is ambiguous (e.g. Gaston's fate in
3486:
3441:
3360:
3304:
3226:
3046:
1874:. The new article is sometimes called a "spinoff" or "spinout" of the main article. For fictional works, these spinout articles are typically lists of characters or other elements that usually rely on the coverage of the parent topic, and may lack demonstration of real-world coverage through sources dedicated specifically to those elements (see
1663:. Whenever the original work itself is the subject of the article, all real-world information needs to be set in the context of that original work (e.g., by including a plot summary). When the article concerns, e.g., a documentary about that original work, it is not necessarily important to discuss the content of the original source material.
1683:). Although an in-universe style may be more engaging for prose, it may also create bias, introduce original research, and be overly wordy. For example, instead of starting a plot summary with "It is 2003", which puts the reader in the frame of reference of the work, start with "In 2003", which extracts the reader from that frame.
116:
3603:
characteristics of the subject. In the same way, infoboxes about fictional entities should avoid delving into minutiae, such as information only mentioned in supplementary backstory. For this reason, infoboxes meant for real-world entities should not be applied to their fictional counterparts, since,
3583:
to understanding the entity's context in the overall fiction. What qualifies as essential varies based on the nature of the work. Where facts change at different points in a story or series, there may be no appropriate in-universe information at all to add. By contrast, an infobox on a character in a
1792:
should establish that much of the film is an extended flashback that is bookended by scenes in the film's present; the entire plot summary should still be written in narrative present tense. Summaries written in a real-world perspective do not need to stay true to the fiction's chronological order if
1714:
In articles on individual works, the plot summary is usually described within a section labeled "Plot", "Story", or "Synopsis". This heading implicitly informs the reader that the text within it describes the fiction. For conciseness, it is thus not necessary to explicitly incorporate out-of-universe
1666:
For fictional elements, details of creation and other relevant real-world information are more helpful if the reader understands the role of that element within the work. This often involves providing succinct plot summaries, character descriptions, or direct quotations. By convention, these synopses
1398:
to examine the fictional elements and the design of the storyline when such sources attempt to decipher the author's original intent. Also, exemptions might apply to other special forms of literature in which the fiction/non-fiction categorization is disputed, such as the possibly historical elements
1990:
can be identified as Los
Angeles from various landmarks, the film never calls out the name of the city, nor is the city's specific elements essential to the narrative, and thus should be omitted from that section. Instead, label it in another section concerning filming locales, which usually appears
1812:
or storytelling technique, the plot summary must not present interpretations of the creators' intent. In such cases where a true narrative is not immediately obvious, this can be avoided by the use of out-of-universe language to describe the context of how the events are presented. Interpretation of
1184:) take this approach, but it should not be used for Knowledge (XXG) articles. An in-universe perspective can be misleading to the reader, who may have trouble differentiating between fact and fiction within the article. Furthermore, articles with an in-universe perspective are more likely to include
1824:
Real-world perspective is the preferred style for plot summaries that encompass multiple works, such as broadly describing a series of novels, describing key events that might have happened in earlier works that impact the present work, or the biography of a fictional character over multiple works.
1938:
The plot summary for a work, on a page about that work, does not need to be sourced with in-line citations, as it is generally assumed that the work itself is the primary source for the plot summary. If a plot summary includes a direct quote from the work, this must be cited using inline citations
1352:; do not conflate or compare the fictional event of the film with the actual event. However, when a prediction has received coverage in reliable sources or entered the popular culture, it may be discussed in a separate section from the plot. For example, the predictions made about the year 2015 in
3643:
may readily apply to stories where blood is a major element such as works about vampires, the work should not be categorized into this category just based on the appearance of blood in the work. Overzealous sorting can diffuse the usefulness of these categories, as well as over-categorize certain
1973:
In many contemporary works, it may be possible to easily identify real-world locations, stores, brands, vendors, and models of tangible elements within a visual work, such as where the work was filmed based on landmarks, or the make and model of a car or a gun by observation of unique features.
1851:
When characters or other elements from fictional works are notable for their own standalone article, it is acceptable and often necessary to include a narration of that element's role in the events of the work(s) they are a part of. However, such narration must employ out-of-universe style and
1793:
going out of order improves and condenses the summary. A work with two concurrent, interchanging storylines is likely better told by summarizing one storyline in full, followed by the second storyline. If the narrative device is a significant feature of the work, such as with the films
1361:
Ordering works by their fictional chronology, rather than the actual order in which they were published. Articles should give precedence to a clear real-world chronology, while the in-universe order of events can be summarized in a prose plot summary. For example, although the story of
1233:, giving extensive detail to topics such as creation, fleet composition, battles, and key events. Instead, descriptions of Starfleet should cover only the most essential details and mention the specific works (TV episodes, films, books, etc.) in which these details were included.
3639:. However, editors should be careful to use an excessive number of categories, and should only use the categories that primarily cover the work, where it would be nearly impossible to concisely describe the work or topic of fiction without broadly mentioning the category. While
1686:
Plot summaries should be written as prose, not as lists or timelines. The length of the prose should be carefully balanced with the length of the other sections, as well as the length of the story itself; simple plots may require only short summaries. Strictly avoid creating
1943:. Editors are encouraged to use and cite secondary sourcing, when available and comprehensive, to allow readers to verify the content and to prevent original research. Otherwise, using brief citations from the primary work can be helpful to source key or complex plot points.
3216:
and deciding which elements to mention and how to describe and weight them can be a challenge, but it's also a rewarding experience; plot summaries can be entirely based on primary sources and in many cases no complicated cross-reading between various sources is required.
3579:, usually placed in the upper-right portion of an article, give key data about the article's subject in tabular format. For entities within fiction, useful infobox data might include the creators or actors, first appearance, an image, and in-universe information
1503:
about the fictional universe, such as the original work of fiction or an affiliated work (e.g., another episode of the same TV series). Even articles with the strictest adherence to a real-world perspective still source the original work. According to the policy
1737:). References also may be required in non-linear works such as video games and interactive films, where key elements of the plot may not be seen by the viewer due to how they interact with the work. For example, some of the core backstory to the video game
1678:
Plot summaries and similar recaps of fictional elements (like a character's biography) should be written in an out-of-universe style, presenting the narrative from a displaced, neutral frame of reference from the characters or setting (see, for example,
1293:
In the plot summary, giving undue weight to a work's most memorable scenes or lines in relation to their importance to the rest of the plot. Elements that have entered popular culture should be covered in a "Reception" or "Legacy" section. Example:
3543:
Many fictional universes have dedicated wikis that may feature more comprehensive coverage of the in-universe aspects of the work, without the need to establish real-world perspective. If a universe is not available in the above link, please try a
2061:. It has been held in a number of court cases that any work which re-tells original ideas from a fictional source, in sufficient quantity without adding information about that work, or in some way analysing and explaining it, may be construed as a
1675:). At any particular point in the story there is a "past" and a "future", but whether something is "past" or "future" changes as the story progresses. It is simplest and conventional to recount the entire description as continuous "present".
1893:
are appropriate. As with other fictional works, the spinout article should be written in an "out-of-universe" style, with an appropriate amount real-world information included. As with all
Knowledge (XXG) articles, the spinout needs to be
1951:
Presenting fictional material from the original work is allowed, provided passages are short, are given the proper context, and do not constitute the main portion of the article. If such passages stray into the realm of interpretation, per
1508:, "A primary source may only be used on Knowledge (XXG) to make straightforward, descriptive statements of facts that can be verified by any educated person with access to the primary source but without further, specialized knowledge. ...
2957:
If you notice an article that predominantly describes a fictional topic from an in-universe perspective, or even provides no indication that a fictional subject is fictional, preferably rewrite the article or section yourself, or use the
183:
2065:
or a copyright violation. This may apply irrespective of the way information is presented, in or out of the respective fictional universe, or in some entirely different form such as a quizbook or "encyclopedia galactica".
1880:
Very rarely should such spinout articles be about a singular topic (e.g., character, plot item); either that topic has demonstrated its own notability, or should be merged into the main article or existing spinout
2081:. Many works of fiction covered by Knowledge (XXG) are protected by copyright. Some works are sufficiently old that their copyright has expired, or the rights may have been released in some way, such as under the
695:
1566:
considered suitable secondary sources about the primary works. However, such publications may be suitable primary or secondary sources in an article about the fan publication itself or other related topics.
570:
560:
1984:
films, the car Bond drives and other gadgets based on real-world products are part of the film's marketing, and can be identified that way within the plot. On the other hand, while the setting of
1870:), a section is sometimes developed into its own article, and the handling of the subject in the main article is condensed to a brief summary. This is a normal Knowledge (XXG) procedure called
1334:
Making connections to real-world people, places, or events that are not clearly established by the work. Editors can include material about historical events and figures when writing about
2215:. Editors should use these as a guide when writing their own articles. This is a brief selection; for other equally exceptional examples, see the lists of articles that have been rated at
2156:. Instead, incorporate relevant information into the article as prose, and discard information that is either redundant or unnecessary to understanding that topic. If a fictional topic is
620:
1300:
has jokes and phrases that have entered popular parlance but have little effect on the story's actual progression; however, the murder of the historian in one scene is a sight gag that
796:
705:
635:
506:
761:
685:
630:
585:
73:
2003:
should not have its own article on
Knowledge (XXG). However, a collection of fictional topics, such as a setting or cast of characters, may be more notable as a whole. As mentioned
1964:
engage in interpretation and should only present an obvious recap of the work. For example, we cannot state anything about whether the top remains spinning or topples at the end of
722:
615:
610:
3766:
590:
210:
625:
575:
555:
841:
655:
600:
595:
580:
565:
550:
228:
2962:
template to bring the issue to the attention of others. You could also leave a note on the article's talk page explaining your objections. The template looks like this:
1562:, or from primary and secondary sources about the author and the creation of the work. Publications affiliated with a particular work (such as fan magazines) are mostly
3287:
When the plot summary is present but insufficient (for example, if it summarizes the conflict but omits the resolution, or consists only of a blurb or "hook"), use the
178:
124:
Knowledge (XXG) articles should describe fiction and fictional elements from the perspective of the real world, not from the perspective of the fiction itself. Jump to
2023:
and must give due weight to all aspects of the subject. Editors should also give appropriate weight to all elements of the article (e.g., images and text, as well as
690:
648:
543:
365:
1721:. It can be presumed that the work, as presented by the plot, involves fictional elements and proceeds in a straightforward manner. However, care should be taken to
3801:
3432:
to raise the issue. Since this is a crucial issue which may eventually lead to the article's being nominated for deletion, consider improving the article yourself.
673:
523:
161:
1597:
information typically provided by secondary sources about the original work, or primary and secondary sources about information related to the work, include the:
3029:
One of the most frequently occurring errors associated with an in-universe style of writing is incorrect use of past tense when discussing elements of the plot.
1980:
specifically alludes to the time machine being built from a DMC DeLorean, and the car has become iconic with the series so its inclusion is appropriate. In many
1243:
on fictional traits (titles, birthdates, etc.) that are unimportant to the plot or interpretation thereof. For example, instead of introducing the character as "
740:
660:
313:
278:
245:
3751:
3723:
3099:
If you notice an article featuring only primary sources and sources affiliated with the subject, preferably find and add suitable sources yourself, or use the
712:
700:
530:
392:
348:
3604:
for example, information important to a description of a real-world company may be tangential to a fictional one. It is important to identify the revenue of
1816:"Teaser"-style or incomplete plot descriptions (e.g. ending a plot description with "In the end the family makes a shocking discovery…") should not be used.
1394:, and many stage plays, in which the fictional elements camouflage the political or social criticism within the work. In such cases, it is legitimate to use
3860:
3850:
3718:
3665:
3425:
can sometimes be a difficult decision. If you have the time and energy, please consider tightening overly long and overly detailed plot summaries yourself.
1579:
428:
417:
335:
265:
260:
240:
190:
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757:
605:
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215:
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A singular work itself might necessitate a real-world perspective due to its structure. Works that incorporate non-linear storytelling elements, such as
501:
496:
250:
235:
168:
2027:). The goal is to attain the greatest possible degree of accuracy in covering the topic at hand, which is also the basic rationale behind discouraging
2481:
1219:
Presenting backstories of fictional elements as real-world historical accounts. For example, an in-universe perspective would describe the history of
325:
3791:
3746:
3708:
3690:
3451:
3422:
3370:
3312:
3236:
3213:
1512:
analyze, evaluate, interpret, or synthesize material found in a primary source yourself; instead, refer to reliable secondary sources that do so."
717:
473:
468:
195:
1364:
3713:
3703:
3685:
1314:
Referring to the fictional events or dates that occur in the story, rather than the fictional works themselves. For example, instead of writing "
869:
747:
463:
458:
404:
956:
to best present that information. These questions are complementary and should be addressed simultaneously to create a well-written article or
3756:
2074:
1788:), may require inclusion of out-of-universe language to describe how the work is presented to the reader or viewer. For example, a summary of
856:
851:
680:
200:
173:
3631:
exist to sort works of fiction by their major themes and narrative elements which can help readers find related works. For example, works on
2206:
2166:: readability and comprehensibility are key, and the reader should always be able to differentiate between real world and fictional content.
874:
285:
255:
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3496:
2600:
1192:
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1113:
Real-world perspective is not an optional criterion for quality, but rather a basic requirement for all articles. See below for a list of
751:
205:
49:
3033:. As with all other article issues, preferably fix it yourself, or alternatively you may use the template to supplement and specify the
3823:
3680:
3670:
1247:
was a powerful wizard", write "Gandalf is characterised as a powerful wizard", or "Gandalf is a wizard who appears within the works of
453:
438:
433:
330:
320:
300:
1601:
author, creator, or other key figures in the creation process (e.g., the cinematographer for films or notable translators for novels);
2020:
1875:
487:
399:
355:
295:
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This can often be aided by provided appropriate section headers for each of the works as to delineate the divisions of the series.
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1505:
1447:
1188:
938:
831:
443:
3147:
2836:
2190:
1733:
3835:
2108:: the principal frame of reference is always the real world, in which both the work of fiction and its publication are embedded.
935:
2152:
in all elements of the article, including text, images, layout, and even the article title. Avoid lists of fictional events or
1784:
1296:
905:
3811:
3806:
3332:
836:
3153:
1889:
of the topic or topics covered in the work – just because the spinout article is given more space to grow does not mean that
3796:
3576:
2177:
448:
370:
3591:
As with all infoboxes, trivial details should be avoided. An infobox for a real-life actor would not contain items such as
1725:. For longer, singular works, subheadings based on the natural divisions in the plot (for example, the three Books within
1002:
3818:
2173:
961:
290:
61:
2246:
1061:
time and actual chronology of real-world events on the other (of particular relevance to all film and TV-related topics)
3855:
3659:
3159:
137:
53:
17:
2273:
1032:
3697:
2139:
806:
801:
791:
1717:
1354:
3143:
3122:
2069:
Information from copyrighted fictional worlds and plots of works of fiction can be provided only under a claim of
1861:
1191:
due to reliance on the primary source. Most importantly, in-universe perspective defies community consensus as to
1185:
3628:
2918:
2813:
1813:
the plot taken from reliable sources can be included elsewhere in the article to provide additional information.
1774:
1867:
1255:
786:
145:
3640:
3091:
2911:
2861:
2844:
2822:
2806:
2782:
2762:
2745:
2721:
2704:
2680:
2668:
2656:
2627:
2606:
2592:
2578:
2564:
2543:
2529:
2515:
2501:
2487:
2466:
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2434:
2418:
2404:
2381:
2367:
2346:
2331:
2316:
2295:
2281:
2266:
2252:
1743:
is provided by optional audio logs, so
Knowledge (XXG)'s plot summary references these when they are relevant.
3780:
2157:
2058:
2000:
1587:
1348:
takes place in Neo-Tokyo on the eve of the 2020 Olympics. By happenstance, the real-world Tokyo hosted the
846:
821:
816:
3021:
2442:
1779:
1172:
of the narrative, such as characters, places, groups, and lore) from the vantage of characters within the
879:
69:
2310:
2289:
1747:
1325:
3784:
3736:
3557:
3030:
2120:: unpublished personal observation and interpretation of the article's subject and primary sources are
2040:
1933:
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1378:
narrative, it should be defined by release order because it was the fourth film released in the series.
1205:
1126:
973:
945:. If notability is established, the topic will generally be suitable for inclusion on Knowledge (XXG).
826:
83:
926:
and elements therein. When creating these articles, editors should establish the subject's real-world
2949:
1727:
1349:
1280:
727:
1953:
1699:
811:
3165:
2425:
2395:
1809:
1400:
1384:
1339:
1338:(e.g., how the fiction diverges from recorded history), but they should not assume connections for
1276:
998:
898:
3730:
2153:
957:
941:
sources. This approach will also ensure enough source material is available for the article to be
3405:
3279:
2735:
2711:
2675:
2509:
2260:
1976:
1764:
1335:
1290:
and references that require knowledge of a work's plot, its fictional elements, or related works.
1213:
1173:
1088:
923:
2149:
1240:
964:, following the basic notions laid out in this guideline is generally considered good practice.
151:
1691:. For some types of media, associated guidelines may offer advice on plot length; for example,
3413:
3321:
2572:
2495:
1986:
1668:
1344:
1317:
942:
2028:
2008:
1903:
1890:
1886:
1688:
1177:
3616:
3200:
2651:
2460:
2412:
1966:
1559:
1555:
1269:
1248:
147:
2121:
1899:
3212:
template. If you feel qualified to write a basic plot summary, consider giving it a shot.
2338:
2062:
1715:
language, particularly if the work is presented in a linear, direct presentation, such as
1254:
Labeling fictional characters with descriptors such as "deceased" or "formerly" (see also
2220:
2216:
2135:
1395:
931:
1236:
3317:
2880:
2752:
2694:
2663:
2586:
2558:
1795:
1500:
1073:
891:
2131:
1940:
1895:
927:
3844:
3834:
There are also numerous genre-specific and even franchise-specific wikiprojects; see
3545:
3538:
3271:
2523:
2086:
1758:
1082:
149:
3787:, article templates and styles with which you might wish to make yourself familiar.
2057:
As the
Wikimedia Foundation is based in the United States, Knowledge (XXG) articles
1702:
in plot summaries or similar material, but spoilers should only be included when an
1456:
in articles about fiction, specifically in regard to primary and secondary sources.
1329:
is set in 34,500 AD, when the
Trantorian Empire encompasses roughly half the galaxy"
1013:
for short) and its publication are embedded. To achieve this, editors must use both
2897:
2796:
2375:
1801:
1752:
1315:
1230:
23:
60:
It is a generally accepted standard that editors should attempt to follow, though
2089:. In these cases, the works themselves may be hosted at a Wikimedia project like
1590:, secondary information should be available and possibly already in the article.
1323:
3111:
2621:
2323:
1769:
1695:
says that plot summaries for feature films should be between 400 and 700 words.
1625:
critical analysis, including discussion of themes, style, motifs, and genre; and
1358:, cited to secondary reliable sources, can be discussed in a designated section.
1038:
2361:
2090:
1981:
1448:
Knowledge (XXG):No original research § Primary, secondary and tertiary sources
1578:
to cover the topic's major facts and details from a real-world perspective –
3605:
3056:
1522:
performance statistics or characteristics for fictional vehicles or devices;
1374:
1262:
1225:
1220:
1209:
1099:
1198:
Features often seen in an inappropriate, in-universe perspective include:
997:
Articles about fiction, like all
Knowledge (XXG) articles, should use the
3588:
work with multiple warring factions may warrant data such as allegiance.
2537:
2082:
2070:
1739:
1768:) presentation, or other narrative framing devices such as breaking the
1181:
3585:
2138:. All sources (including the primary sources) need to be appropriately
1613:
actors who portrayed a character (and their approach to the depiction);
1390:
1369:
1287:
1244:
948:
Once an article about fiction is created, editors should consider: (a)
2994:
explain the fiction more clearly and provide non-fictional perspective
2176:
before adding images to any article. Ensure the article complies with
2851:
2776:
1808:
Where there are narrative ambiguities, for example as a result of an
2011:
will be available and will ideally be included on article creation.
1239:– a character description that is written like a biography, placing
3031:
Works of fiction are generally considered to "come alive" when read
1610:
real-world factors that influenced the work (or an aspect thereof);
1030:
Careful differentiation between the work itself and aspects of its
3654:
Knowledge (XXG) is not an indiscriminate collection of information
3331:
by ensuring it covers the whole story, however briefly, and in an
2007:, the rule of thumb is that if the topic is sufficiently notable,
1268:
Giving undue weight to a fictional topic's appearances in obscure
1667:
should be written in the present tense (known in this use as the
1506:
WP:No original research § Primary, secondary and tertiary sources
3421:
A plot summary should be succinct and focused on the main plot.
1671:), as this is how a real person experiences the story (see also
1554:
is external to the fictional universe; it is usually taken from
1206:
Using past tense when discussing the plot or any of its elements
3428:
When the article contains little more than a plot summary, use
2158:
not covered in several independent, reliable, secondary sources
2093:, but the Knowledge (XXG) should still cover the work tersely.
1991:
with a more relevant section on behind-the-scenes information.
1655:
Generally, there are two possible issues to be considered: the
3479:
3434:
3353:
3297:
3219:
3105:
3039:
2964:
2211:
Here are examples of fiction-related articles that follow the
1607:
design and development (at all stages of the work's creation);
1071:
particularly for film and TV-related topics, this may include
152:
110:
35:
3208:
When the article is missing a plot summary entirely, use the
2981:
1999:
Generally speaking, a fictional topic that does not meet the
1722:
1583:
1571:
1570:
The rule of thumb is to use as much secondary information as
2229:
1265:
in the narrative, rather than simply reporting them as such.
3599:; these details do not aid the reader in understanding the
3461:
by removing unnecessary details and making it more concise.
1891:
excessive plot summaries or fictional character biographies
1096:
Description of fictional characters, places and devices as
3783:
that deal with fiction material. They may have additional
1723:
avoid incorporating elements of an in-universe perspective
3037:
template's call for a consistent real-world perspective.
1805:, then this structure should be explained to the reader.
128:
for a more detailed summary of this guideline's contents.
3767:
Knowledge (XXG):Plot-only description of fictional works
3103:
template to bring the issue to the attention of others.
2101:
When writing about fiction, keep the following in mind.
1382:
These restrictions also apply to serious satire such as
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actually plot-relevant and should be described briefly.
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1141:
1134:
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describes a work or element of fiction in a primarily
3608:, whereas the fact that fictional MegaAcmeCorp makes
1700:
does not hide, avoid, or take effort to mark spoilers
1026:
Important aspects of real-world perspective include:
1706:is being served by presenting the complete plot.
1515:
Examples of information in primary sources include:
1411:
1202:
Describing aspects of the work as if they were real.
1005:. As such, the subject should be described from the
3533:
Alternative outlets for fictional universe articles
2160:, then it probably should not have its own article.
2024:
1308:
1057:time and fictional chronology on the one hand, and
2114:: both are necessary for a real-world perspective.
1528:background information on fictional creatures; and
1519:the birth and death dates of fictional characters;
1117:that employ a consistent real-world perspective.
3752:Knowledge (XXG):How to streamline a plot summary
1586:. Another rule of thumb is that if the topic is
1525:history of fictional locations or organizations;
2128:Reference all information and cite your sources
1628:influence on later creators and their projects.
1114:
3612:GalactiBucks in 2463 is probably unimportant.
2112:Use a balance of primary and secondary sources
1956:, secondary sources must be provided to avoid
1176:, treating it as if it were real and ignoring
918:Knowledge (XXG) contains numerous articles on
1229:franchise in a manner similar to that of the
899:
8:
1047:
3747:Knowledge (XXG):How to write a plot summary
3507:
2212:
2059:must conform to United States copyright law
1604:production company and/or publishing house;
1594:
1575:
797:Categories, lists, and navigation templates
52:is a part of the English Knowledge (XXG)'s
2203:Category:FA-Class science fiction articles
2195:Category:FA-Class Fantasy fiction articles
1535:Additional details are in the sections on
906:
892:
422:
386:
133:
3757:Knowledge (XXG):Naming character articles
3517:Learn how and when to remove this message
3468:Learn how and when to remove this message
3387:Learn how and when to remove this message
3342:Learn how and when to remove this message
3253:Learn how and when to remove this message
3182:Learn how and when to remove this message
3073:Learn how and when to remove this message
3003:Learn how and when to remove this message
2482:Bone Sharps, Cowboys, and Thunder Lizards
2075:Knowledge (XXG)'s non-free content policy
1619:sales figures (for commercial offerings);
1193:what we do not want Knowledge (XXG) to be
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1829:Characters and other fictional elements
1689:pages consisting only of a plot summary
1365:Star Wars Episode I: The Phantom Menace
1180:. Many fan wikis and fan websites (see
1178:real-world context and sourced analysis
1046:it has had in the real world (see also
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136:
3861:Fiction Knowledge (XXG) administration
3851:Knowledge (XXG) Manual of Style (arts)
3132:Please improve this article by adding
2164:Put all content in the correct context
2029:disproportionately long plot summaries
1109:(if references cover such information)
72:. When in doubt, discuss first on the
2207:Category:FA-Class video game articles
2148:: all relevant aspects must be given
1876:Knowledge (XXG):Manual of Style/Lists
1372:that represents the beginning of the
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3762:Knowledge (XXG):Notability (fiction)
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2601:The Legend of Zelda: Ocarina of Time
2226:List of articles as of 22 May 2024:
2134:and derive from and be supported by
1681:§ Plot summaries of individual works
1622:reception by critics and the public;
952:to write about the subject, and (b)
943:comprehensive and factually accurate
2106:Write from a real-world perspective
1320:encompasses roughly half the galaxy
1316:It is the year 34,500 AD, when the
3637:Fictional characters who use magic
1710:Plot summaries of individual works
31:
3802:WikiProject Children's literature
3615:Another common type of template,
2199:Category:FA-Class Comics articles
2178:Knowledge (XXG)'s fair-use policy
1080:for literature, this may include
68:edit to this page should reflect
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2191:Category:FA-Class novel articles
2019:Articles must be written from a
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1053:Careful differentiation between
1009:, in which the work of fiction (
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3660:Knowledge (XXG):Manual of Style
2015:Accuracy and appropriate weight
1866:When an article gets long (see
1785:Monty Python and the Holy Grail
1412:accuracy and appropriate weight
1311:intended for real-world topics.
1297:Monty Python and the Holy Grail
18:Knowledge (XXG):Manual of Style
3552:Infoboxes and succession boxes
3495:consists almost entirely of a
2170:Use copyrighted work sparingly
2025:infoboxes and succession boxes
2004:
1820:Plot summaries of serial works
1693:WP:Manual of Style/Film § Plot
1540:
1415:
1406:Please review the sections on
1168:describes the narrative (or a
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960:. Although this page is not a
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3214:Succinctly summarizing a plot
3134:secondary or tertiary sources
1862:Knowledge (XXG):Summary style
1536:
1407:
1342:. For example, the 1988 film
1263:contradictions or bridge gaps
1007:perspective of the real world
696:References and external links
3448:This article's plot summary
2247:The General in His Labyrinth
1868:Knowledge (XXG):Article size
1661:context of the original work
1560:fictional world it describes
1454:incorporation of information
1452:This section deals with the
1014:
33:Knowledge (XXG) project page
3792:WikiProject Anime and manga
2875:Elements of fictional works
1947:Analysis and interpretation
1885:The spinout article should
920:subjects related to fiction
551:Specific naming conventions
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2185:List of exemplary articles
2146:Maintain balanced coverage
2130:: information needs to be
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1718:E.T. the Extra-Terrestrial
1636:
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1355:Back to the Future Part II
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971:
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3641:Category:Blood in fiction
3635:should be categorized in
2031:and in-universe writing.
1887:concisely provide details
1657:context of the production
1105:Mentioning the creator's
958:improve a preexisting one
852:Wikimedia sister projects
3737:Knowledge (XXG):Fancruft
3378:improve the plot summary
1775:Ferris Bueller's Day Off
1261:Attempting to reconcile
122:This page in a nutshell:
3829:WikiProject Video games
3320:or written as if for a
3144:"Writing about fiction"
2118:Avoid original research
1910:Sourcing and quotations
1633:Contextual presentation
1166:in-universe perspective
3856:Knowledge (XXG) how-to
3836:WP:WikiProject Council
3824:WikiProject Television
3731:Knowledge (XXG) Essays
3121:relies excessively on
2213:real-world perspective
1856:Summary style approach
1780:self-referential humor
1558:about the work or the
1422:Sources of information
1068:of fictional material
968:Real-world perspective
2311:Bride of Frankenstein
2290:To Kill a Mockingbird
2085:license, or into the
2079:minimal extent of use
2021:neutral point of view
2001:notability guidelines
1932:Further information:
1904:neutral point of view
1902:, and must reflect a
1860:Further information:
1616:foreign translations;
1552:Secondary information
1326:The Currents of Space
1021:secondary information
930:by including several
479:Writing about fiction
184:Organizing by subject
138:Manual of Style (MoS)
62:occasional exceptions
3775:Related wikiprojects
3064:improve this article
2174:the image use policy
1900:no original research
1734:Beauty and the Beast
1728:A Tale of Two Cities
1704:encyclopedic purpose
1350:2020 Summer Olympics
1277:spiritual successors
832:Talk page guidelines
507:Stringed instruments
179:Disambiguation pages
3504:improve the article
2390:Television episodes
2275:Pattern Recognition
2124:on Knowledge (XXG).
1810:unreliable narrator
1497:Primary information
1401:religious scripture
1340:speculative fiction
1212:), rather than the
636:Trinidad and Tobago
571:France (and French)
561:China (and Chinese)
24:Knowledge (XXG):WAF
3812:WikiProject Novels
3807:WikiProject Comics
3508:real-world context
3369:needs an improved
3333:encyclopedic style
3246:in your own words.
3101:{{Primarysources}}
3057:tenses incorrectly
2839:Final Fantasy VIII
2736:Bernard Quatermass
2712:Khan Noonien Singh
2676:Kenneth Widmerpool
2510:Sinestro Corps War
2261:The Sun Also Rises
2080:
1977:Back to the Future
1778:) or inclusion of
1765:The Usual Suspects
1511:
1385:Gulliver's Travels
1336:historical fiction
1214:historical present
1174:fictional universe
1115:exemplary articles
1089:literary technique
1033:production process
1003:frame of reference
837:Template namespace
781:Related guidelines
3797:WikiProject Books
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2496:Roy of the Rovers
2443:The Other Woman (
2355:Television series
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2009:secondary sources
1960:. Plot summaries
1958:original research
1669:narrative present
1556:secondary sources
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1318:Trantorian Empire
1189:original research
1170:fictional element
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1001:as their primary
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661:Latter Day Saints
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3598:
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3593:favorite food
3589:
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3567:
3563:
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3559:
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3547:
3546:search engine
3540:
3539:List of wikis
3532:
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3509:
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3493:This article
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3135:
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3119:This article
3117:
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2524:Tokyo Mew Mew
2521:
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2398:Stargate SG-1
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2196:
2192:
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2175:
2172:: check with
2171:
2168:
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2159:
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2137:
2133:
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2116:
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2110:
2107:
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2102:
2096:
2094:
2092:
2088:
2087:public domain
2084:
2076:
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2067:
2064:
2060:
2050:
2046:
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2042:
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2014:
2012:
2010:
2006:
2002:
1994:
1992:
1989:
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1983:
1979:
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1971:
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1925:
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1872:summary style
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1759:In medias res
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1083:writing style
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1004:
1000:
990:
989:MOS:FICTIONAL
986:
983:
982:MOS:REALWORLD
979:
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975:
967:
965:
963:
959:
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519:
508:
505:
503:
502:Record charts
500:
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497:Music samples
495:
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406:
403:
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398:
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389:
388:
383:By topic area
380:
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284:
283:
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267:
264:
262:
259:
257:
254:
252:
251:Pronunciation
249:
247:
244:
242:
239:
237:
236:Abbreviations
234:
233:
230:
225:
224:
217:
214:
212:
209:
207:
204:
202:
199:
197:
194:
192:
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181:
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175:
172:
170:
169:Accessibility
167:
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163:
158:
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143:
142:
139:
135:
127:
126:§ Conclusions
123:
120:
113:
112:
100:
96:
93:
89:
88:
85:
80:
75:
71:
67:
63:
57:
55:
51:
45:
38:
37:
25:
19:
3833:
3781:wikiprojects
3778:
3633:Harry Potter
3632:
3627:A number of
3626:
3614:
3600:
3596:
3592:
3590:
3580:
3575:
3573:
3566:MOS:WAF-INFO
3542:
3528:
3513:
3502:Please help
3497:plot summary
3494:
3464:
3449:
3430:{{All plot}}
3427:
3420:
3398:
3383:
3376:Please help
3371:plot summary
3368:
3338:
3315:
3313:plot summary
3286:
3264:
3249:
3237:plot summary
3234:
3207:
3193:
3178:
3168:
3162:
3156:
3150:
3140:
3120:
3098:
3084:
3069:
3062:Please help
3054:
3028:
3014:
2999:
2993:
2979:
2956:
2933:
2920:
2905:
2899:
2884:
2868:
2855:
2838:
2815:
2801:The Simpsons
2800:
2797:Bart Simpson
2779:(DC Comics)
2756:
2739:
2715:
2698:
2634:
2599:
2585:
2571:
2557:
2536:
2522:
2494:
2480:
2444:
2427:
2397:
2376:Joking Apart
2374:
2360:
2339:
2324:
2309:
2288:
2274:
2259:
2245:
2225:
2210:
2169:
2163:
2145:
2127:
2117:
2111:
2105:
2100:
2068:
2056:
2049:MOS:FAIR USE
2018:
1998:
1985:
1975:
1972:
1965:
1961:
1950:
1937:
1884:
1879:
1871:
1865:
1850:
1823:
1815:
1807:
1802:Run Lola Run
1800:
1794:
1790:Citizen Kane
1789:
1783:
1773:
1763:
1757:
1753:Citizen Kane
1751:
1745:
1738:
1732:
1726:
1716:
1713:
1703:
1697:
1685:
1677:
1665:
1660:
1656:
1654:
1593:Examples of
1592:
1569:
1563:
1551:
1550:
1534:
1514:
1496:
1495:
1474:MOS:BOOKPLOT
1453:
1451:
1425:
1405:
1389:
1383:
1381:
1373:
1363:
1353:
1343:
1324:
1295:
1279:in the same
1231:US Air Force
1224:
1197:
1186:unverifiable
1169:
1165:
1163:
1112:
1106:
1097:
1087:
1081:
1072:
1066:presentation
1065:
1058:
1054:
1043:
1037:
1031:
1025:
1017:
1010:
1006:
996:
953:
949:
947:
922:, including
919:
917:
857:WikiProjects
787:Article size
478:
326:Lead section
121:
65:
47:
3785:suggestions
3724:Video games
3691:Video games
3610:300 billion
3423:What to cut
3210:{{No plot}}
2982:in-universe
2950:In-universe
2831:Video games
2771:Comic books
2622:Indian Camp
2552:Video games
2097:Conclusions
1934:WP:PLOTCITE
1770:fourth wall
1673:WP:FICTENSE
1488:WP:BOOKPLOT
1237:Fictography
1156:WP:UNIVERSE
1039:publication
936:independent
762:Terminology
718:Mathematics
621:Philippines
474:Visual arts
469:Video games
196:Hidden text
66:substantive
3845:Categories
3686:Television
3629:categories
3623:Categories
3537:See also:
3295:template.
3154:newspapers
3123:references
2885:The Office
2818:characters
2757:EastEnders
2740:Quatermass
2730:Television
2641:Characters
2428:South Park
2426:"Damien" (
2362:Animaniacs
2189:See also:
2150:due weight
2132:verifiable
2091:Wikisource
1995:Notability
1982:James Bond
1954:WP:PRIMARY
1896:verifiable
1748:flashbacks
1446:See also:
1322:", write "
1281:continuity
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