178:, Berger "didn't just help us gain a new perspective on viewing art with his 1972 series Ways of Seeing – he also revealed much about the world in which we live. Whether exploring the history of the female nude or the status of oil paint, his landmark series showed how art revealed the social and political systems in which it was made. He also examined what had changed in our ways of seeing in the time between when the art was made and today."
398:
discuss it. The discussion occupies the rest of the time. A clear gesture of openness. But the 'five women' remain unnamed until the closing credits. They are women. And Berger himself actually sits in on the discussion - in fact he chairs it, with complete confidence in the non-prejudicial nature of his own presence.
704:
397:
There is one occasion when other voices are introduced, in the second programme, about representations of women - reflecting Berger's awareness that he's been speaking on behalf of women too long. About two-thirds through, he says he's shown what he's done so far to 'five women', and asked them to
385:, through essays that focus particularly on how women are portrayed in advertisements and oil paintings. "Berger ... has had a profound influence on the popular understanding of art and the visual image," according to sociologists Yasmin Gunaratnam and Vikki Bell.
29:
244:
938:
280:. Berger asserts that only twenty or thirty nudes in the European oil painting tradition depict a woman as herself rather than as a subject of male idealisation or desire.
933:
923:
502:
163:
TV series, which represents a more traditionalist view of the
Western artistic and cultural canon, and the series and book criticise traditional
928:
743:
676:"How John Berger changed our ways of seeing art: He taught us that photographs always need language, and require a narrative, to make sense"
675:
658:
595:
111:
583:
913:
908:
529:
436:
414:
650:
903:
462:
447:
342:
has taken over the role of oil paint, though the context is reversed. An idealised potential for the viewer (via
159:
185:, as part of his analysis of the treatment of the nude in European painting. It soon became popular among
642:
885:
645:(2001). "Pride and prejudice: the changing context of gay visibility". In Danuta Walters, Suzanna (ed.).
610:
624:
483:
277:
918:
339:
193:, who used it to critique traditional media representations of the female character in cinema.
871:
749:
739:
654:
591:
525:
118:
106:
519:
781:
47:
839:
769:
709:
382:
251:'s painting's modern context is severed from that which existed at the time of its making.
240:
164:
822:
181:
The series has had a lasting influence, and in particular introduced the concept of the
367:
897:
770:"Puritanic Relationalism: John Berger's Ways of Seeing and Media and Culture Studies"
587:
479:
310:
154:
73:
801:
393:
The book and television series were considered groundbreaking. A 1994 critic noted:
190:
175:
503:"New Ways of Seeing: can John Berger's classic decode our baffling digital age?"
343:
139:
785:
563:
552:
541:
248:
167:
28:
753:
306:
182:
143:
876:
338:
In the fourth programme, on publicity and advertising, Berger argues that
378:
366:
was written by Berger and Dibb, along with Sven
Blomberg, Chris Fox, and
186:
171:
138:
is a 1972 television series of 30-minute films created chiefly by writer
125:
865:
425:
347:
147:
705:"Through the looking-glass: John Berger's groundbreaking book Ways of"
415:
15 Documentaries That Get Inside an Artist's Head - The New York Times
437:
Ways of Seeing opened our eyes to visual culture|Culture|The
Guardian
374:: four using words and images; and three essays using only images.
823:"Illustrations and Amplifications for John Berger's Ways of Seeing"
371:
524:, edited by Sharon L. James, Sheila Dillon, p. 75, 2012, Wiley,
377:
Now described as "revolutionary", the book has contributed to
119:
840:"John Berger [An extended quotation from an episode of
239:
The first part of the television series drew on ideas from
150:
in
January 1972 and adapted into a book of the same name.
16:
1972 book and TV documentary by John Berger and Mike Dibb
774:
Continuum: The
Australian Journal of Media & Culture
461:
Gunaratnam, Yasmin, and Vikki Bell (5 January 2017),
245:
The Work of Art in the Age of
Mechanical Reproduction
647:
All the rage: the story of gay visibility in
America
313:
of the individuals who commissioned the work of art.
117:
105:
97:
89:
79:
69:
61:
53:
43:
35:
564:"John Berger / Ways of Seeing , Episode 4 (1972)".
553:"John Berger / Ways of Seeing , Episode 3 (1972)".
542:"John Berger / Ways of Seeing , Episode 1 (1972)."
463:"How John Berger changed our way of seeing art"
395:
346:) is considered a substitution for the actual
8:
21:
939:1970s British documentary television series
309:as a means of depicting or reflecting the
200:
27:
20:
521:A Companion to Women in the Ancient World
426:WAYS OF SEEING / WAYS OF TALKING on JSTOR
153:The series was intended as a response to
846:. Flagstaff: Northern Arizona University
247:", arguing that through reproduction an
934:Documentary television series about art
573:
571:
407:
335:
317:
302:
284:
273:
255:
236:
218:
738:. London: Hodder Arnold Publications.
370:. The book consists of seven numbered
289:"Episode 3 - Painting and Possessions"
924:1972 British television series debuts
698:
696:
318:
305:The third programme is on the use of
285:
276:The second film discusses the female
256:
219:
7:
802:"Notes on 'The Gaze': John Berger's
734:Fuery, Patrick; Kelli Fuery (2003).
322:"Episode 4 - Fine Arts and Commerce"
189:, including the British film critic
887:Beyond John Berger's Ways of Seeing
825:. Seattle: University of Washington
736:Visual Cultures and Critical Theory
808:. Aberystwyth: University of Wales
170:by raising questions about hidden
14:
800:Chandler, Daniel (30 June 1998).
350:depicted in old master portraits.
223:"Episode 1 - Camera and Painting"
768:Bruck, Jan; John Docker (1989).
703:Lubbock, Tom (23 October 2011).
584:British Broadcasting Corporation
821:Dillon, George (October 2013).
674:Bell, Vikki (10 January 2017).
501:Bridle, James (16 April 2019).
174:in visual images. According to
623:Rai, Pratibha (4 April 2017).
204:
65:Art, architecture, photography
1:
929:BBC television documentaries
651:University of Chicago Press
260:"Episode 2 - Women and Art"
955:
838:Saxton Acker, John (ed.).
625:"Review: 'Ways of Seeing'"
786:10.1080/10304318909359365
629:The Oxford Culture Review
336:
325:29 January 1972
321:
303:
292:22 January 1972
288:
274:
263:15 January 1972
259:
237:
222:
214:
211:
203:
26:
226:8 January 1972
881:on the Internet Archive
643:Danuta Walters, Suzanna
914:Works about ideologies
909:Works about art genres
484:"John Berger obituary"
452:at PenguinRandomHouse.
400:
146:. It was broadcast on
578:Berger, John (1973).
389:Reception and legacy
889:on The New Republic
23:
653:. pp. 51–52.
482:(2 January 2017).
340:colour photography
904:Art history books
745:978-0-340-80748-4
469:, 5 January 2017.
355:
354:
215:Original air date
131:
130:
90:Publication place
44:Cover artist
946:
855:
853:
851:
834:
832:
830:
817:
815:
813:
796:
794:
792:
757:
722:
721:
719:
717:
700:
691:
690:
688:
686:
671:
665:
664:
639:
633:
632:
620:
614:
611:"Ways of Seeing"
608:
602:
601:
575:
566:
561:
555:
550:
544:
539:
533:
517:
511:
510:
498:
492:
491:
476:
470:
467:The Conversation
459:
453:
445:
439:
434:
428:
423:
417:
412:
332:
330:
299:
297:
270:
268:
233:
231:
206:
201:
165:Western cultural
121:
81:Publication date
31:
24:
954:
953:
949:
948:
947:
945:
944:
943:
894:
893:
862:
849:
847:
837:
828:
826:
820:
811:
809:
799:
790:
788:
767:
764:
762:Further reading
746:
733:
730:
725:
715:
713:
710:The Independent
702:
701:
694:
684:
682:
680:The Independent
673:
672:
668:
661:
641:
640:
636:
622:
621:
617:
609:
605:
598:
577:
576:
569:
562:
558:
551:
547:
540:
536:
532:, 9781444355000
518:
514:
500:
499:
495:
478:
477:
473:
460:
456:
446:
442:
435:
431:
424:
420:
413:
409:
405:
391:
383:popular culture
360:
351:
328:
326:
314:
295:
293:
281:
266:
264:
252:
243:'s 1935 essay "
241:Walter Benjamin
229:
227:
208:
199:
82:
22:Ways of Seeing
17:
12:
11:
5:
952:
950:
942:
941:
936:
931:
926:
921:
916:
911:
906:
896:
895:
892:
891:
883:
879:Ways of Seeing
877:Recordings of
874:
867:Ways of Seeing
861:
860:External links
858:
857:
856:
842:Ways of Seeing
835:
818:
804:Ways of Seeing
797:
763:
760:
759:
758:
744:
729:
726:
724:
723:
692:
666:
659:
634:
615:
603:
596:
580:Ways of seeing
567:
556:
545:
534:
512:
493:
480:McNay, Michael
471:
454:
449:Ways of Seeing
440:
429:
418:
406:
404:
401:
390:
387:
368:Richard Hollis
364:Ways of Seeing
359:
356:
353:
352:
337:
334:
333:
323:
320:
316:
315:
304:
301:
300:
290:
287:
283:
282:
275:
272:
271:
261:
258:
254:
253:
238:
235:
234:
224:
221:
217:
216:
213:
210:
198:
195:
135:Ways of Seeing
129:
128:
123:
115:
114:
109:
103:
102:
99:
95:
94:
91:
87:
86:
83:
80:
77:
76:
71:
67:
66:
63:
59:
58:
55:
51:
50:
45:
41:
40:
37:
33:
32:
15:
13:
10:
9:
6:
4:
3:
2:
951:
940:
937:
935:
932:
930:
927:
925:
922:
920:
917:
915:
912:
910:
907:
905:
902:
901:
899:
890:
888:
884:
882:
880:
875:
873:
869:
868:
864:
863:
859:
845:
843:
836:
824:
819:
807:
805:
798:
787:
783:
779:
775:
771:
766:
765:
761:
755:
751:
747:
741:
737:
732:
731:
727:
712:
711:
706:
699:
697:
693:
681:
677:
670:
667:
662:
660:9780226872322
656:
652:
648:
644:
638:
635:
630:
626:
619:
616:
612:
607:
604:
599:
597:9780563122449
593:
589:
588:Penguin Books
585:
581:
574:
572:
568:
565:
560:
557:
554:
549:
546:
543:
538:
535:
531:
527:
523:
522:
516:
513:
508:
504:
497:
494:
489:
485:
481:
475:
472:
468:
464:
458:
455:
451:
450:
444:
441:
438:
433:
430:
427:
422:
419:
416:
411:
408:
402:
399:
394:
388:
386:
384:
380:
375:
373:
369:
365:
357:
349:
345:
341:
324:
312:
308:
291:
279:
262:
250:
246:
242:
225:
202:
196:
194:
192:
188:
184:
179:
177:
173:
169:
166:
162:
161:
156:
155:Kenneth Clark
151:
149:
145:
142:and producer
141:
137:
136:
127:
124:
122:
116:
113:
112:0-14-013515-4
110:
108:
104:
100:
96:
92:
88:
84:
78:
75:
74:Penguin Books
72:
68:
64:
60:
56:
52:
49:
48:René Magritte
46:
42:
38:
34:
30:
25:
19:
886:
878:
866:
848:. Retrieved
841:
827:. Retrieved
810:. Retrieved
803:
789:. Retrieved
780:(2): 77–95.
777:
773:
735:
714:. Retrieved
708:
683:. Retrieved
679:
669:
646:
637:
628:
618:
606:
579:
559:
548:
537:
520:
515:
507:The Guardian
506:
496:
488:The Guardian
487:
474:
466:
457:
448:
443:
432:
421:
410:
396:
392:
381:readings of
376:
363:
361:
191:Laura Mulvey
180:
176:James Bridle
160:Civilisation
158:
152:
134:
133:
132:
18:
649:. Chicago:
344:consumption
140:John Berger
39:John Berger
919:1972 books
898:Categories
728:References
613:, Penguin.
582:. London:
530:1444355007
329:1972-01-29
296:1972-01-22
267:1972-01-15
249:Old Master
230:1972-01-08
172:ideologies
168:aesthetics
362:The book
307:oil paint
187:feminists
183:male gaze
144:Mike Dibb
70:Publisher
850:22 April
829:22 April
812:22 April
791:22 April
754:52056670
379:feminist
197:Episodes
126:23135054
54:Language
685:14 July
348:reality
327: (
294: (
265: (
228: (
148:BBC Two
62:Subject
57:English
844:]"
752:
742:
716:24 May
657:
594:
528:
372:essays
311:status
209:series
36:Author
403:Notes
212:Title
98:Pages
872:IMDb
852:2016
831:2016
814:2016
793:2016
750:OCLC
740:ISBN
718:2021
687:2017
655:ISBN
592:ISBN
586:and
526:ISBN
358:Book
278:nude
120:OCLC
107:ISBN
93:U.K.
85:1972
870:at
782:doi
205:No.
157:'s
101:166
900::
776:.
772:.
748:.
707:.
695:^
678:.
627:.
590:.
570:^
505:.
486:.
465:,
207:in
854:.
833:.
816:.
806:"
795:.
784::
778:2
756:.
720:.
689:.
663:.
631:.
600:.
509:.
490:.
331:)
319:4
298:)
286:3
269:)
257:2
232:)
220:1
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
