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667:. He was contracted to paint three subjects per year for about ten ducats each. It appears, however, that this contract was not strictly adhered to, for the actual rate of painting was only three pictures in two years. Perhaps the great multitude of figures and accessories was accepted as a set-off against the slower rate of production.
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357:
Both Fra
Angelico and Lorenzo Ghiberti were to influence much of Gozzoli's work for the rest of his life. From Ghiberti he learned precision in depicting the finest details and how to illustrate a story vividly, while from Fra Angelico, he took his bright color palette, transferring it to the art of
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His frescoes in the Magi Chapel brought
Gozzoli a great amount of fame and ensured him of new important commissions. One of these was an altarpiece for the Confraternity of the Purification in Florence, originally housed in the Convent of San Marco. The
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In 1450, Gozzoli received his first major independent commission from the monastery of S. Francesco in
Montefalco. There, he filled the choir chapel with three registers of episodes from the life of
1615:
Benozzo
Gozzoli a San Gimignano, a cura di Gerardo de Simone, Cristina Borgioli, exhib. catal. (San Gimignano, Pinacoteca & Museo d’Arte Sacra, 18 June-1 November 2016), Firenze, Giunti, 2016
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In 1478, as a token of their regard, the Pisan authorities had given him a tomb in the Campo Santo. He likewise had a house of his own in Pisa, and houses and land in
Florence.
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530:
patrons, their allies and prominent contemporary figures. Furthermore, he also included his self-portrait in the procession, with his name written around the rim of his cap.
401:
366:
520:, he mastered a combination of complexity and subtlety, portraying a wealthy scene that encompasses realistic depictions of nature and vivid human portraits. In his
736:, now in the Louvre), in sixteen years, lasting up to 1485. This is the latest date which can with certainty be assigned to any work from his hand. Gozzoli died in
321:
Due to political complications in the city, they completed only two of the four vault webs and were again summoned to the
Vatican, where the pair worked for
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interest in nature with its realistic depiction of landscapes and vivid human portraits. Gozzoli is considered one of the most prolific fresco
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In 1469, Gozzoli moved to Pisa and began working on his most extensive commission: the vast series of mural paintings in the
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in cell 8. Like many other Early
Renaissance painters, Benozzo was initially trained as a goldsmith as well as a painter.
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were completed in 1452, and are still marked by the style of
Angelico, crossed here and there with a more distinctly
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art. Between 1459 and 1461, Gozzoli painted what may be considered his most important works, the frescoes in the
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Ailsa Turner. "Gozzoli, Benozzo." Grove Art Online. Oxford Art Online. Oxford
University Press. Web. 7 June 2016
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fully clothed and unhurt, thereby going against iconographic canon. In 1465, at the town's heart in the
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306:. This chapel was later demolished, so nothing of these works remains. He then accompanied Angelico to
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615:. He stayed in San Gimignano until 1467, completing some further works in the city and its vicinity.
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Gozzoli assisted
Angelico in the execution of fresco decorations in the dormitory cells of the
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One or more of the preceding sentences incorporates text from a publication now in the
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is disputed between Gozzoli and Fra Angelico. In Rome, Gozzoli also executed a fresco of
177:, depicting festive, vibrant processions with fine attention to detail and a pronounced
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716:, etc. In the Cappella Ammannati, facing a gate of the Campo Santo, he also painted an
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from 1450, signed OPU BENOT DE FLORENT. In the monastery of San Fortunato, near
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That same year, Benozzo returned to his native city Florence, the epicenter of
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until June 1448. Gozzoli is assumed to have made significant contributions in
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that he produced between 1461 and 1462 for this occasion now houses in the
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All this enormous mass of work, in which Benozzo was probably assisted by
477:
1221:
Tempera on panel, 90 x 50 cm, Palazzo Gazzoli, Pinacoteca Comunale,
549:
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286:, Santa Maria Sopra Minerva, Rome, 1449 (also attributed to Fra Angelico)
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In 1449, Gozzoli left Angelico and moved to Umbria. In the hilltown of
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History of the chapel of the Choir of San Francesco, and its frescoes
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Gozzoli was born Benozzo di Lese, son of a tailor, in the village of
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Madonna and Child with Sts John the Baptist, Peter, Jerome, and Paul
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of him, by H. Stokes, was published in 1903 in Newne's Art library.
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The Samuel H. Kress Study Collection at the University of Missouri
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1222:
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Madonna and Child with Sts Francis and Bernardine, and Fra Jacopo
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Tempera on panel, 161.9 x 170.2 cm, National Gallery, London
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In 1463, likely in fear of the plague, Gozzoli left Florence for
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Madonna and Child between St. Francis and St. Bernardine of Siena
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Between 1444 and 1447, he was therefore able to collaborate with
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Tempera on panel, 137 x 138 cm, Museo Civico, San Gimignano
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Madonna and Child between St Francis and St Bernardine of Siena
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and shows the affinity of Benozzo's early style to Angelico's.
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597:. In that same church Gozzoli also completed a composition of
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Gozzoli probably remained at Montefalco (with an interval at
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Fresco, Cappella di San Gerolamo, San Francesco, Montefalco
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Fresco, Cappella di San Gerolamo, San Francesco, Montefalco
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Fresco, Cappella di San Gerolamo, San Francesco, Montefalco
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in 1427. According to the 16th century Italian biographer
1638:
Life of St. Augustine Frescoes with Narrative Explanation
1542:"Apsidal Chapel of Sant'Agostino in San Gimignano, Italy"
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Fresco, 527 x 248 cm, Sant'Agostino, San Gimignano
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The Virgin and Child Enthroned among Angels and Saints
900:
Tempera on silk on a wooden mount, 254 x 130 cm,
756:
were his sons and assisted him on various commissions.
593:, covering the entire apsidal chapel in the church of
399:, and three other works. One of these, the altarpiece
169:, Gozzoli is best known for a series of murals in the
416:
and various accessories, including portrait heads of
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Fresco, 250 x 135 cm, San Fortunato, Montefalco
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Fresco, 200 x 110 cm, San Fortunato, Montefalco
241:
in Florence. Established contributions here include
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with depictions and descriptions of all the scenes.
648:. There, he depicted twenty-four subjects from the
302:to carry out fresco decorations in a chapel in the
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108:
100:
81:
54:
32:
559:Virgin and Child Enthroned among Angels and Saints
1722:15th-century people from the Republic of Florence
1509:. Vol. 12 (11th ed.). pp. 305–306.
1229:Madonna and Child between Sts. Andrew and Prosper
599:St. Sebastian Protecting the City from the Plague
526:, Gozzoli incorporated numerous portraits of his
193:of his generation. While he was mainly active in
1586:Cosimo de' Medici and the Florentine Renaissance
436:influence. In the same church, in the chapel of
1663:Benozzo Gozzoli at the National Gallery of Art
670:By January 1470 he had executed the fresco of
609:, Gozzoli furthermore painted a fresco of the
8:
992:St Jerome Pulling a Thorn from a Lion's Paw
40:
29:
1588:(New Haven: Yale University Press, 2000).
1406:Learn how and when to remove this message
1338:recorded it in his second edition of the
1326:
1324:
775:. The name is based on stylistic grounds.
722:, wherein appears a portrait of himself.
540:, widely believed to represent John VIII
333:. Furthermore, the attribution of a 1449
157: – 4 October 1497) was an
1596:The Chapel of the Magi in Palazzo Medici
1478:
1476:
1369:This article includes a list of general
1106:
1091:St. Dominic Reuscitates Napoleone Orsini
783:
607:Collegiate Church of Santa Maria Assunta
476:
365:
222:around 1421. His family moved to nearby
1419:
1320:
1145:Tempera on panel, 23.8 x 34.3 cm,
1070:Tempera on panel, 84.8 x 50.6 cm,
983:The Departure of St Jerome from Antioch
230:, Gozzoli was a pupil and assistant of
143:[beˈnɔttsoˈɡɔddzoli,–ˈɡɔttsoli]
1186:Frescoes, Sant'Agostino, San Gimignano
974:Madonna and Child Surrounded by Saints
882:Tempera on wood, 29.2 x 21.6 cm,
752:The painters Francesco, Gerolamo, and
440:, there is a fresco by Gozzoli of the
1248:Tempera on panel, 230 x 102 cm,
1206:Tempera on panel, 525 x 378 cm,
1128:Tempera on panel, 24 x 35,5 cm,
1028:Tempera on panel, 122 x 212 cm,
965:Tempera on panel, 133 x 164 cm,
141:
7:
1305:. Oil on canvas, 180 x 300 cm,
1177:Fresco, Sant'Agostino, San Gimignano
1260:The Vintage and Drunkenness of Noah
1095:Tempera on panel, 25 x 35 cm,
1012:Tempera on panel, 34 x 54 cm,
844:Chapel of the Madonna di San Brizio
352:Basilica of Santa Maria in Aracoeli
1659:by Giulia Bertelli, Oct. 13, 2017.
1375:it lacks sufficient corresponding
1334:does not appear in any documents;
1216:Mystical Marriage of St. Catherine
895:Madonna and Child Giving Blessings
740:in 1497, perhaps of a pestilence.
710:Marriages of Rebecca and of Rachel
469:that is now in the local academy.
461:as an assistant. Then, he went to
371:Scenes from the Life of St Francis
284:Madonna and Child Giving Blessings
25:
1610:Zeitschrift & Kunstgeschichte
1608:, and the Medici Palace Chapel",
290:On 23 May 1447, Benozzo was with
234:in the early part of his career.
1625:
1568:, by Norman E. Land, page 29-33.
1511:This has additional references:
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1360:
877:The Virgin and Child with Angels
514:Journey of the Magi to Bethlehem
482:Journey of the Magi (East Wall)
298:, to where they were called by
1030:Galleria Nazionale dell'Umbria
632:, Benozzo Gozzoli, 1460–1461 (
27:Italian painter (c. 1421–1497)
1:
1727:15th-century Italian painters
1244:Triumph of St. Thomas Aquinas
1062:
1004:
685:(which contains portraits of
257:in a larger depiction of the
151:
62:
1702:Italian Renaissance painters
1598:(Firenze: Mandragora, 2001).
1276:Histories of the Holy Virgin
862:(1447–1449, collaboration) –
833:(1444–1447, collaboration) –
1437:"Benozzo Gozzoli Biography"
1287:, Museo Benozzo Gozzoli di
1112:Saints with Kneeling Donors
767:is the same painter called
761:Master of the Small Figures
159:Italian Renaissance painter
1748:
1157:Histories of St. Augustine
1116:Metropolitan Museum of Art
837:Museo dell'Opera del Duomo
634:Philadelphia Museum of Art
629:Purification of the Virgin
46:Self-portrait from fresco
1604:, "Roberto Martelli, the
1497:Rossetti, William Michael
1202:Martyrdom of St Sebastian
1192:St. Sebastian Intercessor
1072:Detroit Institute of Arts
902:Santa Maria sopra Minerva
654:Invention of Wine by Noah
375:San Francesco, Montefalco
342:Santa Maria sopra Minerva
244:The Adoration of the Magi
39:
1668:Works by Benozzo Gozzoli
1014:Kunsthistorisches Museum
563:National Gallery, London
457:) until 1456, employing
249:Cosimo de' Medici's cell
181:influence. The chapel's
1506:Encyclopædia Britannica
1390:more precise citations.
1147:National Gallery of Art
1052:Palazzo Medici Riccardi
941:St Fortunatus Enthroned
933:Fresco, San Fortunato,
920:Santa Maria in Aracoeli
846:(1447, collaboration) –
793:National Gallery of Art
601:, in which he depicted
546:Palazzo Medici-Riccardi
510:Palazzo Medici-Riccardi
490:Palazzo Medici-Riccardi
459:Pier Antonio Mezzastris
310:, where they decorated
220:Sant'Ilario a Colombano
175:Palazzo Medici-Riccardi
71:Sant'Ilario a Colombano
1707:Painters from Florence
1303:Descent from the Cross
1278:, Tabernacle with the
1119:
1041:Procession of the Magi
796:
771:(pupil of Benozzo) by
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612:Martyrdom of Sebastian
553:
497:
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259:Resurrection of Christ
95:, Republic of Florence
48:Procession of the Magi
1717:Italian male painters
1712:Quattrocento painters
1697:People from Scandicci
1643:Museo Benozzo Gozzoli
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960:Madonna of the Girdle
835:Gilded bronze doors,
817:Adoration of the Magi
787:
719:Adoration of the Magi
626:
569:Late years in Tuscany
536:
480:
402:Madonna of the Girdle
369:
331:the chapel's frescoes
282:
1634:at Wikimedia Commons
1296:Deposition of Christ
1285:Transferred frescoes
1134:Hampton Court Palace
913:St. Anthony of Padua
450:and other subjects.
414:St Francis of Assisi
393:, Gozzoli painted a
373:, Museum Complex of
239:Convent of San Marco
197:, he also worked in
185:cycle reveals a new
179:International Gothic
75:Republic of Florence
1606:Council of Florence
1280:Madonna della Tosse
1234:Madonna dell'Umiltà
1141:The Dance of Salome
1124:Fall of Simon Magus
1097:Pinacoteca di Brera
967:Pinacoteca Vaticana
672:Noah and his Family
652:, ranging from the
523:Journey of the Magi
518:Angels in Adoration
347:St Anthony of Padua
274:Florence Baptistery
1655:in the Floremtine
1466:2016-03-04 at the
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733:St. Thomas Aquinas
727:Zanobi Machiavelli
706:Victory of Abraham
674:, followed by the
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473:Return to Florence
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1732:Catholic painters
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1163:Sant'Agostino
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714:Life of Moses
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658:Visit of the
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1687:1420s births
1672:Open Library
1656:
1612:, 59 (1996).
1609:
1595:
1585:
1561:
1549:. Retrieved
1545:
1536:
1526:
1520:Cavalcaselle
1504:
1456:
1444:. Retrieved
1440:
1431:
1422:
1402:
1393:
1374:
1339:
1331:
1302:
1301:Also called
1294:
1279:
1275:
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1232:
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911:
894:
876:
870:Vatican City
815:
800:
788:
768:
760:
742:
730:
724:
717:
713:
709:
705:
698:
689:, the young
679:
676:Curse of Ham
675:
671:
669:
657:
653:
639:
627:
610:
598:
590:St Augustine
588:The Life of
587:
577:
558:
555:
537:
521:
517:
513:
502:Quattrocento
501:
499:
481:
466:
452:
445:
441:
438:Saint Jerome
411:
400:
394:
387:Annunciation
386:
385:there is an
380:
370:
356:
345:
337:
334:
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292:Fra Angelico
289:
283:
263:
258:
252:
242:
236:
232:Fra Angelico
217:
167:Fra Angelico
147:
134:
133:
87:(1497-10-04)
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1692:1497 deaths
1551:November 9,
1525:A separate
1446:November 9,
1388:introducing
1309:, Florence.
1307:Museo Horne
1266:Campo Santo
1066: 1460
1048:Magi Chapel
1008: 1452
795:, 1455–1460
644:edifice of
642:Campo Santo
552:, 1459–1461
542:Magi Chapel
506:Magi Chapel
496:, 1459–1461
486:Magi Chapel
447:Crucifixion
187:Renaissance
171:Magi Chapel
155: 1421
101:Nationality
66: 1421
1681:Categories
1371:references
1352:References
1161:Frescoes,
1054:, Florence
1046:Frescoes,
935:Montefalco
839:, Florence
826:, Florence
811:, Florence
789:St. Ursula
434:Giottesque
391:Montefalco
323:Nicholas V
139:pronounced
104:Florentine
1582:Dale Kent
1499:(1911). "
1299:(1491) –
1237:; 1466) –
824:San Marco
809:San Marco
731:Glory of
586:cycle on
362:In Umbria
209:Biography
1649:("BeGo")
1514:Vasari,
1464:Archived
1282:(1484) –
1264:Fresco,
1246:(1471) –
1219:(1466) –
1204:(1465) –
1136:, London
1093:(1461) –
1026:(1456) –
994:(1452) –
985:(1452) –
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864:Fresco,
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807:Fresco,
773:Berenson
550:Florence
494:Florence
428:. These
422:Petrarch
251:and the
224:Florence
191:painters
163:Florence
123:Movement
113:Painting
1576:Sources
1494::
1384:improve
1344:(1568).
1332:Gozzoli
1076:Detroit
1034:Perugia
918:Panel,
854:Orvieto
738:Pistoia
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664:Solomon
656:to the
508:of the
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455:Viterbo
350:in the
325:in the
314:in the
272:of the
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173:of the
146:; born
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1488:
1373:, but
1250:Louvre
1182:Saints
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1018:Vienna
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765:Longhi
747:Trivia
712:, the
708:, the
704:, the
678:, the
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426:Giotto
377:, 1452
308:Umbria
199:Umbria
183:fresco
117:fresco
1516:Crowe
1315:Notes
1254:Paris
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1101:Milan
780:Works
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430:works
418:Dante
383:Narni
161:from
1553:2017
1527:Life
1518:and
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