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on the opening night only seemed to sink the already preposterous plot further into the mire, although
Burgess was so taken with the music that he went on to arrange the overture to Oberon for guitar quartet. A year later, Frank Dunlop, in the third of the Edinburgh Festivals he directed, created an
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Scottish Opera has not volunteered to revive its 1985 production of Oberon at
Edinburgh. This version was commissioned from the novelist Anthony Burgess, who not only replaced the archaic expressions and ersatz Shakespeare of Planché's original, but also updated the story to involve hijackers and
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223:(on 18 August), shortly before disbanding its chorus in order to meet budget cuts. However, Burgess's libretto was not used. One critic observed that:
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Lynne Walker. "Tales of suspense: Carl Weber's operas are rarely staged, but that hasn't deterred
Scottish Opera from taking on the challenge."
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is also in
English, and included in the book. Complaints about Planché's libretto have been common over the years, with
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going so far as to call it a "pig-trough"; in performance it has usually been replaced with the German version by
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hostages in a futuristic Middle East. A staging that parked an aeroplane on the roof of
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imaginative semi-staging of the opera on a tilting disc erected on the platform of the
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In August 2004, Scottish Opera staged several of Weber's operas, including
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1985 book containing a new libretto written by
Anthony Burgess
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Although the composer was German, the original libretto by
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and Odium: The Career and
Crucifixion of J. R. Planché."
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on 23 October 1985, in a performance conducted by Sir
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452:Tall Tales of the Wee Folk
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541:Books by Anthony Burgess
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160:Oberon Past and Present
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357:(consort)
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165:libretto
121:14212873
59:libretto
47:Language
515:Auberon
397:Isoline
355:Titania
187:Glasgow
50:English
508:Comics
424:Oberon
389:Oberon
381:Oberon
376:(1789)
365:Operas
341:Oberon
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88:Print
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
