Knowledge (XXG)

Degenerate music

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were disparaged and condemned by the Nazis. In Leipzig, a bronze statue of Mendelssohn was removed. The regime commissioned music to replace his incidental music to
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Like degenerate art, examples of degenerate music were displayed in public exhibits in Germany beginning in 1938. One of the first of these was organized in
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onward, these composers found it increasingly difficult, and often impossible, to get work or have their music performed. Many went into exile (e.g.,
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Dümling, Albrecht. 2002. "The Target of Racial Purity: The 'Degenerate Music' Exhibition in Düsseldorf, 1938". In
662: 468: 50: 682: 652: 506: 265: 140: 116: 170:, who explained in an opening speech that the decay of music was "due to the influence of Judaism and 591: 163: 132: 255: 622: 560: 70:). In both cases, the government attempted to isolate, discredit, discourage, or ban the works. 611: 564: 541: 533: 518: 510: 491: 462: 398: 298: 187: 120: 79: 616: 307: 242:
released a series of recordings under the title "Entartete Musik: Music Suppressed by the
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Potter, Pamela M. 2006. "Music in the Third Reich: The Complex Task of 'Germanization
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Entartete Musik (Eine Tondokumentation zur Düsseldorfer Ausstellung von 1938)
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Ziegler's exhibit was organized into seven sections, devoted to:
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Josef Skvorecky on the Nazis' Control-Freak Hatred of Jazz
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Forbidden Music: The Jewish Composers Banned by the Nazis
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The Arts in Nazi Germany: Continuity, Conformity, Change
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to certain forms of music that it considered harmful or
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Entartete Musik. Musiques interdites sous le IIIe Reich
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Entartete Musik: Music suppressed by the Third Reich
147:); or ended up in the concentration camps (e.g., 344: 332: 563:, 85–110. New York and Oxford: Berghan Books. 484:Art, Culture, and Media Under the Third Reich 443:"Defining 'Degenerate Music' in Nazi Germany" 8: 380: 305: 296: 282: 223:, director of musical education before 1933 27:Nazi Germany label for certain music genres 615: 396:Anon. 1938. "Musical Notes from Abroad". 34:Poster of a 1938 exhibition in Düsseldorf 637:Database of "degenerate" music composers 427:(3 January; accessed 29 September 2019) 325: 460: 432:Petit, Elise, and Bruno Giner. 2015. 368: 356: 99:, including the banning of solos and 49: 7: 166:, at the time superintendent of the 623:"Degenerate" Music in Nazi Germany 271:Musikwissenschaftliche Tagung 1938 25: 559:, edited by Jonathan Huener and 168:Deutsches Nationaltheater Weimar 532:. New York: St Martin's Press. 402:79, no. 1146 (August): 629–630. 292:Reich Music Examination Office 1: 673:20th-century classical music 436:. Paris: Bleu Nuit éditeurs. 632:University of South Florida 628:" 'Degenerate' Music" 488:University of Chicago Press 51:[ɛntˈaʁtɛtəmuˈziːk] 719: 668:Classical music in Germany 306: 297: 95:The Nazis also regulated 89:A Midsummer Night's Dream 78:Jewish composers such as 530:Music in the Third Reich 505:. New Haven and London: 441:Potter, Pamela (n.d.). 238:From the mid-1990s the 229:'s operas and oratorios 693:Censorship in the arts 283: 135:); or retreated into " 67: 42: 35: 688:Censorship in Germany 507:Yale University Press 501:Haas, Michael. 2013. 449:. The Orel Foundation 408:Decca Entartete Musik 266:Music in Nazi Germany 141:Karl Amadeus Hartmann 117:Nazi seizure of power 47:German pronunciation: 33: 678:20th century in jazz 590:(list of releases), 467:: CS1 maint: year ( 418:Gould, J. J. 2012. " 345:Petit and Giner 2015 333:Petit and Giner 2015 240:Decca Record Company 164:Hans Severus Ziegler 133:Berthold Goldschmidt 703:Music controversies 698:Censorship of music 256:Cultural Bolshevism 561:Francis R. Nicosia 528:Levi, Erik. 1994. 36: 658:Modernism (music) 546:978-0-312-12948-4 538:978-0-312-10381-1 523:978-0-300-15431-3 515:978-0-300-15430-6 496:978-0-226-22086-4 399:The Musical Times 381:Discogs 1993–2012 299:Reichsmusikkammer 188:Arnold Schoenberg 181:The influence of 121:Arnold Schoenberg 80:Felix Mendelssohn 16:(Redirected from 710: 663:Nazi terminology 619: 600: 554: 472: 466: 458: 456: 454: 437: 428: 414: 403: 384: 378: 372: 366: 360: 354: 348: 342: 336: 330: 311: 310: 302: 301: 288: 279: 53: 48: 39:Degenerate music 21: 718: 717: 713: 712: 711: 709: 708: 707: 643: 642: 594: 592:Zweitausendeins 578: 552: 479: 477:Further reading 459: 452: 450: 447:Orel Foundation 440: 431: 417: 410:discography at 406: 395: 387: 379: 375: 367: 363: 355: 351: 343: 339: 331: 327: 323: 308:Reichsmusiktage 273: 252: 233:Igor Stravinsky 153:Erwin Schulhoff 113: 76: 74:Racial emphasis 68:Entartete Kunst 46: 43:Entartete Musik 28: 23: 22: 18:Entartete Musik 15: 12: 11: 5: 716: 714: 706: 705: 700: 695: 690: 685: 680: 675: 670: 665: 660: 655: 645: 644: 641: 640: 639:, ebonyband.nl 634: 625: 620: 602: 577: 576:External links 574: 573: 572: 549: 526: 499: 478: 475: 474: 473: 438: 429: 415: 404: 386: 385: 373: 361: 349: 337: 324: 322: 319: 318: 317: 312: 303: 294: 289: 280: 268: 263: 258: 251: 248: 236: 235: 230: 224: 221:Leo Kestenberg 218: 207:Franz Schreker 199: 190: 185: 149:Viktor Ullmann 137:internal exile 129:Paul Hindemith 112: 111:Discrimination 109: 75: 72: 64:degenerate art 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 715: 704: 701: 699: 696: 694: 691: 689: 686: 684: 681: 679: 676: 674: 671: 669: 666: 664: 661: 659: 656: 654: 651: 650: 648: 638: 635: 633: 629: 626: 624: 621: 618: 613: 609: 607: 603: 598: 593: 589: 585: 584: 580: 579: 575: 570: 566: 562: 558: 550: 547: 543: 539: 535: 531: 527: 524: 520: 516: 512: 508: 504: 500: 497: 493: 489: 485: 481: 480: 476: 470: 464: 448: 444: 439: 435: 430: 426: 425: 421: 416: 413: 409: 405: 401: 400: 394: 393: 392: 391: 382: 377: 374: 370: 365: 362: 358: 353: 350: 346: 341: 338: 334: 329: 326: 320: 316: 313: 309: 304: 300: 295: 293: 290: 287: 286: 281: 277: 272: 269: 267: 264: 262: 259: 257: 254: 253: 249: 247: 245: 241: 234: 231: 228: 225: 222: 219: 216: 212: 208: 204: 200: 198: 194: 191: 189: 186: 184: 180: 179: 178: 175: 173: 169: 165: 161: 156: 154: 150: 146: 145:Boris Blacher 142: 138: 134: 130: 126: 122: 118: 110: 108: 106: 102: 98: 93: 91: 90: 85: 84:Gustav Mahler 81: 73: 71: 69: 65: 61: 57: 52: 44: 40: 32: 19: 683:Jewish music 653:Nazi culture 605: 581: 556: 529: 502: 483: 451:. Retrieved 446: 433: 424:The Atlantic 422: 397: 389: 388: 376: 364: 352: 340: 328: 237: 197:Ernst Krenek 176: 157: 114: 94: 87: 77: 56:Nazi Germany 38: 37: 595: [ 274: [ 261:Low culture 244:Third Reich 101:drum breaks 647:Categories 569:1845452097 369:Anon. 1938 357:Gould 2012 321:References 315:Swing Kids 285:Negermusik 215:Ernst Toch 211:Alban Berg 203:Bolsheviks 193:Kurt Weill 172:capitalism 160:Düsseldorf 125:Kurt Weill 540:(cloth); 517:(cloth); 227:Hindemith 139:" (e.g., 115:From the 66:(German: 41:(German: 463:cite web 453:19 April 250:See also 60:decadent 588:Discogs 412:Discogs 390:Sources 217:, etc.) 183:Judaism 614:  608:(1996) 601:, 1988 567:  555:". 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Index

Entartete Musik

[ɛntˈaʁtɛtəmuˈziːk]
Nazi Germany
decadent
degenerate art
Felix Mendelssohn
Gustav Mahler
A Midsummer Night's Dream
jazz
drum breaks
scat
Nazi seizure of power
Arnold Schoenberg
Kurt Weill
Paul Hindemith
Berthold Goldschmidt
internal exile
Karl Amadeus Hartmann
Boris Blacher
Viktor Ullmann
Erwin Schulhoff
Düsseldorf
Hans Severus Ziegler
Deutsches Nationaltheater Weimar
capitalism
Judaism
Arnold Schoenberg
Kurt Weill
Ernst Krenek

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