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For some time he was organist at Rouen, but doubtless finding that he had a greater gift for the harpsichord, he abandoned his first instrument. One may suppose that he did well, for he passes in Paris for a very good harpsichordist. He has much lightness of touch and a certain softness, which,
50:. He obtained his first position at the cathedral of St. Eloi at the age of nineteen. In 1740 he added a second position at the church of Notre Dame de la Ronde, which he maintained with the help of his sister Marie-Anne-Agathe, who substituted for him. His teachers were
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Only fifty-two works by Duphly are known, most of which were published during his lifetime in the four volumes of harpsichord music mentioned above. The titles of the work refer to well-known protectors of art (e.g.
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We want to know what happened to M. du Phly, previously harpsichord master in Paris, where he was in 1767. If he does not exist any more, we would like to meet his heirs, to whom we have a communication to
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Some time after publishing his fourth volume of works, Duphly effectively disappeared from public life, for reasons which are not known. In 1788, an advertisement in the
Journal Général de la France asked:
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On the address of M. de
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Kosovske, Yonit Lea, Historical
Harpsichord Technique: Developing La douceur du toucher, Indiana University Press, 2011 p.67
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Kosovske, Yonit Lea, Historical
Harpsichord Technique: Developing La douceur du toucher, Indiana University Press, 2011 p.67
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42:, France, the son of Jacques-Agathe Duphly and Marie-Louise Boivin. As a boy, he studied the harpsichord and
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Van Boer, Bertil H, Historical
Dictionary of Music of the Classical Period, Scarecrow Press Inc 2012 p.170
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Van Boer, Bertil H, Historical
Dictionary of Music of the Classical Period, Scarecrow Press Inc 2012 p.170
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He published four volumes of harpsichord music in 1744, 1748, 1756 and 1768. The last book contained
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Complete scores (Book I, II, III and IV) freely downloadable (modern edition), Discography.
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Marshall, Robert L, Eighteenth
Century Keyboard Music, Psychology Press, 2003 p. 146
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Marshall, Robert L, Eighteenth
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Françoise Petit: ‘Sur l’œuvre de
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22:(also Dufly, Du Phly; 12 January 1715 – 15 July 1789) was a French
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sustained by ornaments, marvelously render the character of his pieces.
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119:Later life
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