Knowledge (XXG)

Robyn R. Warhol

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Warhol was born in 1955 and has lived in Kansas, Minnesota, New Mexico, Nevada, California, Vermont and Ohio. At Stanford her dissertation directors were Thomas Moser, George Dekker, and Ian Watt. Courses with Susan Morgan, Donald Davie, and Jay Fliegelman also influenced her later work. In 1986-87
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Warhol spent a year at Harvard University as a Mellon Faculty Fellow. She has been a visiting faculty member at Brandeis University, Rice University, and the University of Southern California, and was a 2011-2012 Senior Fellow at the Freiburg Institute for Advanced Study in Germany.
19:(born 1955) is an American literary scholar, associated in particular with feminist narrative theory, of which she is considered (along with Susan Sniader Lanser) one of the originators. She is currently an Arts and Humanities Distinguished Professor of English at 118:
was published by the Ohio State UP in 2011. Warhol has also published articles on narrative theory, feminist theory, nineteenth-century British and American authors, and contemporary U.S. popular culture in a wide range of journals, including
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could use "masculine" or "feminine" styles of storytelling, whether the authors were women or men. Warhol called the feminine style "the engaging narrator," a narrator that earnestly speaks directly to "you, Reader."
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in 2009, Warhol served, at various points, as Chair of the English Department, Director of Women's Studies, Director of the Humanities Center, and President of the Faculty Senate at the
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are put together, keeping in mind the differences that gender can make in how stories are written and read. Her first book introduced the idea that narrators in nineteenth-century
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Warhol, Robyn R. (2008), "Neonarrative; or, how to render the unnarratable in realist fiction and contemporary film", in Phelan, James; Rabinowitz, Peter J. (eds.),
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in 1977 and her PhD in English and American Literature from Stanford University in 1982, where she studied with Thomas Moser, George Dekker, and
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Warhol-Down, Robyn; Michie, Helena (Spring 2010). "Adventures in the archives: two literary critics in pursuit of a Victorian subject".
213:"Love Among the Archives: Writing the Lives of George Scharf, Victorian Bachelor". With Helena Michie. Edinburgh University Press, 2015. 67:. The book is unusual in its focus on bodily feelings that audiences may experience like crying, cringing, or yawning while reading. 347: 233: 210:"Narrative Theory Unbound: Queer and Feminist Interventions." Co-edited with Susan S. Lanser. The Ohio State University Press, 2015. 288: 111: 582: 243:
Warhol, Robyn R. (Fall 2007). "Narrative refusals and generic transformation in Austen and James: what doesn't happen in
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Warhol, Robyn (Winter 2014). "Describing the Unseen: The Visceral and Virtual Construction of Spaces in "Bleak House"".
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is now available for free on the Ohio State University Press website. With Diane Price Herndl, Warhol is co-editor of
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Warhol, Robyn R. (2008). "Academics anonymous: a meditation on anonymity, power, and powerlessness".
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Warhol, Robyn (2014). "Binge Watching: How Netflix Original Programs Are Changing Serial Form".
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Warhol, Robyn (Summer 2011). "The space between: a narrative approach to Alison Bechdel's
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http://www.frias.uni-freiburg.de/lang_and_lit/fellows/warhol_lili?set_language=en
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Between 2007 and 2010 Warhol published under the name "Robyn Warhol-Down."
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looks at how repeated reading or watching of popular narrative forms like
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Co-edited with Diane Price Herndl. Rutgers University Press, 1991, 1997.
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Women’s Worlds: The McGraw-Hill Anthology of Women’s Writing in English
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Gendered Interventions: Narrative Discourse in the Victorian Novel.
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reconsidered: narrative discourse and multicultural subjectivity".
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Co-edited with Diane Price Herndl. Rutgers University Press, 2009.
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Gendered Interventions: Narrative Discourse in the Victorian Novel
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The Ohio State University English Department Faculty Member Page
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Having a Good Cry: Effeminate Feelings and Popular Forms
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Feminisms: An Anthology of Literary Theory and Criticism
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Having a Good Cry: Effeminate Feelings and Popular Forms
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Herman, David; McHale, Brian; Phelan, James (2010).
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Narrative Theory: Core Concepts and Critical Debates
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Narrative Theory: Core Concepts and Critical Debates
38:Her approach uses the vocabulary developed within 87:, where she was a professor from 1983 to 2009. 63:, and chick-flicks shapes individual people's 8: 540:Project Narrative Core Faculty Member Page 114:, Peter Rabinowitz, and Brian Richardson, 27:. Warhol received her BA in English from 568:American academics of English literature 448:Literatur in Wissenschaft und Unterricht 189:. The Ohio State University Press, 2003. 498: 98:(Rutgers UP, 1989). Now out of print, 7: 359:What might have been is not what is 79:Before joining the faculty at the 14: 507:"People | Project Narrative" 361:": Dicken's narrative refusals". 282:Warhol-Down, Robyn (June 2008). " 357:Warhol, Robyn R. (June 2010). "" 226:A companion to narrative theory 177:Rutgers University Press, 1989. 1: 563:Ohio State University faculty 23:and a core faculty member of 289:Contemporary Women's Writing 604: 573:Stanford University alumni 94:(Ohio State UP, 2003) and 398:10.2979/VIC.2010.52.3.413 375:10.7756/dsa.041.003.45-59 340:Teaching narrative theory 21:the Ohio State University 456:Kiel University, Germany 195:. Editor-in-chief. 2008. 90:Warhol is the author of 485:10.5325/style.48.4.612 477:10.5325/style.48.4.612 363:Dickens Studies Annual 254:The Henry James Review 151:Dickens Studies Annual 131:Modern Fiction Studies 100:Gendered Interventions 583:Pomona College alumni 431:10.1353/lit.2011.0025 267:10.1353/hjr.2007.0026 249:The Spoils of Poynton 85:University of Vermont 81:Ohio State University 419:College Literature 323:10.1353/sym.0.0056 302:10.1093/cww/vpn007 169:Books and editions 155:Henry James Review 147:College Literature 545:VPR Interview on 385:Victorian Studies 143:Victorian Studies 61:serialized novels 53:Having a Good Cry 25:Project Narrative 595: 522: 517: 511: 510: 503: 488: 459: 442: 409: 378: 353: 334: 305: 278: 245:Northanger Abbey 239: 199:Feminisms Redux. 42:to describe how 40:narrative theory 603: 602: 598: 597: 596: 594: 593: 592: 553: 552: 531: 526: 525: 518: 514: 505: 504: 500: 495: 462: 445: 412: 381: 356: 350: 337: 308: 281: 242: 236: 223: 220: 218:Recent articles 171: 166: 108:Feminisms Redux 73: 65:gender identity 17:Robyn R. Warhol 12: 11: 5: 601: 599: 591: 590: 585: 580: 575: 570: 565: 555: 554: 551: 550: 547:Women's Worlds 542: 537: 530: 529:External links 527: 524: 523: 512: 497: 496: 494: 491: 490: 489: 471:(4): 629–636. 460: 443: 410: 392:(3): 413–439. 379: 354: 348: 335: 317:(1–2): 51–59. 306: 279: 261:(3): 259–268. 240: 234: 219: 216: 215: 214: 211: 208: 202: 196: 190: 184: 178: 170: 167: 165: 164:Selected works 162: 72: 69: 48:realist novels 29:Pomona College 13: 10: 9: 6: 4: 3: 2: 600: 589: 586: 584: 581: 579: 578:Living people 576: 574: 571: 569: 566: 564: 561: 560: 558: 549: 548: 543: 541: 538: 536: 533: 532: 528: 521: 516: 513: 508: 502: 499: 492: 486: 482: 478: 474: 470: 466: 461: 457: 453: 449: 444: 440: 436: 432: 428: 424: 420: 416: 411: 407: 403: 399: 395: 391: 387: 386: 380: 376: 372: 368: 364: 360: 355: 351: 349:9781603290814 345: 341: 336: 332: 328: 324: 320: 316: 312: 307: 303: 299: 295: 291: 290: 285: 280: 276: 272: 268: 264: 260: 256: 255: 250: 246: 241: 237: 235:9781405184380 231: 227: 222: 221: 217: 212: 209: 206: 203: 200: 197: 194: 191: 188: 185: 182: 179: 176: 173: 172: 168: 163: 161: 158: 156: 152: 148: 144: 140: 136: 132: 128: 124: 123: 117: 113: 109: 105: 101: 97: 93: 88: 86: 82: 77: 70: 68: 66: 62: 58: 54: 49: 45: 41: 36: 34: 30: 26: 22: 18: 546: 515: 501: 468: 464: 451: 447: 422: 418: 414: 389: 383: 366: 362: 358: 339: 314: 310: 293: 287: 283: 258: 252: 248: 244: 225: 204: 198: 192: 186: 180: 174: 159: 154: 150: 146: 142: 138: 134: 130: 126: 120: 115: 112:James Phelan 107: 103: 99: 95: 91: 89: 78: 74: 52: 37: 16: 15: 588:1955 births 425:(3): 1–20. 296:(1): 1–16. 557:Categories 493:References 458:: 145–158. 181:Feminisms. 153:, and The 57:soap opera 439:143891783 406:143658735 369:: 45–59. 331:143462703 275:191495381 127:Narrative 71:Biography 415:Fun Home 311:Symplokē 33:Ian Watt 454:(1/2). 284:Jasmine 139:Genders 483:  437:  404:  346:  329:  273:  232:  44:novels 481:JSTOR 465:Style 435:S2CID 402:S2CID 327:S2CID 271:S2CID 135:Style 344:ISBN 247:and 230:ISBN 122:PMLA 473:doi 427:doi 417:". 394:doi 371:doi 319:doi 298:doi 263:doi 251:". 559:: 479:. 469:48 467:. 452:47 450:. 433:. 423:38 421:. 400:. 390:52 388:. 367:41 365:. 325:. 315:16 313:. 292:. 269:. 259:28 257:. 157:. 149:, 145:, 141:, 137:, 133:, 129:, 125:, 59:, 35:. 509:. 487:. 475:: 441:. 429:: 408:. 396:: 377:. 373:: 352:. 333:. 321:: 304:. 300:: 294:2 277:. 265:: 238:.

Index

the Ohio State University
Project Narrative
Pomona College
Ian Watt
narrative theory
novels
realist novels
soap opera
serialized novels
gender identity
Ohio State University
University of Vermont
James Phelan
PMLA
ISBN
9781405184380
The Henry James Review
doi
10.1353/hjr.2007.0026
S2CID
191495381
Contemporary Women's Writing
doi
10.1093/cww/vpn007
doi
10.1353/sym.0.0056
S2CID
143462703
ISBN
9781603290814

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