183:"On 26th March 1792 at Mr Barthelemon's Concert, there was an English clergyman who sank into the deepest melancholy on hearing my Andante , because the night before he had dreamt that such an Andante was a premonition of his death. — He immediately left the company and took to his bed, and today, the 25th of April, I learnt from Herr Barthelemon that this Protestant clergyman had died."
165:, presumably, as Charles Rosen noted, "with an eye to conducting them at his concerts." The second theme is very brief and also contains a rising half-step. The second theme is omitted from the recapitulation.
156:
The opening slow introduction is marked Grave. The first theme features a lyrical rising half-step motif followed by three loud chords. Mozart wrote down this theme along with the openings of symphonies
317:("Biographical Notes on Joseph Haydn"), Breitkopf und Härtel, Leipzig 1810. Facsimile edition with afterword & notes by Peter Krause, VEB Deutscher Verlag für Musik, Leipzig 1979, p. 45.
172:. The second variation features a dialogue between wind & brass fanfares with simple string writing. The third features a solo string trio against a pizzicato accompaniment. Here, the solo
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The fourth movement is "a rounded binary form with repeats of both halves," sometimes mistaken for sonata form.
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Elaine Sisman has postulated that
Wolfgang Amadeus Mozart modeled the slow movement of his
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plays continuously weaving sixteenth notes under the melody in the two other solo strings.
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The second movement is a theme in muted strings followed by four strophic
331:, 5 vols, Indiana University Press, Bloomington and London, 1976–, v. 2,
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Haydn reported a curious story during his first visit to London:
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Mercado, Mario R.; Zaslaw, Neal (June 1999). "Book Review:
264:
Mozart's Piano
Concertos: Text, Context, Interpretation
341:, ed. David Wyn Jones, Oxford University Press, 2002.
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360:The Classical Style: Haydn, Mozart, and Beethoven
322:Mozart, Haydn and Early Beethoven: 1781 — 1802
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355:, J. M. Dent & Sons Ltd., London, 1974.
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93:(Andante con variazioni in many sources),
324:, W. W. Norton & Co., New York, 2009.
274:(4). Music Library Association: 879–883.
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191:on the second movement of this symphony.
362:W. W. Norton & Co., New York, 1970.
315:Biographische Notizen über Joseph Haydn
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48:The symphony was originally scored for
226:(Volume 2). Indiana University Press (
7:
14:
333:Haydn at Eszterhaza, 1766-1790
1:
337:Oxford Composer Companions:
1162:
1141:Symphonies by Joseph Haydn
329:Haydn: Chronicle and Works
313:Griesinger, Georg August.
224:The Symphonic Repertoire
1146:Compositions in D major
252:p. 45 (1810) Griesinger
68:. Later, parts for two
234:), pp. 180–181 (2002).
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327:Robbins Landon, H.C.
189:Piano Concerto No. 15
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300:p. 349 (2009) Heartz
243:p. 183 (1974) Hughes
24:(Hoboken 1/75) is a
210:p. 151 (1970) Rosen
969:(In nomine Domini)
839:(Tempora mutantur)
771:(The Schoolmaster)
351:Hughes, Rosemary.
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1038:London symphonies
270:. Second Series.
266:by Neal Zaslaw".
222:Brown, A. Peter,
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942:Paris symphonies
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587:(Hermannstädter)
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113:& Trio:
100:
76:were added.
47:
30:Joseph Haydn
28:composed by
17:
15:
890:(La chasse)
1135:Categories
1111:(Drumroll)
1090:(Military)
1054:(Surprise)
977:(La Reine)
953:(The Bear)
706:(Farewell)
605:(Alleluia)
456:(Le matin)
397:Symphonies
308:References
232:025333487X
170:variations
115:Allegretto
1067:(Miracle)
961:(The Hen)
690:(Mercury)
472:(Le soir)
464:(Le midi)
44:Movements
1119:(London)
1026:(Oxford)
867:(Laudon)
698:(Trauer)
134:Finale:
111:Menuetto
70:trumpets
32:between
26:symphony
1098:(Clock)
74:timpani
66:strings
58:bassoon
22:D major
794:(Fire)
651:(Echo)
345:
288:899584
286:
230:
136:Vivace
91:adagio
85:Presto
60:, two
52:, two
997:88–92
812:61–81
671:41–60
542:21–40
353:Haydn
339:Haydn
284:JSTOR
268:Notes
198:Notes
174:cello
89:Poco
81:Grave
62:horns
54:oboes
50:flute
1117:104
1109:103
1096:101
1088:100
412:A–20
343:ISBN
228:ISBN
161:and
72:and
64:and
38:1781
36:and
34:1779
16:The
1104:102
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399:by
276:doi
56:,
20:in
1137::
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282:.
272:55
215:^
163:62
159:47
138:,
117:,
83:—
40:.
478:9
449:5
444:4
439:3
434:2
429:1
424:B
419:A
389:e
382:t
375:v
290:.
278::
146:2
125:4
101:4
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