1332:
1350:
1300:
2319:
1316:
31:
1016:. Although the expert will instantly recognise either of these for what it is, for the benefit of the general reader a link should be provided to the Knowledge (XXG) article on whichever notation is used. Either notation is equally acceptable, but within a single article one should be chosen and then used consistently, similarly to
106:
1122:
The main problem with this format is that it may lead to narrow, tall tables. It may be better to use a different format for article appearance. On the other hand, bear in mind that other readers have different browsers and screen sizes to yours. The recommended format works acceptably in most cases.
1118:
If in doubt, the recommended orientation is to have the string number as the leftmost column, and the first string as the top row. This avoids having either order across the page, and so is consistent with either convention for listing pitches in music notation, and with listing either string pitches
1503:
So, conventional string numbering is undeniably backwards. This is pointed out in the guitar section as well; the string numbering for guitars follows the same woefully backwards convention. Until the seemingly inevitable happens and this is changed, we're stuck with it. Meanwhile, tunings read left
1058:
Non-standard notations that may be confused with either
Helmholtz or scientific pitch notation should be avoided. For example, the twelve-string unison and octave G tunings are sometimes given as eE–aA–dD–GG–BB–EE and eE–aA–dD–gG–BB–EE respectively (or many, many other variations of this). It is far
1205:
style may be used instead, spreading the string tunings. Recognising this, some writers prefer to use arpeggio style for all instruments. An issue then arises, should the strings be listed in the order in which they are conventionally listed in the text, or in the order in which they conventionally
1110:
This ordering may lead to confusing inconsistency within an article, if string pitches and gauges are listed in the same article. One way around this is to use a table. Another is to insert a phrase such as "lowest to highest" adjacent to the pitch listing; The order in the case of string gauges is
1402:
is a retuning that does not require changing stringing or setup. Most instruments have a standard tuning and stringing, and all other tunings that may be accommodated without changing the strings are scordaturas. Likewise, a particular stringing may have a standard tuning, and all other tunings of
936:
were we to try. And the other problem would be, which to change? The listing of the strings of a guitar say, from lowest to highest, left to right, follows the natural and established pattern of any guitar chord chart. On the other hand, the numbering is used in every guitar method, and follows
1126:
Sometimes there may be more than three things to list, for example if there are several alternative tunings for a single stringing, or several common gauges of string. The recommended format copes well with these cases, and with combining what would otherwise be several tables into one.
1114:
But the best solution is a table, listing string number, string gauge and pitch or pitch range as three rows or three columns. Either orientation can work, and either order, but within any article, it's best to be consistent. Choose an order and orientation and stick to it.
1094:
it is string eleven, because of the unusual standard tuning of this particular (and very important) guitar model. An article that referred particularly to the octave string of this pair and applied to all twelve-string guitars would need to be very carefully worded.
952:
Perhaps not surprisingly, there is no consistent convention for the listing of strings in sequence on the music staff, some following the convention of following the order in which the string tunings are normally listed, others the order in which they are numbered.
1106:
String gauges are always listed in the order in which the strings are conventionally numbered, rather than the order in which the pitches are conventionally listed, so for example a typical light set for electric guitar would be .009-.011-.016-.024w-.032w-.042w.
964:
Depending on the context, sometimes it is sufficient merely to name the notes, as in E–A–D–G–B–E for the guitar. The notes should be named by uppercase letters, and separated by dashes. Sharp and flat signs are placed immediately after the note name, for example
1067:
Strings are numbered starting with the string furthest from the player. All strings are numbered, so for example the string closest to the player of a twelve-string guitar is always string twelve, and never "string six secondary" or similar constructions.
928:
The listing of strings starting nearest the player, the numbering starting furthest away, and the listing of the gauges of string sets in the order of numbering, are all well-established conventions, applicable to all stringed instruments.
180:
919:
and related topics, information on the tuning of the strings is very often included. The formatting of this information raises some surprisingly tricky issues, as the conventions adopted elsewhere are not terribly consistent.
944:
The listing of string gauges in
Knowledge (XXG) articles is relatively rare when compared to tunings, but when it occurs it compounds the problem. Most if not all string manufacturers list their string sets starting with the
1079:. Courses should be numbered if necessary in the same way as individual strings, starting with the course furthest from the player, thus a twelve-string guitar has courses numbered from one to six, while a nine-string
1687:
1390:
is a set of string gauges (and very occasionally other string parameters) that support one or more tunings. Just as many stringings support more than one tuning, so for many tunings there is more than one common
692:
1349:
1542:
1167:
suffix may be omitted so long as this is consistently done throughout the article, but this is not generally recommended. If any string gauges within the article include plain (unwound) strings, then the
2187:
1142:. Within a single article, either inch measure or thou measure should be used consistently. In either case the unit may be omitted, and again either way this should be consistent throughout the article.
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838:
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475:
225:
1055:, courses should be separated by dashes, and string notes adjacent, so the twelve-string guitar tuned to octave G tuning is eE–aA–d′d–g′g–bb–e′e′ in Helmholtz notation.
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added to the gauge. For example, a wound string of 32 thou diameter may be called 32w or .032w depending on whether thou or inch measure is used in the article.
941:. So changing either presents an enormous set of problems, and it is not clear which is the smaller set. Some proponents of change argue one way, some the other.
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is a stringing, tuning, and associated modifications that do not change the fundamental nature of the instrument. Typically, these involve adjustments to the
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Use the simplest wording or numbering that is both precise and accurate. A person reading about a six-string guitar doesn't need to be told about courses.
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This is somewhat inconsistent and confuses many, but
Knowledge (XXG) is not in the position to change these conventions, and arguably would be involved in
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2127:
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866:
744:
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455:
401:
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2062:
2037:
2022:
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1831:
1791:
1652:
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1642:
853:
848:
677:
197:
170:
2274:
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2192:
2122:
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871:
282:
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The pitch should be indicated by a note shape with a solid body but no tail, indicating that the duration of the note is unspecified.
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Often only the top and bottom gauges are given. In this case the top string is listed first, as in the .017-.095w string set for the
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relatively obvious. A third is to list both pitch and gauge together, such as .009(E)-.011(B)-.016(G)-.024w(D)-.032w(A)-.042w(E).
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In many cases several related tunings share a common name, either for different instruments or the same one. For example,
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A proposal to reverse the traditional numbering, something to be aware of, and not the only one by any means...
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1563:
1176:
933:
1194:
The most common way to represent the string tunings of many instruments is by a chord with all strings open.
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813:
1616:
1247:
gives tunings in
Helmholtz notation, which is then used consistently in the following section on tunings.
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The subprime symbol required for octaves below middle C in
Helmholtz notation can be produced by
148:
1514:
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Choice of a particular tuning implies a suitable stringing and setup, so for example if a
1146:
1197:
For instruments with many closely tuned strings, this is impractical, and for those with
1508:
1080:
1072:
888:
2336:
1452:
1139:
146:
1456:
1432:. However, with either the original or a replacement bass bar, it remains a violin.
1425:
1337:
50:
It is a generally accepted standard that editors should attempt to follow, though
1090:
of a twelve-string guitar is most commonly string twelve, but in the case of the
1160:
1492:
1428:
violin cannot accept the modern concert stringing and tuning with the original
1498:
1403:
this stringing are scordaturas. If there is no standard tuning, then the term
1398:
1218:
One order or the other should be consistently followed within any one article.
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1441:
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to suit the stringing, but they may be far more extensive. For example, a
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1417:
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1322:
1306:
1071:
In the context of instruments that possess at least one multi-string
1520:
1373:
There are four closely related terms that should be used with care:
1159:
If all strings mentioned in an article are wound, for example on a
1075:, a single string normally played on its own may also be called a
1455:
has a different meaning depending on whether the instrument is a
1356:
1135:
961:
Strings are listed starting with the string nearest the player.
1524:
1359:, with courses shown in reverse order to their numbering, and
149:
100:
25:
1511:
Accepts the standard. Not everyone wants to change the world.
1239:
lists just the note names, which is adequate for the context.
120:
Always number the furthest (normally treble) string as "one".
1287:
simply describes the gauges as the range from top to bottom.
1281:
lists the string gauges as 25-35-45-55-75-95; All are wound.
1515:
http://www.learn-to-play-rock-guitar.com/guitar-method.html
1309:
range, showing string tunings as a chord and no numbering.
1467:
can mean any of four common tunings just for six-string
1381:
is a sequence of pitches to which the strings are tuned.
1343:, showing strings numbered in sequence, arpeggio style.
1284:
1278:
1265:
1252:
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1236:
949:, and this convention is generally followed elsewhere.
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81:
117:
Always list the closest (normally bass) string first.
114:
When describing the tuning of a stringed instrument:
1509:
http://www.guitarlessonworld.com/lessons/lesson1.htm
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Another guitar method using the standard numbering.
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Knowledge (XXG):Manual of Style (music)#Accidentals
123:
In other matters, be consistent within the article.
984:If the octave is also to be indicated, use either
1501:Discusses violin (fiddle) tunings and concludes:
1051:In the case of coursed instruments such as the
1189:Knowledge (XXG):Manual of Style (music)#Images
1172:suffix should be shown for all wound strings.
1536:
896:
8:
1493:http://www.thecipher.com/string-numbers.html
1255:gives a list of string pitches including F♯.
1499:http://www.dearoldillinois.com/tunings.html
1471:, as well as others for other instruments.
1369:Tunings, stringings, scordaturas and setups
1268:numbers the strings of several instruments.
1213:It is made clear which order is being used.
1059:better to use a standard, formal notation.
794:Categories, lists, and navigation templates
42:is a part of the English Knowledge (XXG)'s
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2343:Knowledge (XXG) Manual of Style (music)
1481:Knowledge (XXG):Manual of Style (music)
1444:this also implies an E9 string set and
1295:
1237:Slack-key guitar#Techniques and tunings
1083:has courses numbered from one to five.
1036:, for example the C below middle C is C
483:
133:
1209:Either order is acceptable, provided:
1152:Wound strings are shown by the suffix
62:. When in doubt, discuss first on the
2290:Knowledge (XXG):Music contemporaneity
2285:Knowledge (XXG):WikiProject Composers
7:
2318:
2323:WikiProject Council Music Directory
1201:it is positively misleading, so an
1086:It can be tricky. For example, the
1042:and the C an octave below that is C
2269:Knowledge (XXG):Notability (music)
24:
1088:octave string of the sixth course
58:edit to this page should reflect
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1279:Fender Jaguar Baritone Custom
693:References and external links
1883:Roots, folk, and traditional
1564:Knowledge (XXG):WikiProject
1119:or gauges conventionally.
548:Specific naming conventions
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1363:to clarify which is which.
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990:scientific pitch notation
849:Wikimedia sister projects
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2264:List of reliable sources
1273:Listing of string gauges
986:Helmholtz pitch notation
112:This page in a nutshell:
2239:Manual of Style (music)
1440:is described as having
1355:Tuning of a six-course
1183:Use of musical notation
957:Listing strings in text
1253:Six-string alto guitar
2188:The Smashing Pumpkins
2163:Red Hot Chili Peppers
1266:Strings (music)#Gauge
924:Details and rationale
476:Writing about fiction
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52:occasional exceptions
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568:France (and French)
558:China (and Chinese)
1998:Christina Aguilera
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1231:Listing of strings
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778:Related guidelines
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233:Abbreviations
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2193:The Supremes
2123:Mariah Carey
2098:Lana Del Rey
2053:Gwen Stefani
1983:Bonnie Tyler
1876:Traditional:
1688:Geographical
1626:Sub projects
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1457:steel guitar
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323:Lead section
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2213:Instruments
2138:Miley Cyrus
2108:Linkin Park
2103:Leona Lewis
2043:Frank Zappa
2033:Evanescence
2013:Demi Lovato
1958:The Beatles
1782:Alternative
1726:New Zealand
1673:Terminology
1597:Noticeboard
1161:bass guitar
759:Terminology
715:Mathematics
618:Philippines
471:Visual arts
466:Video games
193:Hidden text
89:MOS:TUNINGS
56:substantive
2271:(WP:Music)
2232:and essays
2230:Guidelines
2221:Guitarists
2153:Pink Floyd
2078:Katy Perry
1898:Drum corps
1807:Industrial
1797:Electronic
1706:Eurovision
1696:Australian
1607:Categories
1592:Discussion
1405:scordatura
1399:scordatura
1391:stringing.
1206:numbered?
844:User pages
819:Signatures
814:Notability
745:Cue sports
461:Television
456:Philosophy
402:Trademarks
226:Formatting
2093:Lady Gaga
2048:Green Day
2003:The Clash
1978:Bob Dylan
1935:Musicians
1912:Composers
1862:Reggaeton
1787:Christian
1756:Classical
1668:BBC Radio
1559:Hierarchy
1504:to right.
1465:C6 tuning
1442:E9 tuning
1388:stringing
1361:tablature
1187:See also
1175:See also
992:, as in E
939:tablature
688:Chemicals
678:Chemistry
628:Singapore
603:Macedonia
583:Indonesia
198:Infoboxes
171:Biography
74:Shortcuts
64:talk page
60:consensus
40:guideline
2337:Category
2018:Dua Lipa
2008:Coldplay
1888:Bagpipes
1775:Popular:
1701:Canadian
1638:Concerts
1475:See also
1446:copedent
1430:bass bar
1418:head nut
1226:Examples
1203:arpeggio
934:advocacy
872:Contents
867:Overview
824:Subpages
809:Hatnotes
725:Taxonomy
720:Medicine
646:Religion
613:Pakistan
608:Malaysia
541:Regional
283:Captions
253:Spelling
2299:Related
2178:Shakira
2168:Rihanna
2118:Madonna
1963:Beyoncé
1802:Hip hop
1792:Country
1568:Culture
1321:Normal
1305:Normal
749:Snooker
671:Science
588:Ireland
521:History
436:Blazons
203:Linking
159:Content
2280:WP:TTS
2028:Eminem
1993:Cheryl
1857:Reggae
1741:Genres
1678:Theory
1633:Albums
1422:bridge
1379:tuning
1325:range.
1323:violin
1307:guitar
1163:, the
1138:or in
1136:inches
1077:course
1073:course
738:Sports
698:Safety
623:Poland
573:Hawaii
553:Canada
451:Novels
431:Comics
328:Tables
318:Layout
311:Layout
298:Images
276:Images
2158:Queen
2113:Lorde
1973:Björk
1943:Adele
1817:Metal
1812:Latin
1761:Opera
1721:Japan
1716:Irish
1711:India
1663:Songs
1576:Music
1574:: -->
1570:: -->
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1459:or a
1414:setup
653:Islam
598:Korea
593:Japan
578:India
563:Egypt
485:Music
397:Legal
390:Legal
353:Lists
346:Lists
293:Icons
38:This
16:<
2058:Inna
1867:Rock
1847:Rave
1842:Punk
1766:Jazz
1749:Art:
1572:Arts
1420:and
1357:lute
1140:thou
971:or F
877:Tips
441:Film
415:Arts
2183:Sia
1827:Pop
2339::
2203:U2
1463:.
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1412:A
1396:A
1386:A
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1191:.
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1045:II
1020:.
1012:–E
1008:–B
1004:–G
1000:–D
996:–A
981:.
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974:♯
968:♭
965:B
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897:t
890:v
761:)
757:(
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747:(
66:.
46:.
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