2425:
the order: height, width, & depth/diameter etc. if appropriate. Centimetres (very rarely millimetres) are now standard in academic art history, even in the US (though not always in museum captions), but ideally convert by template, as the MOS requires. Measurements are normally at the maximal place, but sometimes an explanation of where the measurement was taken is given in the source, which may need to be repeated in the article. Very full measurements of a painting may give the "visible area" of the framed work, the "painted area", often not exactly rectangular, and the measurements to the edge of the stretcher frame underneath a canvas.
3108:
2416:(1876)" etc.; "from 1876" is best avoided, except in a discussion of a chronological development of style or similar passage. This partly a matter of US/UK style: "an 1876 painting" is more acceptable in American English, but will rarely be found in American academic writing. For a painting that was completed over more than one year, either the range of years, or the year of completion should normally be given, or "completed in 1512", "commissioned in 1623", "begun in 1845" etc.
2321:"... currently resides in", "is currently in the Louvre", "is on display at", "is located in", "is in the collection of", and similar phrases. Just give the name of the collection, "Metropolitan Museum", or say "is in the Louvre", "is owned by", "now in" or "belongs to". Locating in a "private collection" is fine but any specific private ownership needs a recent reference (in particular do not trust old sources like the 1911
2090:. If further disambiguation is needed, because there is more than one sculpture of the same person with an article, then disambiguation by location rather than the sculptor is usually better. This may be done as either "Statue of Fred Foo (Chicago)" (typically preferred for North America) or "Statue of Fred Foo, Glasgow" (typically preferred elsewhere). If the sculpture has a distinct common name, like the
2366:" (German: Stiftung PreuĂźischer Kulturbesitz), which still sits above the Staatliche Museen as a parent body. These names are often credited as the owner or copyright holder for objects or pictures in art books. Now that the post-unification rearrangement of the Berlin museums is effectively complete, where a specific museum for an object is known, that should be used. So
33:
1952:. It is generally better to disambiguate by the artist's name than by medium, as there may be other paintings or sculptures of the same name by other artists. If the artist painted several works with the same, or very similar, titles, add the location of the work (usually a city rather than, e.g., a museum), unless it is in a private collection. For example,
2179:. In that case they should be used in the form used by most art historians writing in English, regardless of whether this is actually correct by the standards of the other language. It is not necessary to give the original-language version of titles of standard religious scenes or portraits, but for other titles this may be desirable, for example:
2327:, sometimes referred to as "1911 EB"). Once acquired by museums, most works remain there, but are not necessarily on display at any particular moment. "Currently" is fine if the work is known to be likely to move for some reason, such as belonging to another institution, although we do not need to reflect loans to exhibitions etc. Use "in the
1094:
Islamic, Mannerist, Middle Ages, Modernism, Neoclassicism for the late-eighteenth-century movement (otherwise, neoclassicism), Post-Impressionism, Pre-Columbian, Rococo, Roman, Romanesque, Romantic period, Xth
Dynasty, antique, antiquity, classicism (see above), medieval, modern, neoclassicism (see above), postmodern, prehistoric, quattrocento.
1160:. If compiled from old sources like EB 1911, there are likely to be inaccuracies as (a) many works in private collections will have been sold and (b) some in museums will have been re-attributed. A short section on notable works is better, although care must be taken to give a worldwide view, not just covering works in the
2574:"Left" positions the image on the left of the page. The default sets the width at 220 pixels, which is fine for "landscape" images which are wider than they are tall. Where the reverse is the case, "upright" may be used to compensate for this. Even so, some very narrow images need a forced smaller size.
2562:
There are exceptions to this, when an image size is specified. This might be because there is a lot of detail, or because it is the lead image on the page. In such cases, 300px is a good size to consider, as anything less will have the reverse effect to enlargement for users who have their preference
2299:
For historic artists, or types of art, that are not extremely famous (so not
Rembrandt), it may be worth listing dedicated exhibitions in major museums going back as much as say forty years, as these can be crucial to the reputation of the artist or topic, and scholarship on them. In such cases, when
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bronze sculpture, a print, or works of decorative art produced under factory conditions, the article should as far as possible cover all copies, and normally should reflect this in its title and text, rather than specifying one location. The same generally goes for objects produced as a matching set,
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Although these types of lists may be found in artist's resumes, they are not very useful to
Knowledge (XXG) readers if they only list institutional names and nothing else. A reader can typically find much better information through a basic web search. A list of notable works, as described previously,
1056:
The lead section on individual works of art should give at least the following information (in roughly this order): Name(s)/title(s) of work, artist, date, type and materials, subject, nation or city of origin, present location. A reference to the style, school or movement it or the artist belongs to
2629:
explanatory caption is often desirable, showing why the picture has been included, if necessary at the expense of some of the more technical information. Bear in mind image size preferences when writing long captions – a long caption may look good at 300px, but not at 180px. If any of the above is
2036:
The use of "the" is complicated. Works where "the" begins a specific and non-generic title purely describing the subject do include this in the article title. However common subjects, especially religious ones, do not include "the" in the title, even when the episode is often or normally referred to
2737:
Galleries are often necessary within the body of a VA article. These galleries should relate clearly to the text, be proportionate to it and provide adequate information in the captions. Galleries are important, not just for decoration, but to reinforce and amplify the meaning of the article and to
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Most images will be left at this default size and not have a "forced" image size. Specifying "225px", for example, means all users are forced to see the image at that size, as it over-rides their preference setting. Another reason for not forcing large image sizes, is that the result can be ugly on
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Measurements should always be given for a work that is the article subject, but are not usually needed in captions (see that section), unless there is a particular point being made, or the size of the object might be thought to be radically different from the real size. Always give measurements in
2814:
Where possible upload to
Commons, and remember to categorize as thoroughly as possible (not always easy there – look at comparable images and see what categories they are in). Images available for Fair Use only cannot be uploaded there however, which affects many 20th century images, and those of
2140:
For artworks representing saints, use the form "Saint" (or "Saints" in the plural) spelled out in full, rather than abbreviated forms such as "St." or "St". However, "St." or "St" can be considered if a significant majority of sources use the abbreviation in question for the title of a particular
1093:
In general, sharply delimited period titles are capitalized, whereas large periods and terms applicable to several periods are not: e.g., Archaic, Baroque, Early and High
Renaissance, Early Christian, Gothic, Greek Classicism of the fifth century (otherwise, classicism), Imperial, Impressionism,
2638:
In general, portraits and other strongly directional works should face into the page. Remember the issues described in the "size" section above when placing images; at some settings images may either create large white spaces or overlap at left and right, leaving a narrow strip of text in the
2362:(Berlin State Museums), often just "Staatliche Museen" or "SMB" on their logo, is not a location but the legal and administrative body that administers at least seventeen museums in Berlin, listed at that article. During the division of the city the Western body was known as the "
1007:
Information in an infobox contains basic introductory facts from the article. If something is not substantiated in the article, or would involve over-simplification, it should not be included in the infobox. An alternative to an infobox is to use a normal picture with caption.
1016:
In general it is best and safest to use "artist" in the lead of a biography; very many artists were not just painters (many articles are currently defective in this respect). If the artist did significant work in several media, that should be indicated, as, for example:
2313:
It can be helpful to add the owner of works to texts or captions of works referred to, but is not necessary, except for articles about the specific work. If the owner is not included in the information in the picture file, and is known, it should be added there.
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Generally, very short articles (say less than 200 words of main text) on individual works of art are to be avoided, as the information can be included in the main article on the artist, or incorporated with other similar short pieces in a dedicated article, such as
2164:. The institution's preferred name for the work is now more familiar than the older one, and is therefore used as the article title. In cases such as this the older title should be set up as a redirect and mentioned as a variant, but not used for the article title.
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If an image shows only part of a work, especially a painting or other 2D work, the caption should specify it is a "detail". Reversed images should very rarely be used, for example to make a particular point, and they should be very clearly captioned as reversed.
1793:
3018:"The Art & Architecture Thesaurus (AAT) is a structured vocabulary of around 34,000 concepts, including 131,000 terms, descriptions, bibliographic citations, and other information relating to fine art, architecture, decorative arts, ..."
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etc. is not known. Descriptions of print techniques on
Commons descriptions should be treated with great caution; many if not most are inaccurate. "Engraving" is often treated as a generic term for all prints, which is to be avoided. See
1000:, in addition to the standard biography infoboxes and national/cultural templates. There may be a conflict for space between the need to illustrate visual arts articles and the use of infoboxes. This is decided on a case-by-case basis.
2085:
For portrait sculptures of individuals in public places the forms "Statue of Fred Foo", "Equestrian statue of Fred Foo" or "Bust of Fred Foo" are recommended, unless a form such as "Fred Foo
Memorial" or "Monument to Fred Foo" is the
166:
2123:(Titian)" are both acceptable in article titles; disambiguation by the artist is usually best. Do not use the sitter's name alone, without disambiguation, as the article title for a portrait of that person. Titles such as "
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There are options in formatting galleries which make them appear wider, or alter the number of images in a row, but these can cause visibility problems with different screen resolutions and should normally be avoided. See
2005:
Objects such as excavated artefacts or illuminated manuscripts usually known by a name combining a previous or current owner, location, or place of discovery, followed by the type of object, should normally be treated as
1934:(except where they are the unique manuscript of a work whose title is the name for the manuscript) and other objects that are of some practical use, or archaeological artefacts, which are not italicized in any context:
2741:
A Knowledge (XXG) article gallery should not just replicate a
Commons gallery, but should use images with editorial judgement, as would be given to text, with the validity of inclusion of each image considered. See
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preceded by "the", as in "the
Crucifixion", the "Dormition of the Virgin", and so on. Works whose usual title includes the name of a former owner or a location do not include "the" in the article title. Examples:
1069:
the rest of the section should generally summarize, at least for longer articles, the material covered in the other sections, especially if "unexpected" – if the object is widely considered to be a fake, like the
678:
1997:
Where there are several variant titles, preference is usually given to the predominant one used by art historians writing in
English, and if this is not clear, the English title used by the owning museum. Few
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c) Link to specific works, either by a piped link in the text, or from a footnote. This is especially useful as the links can go to Commons or the web in general, although generally web links should be in the
2524:
Images of buildings illuminated at night are often pretty, but almost always very poor at showing the building. They should be used very sparingly, and never as the lead picture where there is an alternative.
1003:
Templates at the bottom of the page are usually preferable to those at the side, where they may make it difficult to incorporate proper illustration of a VA article. If so, they are likely to be removed.
2728:
Try to avoid just stringing images down the side opposite white space (although some white space may occasionally be necessary at the end of a short article, depending on screen size and file settings).
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for decades were moved to Windsor a few years ago, while their next home was being decided on. The French and Spanish national collections also often move works around, to locations other than the main
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543:
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a major exhibition is actually running, it can be appropriate to add a sentence saying so to the end of the lead; but it should be moved down to near the end of the article when the exhibition closes.
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Long lists of exhibitions should be avoided. It will rarely be useful to mention more than five exhibitions. For contemporary and modern artists the venue of exhibitions can be important evidence of
1942:
etc. For a title with no owner's name or location in it to be italicized, it has to be plausible to some degree that the creator would have considered the name we know an object by as its title.
1514:
2022:. If in doubt, the name used by the owning museum is persuasive, although the name used most commonly in recent scholarly references is the ultimate criterion; there are odd variations – both
1074:, do not save this information for a later section. This is often called the "no surprises" principle – after reading the lead, there should be no major surprises in the rest of the article.
2215:
Rettberg, Jill Walker; Kronman, Linda; Solberg, Ragnhild; Gunderson, Marianne; Bjørklund, Stein Magne; Stokkedal, Linn Heidi; Jacob, Kurdin; de Seta, Gabriele; Markham, Annette (2022-06-01).
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In passing references to details of style, it may be appropriate to use lower case terms e.g.: baroque, gothic, mannerist, modernist – but always Renaissance, Impressionist, Middle Ages.
3006:
Getty Foundation, formerly "Union List of Artist's Names" – Lists names, including variants, dates and family relationships to other artists. The "preferred" name should generally be used.
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Set up redirects for variant titles, such as the original-language title for modern works or variant translations. Often a redirect with or without an initial "The" is likely to be useful.
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It will often be better to place a work by the artist at the top of a biography; this is especially the case for imaginary portraits of early artists, or photographs of more recent ones.
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Size—particularly helpful for unusually large or small works. There is not usually room to do this in both inches and centimetres, as the MoS prefers. Always put height before width.
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which will be challenged, even if they are reasonable. An indication of the work's place in the artist's development, or a larger art historical movement, may be appropriate. Per
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even if they are now separated. If the articles get long enough, it may be appropriate to give individual members of a set their own articles, as with the six paintings in
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1132:: "The question of whether to capitalize or lowercase is one of the most common in the field of art history and one of the most difficult in which to attain any agreement."
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If registered users have changed the thumb size in their preference settings (anything up to 400 pixels wide) then the image will appear for them at their selected size.
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Commons – very large, rather chaotic, and with very many washed-out old scans (from out-of-copyright books). Everything on Commons can be used without further worries.
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Many works have names by which they were well-known, but which are now falling out of use, as the museums who now own most tend not to use the former name. The
2471:"copper engraving" etc. (often found in pre-1900 material, or that half-translated from German and other languages where the term remains current)  – just use
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3012:– useful for finding the current location of art works and details about them (museum, size, date created, etc.), though Google images gives wider coverage
2604:. Include the title of the work in English whenever possible; adding the original language is unnecessary unless there is no English translation available.
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or "art historian", "silversmith" may be appropriate. For movements, or techniques, add (art) or a more specific term such as (sculpture) if appropriate.
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Rationales should be added to the file for all Fair Use images used, detailing the reasons why the image is needed for each article in which it appears.
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Unfortunately, 19th century books available online are likely to be out of date and often contain serious errors, and thus should generally be avoided.
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2487:, only invented in the late 18th century), which is not acceptable now. Original prints, or reproductive ones of before about 1800 could be linked to
2335:" or another location, as that is the appropriate link and works in the Royal Collection are often moved around. For example, many works that were at
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to put all art in the UK public collections online (formerly displayed as "Your Paintings" on the BBC website; organization previously known as the
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Non-English language titles are generally only to be used if they are used by most art historians or critics writing in English – e.g.
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It demonstrates an aspect (e.g. a particular period or style feature) referred to in the text: make this clear in the image caption.
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If the title is not very specific, or refers to a common subject, add the surname of the artist in parentheses afterwards, e.g.
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suggests using a dictionary to determine capitalization. However, dictionaries vary on art movement/style capitalization. (See
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some, particularly low res, screen settings. It is therefore a sound practice to look at a page on different screen settings.
2390:("Berlin Antiquities Collection"), a traditional umbrella term for this collection, now divided between several institutions.
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Lists of works within a biography should be used cautiously; they are really only appropriate for major artists with a small
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in New York City, which are fully available as PDFs online (though the copyrights are still reserved). They can be found at
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2767:. In a single artist biography, it may be more appropriate to include one gallery at the end of the article, such as in
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2966:—i.e. not just the subject's own website or postings on other web sites. There is a guide to Knowledge (XXG) format at
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Note: some editors prefer "Title, Artist" to the other way round. This should be consistent within an article. A
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from all times and places, where coverage is generally very poor at present. Digital art is also poorly covered.
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has both section galleries and a general gallery at the end. Mostly a gallery will be arranged chronologically.
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for syntax rules. Use the thumbnail parameter and write a caption that includes information about the work.
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is a special page dealing with the concerns of editors who are museum curators, librarians or archivists.
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for the object, and all words capitalized, but not italicized, as these are names not titles. Examples:
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1930:). Other artworks may have names (unitalicized) rather than titles, a fine distinction. These include
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for at least their first caption, except where the article is a biography. The name should not be in
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1109:.) The Knowledge (XXG) Manual of Style does not touch on art movements and styles in particular, but
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Small galleries can be inserted in the body of the text: this is useful for general topics, such as
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is clearly unhelpful. The names of less well-known artists may not be suitable disambiguation terms.
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may optionally be annotated with the location of the artworks, if known and not expected to change.
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states that Knowledge (XXG) style is to use lower case when sources are inconsistent. See also the
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is still sufficiently well known by that name to justify using it for the title, even though the
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if there are difficulties. Many US libraries also have online access for library card holders.
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should be used for modern works where the title is given by the artist, and others such as the
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2158:. But in the same museum, a work formerly known as the Burlington House Cartoon is now called
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2217:"Representations of machine vision technologies in artworks, games and narratives: A dataset"
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This page sets out some guidance on special issues commonly encountered in writing about the
3099:], ''Charles IV of Spain and His Family''. 1800–1801. 280 × 336 cm. Oil on canvas. ], ].]]
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for a summary of the techniques, but just use "print" if the actual technique is unknown.
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status – Is it copyrighted? By whom? If it is copyrighted and not by yourself, prepare a
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assessing its general quality or significance, that can be added, but avoid unreferenced
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A particular image may be better used as a stand-alone one in the body of the text, if:
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Default position is on the right of the page (specifying "right" is therefore redundant)
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Collection or whereabouts (optional, as should be on image data), linked in most cases.
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known, but is not included in the image file details, then it should be added there.
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Prado, p. 141: "The third of May 1808 in Madrid; the shootings on Prince Pio hill".
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El tres de mayo de 1808 en Madrid; Los fusilamientos de la montaña del PrĂncipe PĂo
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in the External links section to provide a link to the commons gallery or article.
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It is a generally accepted standard that editors should attempt to follow, though
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Many articles, particularly on contemporary artists, groups and "movements", are
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There is a need for more articles on non-Western historic art, and on applied or
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Association of Art Editors Style Guide, 2013. Art movements, periods, and styles
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Guidelines on what to include and how to format it, just one external example,
1200:(below) should be included, as well as relevant material covering the content,
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Capitalization of art movements and art style names is a complex issue. The
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There are dedicated infoboxes and some templates for Visual arts articles at
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has two galleries within the text, one for earlier and one for later works.
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There are some other options which can be put into the basic image coding:
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work, or if it can be proved that the artist did so for that work's title.
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1990:, where the work is very well known by that title and the alternative (
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The source of the image. Usually the URL from which you downloaded it.
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demonstrate meaning and nuance, which cannot be made by words alone.
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Include all of the above information when uploading or add it to the
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In a Rfc on the use of "packed" format galleries in an art article (
2996:(The Grove Dictionary of Art) through their local library. Contact
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Date of work—usually date completed if it took more than one year,
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for the distinction between this and "Dutch" or "Flemish" in art.
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913:. Queries can be raised at the discussion pages here or at the
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http://www.collegeart.org/caa/publications/AB/ABStyleGuide.html
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http://www.skidmore.edu/academics/arthistory/paperpg/index.html
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Google Images – can be very good, especially for portraits etc.
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http://www.collegeart.org/caa/publications/AB/ABStyleGuide.html
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for ways of unambiguously describing right and left in images.
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The Virgin and Child with Saint Anne and Saint John the Baptist
2129:" are all right to use, but probably need disambiguation. The
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Where a work of art is produced in multiple copies, as with a
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1959:, as van Eyck painted several Annunciations. A title such as
2879:
template for the above information formats the data easily.
2841:
What is the medium (oil and canvas/marble/mixed media ...)?
3077:
3037:
2746:
for the policy from the Knowledge (XXG) Manual of Style.
2495:(the latter not date-limited), if the technique, such as
2199:) is a painting completed in 1814 by the Spanish master
1057:
is usually appropriate. If there is a quotation from a
3028:– highly specialized database on pigments and materials
1984:). It only works in a small minority of cases, such as
1872:
1865:
1244:
1156:. Longer ones are best moved to separate articles like
104:
97:
90:
83:
3080:
site hosts a freely accessible art writing style guide
1968:
Category:Paintings of the Madonna and Child by Raphael
3046:
2317:
For works belonging to permanent public collections,
2002:
paintings had specific titles when they were painted.
2615:
Medium and support, especially if not oil on canvas,
2115:
For portraits in two-dimensional media, the styles "
975:
Knowledge (XXG):WikiProject Fact and Reference Check
1794:
Definite or indefinite article at beginning of name
2992:United Kingdom residents can get online access to
1922:in text, as well as the article title itself (use
1219:guidelines, and the article meets our standard of
1204:, style, significance in the artist's oeuvre, and
1994:(DĂĽrer)) is considered too far from common usage.
1215:) are acceptable, provided the subject meets the
998:Knowledge (XXG):WikiProject Visual arts#Templates
2296:, but only the most important should be given.
2283:Knowledge (XXG):Naming conventions (manuscripts)
966:Knowledge (XXG):Naming conventions (use English)
2475:. Older sources (such as the 1911 EB) may use "
1894:is usually the best choice, as opposed to e.g.
1111:Knowledge (XXG):Manual of Style/Capital letters
980:Knowledge (XXG):Advice for the cultural sector
942:Knowledge (XXG):Manual of Style/Lists of works
1829:
1271:Sèvres pot-pourri vase in the shape of a ship
909:. It should be read in conjunction with the
882:
8:
3034:– search to locate resources about an artist
2982:There are over 1,500 books published by the
2582:The minimum information to be included is:
1115:Association of Art Editors Style Guide, 2013
2533:The basic formatting code for an image is:
1310:Category:Knowledge (XXG) naming conventions
1168:Lists of museums, galleries, or collections
937:Knowledge (XXG):Manual of Style/Biographies
780:Categories, lists, and navigation templates
44:is a part of the English Knowledge (XXG)'s
3118:. 1800–1801. 280 × 336 cm. Oil on canvas.
2756:It is specifically referred to in the text
2386:can also be described as belonging to the
2030:seem the best established capitalizations.
1836:
1822:
1288:
1273:(in porcelain with several examples), and
889:
875:
405:
369:
116:
2246:
1914:For articles on individual works of art:
1890:If a biography needs disambiguating then
1024:(19 July 1834 – 27 September 1917), born
3062:External resources for writing about art
2436:"an oil-on-canvas painting" – it is "an
1084:College Art Association style guide for
2207:
1774:
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1497:
1448:
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1300:
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1158:List of works by Caspar David Friedrich
1121:
905:, and has been developed by members of
469:
119:
3143:Knowledge (XXG) Manual of Style (arts)
3010:The Bridgeman Art Library Image Search
1036:), was a French artist, who worked in
64:. When in doubt, discuss first on the
2364:Prussian Cultural Heritage Foundation
1980:Avoid the construction "X's Y" (e.g.
1032:
7:
2753:It is an outstanding example of work
2156:The Toilet of Venus ("Rokeby Venus")
1211:Shorter articles on artists (i.e. a
2796:the consensus was against their use
2709:Too many pictures, too little text?
1401:
1267:Bust of Winston Churchill (Epstein)
1197:
961:Knowledge (XXG):Notability (people)
3116:Charles IV of Spain and His Family
2412:a "painting of 1876" or "his nude
2197:Los fusilamientos del tres de mayo
2098:Statue of Mahatma Gandhi (Houston)
1089:says (or, it seems, used to say):
24:
2608:Optional additional information:
2096:, that should be used. Examples:
60:edit to this page should reflect
2545:It allows the caption to display
2110:Equestrian statue of Christian V
2102:Statue of Queen Victoria, Sydney
1078:Capitalization and art movements
927:Knowledge (XXG) style guidelines
31:
2866:after you've uploaded the file.
2563:setting at the maximum 400 px.
2551:Default size is 220 pixels wide
911:Knowledge (XXG) Manual of Style
18:Knowledge (XXG):Manual of Style
2370:paintings are normally in the
1918:The title of a work of art is
1231:Multiples, copies and versions
932:Knowledge (XXG):Citing sources
1:
2887:Use regular wiki markup. See
2884:Add the image to an article.
2835:When was the piece completed?
1191:Portraits by Vincent van Gogh
992:Using infoboxes and templates
921:Helpful Knowledge (XXG) links
679:References and external links
2823:of art, know the following:
1224:
3055:Public Catalogue Foundation
3026:Museum of Fine Arts, Boston
2954:for failing to demonstrate
2815:three-dimensional objects.
2444:" (unless it is actually a
2360:Staatliche Museen zu Berlin
1982:Botticelli's Birth of Venus
1107:User:Sparkit/capitalization
1026:Hilaire-Germain-Edgar Degas
534:Specific naming conventions
3159:
3078:Association of Art Editors
2984:Metropolitan Museum of Art
2964:independent of the subject
2541:"Thumb" has four effects:
1855:
1854:
1515:Government and legislation
1287:
1234:
956:Knowledge (XXG):Notability
951:Knowledge (XXG) guidelines
73:
3090:Example image and caption
2974:Useful external resources
2968:Referencing for beginners
2598:Title of work in italics,
2529:Basic formatting and size
2233:10.1016/j.dib.2022.108319
2176:Les Demoiselles d'Avignon
2154:in London uses the title
2079:The Persistence of Memory
1902:above). For other people
1641:Language/country-specific
835:Wikimedia sister projects
2962:from secondary sources,
2946:References are essential
2838:What are its dimensions?
2717:a) Write some more text.
2106:Jefferson Davis Monument
2324:Encyclopædia Britannica
2309:Museums and collections
2040:Dormition of the Virgin
1932:illuminated manuscripts
1103:style guide at zeal.com
907:WikiProject Visual arts
3127:
3043:– definitions of terms
2844:Where is it displayed?
2832:The name of the piece?
2388:Antikensammlung Berlin
2372:Gemäldegalerie, Berlin
2274:
1966:is of little use (see
1957:(van Eyck, Washington)
1810:Technical restrictions
1424:Ethnicities and tribes
1301:All naming conventions
1162:English-speaking world
1096:
1054:
3110:
2874:Image information art
2829:Who is the artist(s)?
2819:Before you upload an
2769:Pierre-Auguste Renoir
2699:Image information art
2281:These are covered at
2187:The Third of May 1808
2182:
1481:Programming languages
1269:(ten or more casts),
1091:
1030:French pronunciation:
1019:
462:Writing about fiction
167:Organizing by subject
121:Manual of Style (MoS)
54:occasional exceptions
2408:"an 1876 painting",
2337:Hampton Court Palace
2117:Portrait of Fred Foo
1896:John Smith (painter)
1429:Royalty and nobility
815:Talk page guidelines
490:Stringed instruments
162:Disambiguation pages
2646:Available templates
2516:Using images of art
2047:Agony in the Garden
1904:John Smith (potter)
1892:John Smith (artist)
915:Visual Arts Project
619:Trinidad and Tobago
554:France (and French)
544:China (and Chinese)
3128:
2889:Visual file markup
2859:Upload the image.
2483:(rather than true
2331:" rather than "at
2135:Arnolfini Portrait
2066:The Birth of Venus
1987:DĂĽrer's Rhinoceros
1948:Reading the Letter
1261:Marriage A-la-Mode
820:Template namespace
764:Related guidelines
3032:artcyclopedia.org
2994:Oxford Art Online
2960:viable references
2704:– for image pages
2126:Portrait of a Man
1962:Madonna and Child
1883:
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1572:Numbers and dates
1545:Latter Day Saints
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1177:Articles to write
1150:Leonardo da Vinci
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825:Understandability
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689:Structure drawing
644:Latter Day Saints
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432:Lyrics and poetry
354:Stand-alone lists
229:Dates and numbers
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2802:Image rationales
2785:Help:Gallery tag
2765:Western painting
2720:b) Use a gallery
2703:
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2675:
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2666:Infobox Painting
2664:
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2489:old master print
2479:" as a term for
2329:Royal Collection
2304:Describing works
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2152:National Gallery
2063:(location), but
2060:Ghent Altarpiece
2057:(former owner),
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2465:
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2452:Right and left
2450:
2446:panel painting
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2333:Windsor Castle
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2201:Francisco Goya
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2054:Benois Madonna
2034:
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2028:Mold gold cape
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1992:The Rhinoceros
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1936:Royal Gold Cup
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2369:
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2361:
2357:
2355:
2349:
2347:
2343:
2338:
2334:
2330:
2326:
2325:
2320:
2315:
2308:
2303:
2301:
2297:
2295:
2287:
2285:
2284:
2276:
2265:
2262:
2257:
2254:
2249:
2245:
2241:
2238:
2234:
2230:
2226:
2222:
2221:Data in Brief
2218:
2211:
2208:
2204:
2202:
2198:
2194:
2190:
2189:
2188:
2178:
2177:
2172:
2171:
2166:
2163:
2162:
2157:
2153:
2149:
2148:
2143:
2139:
2136:
2132:
2131:WP:COMMONNAME
2128:
2127:
2122:
2118:
2114:
2111:
2107:
2103:
2099:
2095:
2094:
2089:
2088:WP:COMMONNAME
2084:
2081:
2080:
2075:
2073:
2068:
2067:
2062:
2061:
2056:
2055:
2050:
2048:
2043:
2041:
2035:
2032:
2029:
2025:
2021:
2017:
2013:
2012:Rosetta Stone
2009:
2004:
2001:
1996:
1993:
1989:
1988:
1983:
1979:
1976:
1974:
1969:
1965:
1963:
1958:
1956:
1951:
1949:
1944:
1941:
1937:
1933:
1927:
1921:
1917:
1916:
1915:
1909:
1907:
1905:
1901:
1897:
1893:
1885:
1874:
1870:
1867:
1866:MOS:ART/TITLE
1863:
1862:
1859:
1853:
1839:
1834:
1832:
1827:
1825:
1820:
1819:
1817:
1816:
1811:
1808:
1806:
1803:
1801:
1798:
1795:
1791:
1789:
1786:
1784:
1781:
1780:
1779:
1778:
1773:
1768:
1765:
1763:
1760:
1758:
1755:
1753:
1750:
1748:
1745:
1743:
1740:
1738:
1735:
1733:
1730:
1728:
1725:
1723:
1720:
1718:
1715:
1713:
1710:
1708:
1705:
1703:
1700:
1698:
1695:
1693:
1690:
1688:
1685:
1683:
1680:
1678:
1675:
1673:
1672:Ancient Roman
1670:
1669:
1666:
1665:
1664:All countries
1661:
1659:
1658:
1657:All languages
1654:
1652:
1651:
1647:
1646:
1645:
1644:
1639:
1635:
1632:
1630:
1627:
1625:
1622:
1620:
1617:
1616:
1615:
1609:
1606:
1605:
1603:
1599:
1596:
1594:
1591:
1590:
1589:
1583:
1580:
1579:
1577:
1573:
1570:
1569:
1568:
1562:
1559:
1558:
1556:
1551:
1548:
1546:
1543:
1541:
1538:
1537:
1536:
1535:
1532:Organizations
1530:
1526:
1523:
1521:
1518:
1516:
1513:
1512:
1511:
1505:
1502:
1499:
1498:
1496:
1492:
1489:
1487:
1484:
1482:
1479:
1477:
1474:
1472:
1469:
1467:
1464:
1463:
1462:
1456:
1453:
1450:
1449:
1447:
1440:
1437:
1436:
1435:
1432:
1430:
1427:
1425:
1422:
1420:
1417:
1416:
1415:
1414:
1411:
1407:
1403:
1400:
1398:
1395:
1393:
1390:
1388:
1385:
1383:
1380:
1378:
1375:
1373:
1370:
1368:
1365:
1363:
1360:
1358:
1355:
1354:
1353:
1347:
1345:Entertainment
1344:
1341:
1340:
1338:
1333:
1330:
1328:
1325:
1324:
1323:
1322:
1317:
1312:
1311:
1307:
1306:
1305:
1304:
1299:
1295:
1290:
1286:
1280:
1278:
1276:
1272:
1268:
1265:. Examples:
1264:
1262:
1256:
1246:
1245:MOS:ART/MULTI
1242:
1241:
1238:
1230:
1228:
1226:
1222:
1218:
1214:
1209:
1207:
1203:
1199:
1194:
1192:
1186:
1184:
1176:
1174:
1167:
1165:
1163:
1159:
1155:
1151:
1147:
1139:
1131:
1125:
1122:
1118:
1116:
1112:
1108:
1104:
1099:
1095:
1090:
1088:
1087:
1077:
1075:
1073:
1068:
1064:
1060:
1053:
1051:
1047:
1043:
1039:
1034:
1027:
1023:
1018:
1011:
1009:
1005:
1001:
999:
991:
986:
981:
978:
976:
973:
972:
967:
964:
962:
959:
957:
954:
953:
952:
949:
948:
943:
940:
938:
935:
933:
930:
929:
928:
925:
924:
920:
918:
916:
912:
908:
904:
892:
887:
885:
880:
878:
873:
872:
870:
869:
864:
861:
859:
856:
854:
851:
850:
849:
848:
841:
838:
836:
833:
831:
828:
826:
823:
821:
818:
816:
813:
811:
808:
806:
803:
801:
798:
796:
793:
791:
788:
786:
783:
781:
778:
776:
773:
771:
768:
767:
761:
760:
746:
742:
739:
736:
732:
729:
728:
725:
720:
719:
712:
709:
707:
704:
702:
699:
697:
694:
690:
687:
685:
682:
680:
677:
675:
672:
670:
667:
666:
665:
662:
661:
658:
653:
652:
645:
642:
640:
637:
636:
633:
628:
627:
620:
617:
615:
612:
610:
607:
605:
602:
600:
597:
595:
592:
590:
587:
585:
582:
580:
577:
575:
572:
570:
567:
565:
562:
560:
557:
555:
552:
550:
547:
545:
542:
540:
537:
535:
532:
531:
528:
523:
522:
515:
512:
511:
508:
503:
502:
491:
488:
486:
485:Record charts
483:
481:
480:Music samples
478:
477:
476:
475:
472:
468:
463:
460:
458:
455:
453:
450:
448:
445:
443:
440:
438:
435:
433:
430:
428:
425:
423:
420:
418:
415:
413:
410:
409:
408:
407:
402:
397:
396:
389:
386:
384:
381:
380:
377:
372:
371:
366:By topic area
363:
362:
355:
352:
350:
347:
345:
342:
340:
337:
336:
333:
328:
327:
320:
317:
315:
312:
310:
307:
305:
302:
301:
298:
293:
292:
285:
282:
280:
277:
275:
272:
270:
267:
266:
263:
258:
257:
250:
247:
245:
242:
240:
237:
235:
234:Pronunciation
232:
230:
227:
225:
222:
220:
219:Abbreviations
217:
216:
213:
208:
207:
200:
197:
195:
192:
190:
187:
185:
182:
180:
177:
175:
172:
168:
165:
164:
163:
160:
158:
155:
153:
152:Accessibility
150:
149:
146:
141:
140:
126:
125:
122:
118:
106:
102:
99:
95:
92:
88:
85:
81:
80:
77:
72:
67:
63:
59:
55:
49:
47:
43:
37:
30:
29:
26:
19:
3129:
3115:
3102:
3101:
3094:
3093:
3038:
2977:
2963:
2949:
2813:
2805:
2789:
2781:
2773:Claude Monet
2762:
2748:
2740:
2736:
2727:
2712:
2641:
2637:
2626:
2624:
2607:
2597:
2591:
2581:
2573:
2565:
2561:
2557:
2540:
2532:
2523:
2519:
2468:
2467:
2458:proper right
2455:
2438:oil painting
2433:
2432:
2423:
2420:Measurements
2413:
2409:
2405:
2404:
2392:
2380:Neues Museum
2352:
2350:
2322:
2318:
2316:
2312:
2298:
2291:
2280:
2264:
2224:
2220:
2210:
2196:
2192:
2191:(in Spanish
2185:
2184:
2183:
2174:
2168:
2159:
2155:
2147:Rokeby Venus
2145:
2124:
2120:
2116:
2091:
2077:
2071:
2064:
2058:
2052:
2046:
2039:
2008:proper names
1991:
1985:
1981:
1972:
1961:
1955:Annunciation
1954:
1947:
1926:Italic title
1919:
1913:
1910:Works of art
1900:Lead section
1889:
1662:
1655:
1648:
1634:Stub sorting
1550:Sports teams
1362:Broadcasting
1308:
1260:
1252:
1221:verification
1210:
1195:
1187:
1180:
1171:
1143:
1124:
1100:
1097:
1092:
1086:Art Bulletin
1085:
1081:
1072:Getty kouros
1055:
1025:
1021:
1020:
1015:
1012:Lead section
1006:
1002:
995:
900:
840:WikiProjects
770:Article size
456:
309:Lead section
57:
39:
25:
2792:Paul Signac
2713:Solutions:
2510:printmaking
2414:Jimbo Wales
2384:antiquities
2356:collections
2288:Exhibitions
2277:Manuscripts
2170:Las Meninas
2074:(Giorgione)
2072:The Tempest
1886:Biographies
1873:MOS:VATITLE
1788:Use English
1742:New Zealand
1402:Visual arts
1397:Video games
1377:Manuscripts
1202:iconography
1046:printmaking
1022:Edgar Degas
987:Text issues
903:visual arts
745:Terminology
701:Mathematics
604:Philippines
457:Visual arts
452:Video games
179:Hidden text
58:substantive
2956:notability
2908:commonscat
2869:Using the
2864:image page
2854:statement.
2602:still-life
2378:is in the
2368:old master
2294:notability
2227:: 108319.
2042:(El Greco)
2000:old master
1920:italicized
1775:Formatting
1732:Macedonian
1682:Bangladesh
1629:Long lists
1619:Categories
1610:Categories
1500:Government
1454:Technology
1392:Television
1217:notability
1206:provenance
1063:assertions
830:User pages
805:Signatures
800:Notability
731:Cue sports
447:Television
442:Philosophy
388:Trademarks
212:Formatting
91:MOS:VISUAL
3024:from the
3016:Getty AAT
2988:this page
2848:Copyright
2810:Uploading
2733:Galleries
2677:Sculpture
2497:engraving
2473:engraving
2240:2352-3409
2049:(Bellini)
1975:(unknown)
1964:(Raphael)
1950:(Picasso)
1858:Shortcuts
1767:Ukrainian
1747:Old Norse
1737:Mongolian
1540:Companies
1471:Chemistry
1466:Astronomy
1457:Transport
1277:(a set).
1263:(Hogarth)
1154:Giorgione
1042:sculpture
674:Chemicals
664:Chemistry
614:Singapore
589:Macedonia
569:Indonesia
184:Infoboxes
157:Biography
76:Shortcuts
66:talk page
62:consensus
42:guideline
3137:Category
2852:fair use
2639:centre.
2481:woodcuts
2448:, etc.)
2351:Note on
2256:35928587
2121:Fred Foo
1805:Acronyms
1722:Japanese
1677:Armenian
1503:Politics
1486:Aircraft
1476:Medicine
1237:Shortcut
1227:below).
1038:painting
858:Contents
853:Overview
810:Subpages
795:Hatnotes
711:Taxonomy
706:Medicine
632:Religion
599:Pakistan
594:Malaysia
527:Regional
269:Captions
239:Spelling
105:WP:VAMOS
3103:Result:
2952:deleted
2941:Sources
2918:commons
2655:Artwork
2634:Placing
2505:linocut
2501:etching
2248:9344297
1970:), and
1800:Plurals
1762:Tibetan
1757:Russian
1692:Chinese
1687:Burmese
1560:Numbers
1451:Science
1225:sources
1148:, like
1067:WP:LEAD
1050:drawing
735:Snooker
657:Science
574:Ireland
507:History
422:Blazons
189:Linking
145:Content
98:MOS:ART
3124:Madrid
3095:Enter:
3051:Art UK
3047:Art UK
3039:ArtLex
2724:notes.
2588:linked
2464:Prints
2442:canvas
2429:Medium
2374:, the
2358:: The
2354:Berlin
2342:Louvre
2119:" or "
1752:Polish
1727:Korean
1707:Hebrew
1697:German
1598:Events
1593:Places
1584:Events
1581:Places
1434:Sports
1419:Clergy
1410:People
1387:Operas
1367:Comics
1319:Nature
1146:oeuvre
724:Sports
684:Safety
609:Poland
559:Hawaii
539:Canada
437:Novels
417:Comics
314:Tables
304:Layout
297:Layout
284:Images
262:Images
84:MOS:VA
3085:Notes
2913:, or
2821:image
2744:WP:IG
2627:short
2594:text.
2469:Avoid
2434:Avoid
2406:Avoid
2401:Dates
2346:Prado
2319:avoid
1898:(see
1717:Irish
1712:Indic
1702:Greek
1624:Lists
1607:Lists
1563:Dates
1520:Legal
1491:Ships
1382:Music
1372:Films
1357:Books
1348:Media
639:Islam
584:Korea
579:Japan
564:India
549:Egypt
471:Music
383:Legal
376:Legal
339:Lists
332:Lists
279:Icons
40:This
16:<
3004:ULAN
2998:here
2903:Add
2592:bold
2456:See
2393:See
2253:PMID
2237:ISSN
2026:and
1342:Arts
1255:cast
1213:stub
1048:and
863:Tips
427:Film
401:Arts
2794:),
2491:or
2440:on
2410:use
2344:or
2244:PMC
2229:doi
2195:or
2173:or
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