Knowledge (XXG)

:Manual of Style/Visual arts - Knowledge (XXG)

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the order: height, width, & depth/diameter etc. if appropriate. Centimetres (very rarely millimetres) are now standard in academic art history, even in the US (though not always in museum captions), but ideally convert by template, as the MOS requires. Measurements are normally at the maximal place, but sometimes an explanation of where the measurement was taken is given in the source, which may need to be repeated in the article. Very full measurements of a painting may give the "visible area" of the framed work, the "painted area", often not exactly rectangular, and the measurements to the edge of the stretcher frame underneath a canvas.
3115: 2423:(1876)" etc.; "from 1876" is best avoided, except in a discussion of a chronological development of style or similar passage. This partly a matter of US/UK style: "an 1876 painting" is more acceptable in American English, but will rarely be found in American academic writing. For a painting that was completed over more than one year, either the range of years, or the year of completion should normally be given, or "completed in 1512", "commissioned in 1623", "begun in 1845" etc. 2328:"... currently resides in", "is currently in the Louvre", "is on display at", "is located in", "is in the collection of", and similar phrases. Just give the name of the collection, "Metropolitan Museum", or say "is in the Louvre", "is owned by", "now in" or "belongs to". Locating in a "private collection" is fine but any specific private ownership needs a recent reference (in particular do not trust old sources like the 1911 2097:. If further disambiguation is needed, because there is more than one sculpture of the same person with an article, then disambiguation by location rather than the sculptor is usually better. This may be done as either "Statue of Fred Foo (Chicago)" (typically preferred for North America) or "Statue of Fred Foo, Glasgow" (typically preferred elsewhere). If the sculpture has a distinct common name, like the 2373:" (German: Stiftung PreuĂźischer Kulturbesitz), which still sits above the Staatliche Museen as a parent body. These names are often credited as the owner or copyright holder for objects or pictures in art books. Now that the post-unification rearrangement of the Berlin museums is effectively complete, where a specific museum for an object is known, that should be used. So 40: 1959:. It is generally better to disambiguate by the artist's name than by medium, as there may be other paintings or sculptures of the same name by other artists. If the artist painted several works with the same, or very similar, titles, add the location of the work (usually a city rather than, e.g., a museum), unless it is in a private collection. For example, 2186:. In that case they should be used in the form used by most art historians writing in English, regardless of whether this is actually correct by the standards of the other language. It is not necessary to give the original-language version of titles of standard religious scenes or portraits, but for other titles this may be desirable, for example: 2334:, sometimes referred to as "1911 EB"). Once acquired by museums, most works remain there, but are not necessarily on display at any particular moment. "Currently" is fine if the work is known to be likely to move for some reason, such as belonging to another institution, although we do not need to reflect loans to exhibitions etc. Use "in the 1101:
Islamic, Mannerist, Middle Ages, Modernism, Neoclassicism for the late-eighteenth-century movement (otherwise, neoclassicism), Post-Impressionism, Pre-Columbian, Rococo, Roman, Romanesque, Romantic period, Xth Dynasty, antique, antiquity, classicism (see above), medieval, modern, neoclassicism (see above), postmodern, prehistoric, quattrocento.
1167:. If compiled from old sources like EB 1911, there are likely to be inaccuracies as (a) many works in private collections will have been sold and (b) some in museums will have been re-attributed. A short section on notable works is better, although care must be taken to give a worldwide view, not just covering works in the 2581:"Left" positions the image on the left of the page. The default sets the width at 220 pixels, which is fine for "landscape" images which are wider than they are tall. Where the reverse is the case, "upright" may be used to compensate for this. Even so, some very narrow images need a forced smaller size. 2569:
There are exceptions to this, when an image size is specified. This might be because there is a lot of detail, or because it is the lead image on the page. In such cases, 300px is a good size to consider, as anything less will have the reverse effect to enlargement for users who have their preference
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For historic artists, or types of art, that are not extremely famous (so not Rembrandt), it may be worth listing dedicated exhibitions in major museums going back as much as say forty years, as these can be crucial to the reputation of the artist or topic, and scholarship on them. In such cases, when
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bronze sculpture, a print, or works of decorative art produced under factory conditions, the article should as far as possible cover all copies, and normally should reflect this in its title and text, rather than specifying one location. The same generally goes for objects produced as a matching set,
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Although these types of lists may be found in artist's resumes, they are not very useful to Knowledge (XXG) readers if they only list institutional names and nothing else. A reader can typically find much better information through a basic web search. A list of notable works, as described previously,
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The lead section on individual works of art should give at least the following information (in roughly this order): Name(s)/title(s) of work, artist, date, type and materials, subject, nation or city of origin, present location. A reference to the style, school or movement it or the artist belongs to
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explanatory caption is often desirable, showing why the picture has been included, if necessary at the expense of some of the more technical information. Bear in mind image size preferences when writing long captions – a long caption may look good at 300px, but not at 180px. If any of the above is
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The use of "the" is complicated. Works where "the" begins a specific and non-generic title purely describing the subject do include this in the article title. However common subjects, especially religious ones, do not include "the" in the title, even when the episode is often or normally referred to
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Galleries are often necessary within the body of a VA article. These galleries should relate clearly to the text, be proportionate to it and provide adequate information in the captions. Galleries are important, not just for decoration, but to reinforce and amplify the meaning of the article and to
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Most images will be left at this default size and not have a "forced" image size. Specifying "225px", for example, means all users are forced to see the image at that size, as it over-rides their preference setting. Another reason for not forcing large image sizes, is that the result can be ugly on
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Measurements should always be given for a work that is the article subject, but are not usually needed in captions (see that section), unless there is a particular point being made, or the size of the object might be thought to be radically different from the real size. Always give measurements in
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Where possible upload to Commons, and remember to categorize as thoroughly as possible (not always easy there – look at comparable images and see what categories they are in). Images available for Fair Use only cannot be uploaded there however, which affects many 20th century images, and those of
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For artworks representing saints, use the form "Saint" (or "Saints" in the plural) spelled out in full, rather than abbreviated forms such as "St." or "St". However, "St." or "St" can be considered if a significant majority of sources use the abbreviation in question for the title of a particular
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In general, sharply delimited period titles are capitalized, whereas large periods and terms applicable to several periods are not: e.g., Archaic, Baroque, Early and High Renaissance, Early Christian, Gothic, Greek Classicism of the fifth century (otherwise, classicism), Imperial, Impressionism,
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In general, portraits and other strongly directional works should face into the page. Remember the issues described in the "size" section above when placing images; at some settings images may either create large white spaces or overlap at left and right, leaving a narrow strip of text in the
2369:(Berlin State Museums), often just "Staatliche Museen" or "SMB" on their logo, is not a location but the legal and administrative body that administers at least seventeen museums in Berlin, listed at that article. During the division of the city the Western body was known as the " 1014:
Information in an infobox contains basic introductory facts from the article. If something is not substantiated in the article, or would involve over-simplification, it should not be included in the infobox. An alternative to an infobox is to use a normal picture with caption.
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In general it is best and safest to use "artist" in the lead of a biography; very many artists were not just painters (many articles are currently defective in this respect). If the artist did significant work in several media, that should be indicated, as, for example:
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It can be helpful to add the owner of works to texts or captions of works referred to, but is not necessary, except for articles about the specific work. If the owner is not included in the information in the picture file, and is known, it should be added there.
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Generally, very short articles (say less than 200 words of main text) on individual works of art are to be avoided, as the information can be included in the main article on the artist, or incorporated with other similar short pieces in a dedicated article, such as
2171:. The institution's preferred name for the work is now more familiar than the older one, and is therefore used as the article title. In cases such as this the older title should be set up as a redirect and mentioned as a variant, but not used for the article title. 2527:
If an image shows only part of a work, especially a painting or other 2D work, the caption should specify it is a "detail". Reversed images should very rarely be used, for example to make a particular point, and they should be very clearly captioned as reversed.
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etc. is not known. Descriptions of print techniques on Commons descriptions should be treated with great caution; many if not most are inaccurate. "Engraving" is often treated as a generic term for all prints, which is to be avoided. See
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For portrait sculptures of individuals in public places the forms "Statue of Fred Foo", "Equestrian statue of Fred Foo" or "Bust of Fred Foo" are recommended, unless a form such as "Fred Foo Memorial" or "Monument to Fred Foo" is the
173: 2130:(Titian)" are both acceptable in article titles; disambiguation by the artist is usually best. Do not use the sitter's name alone, without disambiguation, as the article title for a portrait of that person. Titles such as " 2789:
There are options in formatting galleries which make them appear wider, or alter the number of images in a row, but these can cause visibility problems with different screen resolutions and should normally be avoided. See
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Objects such as excavated artefacts or illuminated manuscripts usually known by a name combining a previous or current owner, location, or place of discovery, followed by the type of object, should normally be treated as
1941:(except where they are the unique manuscript of a work whose title is the name for the manuscript) and other objects that are of some practical use, or archaeological artefacts, which are not italicized in any context: 2748:
A Knowledge (XXG) article gallery should not just replicate a Commons gallery, but should use images with editorial judgement, as would be given to text, with the validity of inclusion of each image considered. See
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preceded by "the", as in "the Crucifixion", the "Dormition of the Virgin", and so on. Works whose usual title includes the name of a former owner or a location do not include "the" in the article title. Examples:
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the rest of the section should generally summarize, at least for longer articles, the material covered in the other sections, especially if "unexpected" – if the object is widely considered to be a fake, like the
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Where there are several variant titles, preference is usually given to the predominant one used by art historians writing in English, and if this is not clear, the English title used by the owning museum. Few
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c) Link to specific works, either by a piped link in the text, or from a footnote. This is especially useful as the links can go to Commons or the web in general, although generally web links should be in the
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Images of buildings illuminated at night are often pretty, but almost always very poor at showing the building. They should be used very sparingly, and never as the lead picture where there is an alternative.
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Templates at the bottom of the page are usually preferable to those at the side, where they may make it difficult to incorporate proper illustration of a VA article. If so, they are likely to be removed.
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Try to avoid just stringing images down the side opposite white space (although some white space may occasionally be necessary at the end of a short article, depending on screen size and file settings).
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for decades were moved to Windsor a few years ago, while their next home was being decided on. The French and Spanish national collections also often move works around, to locations other than the main
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a major exhibition is actually running, it can be appropriate to add a sentence saying so to the end of the lead; but it should be moved down to near the end of the article when the exhibition closes.
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Long lists of exhibitions should be avoided. It will rarely be useful to mention more than five exhibitions. For contemporary and modern artists the venue of exhibitions can be important evidence of
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etc. For a title with no owner's name or location in it to be italicized, it has to be plausible to some degree that the creator would have considered the name we know an object by as its title.
1521: 2029:. If in doubt, the name used by the owning museum is persuasive, although the name used most commonly in recent scholarly references is the ultimate criterion; there are odd variations – both 1081:, do not save this information for a later section. This is often called the "no surprises" principle – after reading the lead, there should be no major surprises in the rest of the article. 2222:
Rettberg, Jill Walker; Kronman, Linda; Solberg, Ragnhild; Gunderson, Marianne; Bjørklund, Stein Magne; Stokkedal, Linn Heidi; Jacob, Kurdin; de Seta, Gabriele; Markham, Annette (2022-06-01).
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In passing references to details of style, it may be appropriate to use lower case terms e.g.: baroque, gothic, mannerist, modernist – but always Renaissance, Impressionist, Middle Ages.
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Getty Foundation, formerly "Union List of Artist's Names" – Lists names, including variants, dates and family relationships to other artists. The "preferred" name should generally be used.
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Set up redirects for variant titles, such as the original-language title for modern works or variant translations. Often a redirect with or without an initial "The" is likely to be useful.
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It will often be better to place a work by the artist at the top of a biography; this is especially the case for imaginary portraits of early artists, or photographs of more recent ones.
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Size—particularly helpful for unusually large or small works. There is not usually room to do this in both inches and centimetres, as the MoS prefers. Always put height before width.
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which will be challenged, even if they are reasonable. An indication of the work's place in the artist's development, or a larger art historical movement, may be appropriate. Per
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even if they are now separated. If the articles get long enough, it may be appropriate to give individual members of a set their own articles, as with the six paintings in
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If registered users have changed the thumb size in their preference settings (anything up to 400 pixels wide) then the image will appear for them at their selected size.
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Commons – very large, rather chaotic, and with very many washed-out old scans (from out-of-copyright books). Everything on Commons can be used without further worries.
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Many works have names by which they were well-known, but which are now falling out of use, as the museums who now own most tend not to use the former name. The
2478:"copper engraving" etc. (often found in pre-1900 material, or that half-translated from German and other languages where the term remains current)  – just use 2289: 1794: 1748: 1403: 1383: 972: 702: 690: 520: 382: 338: 72: 2607:– wikilinked if there is an article on the work. This may not apply to older works where there is no original title, and the subject is obvious, such as in a 1842: 3149: 1703: 1635: 1398: 1117: 418: 407: 325: 255: 250: 230: 180: 3019:– useful for finding the current location of art works and details about them (museum, size, date created, etc.), though Google images gives wider coverage 2611:. Include the title of the work in English whenever possible; adding the original language is unnecessary unless there is no English translation available. 1913:
or "art historian", "silversmith" may be appropriate. For movements, or techniques, add (art) or a more specific term such as (sculpture) if appropriate.
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Rationales should be added to the file for all Fair Use images used, detailing the reasons why the image is needed for each article in which it appears.
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Unfortunately, 19th century books available online are likely to be out of date and often contain serious errors, and thus should generally be avoided.
1811: 1683: 1492: 491: 486: 240: 225: 158: 2494:, only invented in the late 18th century), which is not acceptable now. Original prints, or reproductive ones of before about 1800 could be linked to 2342:" or another location, as that is the appropriate link and works in the Royal Collection are often moved around. For example, many works that were at 1806: 1768: 1698: 1693: 921: 315: 3060:
to put all art in the UK public collections online (formerly displayed as "Your Paintings" on the BBC website; organization previously known as the
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When there is sufficient notability and information to merit a separate article on an individual work of art, all pertinent facts as specified in
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Non-English language titles are generally only to be used if they are used by most art historians or critics writing in English – e.g.
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It demonstrates an aspect (e.g. a particular period or style feature) referred to in the text: make this clear in the image caption.
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If the title is not very specific, or refers to a common subject, add the surname of the artist in parentheses afterwards, e.g.
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suggests using a dictionary to determine capitalization. However, dictionaries vary on art movement/style capitalization. (See
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some, particularly low res, screen settings. It is therefore a sound practice to look at a page on different screen settings.
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Lists of works within a biography should be used cautiously; they are really only appropriate for major artists with a small
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in New York City, which are fully available as PDFs online (though the copyrights are still reserved). They can be found at
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Note: some editors prefer "Title, Artist" to the other way round. This should be consistent within an article. A
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from all times and places, where coverage is generally very poor at present. Digital art is also poorly covered.
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has both section galleries and a general gallery at the end. Mostly a gallery will be arranged chronologically.
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for syntax rules. Use the thumbnail parameter and write a caption that includes information about the work.
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is a special page dealing with the concerns of editors who are museum curators, librarians or archivists.
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for the object, and all words capitalized, but not italicized, as these are names not titles. Examples:
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for at least their first caption, except where the article is a biography. The name should not be in
2343: 1116:.) The Knowledge (XXG) Manual of Style does not touch on art movements and styles in particular, but 717: 2770:
Small galleries can be inserted in the body of the text: this is useful for general topics, such as
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is clearly unhelpful. The names of less well-known artists may not be suitable disambiguation terms.
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may optionally be annotated with the location of the artworks, if known and not expected to change.
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states that Knowledge (XXG) style is to use lower case when sources are inconsistent. See also the
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is still sufficiently well known by that name to justify using it for the title, even though the
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if there are difficulties. Many US libraries also have online access for library card holders.
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should be used for modern works where the title is given by the artist, and others such as the
3004: 3000: 2259: 2243: 2165:. But in the same museum, a work formerly known as the Burlington House Cartoon is now called 2132: 1156: 2224:"Representations of machine vision technologies in artworks, games and narratives: A dataset" 1219: 1073: 908:
This page sets out some guidance on special issues commonly encountered in writing about the
3106:], ''Charles IV of Spain and His Family''. 1800–1801. 280 × 336 cm. Oil on canvas. ], ].]] 2924: 2802: 2791: 2771: 2661: 2495: 2335: 2250: 2235: 2158: 2066: 1281: 137: 2958: 3126: 2870: 2519:
for a summary of the techniques, but just use "print" if the actual technique is unknown.
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status – Is it copyrighted? By whom? If it is copyrighted and not by yourself, prepare a
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assessing its general quality or significance, that can be added, but avoid unreferenced
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A particular image may be better used as a stand-alone one in the body of the text, if:
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Default position is on the right of the page (specifying "right" is therefore redundant)
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Collection or whereabouts (optional, as should be on image data), linked in most cases.
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known, but is not included in the image file details, then it should be added there.
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Prado, p. 141: "The third of May 1808 in Madrid; the shootings on Prince Pio hill".
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El tres de mayo de 1808 en Madrid; Los fusilamientos de la montaña del Príncipe Pío
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in the External links section to provide a link to the commons gallery or article.
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It is a generally accepted standard that editors should attempt to follow, though
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Many articles, particularly on contemporary artists, groups and "movements", are
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There is a need for more articles on non-Western historic art, and on applied or
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Association of Art Editors Style Guide, 2013. Art movements, periods, and styles
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Guidelines on what to include and how to format it, just one external example,
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Capitalization of art movements and art style names is a complex issue. The
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There are dedicated infoboxes and some templates for Visual arts articles at
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has two galleries within the text, one for earlier and one for later works.
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There are some other options which can be put into the basic image coding:
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work, or if it can be proved that the artist did so for that work's title.
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The source of the image. Usually the URL from which you downloaded it.
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demonstrate meaning and nuance, which cannot be made by words alone.
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Include all of the above information when uploading or add it to the
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In a Rfc on the use of "packed" format galleries in an art article (
3003:(The Grove Dictionary of Art) through their local library. Contact 3113: 2619:
Date of work—usually date completed if it took more than one year,
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for the distinction between this and "Dutch" or "Flemish" in art.
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http://www.collegeart.org/caa/publications/AB/ABStyleGuide.html
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http://www.skidmore.edu/academics/arthistory/paperpg/index.html
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Google Images – can be very good, especially for portraits etc.
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http://www.collegeart.org/caa/publications/AB/ABStyleGuide.html
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for ways of unambiguously describing right and left in images.
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The Virgin and Child with Saint Anne and Saint John the Baptist
2136:" are all right to use, but probably need disambiguation. The 1260:
Where a work of art is produced in multiple copies, as with a
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template for the above information formats the data easily.
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What is the medium (oil and canvas/marble/mixed media ...)?
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Knowledge (XXG):WikiProject Visual arts/Art Manual of Style
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for the policy from the Knowledge (XXG) Manual of Style.
2502:(the latter not date-limited), if the technique, such as 2206:) is a painting completed in 1814 by the Spanish master 1064:
is usually appropriate. If there is a quotation from a
3035:– highly specialized database on pigments and materials 1991:). It only works in a small minority of cases, such as 1879: 1872: 1251: 1163:. Longer ones are best moved to separate articles like 111: 104: 97: 90: 3087:
site hosts a freely accessible art writing style guide
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Category:Paintings of the Madonna and Child by Raphael
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For works belonging to permanent public collections,
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paintings had specific titles when they were painted.
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Medium and support, especially if not oil on canvas,
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For portraits in two-dimensional media, the styles "
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Knowledge (XXG):WikiProject Fact and Reference Check
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Definite or indefinite article at beginning of name
2999:United Kingdom residents can get online access to 1929:in text, as well as the article title itself (use 1226:guidelines, and the article meets our standard of 1211:, style, significance in the artist's oeuvre, and 2001:(Dürer)) is considered too far from common usage. 1222:) are acceptable, provided the subject meets the 1005:Knowledge (XXG):WikiProject Visual arts#Templates 2303:, but only the most important should be given. 2290:Knowledge (XXG):Naming conventions (manuscripts) 973:Knowledge (XXG):Naming conventions (use English) 2482:. Older sources (such as the 1911 EB) may use " 1901:is usually the best choice, as opposed to e.g. 1118:Knowledge (XXG):Manual of Style/Capital letters 987:Knowledge (XXG):Advice for the cultural sector 949:Knowledge (XXG):Manual of Style/Lists of works 1836: 1278:Sèvres pot-pourri vase in the shape of a ship 916:. It should be read in conjunction with the 889: 8: 3041:– search to locate resources about an artist 2989:There are over 1,500 books published by the 2589:The minimum information to be included is: 1122:Association of Art Editors Style Guide, 2013 2540:The basic formatting code for an image is: 1317:Category:Knowledge (XXG) naming conventions 1175:Lists of museums, galleries, or collections 944:Knowledge (XXG):Manual of Style/Biographies 787:Categories, lists, and navigation templates 51:is a part of the English Knowledge (XXG)'s 3125:. 1800–1801. 280 × 336 cm. Oil on canvas. 2763:It is specifically referred to in the text 2393:can also be described as belonging to the 2037:seem the best established capitalizations. 1843: 1829: 1295: 1280:(in porcelain with several examples), and 896: 882: 412: 376: 123: 2253: 1921:For articles on individual works of art: 1897:If a biography needs disambiguating then 1031:(19 July 1834 – 27 September 1917), born 3069:External resources for writing about art 2443:"an oil-on-canvas painting" – it is "an 1091:College Art Association style guide for 2214: 1781: 1647: 1611: 1585: 1564: 1538: 1504: 1455: 1415: 1346: 1325: 1307: 1298: 1165:List of works by Caspar David Friedrich 1128: 912:, and has been developed by members of 476: 126: 3150:Knowledge (XXG) Manual of Style (arts) 3017:The Bridgeman Art Library Image Search 1043:), was a French artist, who worked in 71:. When in doubt, discuss first on the 2371:Prussian Cultural Heritage Foundation 1987:Avoid the construction "X's Y" (e.g. 1039: 7: 2760:It is an outstanding example of work 2163:The Toilet of Venus ("Rokeby Venus") 1218:Shorter articles on artists (i.e. a 2803:the consensus was against their use 2716:Too many pictures, too little text? 1408: 1274:Bust of Winston Churchill (Epstein) 1204: 968:Knowledge (XXG):Notability (people) 3123:Charles IV of Spain and His Family 2419:a "painting of 1876" or "his nude 2204:Los fusilamientos del tres de mayo 2105:Statue of Mahatma Gandhi (Houston) 1096:says (or, it seems, used to say): 31: 2615:Optional additional information: 2103:, that should be used. Examples: 67:edit to this page should reflect 2552:It allows the caption to display 2117:Equestrian statue of Christian V 2109:Statue of Queen Victoria, Sydney 1085:Capitalization and art movements 934:Knowledge (XXG) style guidelines 38: 2873:after you've uploaded the file. 2570:setting at the maximum 400 px. 2558:Default size is 220 pixels wide 918:Knowledge (XXG) Manual of Style 18:Knowledge (XXG):Manual of Style 2377:paintings are normally in the 1925:The title of a work of art is 1238:Multiples, copies and versions 939:Knowledge (XXG):Citing sources 1: 2894:Use regular wiki markup. See 2891:Add the image to an article. 2842:When was the piece completed? 1198:Portraits by Vincent van Gogh 999:Using infoboxes and templates 928:Helpful Knowledge (XXG) links 686:References and external links 2830:of art, know the following: 1231: 3062:Public Catalogue Foundation 3033:Museum of Fine Arts, Boston 2961:for failing to demonstrate 2822:three-dimensional objects. 2451:" (unless it is actually a 2367:Staatliche Museen zu Berlin 1989:Botticelli's Birth of Venus 1114:User:Sparkit/capitalization 1033:Hilaire-Germain-Edgar Degas 541:Specific naming conventions 3166: 3085:Association of Art Editors 2991:Metropolitan Museum of Art 2971:independent of the subject 2548:"Thumb" has four effects: 1862: 1861: 1522:Government and legislation 1294: 1241: 963:Knowledge (XXG):Notability 958:Knowledge (XXG) guidelines 80: 3097:Example image and caption 2981:Useful external resources 2975:Referencing for beginners 2605:Title of work in italics, 2536:Basic formatting and size 2240:10.1016/j.dib.2022.108319 2183:Les Demoiselles d'Avignon 2161:in London uses the title 2086:The Persistence of Memory 1909:above). For other people 1648:Language/country-specific 842:Wikimedia sister projects 2969:from secondary sources, 2953:References are essential 2845:What are its dimensions? 2724:a) Write some more text. 2113:Jefferson Davis Monument 2331:Encyclopædia Britannica 2316:Museums and collections 2047:Dormition of the Virgin 1939:illuminated manuscripts 1110:style guide at zeal.com 914:WikiProject Visual arts 3134: 3050:– definitions of terms 2851:Where is it displayed? 2839:The name of the piece? 2395:Antikensammlung Berlin 2379:Gemäldegalerie, Berlin 2281: 1973:is of little use (see 1964:(van Eyck, Washington) 1817:Technical restrictions 1431:Ethnicities and tribes 1308:All naming conventions 1169:English-speaking world 1103: 1061: 3117: 2881:Image information art 2836:Who is the artist(s)? 2826:Before you upload an 2776:Pierre-Auguste Renoir 2706:Image information art 2288:These are covered at 2194:The Third of May 1808 2189: 1488:Programming languages 1276:(ten or more casts), 1098: 1037:French pronunciation: 1026: 469:Writing about fiction 174:Organizing by subject 128:Manual of Style (MoS) 61:occasional exceptions 2415:"an 1876 painting", 2344:Hampton Court Palace 2124:Portrait of Fred Foo 1903:John Smith (painter) 1436:Royalty and nobility 822:Talk page guidelines 497:Stringed instruments 169:Disambiguation pages 2653:Available templates 2523:Using images of art 2054:Agony in the Garden 1911:John Smith (potter) 1899:John Smith (artist) 922:Visual Arts Project 626:Trinidad and Tobago 561:France (and French) 551:China (and Chinese) 3135: 2896:Visual file markup 2866:Upload the image. 2490:(rather than true 2338:" rather than "at 2142:Arnolfini Portrait 2073:The Birth of Venus 1994:Dürer's Rhinoceros 1955:Reading the Letter 1268:Marriage A-la-Mode 827:Template namespace 771:Related guidelines 3039:artcyclopedia.org 3001:Oxford Art Online 2967:viable references 2711:– for image pages 2133:Portrait of a Man 1969:Madonna and Child 1890: 1889: 1857: 1856: 1853: 1852: 1579:Numbers and dates 1552:Latter Day Saints 1532:Political parties 1184:Articles to write 1157:Leonardo da Vinci 906: 905: 832:Understandability 762: 761: 696:Structure drawing 651:Latter Day Saints 504: 503: 439:Lyrics and poetry 361:Stand-alone lists 236:Dates and numbers 122: 121: 22:(Redirected from 3157: 2929: 2923: 2919: 2913: 2885: 2879: 2809:Image rationales 2792:Help:Gallery tag 2772:Western painting 2727:b) Use a gallery 2710: 2704: 2699: 2693: 2688: 2682: 2677: 2673:Infobox Painting 2671: 2666: 2660: 2496:old master print 2486:" as a term for 2336:Royal Collection 2311:Describing works 2276: 2273: 2267: 2266: 2257: 2219: 2159:National Gallery 2070:(location), but 2067:Ghent Altarpiece 2064:(former owner), 1936: 1882: 1875: 1859: 1858: 1845: 1838: 1831: 1803: 1446:Baseball players 1303: 1296: 1292: 1291: 1282:Raphael Cartoons 1254: 1140: 1133: 1042: 1038: 898: 891: 884: 703:Computer science 676:Compound classes 521:Military history 413: 377: 143: 124: 114: 107: 100: 93: 42: 41: 35: 27: 3165: 3164: 3160: 3159: 3158: 3156: 3155: 3154: 3140: 3139: 3127:Museo del Prado 3107: 3099: 3094: 3071: 2983: 2955: 2950: 2937: 2935:Image resources 2927: 2921: 2917: 2911: 2883: 2877: 2819: 2811: 2742: 2718: 2708: 2702: 2697: 2691: 2686: 2680: 2675: 2669: 2664: 2658: 2655: 2643: 2587: 2538: 2525: 2492:wood engravings 2473: 2461: 2438: 2429: 2410: 2318: 2313: 2297: 2286: 2280: 2279: 2274: 2270: 2221: 2220: 2216: 2100:Bronze Horseman 2031:Berlin Gold Hat 2027:Berlin Gold Hat 2023:Cloisters Cross 1980:Battle of Orsha 1930: 1919: 1895: 1886: 1885: 1878: 1871: 1867: 1849: 1799: 1657:Writing systems 1334:Fauna (animals) 1299: 1290: 1258: 1257: 1250: 1246: 1240: 1186: 1177: 1149: 1144: 1143: 1134: 1130: 1087: 1066:reliable source 1036: 1021: 1001: 996: 930: 902: 852: 851: 772: 764: 763: 758: 757: 733: 723: 722: 666: 656: 655: 641: 631: 630: 536: 526: 525: 516: 506: 505: 419:Anime and manga 410: 400: 399: 385: 374: 366: 365: 341: 331: 330: 326:Trivia sections 306: 296: 295: 281:Image placement 271: 261: 260: 256:Titles of works 251:Text formatting 221: 211: 210: 201:Self-references 181:Gender identity 154: 144: 138: 118: 117: 110: 103: 96: 89: 85: 77: 76: 63:may apply. Any 53:Manual of Style 39: 29: 28: 21: 20: 12: 11: 5: 3163: 3161: 3153: 3152: 3142: 3141: 3137: 3119:Francisco Goya 3105: 3098: 3095: 3093: 3090: 3089: 3088: 3082: 3077: 3070: 3067: 3066: 3065: 3051: 3048:art dictionary 3042: 3036: 3029:Cameo database 3026: 3020: 3014: 3008: 2997: 2982: 2979: 2954: 2951: 2949: 2946: 2945: 2944: 2941: 2936: 2933: 2932: 2931: 2908: 2907: 2906: 2899: 2889: 2888: 2887: 2874: 2864: 2863: 2862: 2852: 2849: 2846: 2843: 2840: 2837: 2834: 2818: 2815: 2810: 2807: 2768: 2767: 2764: 2761: 2741: 2738: 2733: 2732: 2728: 2725: 2717: 2714: 2713: 2712: 2700: 2695:Infobox Artist 2689: 2678: 2667: 2654: 2651: 2642: 2639: 2630: 2629: 2626: 2623: 2620: 2613: 2612: 2602: 2593:Artist name – 2586: 2585:Image captions 2583: 2579: 2578: 2563: 2562: 2559: 2556: 2553: 2546: 2545: 2537: 2534: 2524: 2521: 2484:wood-engraving 2472: 2469: 2460: 2459:Right and left 2457: 2453:panel painting 2437: 2434: 2428: 2425: 2409: 2406: 2383:Nefertiti Bust 2340:Windsor Castle 2317: 2314: 2312: 2309: 2296: 2293: 2285: 2282: 2278: 2277: 2268: 2213: 2212: 2208:Francisco Goya 2188: 2187: 2172: 2149: 2145: 2120: 2090: 2061:Benois Madonna 2041: 2038: 2035:Mold gold cape 2010: 2002: 1999:The Rhinoceros 1985: 1950: 1947:Sedgeford Torc 1943:Royal Gold Cup 1918: 1915: 1894: 1891: 1888: 1887: 1884: 1883: 1876: 1868: 1863: 1855: 1854: 1851: 1850: 1848: 1847: 1840: 1833: 1825: 1822: 1821: 1820: 1819: 1814: 1809: 1804: 1797: 1792: 1790:Capitalization 1784: 1783: 1779: 1778: 1777: 1776: 1771: 1766: 1761: 1756: 1751: 1746: 1741: 1736: 1731: 1726: 1721: 1716: 1711: 1706: 1701: 1696: 1691: 1686: 1681: 1675: 1674: 1667: 1660: 1650: 1649: 1645: 1644: 1643: 1638: 1633: 1628: 1621: 1620: 1619: 1618: 1615: 1609: 1608: 1607: 1602: 1595: 1594: 1593: 1592: 1589: 1583: 1582: 1581: 1574: 1573: 1572: 1571: 1568: 1562: 1561: 1560: 1559: 1554: 1549: 1541: 1540: 1536: 1535: 1534: 1529: 1524: 1517: 1516: 1515: 1514: 1511: 1508: 1502: 1501: 1500: 1495: 1490: 1485: 1480: 1475: 1468: 1467: 1466: 1465: 1462: 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662: 661: 658: 657: 654: 653: 648: 642: 637: 636: 633: 632: 629: 628: 623: 618: 613: 608: 603: 598: 593: 588: 583: 578: 573: 568: 563: 558: 553: 548: 543: 537: 532: 531: 528: 527: 524: 523: 517: 512: 511: 508: 507: 502: 501: 500: 499: 494: 489: 481: 480: 474: 473: 472: 471: 466: 461: 456: 451: 446: 441: 436: 431: 426: 421: 411: 406: 405: 402: 401: 398: 397: 392: 386: 381: 380: 375: 372: 371: 368: 367: 364: 363: 358: 356:Road junctions 353: 351:Lists of works 348: 342: 337: 336: 333: 332: 329: 328: 323: 318: 313: 307: 302: 301: 298: 297: 294: 293: 288: 283: 278: 272: 267: 266: 263: 262: 259: 258: 253: 248: 243: 238: 233: 231:Capitalization 228: 222: 217: 216: 213: 212: 209: 208: 206:Words to watch 203: 198: 193: 188: 183: 178: 177: 176: 166: 161: 155: 150: 149: 146: 145: 140: 136: 134: 131: 130: 120: 119: 116: 115: 108: 101: 94: 86: 81: 78: 58: 57: 45: 43: 30: 15: 14: 13: 10: 9: 6: 4: 3: 2: 3162: 3151: 3148: 3147: 3145: 3138: 3132: 3128: 3124: 3120: 3116: 3112: 3111: 3104: 3103: 3096: 3091: 3086: 3083: 3081: 3078: 3076: 3073: 3072: 3068: 3063: 3059: 3056:– project by 3055: 3052: 3049: 3047: 3043: 3040: 3037: 3034: 3030: 3027: 3024: 3021: 3018: 3015: 3012: 3009: 3006: 3002: 2998: 2996: 2992: 2988: 2987: 2986: 2980: 2978: 2976: 2972: 2968: 2965:by providing 2964: 2960: 2952: 2947: 2942: 2939: 2938: 2934: 2926: 2916: 2909: 2904: 2900: 2897: 2893: 2892: 2890: 2882: 2875: 2872: 2868: 2867: 2865: 2860: 2856: 2853: 2850: 2847: 2844: 2841: 2838: 2835: 2832: 2831: 2829: 2825: 2824: 2823: 2816: 2814: 2808: 2806: 2804: 2800: 2795: 2793: 2787: 2785: 2784:Self-portrait 2781: 2777: 2773: 2765: 2762: 2759: 2758: 2757: 2754: 2752: 2746: 2739: 2737: 2729: 2726: 2723: 2722: 2721: 2715: 2707: 2701: 2696: 2690: 2685: 2679: 2674: 2668: 2663: 2657: 2656: 2652: 2650: 2647: 2640: 2638: 2635: 2627: 2624: 2621: 2618: 2617: 2616: 2610: 2606: 2603: 2600: 2596: 2592: 2591: 2590: 2584: 2582: 2576: 2575: 2574: 2571: 2567: 2560: 2557: 2554: 2551: 2550: 2549: 2543: 2542: 2541: 2535: 2533: 2529: 2522: 2520: 2518: 2513: 2509: 2505: 2501: 2500:popular print 2497: 2493: 2489: 2485: 2481: 2477: 2470: 2468: 2466: 2458: 2456: 2454: 2450: 2446: 2442: 2435: 2433: 2426: 2424: 2422: 2418: 2414: 2407: 2405: 2403: 2402:Netherlandish 2398: 2396: 2392: 2388: 2384: 2380: 2376: 2372: 2368: 2364: 2362: 2356: 2354: 2350: 2345: 2341: 2337: 2333: 2332: 2327: 2322: 2315: 2310: 2308: 2304: 2302: 2294: 2292: 2291: 2283: 2272: 2269: 2264: 2261: 2256: 2252: 2248: 2245: 2241: 2237: 2233: 2229: 2228:Data in Brief 2225: 2218: 2215: 2211: 2209: 2205: 2201: 2197: 2196: 2195: 2185: 2184: 2179: 2178: 2173: 2170: 2169: 2164: 2160: 2156: 2155: 2150: 2146: 2143: 2139: 2138:WP:COMMONNAME 2135: 2134: 2129: 2125: 2121: 2118: 2114: 2110: 2106: 2102: 2101: 2096: 2095:WP:COMMONNAME 2091: 2088: 2087: 2082: 2080: 2075: 2074: 2069: 2068: 2063: 2062: 2057: 2055: 2050: 2048: 2042: 2039: 2036: 2032: 2028: 2024: 2020: 2019:Rosetta Stone 2016: 2011: 2008: 2003: 2000: 1996: 1995: 1990: 1986: 1983: 1981: 1976: 1972: 1970: 1965: 1963: 1958: 1956: 1951: 1948: 1944: 1940: 1934: 1928: 1924: 1923: 1922: 1916: 1914: 1912: 1908: 1904: 1900: 1892: 1881: 1877: 1874: 1873:MOS:ART/TITLE 1870: 1869: 1866: 1860: 1846: 1841: 1839: 1834: 1832: 1827: 1826: 1824: 1823: 1818: 1815: 1813: 1810: 1808: 1805: 1802: 1798: 1796: 1793: 1791: 1788: 1787: 1786: 1785: 1780: 1775: 1772: 1770: 1767: 1765: 1762: 1760: 1757: 1755: 1752: 1750: 1747: 1745: 1742: 1740: 1737: 1735: 1732: 1730: 1727: 1725: 1722: 1720: 1717: 1715: 1712: 1710: 1707: 1705: 1702: 1700: 1697: 1695: 1692: 1690: 1687: 1685: 1682: 1680: 1679:Ancient Roman 1677: 1676: 1673: 1672: 1671:All countries 1668: 1666: 1665: 1664:All languages 1661: 1659: 1658: 1654: 1653: 1652: 1651: 1646: 1642: 1639: 1637: 1634: 1632: 1629: 1627: 1624: 1623: 1622: 1616: 1613: 1612: 1610: 1606: 1603: 1601: 1598: 1597: 1596: 1590: 1587: 1586: 1584: 1580: 1577: 1576: 1575: 1569: 1566: 1565: 1563: 1558: 1555: 1553: 1550: 1548: 1545: 1544: 1543: 1542: 1539:Organizations 1537: 1533: 1530: 1528: 1525: 1523: 1520: 1519: 1518: 1512: 1509: 1506: 1505: 1503: 1499: 1496: 1494: 1491: 1489: 1486: 1484: 1481: 1479: 1476: 1474: 1471: 1470: 1469: 1463: 1460: 1457: 1456: 1454: 1447: 1444: 1443: 1442: 1439: 1437: 1434: 1432: 1429: 1427: 1424: 1423: 1422: 1421: 1418: 1414: 1410: 1407: 1405: 1402: 1400: 1397: 1395: 1392: 1390: 1387: 1385: 1382: 1380: 1377: 1375: 1372: 1370: 1367: 1365: 1362: 1361: 1360: 1354: 1352:Entertainment 1351: 1348: 1347: 1345: 1340: 1337: 1335: 1332: 1331: 1330: 1329: 1324: 1319: 1318: 1314: 1313: 1312: 1311: 1306: 1302: 1297: 1293: 1287: 1285: 1283: 1279: 1275: 1272:. Examples: 1271: 1269: 1263: 1253: 1252:MOS:ART/MULTI 1249: 1248: 1245: 1237: 1235: 1233: 1229: 1225: 1221: 1216: 1214: 1210: 1206: 1201: 1199: 1193: 1191: 1183: 1181: 1174: 1172: 1170: 1166: 1162: 1158: 1154: 1146: 1138: 1132: 1129: 1125: 1123: 1119: 1115: 1111: 1106: 1102: 1097: 1095: 1094: 1084: 1082: 1080: 1075: 1071: 1067: 1060: 1058: 1054: 1050: 1046: 1041: 1034: 1030: 1025: 1018: 1016: 1012: 1008: 1006: 998: 993: 988: 985: 983: 980: 979: 974: 971: 969: 966: 964: 961: 960: 959: 956: 955: 950: 947: 945: 942: 940: 937: 936: 935: 932: 931: 927: 925: 923: 919: 915: 911: 899: 894: 892: 887: 885: 880: 879: 877: 876: 871: 868: 866: 863: 861: 858: 857: 856: 855: 848: 845: 843: 840: 838: 835: 833: 830: 828: 825: 823: 820: 818: 815: 813: 810: 808: 805: 803: 800: 798: 795: 793: 790: 788: 785: 783: 780: 778: 775: 774: 768: 767: 753: 749: 746: 743: 739: 736: 735: 732: 727: 726: 719: 716: 714: 711: 709: 706: 704: 701: 697: 694: 692: 689: 687: 684: 682: 679: 677: 674: 673: 672: 669: 668: 665: 660: 659: 652: 649: 647: 644: 643: 640: 635: 634: 627: 624: 622: 619: 617: 614: 612: 609: 607: 604: 602: 599: 597: 594: 592: 589: 587: 584: 582: 579: 577: 574: 572: 569: 567: 564: 562: 559: 557: 554: 552: 549: 547: 544: 542: 539: 538: 535: 530: 529: 522: 519: 518: 515: 510: 509: 498: 495: 493: 492:Record charts 490: 488: 487:Music samples 485: 484: 483: 482: 479: 475: 470: 467: 465: 462: 460: 457: 455: 452: 450: 447: 445: 442: 440: 437: 435: 432: 430: 427: 425: 422: 420: 417: 416: 415: 414: 409: 404: 403: 396: 393: 391: 388: 387: 384: 379: 378: 373:By topic area 370: 369: 362: 359: 357: 354: 352: 349: 347: 344: 343: 340: 335: 334: 327: 324: 322: 319: 317: 314: 312: 309: 308: 305: 300: 299: 292: 289: 287: 284: 282: 279: 277: 274: 273: 270: 265: 264: 257: 254: 252: 249: 247: 244: 242: 241:Pronunciation 239: 237: 234: 232: 229: 227: 226:Abbreviations 224: 223: 220: 215: 214: 207: 204: 202: 199: 197: 194: 192: 189: 187: 184: 182: 179: 175: 172: 171: 170: 167: 165: 162: 160: 159:Accessibility 157: 156: 153: 148: 147: 133: 132: 129: 125: 113: 109: 106: 102: 99: 95: 92: 88: 87: 84: 79: 74: 70: 66: 62: 56: 54: 50: 44: 37: 36: 33: 25: 19: 3136: 3122: 3109: 3108: 3101: 3100: 3045: 2984: 2970: 2956: 2820: 2812: 2796: 2788: 2780:Claude Monet 2769: 2755: 2747: 2743: 2734: 2719: 2648: 2644: 2633: 2631: 2614: 2604: 2598: 2588: 2580: 2572: 2568: 2564: 2547: 2539: 2530: 2526: 2475: 2474: 2465:proper right 2462: 2445:oil painting 2440: 2439: 2430: 2427:Measurements 2420: 2416: 2412: 2411: 2399: 2387:Neues Museum 2359: 2357: 2329: 2325: 2323: 2319: 2305: 2298: 2287: 2271: 2231: 2227: 2217: 2203: 2199: 2198:(in Spanish 2192: 2191: 2190: 2181: 2175: 2166: 2162: 2154:Rokeby Venus 2152: 2131: 2127: 2123: 2098: 2084: 2078: 2071: 2065: 2059: 2053: 2046: 2015:proper names 1998: 1992: 1988: 1979: 1968: 1962:Annunciation 1961: 1954: 1933:Italic title 1926: 1920: 1917:Works of art 1907:Lead section 1896: 1669: 1662: 1655: 1641:Stub sorting 1557:Sports teams 1369:Broadcasting 1315: 1267: 1259: 1228:verification 1217: 1202: 1194: 1187: 1178: 1150: 1131: 1107: 1104: 1099: 1093:Art Bulletin 1092: 1088: 1079:Getty kouros 1062: 1032: 1028: 1027: 1022: 1019:Lead section 1013: 1009: 1002: 907: 847:WikiProjects 777:Article size 463: 316:Lead section 64: 46: 32: 2799:Paul Signac 2720:Solutions: 2517:printmaking 2421:Jimbo Wales 2391:antiquities 2363:collections 2295:Exhibitions 2284:Manuscripts 2177:Las Meninas 2081:(Giorgione) 2079:The Tempest 1893:Biographies 1880:MOS:VATITLE 1795:Use English 1749:New Zealand 1409:Visual arts 1404:Video games 1384:Manuscripts 1209:iconography 1053:printmaking 1029:Edgar Degas 994:Text issues 910:visual arts 752:Terminology 708:Mathematics 611:Philippines 464:Visual arts 459:Video games 186:Hidden text 65:substantive 2963:notability 2915:commonscat 2876:Using the 2871:image page 2861:statement. 2609:still-life 2385:is in the 2375:old master 2301:notability 2234:: 108319. 2049:(El Greco) 2007:old master 1927:italicized 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Index

Knowledge (XXG):Manual of Style
Knowledge (XXG):WikiProject Visual arts/Art Manual of Style
guideline
Manual of Style
occasional exceptions
consensus
talk page
Shortcuts
MOS:VA
MOS:VISUAL
MOS:ART
WP:VAMOS
Manual of Style (MoS)
Content
Accessibility
Biography
Disambiguation pages
Organizing by subject
Gender identity
Hidden text
Infoboxes
Linking
Self-references
Words to watch
Formatting
Abbreviations
Capitalization
Dates and numbers
Pronunciation
Spelling

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